The final table at the 2009 World Series of Poker. Photo: Getty Images
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Las Vegas: the last honest place on earth

Poker is pure social Darwinism – a revelation of character as well as capacity. And where better to play it than Las Vegas, a city that is brutally upfront about its desire to separate you from your money?

I once knew a girl who had grown up in a small town on the North Island of New Zealand. The town was populated by descendants of Scottish Protestants, who had established a place of sober, hard-working respectability. On Friday and Saturday nights, the young people would go to a barn outside the town limits, where there would be music and dancing and the young men would get drunk and fight each other. None of this spilled over back into the town: no one would say anything about the bruises on the butcher boy’s face; and if a couple had found an intimacy at a dance, that wouldn’t alter the formality of their relations during the rest of the week.

This is how Protestant countries work. Civic spaces are designed for polite, hard-working respectability, and young people let off steam and the sinners do their sinning in self-contained places outside town limits. The US is a very Protestant country, and Las Vegas is its barn.
Actually it’s two barns, a couple of miles away from each other. The original one, Fremont Street, Downtown, is a ramshackle place. Apart from the slickly remodelled Golden Nugget, the one-time Glitter Gulch is a couple of shabby blocks of casinos and bars and souvenir shops covered by a canopy and blasted at night with music and air-conditioning and lights (“The Fabulous Fremont Street Experience!”), surrounded by slums and bail bondsmen storefronts. The other, the Strip, is the gaudy place of postcards and movies and the “Welcome to Las Vegas” sign, where high-rise casino-resorts stretch out along Las Vegas Boulevard.
 
It all began with a 1930s gambling roadhouse. The Club Pair-O-Dice was built up in the 1940s and 1950s with oil and Mafia money, and properly established itself after the Cuban Revolution of 1959 shut down America’s playground. The mountains behind, and the intolerable heat, remind any summer visitor who is foolish enough to stray too far from air-conditioning that this is a place in the middle of the desert without any reason to be, except for cupidity, profit, pleasure and need.
 
In July, I’d driven in from LA in the company of two old friends. We followed Interstate 15 through the Mojave Desert shimmer of heat, truck stops and Joshua trees and the occasional sun-blasted forsaken town. Both of my companions are Londoners who have been living in Los Angeles for about 15 years. One has made it big in Hollywood as a writer and producer of network television shows. The other is a professor of the history of science at California State University.
 
The Money and I had planned this trip some months ago. The Professor had joined us at short notice, leaving his wife and two small children behind. The Professor’s wife had been unresisting, maybe even encouraging. Because this is America, it is understood that men need to get together, to drive through the desert, that men need to drink cocktails and argue about politics in the Bellagio bar. But I wasn’t here to let off steam. I’d come to Vegas for a meeting of the board of the UK Poker Federation, and to take part in the World Series of Poker (WSOP).
 
The WSOP began in 1970 as a publicity stunt, as so many things in Vegas do. The Downtown casino owner Benny Binion invited the six best players in the world – most of them Texan – to compete against each other in cash games in several variants of poker, after which they voted on who had played the best. Most voted for themselves but after the second-place votes were tallied, Johnny Moss was declared the champion. The following year, seven players returned for a freeze-out tournament, in which players put up $5,000, received the same number of chips and the player who had all the chips at the end was the winner. This was again Johnny Moss.
 
The game that was played was Texas Hold ’em (“the Cadillac of poker games”). Each player is dealt two hole cards, followed by a round 
of betting, after which the “flop” of three communal cards is dealt, followed by a fourth card, the “turn”, and then the final communal card, the “river”, with a round of betting after the reveal of each communal card. The player makes the best five-card hand available out of any combination of his or her hidden hole cards and the five communal cards of the “board”. It’s a game of discipline and nerve and courage, which has become by far the most commonly played variant of poker. As the cliché goes, the tournament version is “hours and hours of boredom punctuated by moments of sheer terror”.
 
