A woman shouts slogans with a megaphone during a protest in front of presidential palace in Cairo. Photograph: Getty Images
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Laurie Penny on Cairo: With Tasers and placards, the women of Egypt are fighting back against sexism

Laurie Penny reports from Cairo.


‘‘The youth will liberate Egypt!” A girl in a sky-blue headscarf is yelling and 300 women shout the words back at her outside the Sayyida Zeinab Mosque in central Cairo. Behind the gates of the mosque, men in long robes stare at the growing crowd, growling insults at anyone who comes close, but also curious. “These men, they’ve been brainwashed,” says Fawzie, 68, a retired engineer. “I am angry, devastated. I went several times to Tahrir Square, doing my best to help.

“They want women to stay at home. I want to see liberty.”

For the women of Egypt, freedom from sexist oppression and freedom from state repression are part of the same battle. It is now dangerous for women and girls to go out alone without anticipating sexual and physical assault from mobs of men, from armed police, or both. The story being told by most of the western press is that Egypt’s revolution has been “spoiled” or “tainted” by this pandemic of violent misogyny – but at street level, something else is going on. The question is: whose revolution is this, anyway?

Before we came to the women’s march, my friends and I had been told to wear heavy belts, baggy trousers and several layers, to make it as difficult as possible for attackers to shove their hands inside our clothes.

Rana and Gina, young students who have been part of the revolution since 2011 and have experienced sexual harassment, are holding up placards demanding that passersby acknowledge sexism. “They don’t want us in the revolution. But we are here and none can push us away by raping us, by making women afraid to go out of their homes,” Rana says. “We are fed up. The police don’t listen to us. [They say] you are wearing unsuitable clothes, you deserve to be harassed. We are here to say we are not afraid.”

Gina is smaller, with bright, dyed-red hair poking out from under her hoodie, her voice hoarse with rage as she describes the multiple sexual assaults she has suffered. “It’s like someone takes your soul,” she says. “You feel that you want to kill yourself. It’s like someone beats you and every time you wake up they beat you again. It’s not only sexual harassment – they beat you, pull your hair, tell you awful words, call you a bad woman, call you a prostitute.”

As the march sets off, the women hold knives high in the air, along with more novel weapons – sticks, wooden spoons, vegetable peelers, meat tenderisers – as if they’d marched en masse out of the kitchens of Cairo ready to tenderise the hell out of this patriarchal police state.

Egypt has tolerated a culture of misogyny for many generations. In the past year, however, there has been a change in mood. Women from all walks of life are afraid to go out in the street at all, whether they’re marching to bring down the government or popping to the shop for a pint of milk. Even Tahrir Square, the symbolic political heart of the nation, has become all but impassable to any woman without a hefty male escort.

One of the groups fighting back is Op - AntiSH – pronounced “Oppantish” and standing for Operation Anti-Sexual Harassment – a gang of volunteers, some of them men and many of them women who have been raped and assaulted. OpAntiSH physically stops assaults in Tahrir Square and the surrounding areas, using Tasers, spray paint, fists, force, sticks, anything they can put their hands on to protect women from “mob attacks”. They divide into task-teams with specific jobs: some to summon rescuers to the scene of an assault, some to grab the victim and take her to safety, some to distribute the contents of emergency packs containing spare clothes, water and blankets. It’s all down to them, because the police are far more concerned with attacking protesters than protecting women.

In a flat above Tahrir Square after Friday prayers, activists with OpAntiSH organise into teams to head down to the protest lines. “The significant shift is in how women see the issue,” says Reem Labib, an OpAntiSH member. “We’ve been violated and we will not be silenced. I’ve never seen it like this before. There’s always been this barrier of shame and fear.”

“We believe that a big part of this mob is organised – sexual assault has always been one of the means used by the state to intimidate women. But even so, it’s still relying on the deeper problem in society,” says Tarsi, an OpAntiSH spokesperson whose flat we are in. She makes tea for the shell-shocked women and men pulling on team T-shirts to go out and risk their lives again in the square whose name means freedom. These seven friends, students and charity workers in jeans are fighting a real war – a war for the soul of their revolution, as well as for the lives of women in the streets of Cairo.

Egypt is not the only country where women are bearing the brunt of social frustration and public anger. But the women of Egypt and their allies have understood what the rest of the world has failed so far to grasp – that meaningful social progress cannot exclude women. Western journalists using the sex assault pandemic to imply that Egypt somehow isn’t ready for regime change, to imply that Egyptian men are out of control, have fundamentally misunderstood what this revolution is, and what it can be.

“The question is, whose revolution?” says Amr Gharbeia, one of OpAntiSH’s many young male volunteers. “For conservatives, the revolution has been victorious – it has put them in power. For some people, it stops at just a bit more freedom. But, for some, the revolution has to go further – it has to include freedom for women.”

Laurie Penny is a contributing editor to the New Statesman. She is the author of five books, most recently Unspeakable Things.

This article first appeared in the 18 February 2013 issue of the New Statesman, Iraq: ten years on

NICHOLAS KAMM / Staff
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Blow-dried and supplicant, Ivanka shows the limits of the power women are allowed in Trumpworld

A new book by the US President’s daughter has surpisingly strong echoes of medieval royalty.

