Do we need another president for life?

Ex-foreign office minister Denis MacShane gives his analysis of the Venezuelan constitutional refere

This weekend, the world will see another president for life emerge. A referendum in Venezuela will vote to endorse changes to the nation’s constitution to allow President Hugo Chavez to stand as often as he likes to be president.

Unlike Mexico with its one-term rule or Brazil where a president has to stand down after two terms, Venezuela will now join those countries like Uganda, or the Maldives, or, if he gets his way Musharraf’s Pakistan where the people will enjoy the blessings of living under one leader for the foreseeable future.

Lieutenant-Colonel Hugo Chavez was the last expression of the golpismo – coup d’état – movement of South American militarism.

While the generals had been forced back into their barracks in Brazil after the great metalworkers’ strikes of 1978-1982 led by Lula, or been humiliated in Argentina by British soldiers on the Falklands, Lt Col Chavez saw himself as the man of destiny when he tried to stage a golpe in 1992.

He failed and had to wait a few more years before his chance came again, this time by electoral means. Still today, he wears uniforms as much as civilian clothes. Like his hero, Fidel Castro, his leadership is sartorially expressed by dressing up as a soldier and commandante, rather than the wearing the attire of civilian democracy.

What then should we make of Chavez? He is today’s idol for a global left that is looking for new bearings. Hagiographic biographies of him have appeared in several languages. For the British writers tired of the stubborn, patient search for a workable social democracy by a Cardoso in Brazil or a Lagos in Chile, the excitement and revolutionary rhetoric of a Chavez is thrilling to focus on.

To submit Chavez to the same critical analysis that other leaders have to put up with is to produce instant denunciations from those who search for the shining path to socialism in Latin America.

Probably Gabriel Garcia Marquez got it right when he wrote that there are ‘two Chavezes’. One might perform wonders for Venezuela. The other was ‘just another despot.’

For Gaba, whose left credentials are unchallenged to describe Chavez in such Jekyll and Hyde terms shows the deep doubts across the Latin American left and intellectual world about the Venezuelan president’s credentials and ambitions.

In the 19 November edition of Libération, the French left daily paper, sixty mainly Latin American intellectuals, writers, journalists and political activists, published an open letter critical of Chavez.

They argued that this weekend’s referendum would ‘abolish all controls on the powers of the state and the actions of the executive’. They further alleged that Chavez was spending a fortune on arms expenditure instead of using the golden showers of oil wealth Venezuela enjoys to develop a balanced economy based on sustainable development. The authors also claimed that Chavez was setting up his own private army, an armed militia that exceeded the size of the nation’s armed forces.

Naturally, not a word of this cry of alarm was published in the British media. Newspaper coverage of Latin America, other than in the Economist is a joke. The New Statesman, to its credit, has published reports on Venezuela which have been both supportive and critical of Chavez.

The most recent (published 15th November) showed a picture of a gunman on the back of a motorbike firing shots at students demonstrating for democracy in Caracas. As with the Mexican students in 1968, or other students movements over the years, the young men and women of Caracas are taking a huge risk in expressing concern about the slow death of democracy in Venezuela.

It does not have to be like this. Chavez presents no threat to capitalism in Venezuela. Businessmen are doing very well.

Like China, Russia, Saudi Arabia and Nigeria we are witnessing the arrival of unrestrained market economics fusing with centralised state power.

Chavez’s oil populism allows him to hand out money to the poor. In past eras of high oil prices, notably under Carlos Andres Perez (CAP) in the 1980s, a populist president acted charitably.

CAP was a hero of the global left and the international trade union movement as he supported the Venezuelan corporatist trade unions, especially the union controlling the country’s petrol industry.

In 2002, Chavez smashed the union to take full state authority over the oil industry and installed military trusties in key sectors of the economy and civil society.

It was this assault on a trade union which forced the trade union bosses into an alliance against nature with elements of the Venezuelan right that launched the abortive coup in April 2002.

I was in Caracas in the days before the coup in my then capacity as the FCO minister responsible for Latin America. The tension was palpable.

The streets were full of pro and anti-Chavez demonstrations. It was impossible to sleep at night as women lent out of their windows banging saucepans to express discontent. In the first years of Chavez’s rule, before the post-Iraq invasion oil price spike gave him more money to spend than any leader in Latin America has ever enjoyed, Chavez’s economic rule was unsteady. Poverty actually increased and growth slowed.

Since then of course Chavez has been oil rich and some of that income has found its way to the poor. Other countries like Brazil or Chile have made bigger strides in combating poverty and done so without the oil windfalls Chavez has enjoyed.