In the World Series of 1972, eight players took part, this time putting up $10,000 as the entry fee. The winner was “Amarillo Slim” Preston, who had a genius for self-publicity that exceeded even Benny Binion’s; and with this, the Main Event, the Big One, took off in the American imagination.
The modern era of poker began in 2003 when the appropriately named Chris Moneymaker, an accountant from Tennessee, qualified for the Main Event on the internet site PokerStars for a $39 investment and beat 838 other competitors for the first prize of $2.5m. When I first played the Main Event, in 2006, there were 8,773 entrants, many thousands of whom were online qualifiers.
 
The lobbies and bars and streets of Vegas were filled with tribes of online players wearing their website-branded caps and T-shirts and hoodies. (We’re now in the postmodern era, ever since the US government, in one of its typical reflexes of puritanism and economic protectionism, shut down online poker in America in April last year.)
 
The WSOP events are no longer at Binion’s Horseshoe Casino. The casino chain Harrah’s (now Caesars Entertainment) bought the Horseshoe in 2004 just for the World Series brand and moved the event from Fremont Street to just off the Strip, in the Rio Casino’s convention centre. This was all part of Downtown’s dwindling. There is no economic or legal connection between the city of Las Vegas and the Strip, which is incorporated into Clark County rather than the city. Strip casinos are superbly well-engineered machines for separating people from their money. None of those proceeds goes to the city.
 
Five years ago, Las Vegas was the fastest-growing city in the United States, with an unemployment rate of 4.7 per cent. The unemployment rate now is above 12 per cent. The crime rate is high, and getting higher. This year, the projected figures are for 130 killings and 16,500 cases of violent crime, which is two and a half times the national average.
 
The biggest police anti-crime initiative that I saw when I was there in July was the clampdown on pedlars selling bottles of drinking water without a licence. They are a common street sight, almost as common as the Mexican families flicking cards advertising erotic services on Las Vegas Boulevard, and the tourists traipsing along the Strip in the desert heat are grateful. But as the Las Vegas Review-Journal reported of one family group that had been warned off by a security guard outside Planet Hollywood, “Dolores Smith, 20, acknowledges that the water she and her cousins are selling for $1 is un-fair to licensed businesses that overcharge.” This is an interesting and very Vegas usage of the word “unfair”.
 
The journalist Marc Cooper published a very good book about the city nearly ten years ago that was called The Last Honest Place in America. Its thesis was that Las Vegas is brutal but self-evident: it’s all about money. Anyone can wander into the high-end casino-resorts, and people do, streams and streams of them, looking for bars and nightclubs and adrenalin adventure, drinking luminous cocktails from giant glasses, girls in tiny skirts and high heels, boys trying to act like high rollers, the prostitutes waiting in the casino bars, with the looks they send out that manage to be both candid and modest, You’re a discerning and attractive gentleman. You and I maybe could . . . ? and the disabled people rolling slowly through the aisles between slot machines in wheelchairs and mobility scooters – because, as the recession deepens, the proportion of disabled people in Vegas has risen noticeably: Mammon has finally found its Lourdes. And, if you’ve got a dollar in your pocket, you’re entitled to play. But Cooper’s book was published when Vegas was indisputably the gambling capital of the world. It’s lost some of its swagger recently. It has become more expensive. Profits from the casinos of Macau now exceed those of Las Vegas, which need to protect their income stream from the likes of Dolores Smith.
Nonetheless, I still love Vegas, its calculated gaudiness, its relentlessness, the haven it has made for smokers and gamblers and pleasure-seekers. In other contexts, I might find it decadent rather than magnificent that a resort in the desert has more championship golf courses than anywhere else in the world. The water comes from the Hoover Dam and, I’m sure, is also diverted from helplessly thirsty towns in southern California. As the journalist and president of the International Federation of Poker, Anthony Holden, says, “I love its nerve and its boldness and that every year something new happens.”
 
The conversations with cab drivers here are better than any you’ll find anywhere else, such as when the ex-marine explained to me the difference between gay and straight couples travelling in the back of his cab: “They want to give each other blow jobs? The straight couples ask you first. The gays just do it.”
 
And I love that you can play poker here all of the time, with many hundreds of games to choose from at any moment in the day. Every cash table, it seems, has at least one of the following: a cocky young man wearing enormous headphones, an implacable white-haired gentleman, an American Oriental who’s a dangerous opponent and a ferocious old lady with dyed red hair who bets aggressively, and whose ancient hands are covered with heavy jewellery and raised veins.
 