Exactly 500 years ago this month, the apprentices of London rose up, ­angry with Flemish immigrants and the bankers of Lombard Street. The race riot was quelled only when a couple of dukes sent in their private armies. Hundreds of looters were arrested and some were hanged, drawn and quartered. But some rioters were as young as 13 and the city’s residents felt sorry for them.

Henry VIII wanted to look magnanimous, but not weak. And so, at the trial in Westminster Hall on 7 May, ­Cardinal Wolsey first asked for mercy on the youngsters’ behalf. He was refused.

And then three women came forward: Henry’s queen, Catherine of Aragon, and his sisters Mary and Margaret, the widowed queens of France and Scotland. Faced with three women on their knees, the king relented. “It was a scene straight from the pages of chivalry,” writes Sarah Gristwood in her history of Renaissance women and power, Game of Queens. “An intercessory function, of course, had been traditional for queens, from the biblical Esther and Bathsheba to the Virgin Mary.”

Whenever contemporary politics gets too depressing, I take refuge in history. I always hope I will gain some perspective from people whose problems are very different from my own. Yes, climate change is terrifying; but at least I don’t have scrofula! Yet modern life has a way of creeping back. Late-medieval Europe was full of resentment for “aliens”, for example, who were felt to be prospering at the expense of native populations, even if those tensions were often expressed in religious rather than nationalist terms. It was Catherine of Aragon’s parents, Isabella and Ferdinand, who expelled all Jews from Spain in 1492.

Nonetheless, I was surprised to find such strong echoes of medieval royalty in Ivanka Trump’s new book, Women Who Work. I won’t waste your time by attempting to review this seminal tome, especially as it’s largely constructed out of bits of other self-help books. The advice boils down to: be “multi-dimensional”; don’t be afraid to use “architect” as a verb; feel free to turn down Anna Wintour, when she offers you a job at Vogue straight out of university, because your true passion is real estate. If it’s a busy time at work, as it was for Ivanka on the campaign trail, go into “survival mode”. (“Honestly,” she writes, “I wasn’t treating myself to a massage or making much time for self-care.”) Something for everyone.

Still, Women Who Work gave me the chance to contemplate the point of Ivanka Trump. I’ve seen her far more than I have heard her, which is no surprise, as her role in the administration is largely symbolic. What is Ivanka if not a Renaissance queen, tearfully pleading with her lord to show mercy? She is, we are told, his conscience. When his daughter’s clothing line was dropped by the US retailer Nordstrom in February, Trump tweeted: “My daughter Ivanka has been treated so unfairly by @Nordstrom. She is a great person – always pushing me to do the right thing! Terrible!”

Two months later, her name was invoked again. The First Daughter was distraught – “heartbroken and outraged”, she tweeted – at the sight of Syrian children gassed by the Assad regime. This prompted her father to bomb an airbase to atone for the slaughter of what his statement referred to as “beautiful babies”. “Ivanka is a mother of three kids and she has influence,” her brother Eric told the Telegraph. “I’m sure she said: ‘Listen, this is horrible stuff.’”

This is the power that women are granted in Trumpworld: softening, humanising, empathetic. Their tears moisten the oak-like carapace of great leaders, showing them that sometimes it’s OK to be kind – but obviously not too kind, because that’s a bit soppy and girly and gay. Women are naturally prone to emotion, of course, unlike sturdy, ­rational men, who get so cross about the way TV news is reporting their firing of the FBI director that they start sending unhinged tweets implying they have incriminating “tapes” of White House conversations.

In this structure, however, the limits of women’s power are sharply circumscribed. The tears of both Ivanka and Catherine of Aragon only provided cover for something that their lord and master wanted to do anyway. (As New York magazine urged acidly on 13 April, “Someone Please Show Ivanka Pictures of Starving Yemeni Children”.) Ivanka’s whole book is designed to render female power unthreatening by making it “feminine”; merely a complement to male power instead of a challenge to it.

To reassure us that she isn’t some frumpy bluestocking, Ivanka has crafted an image of expensive, time-consuming perfection: perfect white teeth, perfect blow-dried hair, perfectly toned body. Her make-up, clothes and home are all styled in unobtrusive neutrals. Together it says: let me in the room and I promise not to be a nuisance or take up too much space, even on the colour wheel. It’s noticeable that no woman in Trump’s orbit has “let herself go”, even though his chief strategist, Steve Bannon, has the complexion of a body that’s been found after two weeks in the water. I somehow doubt he ever makes “time for self-care”.

And don’t come at me with all that garbage about a nice frock and a manicure being “empowering”. Look at Donald Trump, the one with his own military: he has a fat arse and uses Sellotape to hold his ties in place. A president is allowed to have appetites – for women, for food, for power. His supplicant daughter gets to peddle platitudes about how you should “bond with your boss”. (Being a blood relative helps, although, sadly, Women Who Work is silent on what to do if he also fancies you.)

Is this how far we’ve come in 500 years? Ivanka Trump might try to sell herself as a modern woman, but her brand of female power is positively medieval.

Helen Lewis is deputy editor of the New Statesman. She has presented BBC Radio 4’s Week in Westminster and is a regular panellist on BBC1’s Sunday Politics.

This article first appeared in the 18 May 2017 issue of the New Statesman, Age of Lies

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