Chavez is lucky in having one of the most arrogant, elitist, disconnected rightist oppositions that it is possible to imagine.

There are some exceptions like Teodoro Petkoff, a trained Marxist now editor of Tal Cual, but for the most part the right-wing press and opposition are boorish, arrogant and unworthy of support.

Nevertheless in 2002 they came together to do to Chavez what Chavez had done ten years previously – organise a golpe against the elected government of Venezuela. I had spent hours late at night in Miraflores , the presidential residence in the heart of Caracas, speaking to Chavez.

He claimed to be a supporter of Tony Blair and a fan of New Labour. The Labour government had gone out of its way to encourage Chavez, organising high level visits to London in 2001, in the hope that he would become an effective partner of the EU and Britain in a Latin America which needs to build bridges across the Atlantic in place of the region’s fatalistic obsession with the United States.

Other than the rightist government of Aznar in Spain there was no anti-Chavez feeling in any EU government. On the contrary, Britain invested in Chavez with John Prescott laying out a red carpet to greet him and in my 18 months as Minister for Latin America I detected no hostility to Chavez from British politicians or diplomats. The sentiment was rather one of curiosity at how this charismatic but politically unclear leader would develop.

I think Chavez was happy to meet a European politician with enough Spanish to listen to his views. We finished our talk towards midnight. He signed and gave me a copy of a biography of Bolivar. I gave him one of the wind-up radios invented in Britain. I wonder if he still has it? I left for the UN in New York when news arrived of the coup.

I put out a statement calling for a return of democracy in Venezuela. Britain was the only country to react this way. Other government bided their time to await the outcome of the coup.

Chavez now calls Aznar a fascist which is a silly, inaccurate insult unless we call every conservative a fascist. He says the US was behind the 2002 coup. All I know is that there was a planned naval exercise between the US Navy and the Venezuelan navy due to take place in the week of the coup. Against the protests of the US Navy who had spent $1 billion organising their biggest southern Atlantic exercise in years, the US State Department ordered that the exercise be cancelled. In the build up to Iraq, Washington could not afford, want or need accusation of supporting golpes in Latin America.

As a minister I was a useless civil servant. I wrote an article for The Times in which I described Chavez as a demagogue. I also said I was confident he would come back to power but sub-editors on The Times cut out that prophesy. Since then the uncritical Chavez worshippers have tried to paint me as some dark agent connected to the coup. If only. I was not sure of the man but I was clear democracy should be upheld in Venezuela.

Since then, like many, I have been tracking Chavez, more through the Spanish press than the useless puff or hate pieces written about him in the English media.

Michael Reid’s new book, ‘Forgotten Continent’ (Yale University Press) has a clear and objective chapter on Chavez. Reid is the Economist’s long-standing Latin America editor.

The 20 November edition of Le Monde, had a powerful editorial of concern about Chavez. ‘The concentration of power in his hands, the absence of dialogue with the opposition, the denunciation of the student movement as ‘facist’, the green light given to armed gangs, in short the militarization of political life is matched by unparalleled corruption’ the paper declared. Le Monde is no fan of the United States but its judgement cannot be ignored.

On the international scene, Chavez has embraced Robert Mugabe and told Belarus’ dictator, Lukashenko, that he is right to put down the democratic opposition in Minsk.

He has made five high profile visits to Teheran and calls Iran’s Jew-hating, gay-hanging, nuke obsessed president Ahmadinejad ‘my brother’.

There have been unpleasant outbursts of anti-semitism in the Venezuelan press and Chavez himself has made remarks which have frightened the Jewish community in Latin America.

So inefficient is Chavez’s economic management that the country has to import most of its requirement.

Petrol is a few cents a gallon as Chavez refuses any environmental politics that would lessen dependence on oil. At some stage, the uncritical admirers and promoters of Chavez will have to adjust to reality.

He is not yet a dictator like Castro, locking up poets and journalists and throwing away the keys. There is an opposition press. Elections are held and Chavez wins just as he will win the referendum this weekend. 20th century dictators are old hat.

This century we have Mugabes, and Lukashenkos, and Musavenis, and Putins, and Musharrafs, and now Chavez who cannot give up power. We need an adequate political science to describe this new type of populist, authoritarian but elected leader. Whether it is a direction the world left should go is for all of us to decide.

Denis MacShane is MP for Rotherham and was a minister at Foreign and Commonwealth Office
MATTHIAS SEIFARTH FOR NEW STATESMAN
Show Hide image

Moby: “The average American IQ is around 98”

Moby, the vegan king of chill-out pop, talks wealth, David Bowie’s hat and the average intelligence of his fellow Americans.