This is what I was here to do. In a fog of jet lag, I set about trying to raise my stake for the Main Event. I spent my days and nights in Vegas, as the Money and the Professor sampled cocktails and swimming pools and Vegas steaks, playing poker tournaments.
The Money, who has a slightly inflated opinion of my poker capacities because I managed to make it into the prize money in the 2007 Main Event, backed me in a couple of smaller WSOP tournaments. Staking arrangements are common in poker, with the player, as the phrase goes, selling off pieces of him or herself.
 
I had a meal with the Money and the Professor after I was knocked out of my first WSOP tournament this year after about six hours of play. Glumly, I apologised for the failure of his $1,500 investment and reported back on my exit hand (ace-ten, both diamonds, on an ace-king-jack flop with two diamonds: the subsequent two cards didn’t bring me my flush or my straight and I had to make the long walk out 
of the tournament room). We were eating at a very fancy steak joint at the Bellagio where, somewhat giddy with the food and the wine and Vegas, the Money ordered the best grappa in the house to finish off the meal. The waiter mildly observed, “That’s a dangerous thing to say in a place like this,” and fetched the order. 
 
I never did see the bill. They wished me luck on getting to the Main Event. All the top poker players in the world play the Main Event. Even some of the worst do, along with many visiting celebrities. Shane Warne and Teddy Sheringham play the Main Event. Even Jason Alexander (“George” from Seinfeld) plays the Main Event. I was having trouble accommodating myself to the likelihood that I might not be part of it.
 
Several days later, I was back at the Rio playing WSOP event number 59, a $1,000 buy-in. After the first 20 minutes or so, I was, as they say, in the zone. I knew where I was in pots; I knew which players I could bluff, which would find it unable to steer away from confrontations. It was clear who the good players at the table were and, therefore, which other players I needed to target, whose chips were up for grabs. I felt like I’d done five years before, the last time I’d played the Main Event, when I was at the top of my game and my form – when I proved, at least to myself, that I could function, even thrive, at this level and in this company.
 
Poker is a revelation of character, as well as capacity. As Al Alvarez reminds us, it is “social Darwinism in its purest, most brutal form: the weak go under and the fittest survive through calculation, insight, self-control, deception, plus an unwavering determination never to give a sucker an even break”. I was feeling so in control that I even had space in my heart to feel sorry for the gentleman at the other end of the table.
 
He was thickset with a kindly face and a white goatee that matched the colour of his dapper little cap. He was shaking, unmanned by nerves. 
I never found out how he had ended up in this tournament; maybe he was a wealthy tourist who had entered it on a whim, but he had neither the stomach for it nor the skill. Any time he forced himself to play a hand, the agony of the event was written on his face and body. He gave his chips away, some to me, some to the clever, taciturn Australian on my right, and when he had lost them all, when his tournament life was over, the relief of it returned him to some kind of version of himself.
 
There were over 4,500 entrants to this event. It would last for four days, with a first prize of $654,000. I wasn’t dreaming of this yet, nor even really of surviving long enough to get past 90 per cent of the field and into the money. At this stage the plan was to accumulate chips, with the thought of having enough to put me in some kind of decent position going into day two. I felt confident; I was on top of things.
 
And then my composure failed me. A new player arrived at our table, a glowering young man wearing enormous headphones and a baseball cap who sat down with towers of chips in front of him. I raised in middle position with pocket tens. He reraised in the dealer position. The flop came down jack high. I checked, he bet, I raised, and he reraised, putting me all in for the rest of my chips. I looked at him. He glowered back at me. I had put him on ace-king. Possibly he had a big pocket pair, higher than my tens. He might have had ace-jack. Or, he was playing position. The later you act in a betting round, the stronger your hand becomes. When you’re the last to act, you have leverage. If you have mountains of chips, you have greater leverage. 
 
I suspected I was winning. I asked for time. My instincts told me to call. I folded.
 
