The American series Scream Queens is a strange beast: part college drama, part horror, part black comedy, it follows teenagers at a sorority house as a disguised serial killer begins a murderous rampage on campus, picking off a handful of characters each episode. The result: a parade of mean girls in prom dresses, covered in blood and guts. The makers of the show are keen to pay homage to the classics that have influenced them, and many viewers have pointed out deaths that reference major horror films: whether it’s freezing to death in a maze à la The Shining, getting a Hellraiser-esque makeover, or being hacked to tiny pieces in the style of the Texas Chainsaw Massacre.
But the show takes its teenage dream aesthetic just as seriously, and frequently acknowledges and subverts the tropes and quirks of the high school movie genre, from implicit nods to direct parodies.
Heathers (1988) is an obvious source for Scream Queens: following two outsiders as they systematically murder the most popular kids in school, it’s sardonic, garish and brutally violent. Sorority head Chanel forces her minions to call themselves Chanel #2, Chanel #3, and so on, an overt reference to Heathers‘s three queen bees (all called Heather). The makers of Scream Queens also repeatedly play with the film’s opening croquet scene in the show’s first episode.
Only witches and ritual murderers are that into candles. The teen witch aesthetic of The Craft (1996) continually seeps in to the show, even if it’s at odds with the usual sugary-sweet palette.
It’s hard to think of pretty blonde girls in prom dresses covered in blood without thinking of Carrie (1976). The opening scene of Scream Queens sees a girl in a trance-like state with bloodied hands walking through a pastel party. But in Scream Queens, no one’s that bothered: “I am not missing ‘Waterfalls’ for this. ‘Waterfalls’ is my jam.”
Gossip Girl (2007-2012) spawned a thousand glossy, bitchy children, and Scream Queens could be its slightly unhinged niece. Chanel #1’s silky, preppy wardrobe calls to mind some of Blair’s pristine outfits (even if she’d never be seen dead in a pink faux fur jacket), and the sorority house, with its sweeping staircases, soft carpets and luxurious flower arrangements, is strikingly similar to the Waldorf’s apartment. One of the most obvious references to the show is Mrs Bean, Chanel’s maid, who follows in the footsteps of Blair’s maid Dorota, (right down to the old-fashioned uniform). While Blair grows incredibly close with Dorota (she’s maid-of-honour at her wedding), Chanel burns Mrs Bean’s face of in a deep-fat fryer. Lovely.
Makeovers, hazing, and neck braces: there are several obligatory references to cultural touchstone Mean Girls (2004), including matching pink outfits and vengeful collages
The Powerpuff Girls
What happens when you mix sugar, spice, and all things nice with a mysterious and explosive chemical? Either the Powerpuff Girls, or the Chanels.
Now hear Anna discussing Scream Queens on the New Statesman’s pop culture podcast, SRSLY.