Han Kang’s radical empathy
As with all the Nobel Prize-winning South Korean writer’s stories, We Do Not Part rejects escapism to reach into the painful lives of strangers.
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Reviewing politics
and culture since 1913
As with all the Nobel Prize-winning South Korean writer’s stories, We Do Not Part rejects escapism to reach into the painful lives of strangers.
By Megan WalshThe sophomore novel from the author of story collections A Thousand Years of Good Prayers and Gold Boy, Emerald…
By Megan WalshWith new cinemas in China popping up at the rate of ten a day, Feng Xiaogang is the Chinese…
By Megan Walsh