Poker is perhaps unique in that you are betting on an event that has already happened: the deck of cards has been shuffled and dealt; as more cards are revealed, more information is available. In playing a game of incomplete information, part of the agony is when you never find out the answer to the question that has been posed. I suspected that I had the better hand against the heavy-set aggressive kid, but I would never know. Even if I were to have asked him, dragged him out from under his headphones, he would probably have lied. Crucially, poker is also a test of the processing power of the brain and the emotional discipline of the player in response to new information and fresh stimuli. I was still beating myself up over the previous hand when I overplayed the subsequent one, committed all my chips in a toing and froing of action with the Aussie; and when it was over, I had two pairs, he had three jacks and I was out of the tournament. I had felt where I was, I had known where I was, but I was still off-balance from the earlier skirmish, and committed a kind of suicide. It takes only a moment to switch from being on top of things to taking the shameful walk away to the exit door. It happens all the time. I didn’t like that it was happening to me.
 
The day before, while I was playing a tour­nament at Caesars Palace, television screens were showing the final table of the Big One for One Drop. This was the inaugural run of a dizzying, $1m buy-in tournament, the winner receiving over $18m, by far the richest prize in sport, with 11 per cent of the entry money, suitably for Vegas, going to a water charity, the One Drop Foundation. (This year’s Main Event will have a first prize of “only” $8.5m.) The Big One was set up by the founder of Cirque du Soleil, Guy Laliberté, who is a high-stakes cash player as well as a circus magnate. The 2012 Main Event had 6,598 runners, of whom I was not going to be one. With its entry fee still at the 1972 level of $10,000, it’s no longer known as the Big One. Laliberté’s event had 48 entrants, including Laliberté. It was rumoured that he had paid the buy-in for 15 other players. Nonetheless, the event attracted, or enticed, all the best players in the world, along with a few deep-pocketed businessmen. It is probably the closest poker now comes to a true world championship.
 
The British player Sam Trickett came second (with over $10m to console him) to the American Antonio Esfandiari, but he deserved to win. Fearless, poised, always aggressive, always putting the question to his opponents (and we should remember here the origin of the phrase “putting the question”, which was a euphem­ism for interrogation under torture), he played poker of the very highest standard, under extreme emotional duress, for 12-hour days. He made audacious bluffs (some got through, others didn’t), he lost chips, he gathered them again. I lost my composure in under eight hours; he maintained his throughout three days.
 
I can point to the luck that let me down in the various tournaments I played in Vegas. In my exit hand from the $1,500 event, I was only a slight underdog on the flop (approximately 44 per cent to 56 per cent). In one $240 event at Caesars Palace, when we were getting close to the money (with a first prize of $61,000), I was all in, committing all my chips before the flop, with ace-king of spades against my outplayed opponent’s king-nine of clubs. The chances of my winning the hand were slightly more than 72 per cent. My opponent made his flush on the flop.
 
But all poker players, at whatever level, are used to bad beat stories. Like dreams, the only reason you put up with other people telling you theirs is that it then gives you the right to bore them with yours.
 
One of the effects of all this is to remind me how tough it is to be a poker player. Not just the world-class types like Trickett, but any of the ones who can call themselves professionals. In my week in Vegas, I played five tournaments, with entry fees of $1,500, $1,000, $350, $240, and $200. My prize winnings were $732, of which I donated $20 for dealer tips. Add to the buy-in costs the expenses of living and travel that the pros need to find. And the runs of bad luck that they have to deal with. In the poker world, it’s called “variance”. I tried to explain this to the Money before the grappa finished us off. His intelligently Vegas response was to reach into his pocket for his billfold. As Jason Alexander tweeted after his Main Event elimination: “The poker agony is over. Going home. But thrilled for the chance. Next year!” 
 
David Flusfeder is the author of “A Film by Spencer Ludwig” (Fourth Estate, £11.99)

This article first appeared in the 20 August 2012 issue of the New Statesman, Back To Reality

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The prophets of Trumpism

How the ideas of two pre-war intellectual refugees – the radical Herbert Marcuse and the reactionary Eric Voegelin – are influencing the new culture wars among Trump and his acolytes.

