Kate Mossman is the New Statesman's arts editor and pop critic.
Back in the Land Rover, doors locked, we watched the action begin. . .
"I should have cancelled but there was not a chance in hell. The shit I went through on that last tour. I have earned this grey hair."
It wasn’t what I’d imagined a wasp attack to be like. It was so quiet; they were too busy to buzz.
Björk's new experiment takes music of claustrophobic unhappiness and shifts it into a relentless, dynamic world.
Kate Mossman meets the man behind one of the world’s wealthiest rock bands.
Kate Mossman talks to Jeff Beck about escaping Eric Clapton's shadow, dodging fame, and why he can’t go and see Pat Metheny.
The many personalities of Héloïse Letissier, awkward superstar of Christine and the Queens.
Kate Mossman experiences a day in the life of Brix Smith Start.
Exhibitionism: the Rolling Stones is upfront about one of the Stones' biggest innovations: the way they sold themselves.
People have trained themselves to look for the riddles and tricks in Bowie's music, but this time he was hiding nothing.
Buy a friend or loved one a subscription to the New Statesman this Christmas, or treat yourself to weekly issues of high-quality and independent journalism.
Our Christmas subscriptions come with a complementary gift bundle worth £92. Browse our New Statesman subscription options here.