Even after Donald Trump’s more conciliatory address to Congress, American politics seems set to become a battle between the president’s joyless autocracy and a carnival of protest that could end up evoking the anti-war movements of the 1960s. There will be more draconian executive orders and more marches in pink hats. There may well be violence.

The intellectual battle that will be played out in the months and years to come, however, was foretold by two German refugees from Nazi persecution: Eric Voegelin, the doyen of Cold War reactionary conservatives, and Herbert Marcuse, the inspiration behind the revolutionary student activism of the 1960s. Voegelin argued that society needed an order that could be found only by reaching back to the past. Marcuse argued that refusal to accede to tyranny was essential to give birth to a revolutionary politics that would propel progress to a new kind of society. Marcuse the radical and Voegelin the reactionary could not seem further apart, and yet they share a common intellectual root in Germany in the 1920s, from which came a shared critique of modern society. Their ideas may well inspire some of the political conflicts to come.

The culture wars of the 1960s are very much alive for Trump’s acolytes. Steve Bannon, the former executive chairman of the alt-right website Breitbart News and Trump’s chief strategist, blames the counterculture of the 1960s – the drugs, the hippies, the liberal reforms – for America losing its way and, eventually, succumbing to economic crisis in 2008. Bannon set out his ideas in Generation Zero, a 2010 documentary which blamed the financial crash not on greedy, under-regulated bankers but on the moral and cultural malaise that started in the 1960s. He is still fighting people who might have been inspired by Marcuse. “The baby boomers are the most spoiled, most self-centred, most narcissistic generation the country has ever produced,” he told an interviewer in 2011.

Bannon’s thinking, set out in several speeches over the past few years, is that America’s working and middle classes have been betrayed by an elite in Washington, DC (the “Imperial City”, he calls it) which oversees insider deals so that the insiders can profit from global capitalism. Bannon wants to return America to traditions rooted in Judaeo-Christian values and to reassert national sovereignty. Most worryingly, on several occasions he has said that the crisis will only be resolved through the catharsis of conflict and national mobilisation through war.

America has always been a work in progress. Ronald Reagan and Barack Obama were very different presidents but they shared a belief that progress was America’s calling. The reactionary turn in US politics is not just a shift to the right but an attempt to displace progress as the common creed.

Instead, Bannon and his ilk want America to become a work in regress, as the historian Mark Lilla argues in his recent book on reactionary philosophy, The Shipwrecked Mind. Much of the new reactionary thinking echoes Voegelin’s idea that, in order to renew itself, a society must first go backwards to find where and how it lost its way.

 

***

Eric Voegelin defies easy categorisation. Born in 1901 in Cologne and brought up in Vienna, he was brave and principled. After a visit to the United States in the 1920s, he wrote two books criticising Nazi racial politics, which got him sacked from his teaching position at the University of Vienna. When the Germans arrived in Austria following the Anschluss in 1938, Voegelin and his wife fled on a train as the Gestapo ransacked their apartment.

After a brief stay in Switzerland, he moved to America and in 1942 took up an academic post at Louisiana State University. He then embarked on a prolific career, the centrepiece of which was his sprawling, multi-volume work Order and History.

Voegelin’s philosophy gave expression to the dark and powerful forces that had shaped his life. He believed that modern society was prey to flawed utopianism – he called this “gnosticism” – in which an elite of prophets takes power, claiming special insight into how heaven could be created on Earth for a chosen people. Gnostic sects in the Middle Ages had their modern equivalents in the Nazi proclamation of a racially pure utopia and the Marxist promise of equality for all. Voegelin’s catchphrase was: “Don’t immanentise the eschaton!” (meaning: “Do not try to build heaven on Earth”).

Marxism and Nazism, Voegelin argued, were political versions of religion: we get rid of God only to reinstall him in the form of an elite of reformers with all the answers. In his recent bestselling book Homo Deus, Yuval Harari argues that we are entering a new stage of the process that Voegelin identified. We have become as powerful as gods, he argued, but now need to learn how to be wise and responsible gods.

Today Voegelin’s attack on overreaching perfectionism echoes in reactionary criticism of Obamacare and in the yearning for national certitude. Voegelin thought the role of philosophy was not to change the world, but to understand its underlying order and help us tune in to that, rather than being diverted by the lure of the false prophets of political religion.

He was influenced by the Viennese satirist Karl Kraus, who said that “origin is the goal”, by which he meant that the point of the future was to restore the ancient past. For Voegelin, order comes from a sense of harmony, of everything being in its place. This is a position that opens itself up to deeply conservative interpretations.

When, in his presidential inauguration address, Trump spoke of American “carnage”, he was echoing Voegelin’s account of decay and disorder. When he talked of “one people, one nation, one heart” he was evoking the kind of order that Voegelin spoke of. Trump and his acolytes see their mission as the need to restore a natural order, under which illegal immigrants and aliens are kept well away and white people can feel at home once more in a society where everyone signs up to Judaeo-Christian beliefs.

Nothing could be further from the ideas of Herbert Marcuse.

Born in 1898 in Berlin, Marcuse became a member of the celebrated Marxist Frankfurt School, which included Theodor Adorno, Max Horkheimer and, tangentially, Walter Benjamin. Marcuse emigrated to the United States in 1933 as Hitler came to power. By 1940, he had become a US citizen and, while Voegelin was starting work at Louisiana State, Marcuse was working as a researcher for the Office of Strategic Services, the precursor of the CIA. He continued working for the government after the war and resumed his academic career only in 1952. His best-known book, One-Dimensional Man, was published in 1964.

One of Marcuse’s big ideas was the “Great Refusal”: progress had to start with refusing to accept an unacceptable reality. One should say “no” to a world of alienating work, dominated by corporations and impersonal systems, which allow little room for people to explore their deeper sense of humanity. Marcuse saw the student and anti-war protests of the 1960s and 1970s, which adopted him as their intellectual mentor, as evidence that the Great Refusal was gaining momentum.

Trump has given the Great Refusal new life. The documentary film-maker Michael Moore has called for cities to become “regions of resistance” by offering sanctuary to immigrants threatened with deportation. Angela Davis, the once-jailed Black Panther revolutionary who was close to Marcuse, told the Women’s March in Washington that people had to be ready for “1,459 days of resistance: resistance on the ground, resistance on the job, resistance in our art and in our music”. In a lecture at the Free University of West Berlin published in 1970, Marcuse said demonstrations and protests were an essential first step towards a “liberation of consciousness” from the capitalist machine:

“The whole person must demonstrate his participation and his will to live . . . in a pacified, human world . . . it is . . . harmful . . . to preach defeatism and quietism, which can only play into the hands of those who run the system . . . We must resist if we still want to live as human beings, to work and be happy.”

The Great Refusal was a capacious idea capable of embracing anyone who wanted to say, “No, enough!” It could embrace trade unions and workers, African Americans and feminists, students and national liberation movements, those who were on the margins of society and those professionals – technicians, scientists, artists, intellectuals – who worked at its centres of power and who chose to refuse as an act of conscience.

As a new generation prepares to embark on a period of resistance, what lessons should they learn from the wave of protest that Marcuse once helped to inspire?

Protest is a way to bear witness, to make voices heard and to make it possible for people to bond. Yet the fire of protest can easily die out as the Occupy movement did, even if its embers are still glowing. The carnival-type atmosphere can be uplifting but fleeting. Creating common programmes to be taken forward by organisations demands hard work. The Arab spring showed how quickly a popular revolution can turn sour when a movement is not ready to take power.

Since the protests that Marcuse was involved in, no comparable movement of the left in the United States has mobilised such a broad support base. Instead, that period of resistance was followed, at the end of the 1970s, by a shift to the right in the US and the UK. It was reactionaries, not revolutionaries, who set off forward to the past.

Now we seem to be in for an intensifying cycle of conflict between the adherents of Marcuse and Voegelin: between the Marxist revolutionary and the mystic conservative; between resistance and order; between those who want to live among a cosmopolitan, urban multitude and those who want a society of provincial oneness and sameness; those who want change, innovation and creativity and those who crave simplicity, stability and authority.

That much is obvious. Yet what is striking is not how different Marcuse was from Voegelin, but how alike they were. The best way to respond to the rise of Trump might be to blend their ideas rather than set them against one another, to create a new intellectual and political combination. Indeed, they could be seen as different branches of the same intellectual tree.

Voegelin was influenced by the German- Jewish philosopher Hans Jonas, who studied with Martin Heidegger in Freiburg in the 1920s. Jonas joined the German Jewish Brigade, which fought against Hitler, before emigrating to the US, where he became a professor at the New School in New York. He was one of the foremost scholars of gnosticism, which became Voegelin’s focus. Towards the end of his life, Jonas took up a chair at the University of Munich named after Voegelin.

Voegelin did not study at Freiburg, but one of his closest friends was the social ­theorist Alfred Schütz, a student of Edmund Husserl’s who applied his phenomenological thinking to the sociology of ­everyday life. Marcuse studied with Husserl and Heidegger at Freiburg, at the same time as Jonas and Hannah Arendt. From that shared intellectual root have emerged some powerful ideas that could unite progressives and conservatives.

Only at moments of profound crisis – of the kind we are living through – do we see just how contingent, vulnerable and fragile our society is. Voegelin warned: “In an hour of crisis, when the order of society flounders and disintegrates, the fundamental problems of political existence in history are more apt to come into view than in periods of comparative stability.”

A crisis should be a time for profound reflection, yet leaders are more likely to resort to “magical operations” to divert people’s attention: moral condemnation, branding enemies as aggressors, threatening war. “The intellectual and moral corruption,” Voegelin wrote, “which expresses itself in the aggregate of such magical operations may pervade society with the weird ghostly atmosphere of a lunatic asylum, as we experience it in Western society.”

Welcome to the Trump White House.

 

***

 

Voegelin is a timely reminder of how unconservative Donald Trump is and of how conservatives should be a vital part of the coalition against him. Conservatism comes in several strains: laissez-faire conservatives such as George Osborne want small government, free trade, low taxes and freedom of choice. Status quo conservatives such as Angela Merkel want stability and continuity, even if that entails sticking with social welfare programmes and liberal democracy. Authoritarian conservatives, however, are prepared to use the big state to engineer change.

One important question for the future is whether the laissez-faire and status quo conservatives will realign around the ascendant authoritarian camp promoted by Trump. Merkel is the world leader of the conservative-inspired opposition to the US president. But his most profound critic is Pope Francis, who uses language similar to Voegelin’s to condemn the “material and spiritual poverty” of capitalism, and the language of Marcuse to condemn the process of dehumanisation embarked upon by Bannon and Trump.

“As Christians and all people of goodwill, it is for us to live and act at this moment,” the Pope has said. “It is a grave responsib­ility, since certain present realities, unless ­effectively dealt with, are capable of ­setting off a process of dehumanisation which would then be hard to reverse.”

The challenge for progressives is to reframe resistance in terms that can appeal to conservatives: to use conservative ideas of character and spirituality for progressive ends. We will spend a great deal more time trying to conserve things. The swarm of legal challenges against Trump will hold him to the principles of the US constitution and the rule of law. Many of the young people attracted to Bernie Sanders and the Occupy movement yearned for the restoration of the American dream.

Building bridges with the conservative opposition is not merely a tactical manoeuvre to widen support. It has deeper roots in shared doubts about modernity which go back to Freiburg and the man both Marcuse and Jonas renounced in 1964 for supporting the Nazis: Martin Heidegger.

For Heidegger, modernity was a restless, disruptive force that displaced people from jobs, communities and old ways of life, and so left them searching for a sense of home, a place to come back to, where they could be at one with the world. Technology played a central role in this, Heidegger argued, providing not just tools for us to use, but an entire framework for our lives.

Marcuse, writing four decades before ­Facebook and Google, warned that we needed to resist a life in which we freely comply with our own subjugation by technical, bureaucratic systems that control our every thought and act; which make life rich but empty, busy but dead, and turn people into adjuncts of vast systems. We should “resist playing a game that was always rigged against true freedom”, he urged, using language that has been adopted by Trump.

Writing not far from what was to become Silicon Valley, Marcuse pointed to a much larger possibility: the technological bounty of capitalism could, in principle, free us from necessity and meet all human needs, but “. . . only if the vast capabilities of science and technology, of the scientific and artistic imagination, direct the construction of a sensuous environment; only if the world of work loses its alienating features and becomes a world of human relationships; only if productivity becomes creativity are the roots of domination dried up in individuals”.

Writing in the 1960s, when full employment was the norm and advanced society was enjoying a sense of plenty, Marcuse foreshadowed the debates we are having now about what it will mean to be human in an age of machines capable of rapid learning. Mark Zuckerberg’s argument in his recently published manifesto that Facebook creates an infrastructure for a co-operative and creative global civil society is a response to concerns that Marcuse raised.

 

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Just as Marcuse saw that capitalism was a union of contradictions – freedom created on the basis of exploitation, wealth generated by poverty – Voegelin thought modern society was self-defeating: it declined as it advanced. Giving everyone wages to buy stuff from the shops was not progress, he said, but a soulless distortion of the good life, an invitation to spiritual devastation. The gnosticism that Voegelin so hated, the effort to design a perfect society, was also the source of the technological and rational bureaucracy that Marcuse blamed for creating a one-dimensional society. Voegelin would have regarded the apostles of Silicon Valley as arch-gnostics, creating a rational order to the world with the insights gleaned from Big Data and artificial intelligence.

Marcuse and Voegelin point us in the same direction for a way forward. People need to be able to find a sense of meaning and purpose in their lives. Both would have seen Trump’s ascendancy as a symptom of a deeper failure in modern society, one that we feel inside ourselves. The problem for many of us is not that we do not have enough money, but that we do not have enough meaning.

For Voegelin, living well involves “opening our souls” to something higher than buy and sell, work and shop, calculate and trade, margins and profits. Once we detach ourselves from these temporary, Earthly measures of success, we might learn to accept that life is a mysterious, bubbling stream upon which we cannot impose a direction.

A true sense of order, Voegelin argues, comes from living with an open soul and a full spirit, not being part of a machine manufacturing false promises. If we cannot manage to create order from within, by returning to the life guided by the soul, we will find order imposed, more brutally, from without. Marcuse, likewise, thought that turning the Great Refusal into a creative movement required an inner renewal, a “liberation of consciousness” through aesthetics, art, fantasy, imagination and creativity. We can only escape the grip of the one-dimensional society, which reduces life to routines of buying and selling, by recognising that we are multidimensional people, full of potential to grow in different ways. It is not enough merely to resist reality; we have to escape it through leaps of imagination and see the world afresh.

Václav Havel, the leader of the Czech resistance to communist rule, called this “living in truth”. Havel’s most influential essay, “The Power of the Powerless”, written in 1978, is about how to avoid the slow spiritual death that comes from living in an oppressive regime that does not require you to believe in what it does, merely to go along with “living within a lie”.

The greengrocer who is the central figure and motif in Havel’s essay eventually snaps, and stops putting in his shop window an official sign that reads: “Workers of the world, unite!” Havel wrote: “In this revolt the greengrocer steps out of living within the lie. He rejects the ritual and breaks the rules of the game. He discovers once more his suppressed identity and dignity. His revolt is an attempt to live within the truth.”

Human beings by nature long to live in truth, even when put under pressure to live a lie. In language evocative of Voegelin and Marcuse, Havel writes: “In everyone there is some longing for humanity’s rightful dignity, for moral integrity, for free expression of being and a sense of transcendence over the world of existence.”

In communist Czechoslovakia that meant taking a wide and generous view of what counts as resistance as people sought their own ways to “live in truth”. Under President Trump, many Americans are finding they are living within a regime of lies, and they will be drawn back, time and again, to find ways, large and small, personal and political, to live in truth.

Resistance to Trump and Trumpism will succeed only if it mobilises both conservative and progressive forces opposed to authoritarianism, and it needs to stand for a better way to live in truth, with dignity.

Charles Leadbeater is the author of the ALT/Now manifesto, which is available to read at: banffcentre.ca

This article first appeared in the 23 March 2017 issue of the New Statesman, Trump's permanent revolution