In January 2012, two women walking their nine dogs on the hill beneath the Hollywood sign found a man’s severed head wrapped in a plastic bag. His decomposing feet and hands were discovered nearby. First theories pointed to the work of a Mexican drug cartel, or the murderous Canadian porn actor Luka Magnotta. The story piqued the interest of the electronic dance music mogul Moby, who wrote about it in a New Statesman diary in May this year.

Today, the smell of cedar and pine hits you on the canyon path, which is hot, steep and sandy – an immediate wilderness in one of LA’s most exclusive areas. The Griffith Observatory shines like a strange white temple on the hill. Brad Pitt, a local resident, was doorstepped after the head was discovered: he lives near Moby on the streets of Los Feliz, near Griffith Park, where the only sounds are hedge strimmers and workmen’s radios. Moby’s 1920s mansion is all but obscured by Virginia creeper.

As we sit down at his kitchen table, Moby tells me that the body parts were found to belong to a 66-year-old Canadian flight attendant called Hervey Medellin. Shortly before Medellin’s disappearance, his boyfriend, Gabriel Campos-Martinez, had used a computer in the flat they shared to find an article titled, “Butchering of the human carcass for human consumption”. The head, feet and hands showed signs of having been frozen: the rest of the body was never found. He says it was one of those rare times in life where reality was more intriguing than the conspiracy theories.

Moby, of course, eats no meat. Fifteen minutes’ drive away in the hipster neighbourhood of Silver Lake, his vegan bistro, Little Pine, serves a variety of plant-based dishes, proceeds from which go to animal rights organisations including the Humane Society and Peta. His own music is never played there. We are meeting to talk about his new album – but, he says: “It’s 2016 and people neither buy nor listen to albums. And they certainly don’t listen to the 16th album made by a 51-year-old musician. I don’t care if anyone gives me money for this music or for live shows ever again. Once a record’s released, I couldn’t care less what happens with it. I liked making it, but I don’t care.”

He is currently working his way though the stages of grief outlined by the psychiatrist Elisabeth Kübler-Ross. To denial, anger, bargaining, depression and acceptance he has added a new phase: Schadenfreude. On the night of the US election, he left the house at 6pm west coast time to watch the coverage with some friends. He checked his usual round of sites on his phone: CNN, the New York Times, the Washington Post, Nate Silver’s FiveThirtyEight, the Guardian, the Huffington Post, the BBC, politico.com. He was concerned to see that no one was calling any of the early states; with Obama’s election, exit polls suggested the victory by noon. Days earlier, Moby had been predicting humanity’s “wake-up call” in the form of the destruction of Greenland or a zoonotic virus – but not this. He is softly spoken, with a quick laugh and the kind of intelligence that seems to warm him up from the inside when he talks, but today he is angry.

“It is disturbing on so many levels,” he says. “One, that we have elected an inept racist as president. Two, just seeing how dumb and delusional so many Americans are. Because really – in terms of the subsets of people who would vote for Trump – you have to be delusional, or racist, or stupid. I am so confused as to the fact that such a high percentage of Americans are either really stupid or incredibly bigoted.”

The stupidity of Americans is, he says, a matter of “anthropological curiosity” – or simply demographics. “The average American IQ is around 98,” he notes. “So that honestly means – in a vaguely non-pejorative way – that there are a lot of really, really dumb people. The nonsense that people were spouting before the election – that Trump was a good businessman, for example? This phenomenon has been particularly egregious of late: people have an almost adversarial relationship with evidence. Climate-change deniers are another example.”

As a self-described old-timey alcoholic, Richard Melville Hall (nicknamed Moby by his father in honour of his great-great-great-uncle Herman) has a pervasive interest in neurochemistry. He uses it to explain much of the past six months in Western politics. Our failing political systems – the subject, in fact, of the album he doesn’t want to talk about – are underpinned by “a kind of delusional motivation, which is basically to ignore the countless things that are actually going wrong in the world and focus all your attention on things that are arbitrary. In the United States, you have people who have perfectly good jobs in safe communities who are obsessed about Mexico, crime and unemployment. We have these quasi-Orwellian responses to stimuli, and they come from a place of fear and scarcity. Humans are still built to amass as much wealth as possible, and fight off the enemies as quickly as possible, but the only threats are the ones we generate ourselves.”

There’s a dishcloth on the table, a few magazines, a bit of a draught and Moby in a black hoodie pouring two glasses of water.

Fear and scarcity pervade American society, he says, because social policy is an extension of corporate process and “nothing is free from the cadres of professional lobbyists”. Meanwhile the ravenous news consumption that helped drive Trump reflects a human addiction to the “neurochemical jolt” of engaging with the media.

“People have a profound and almost feral attachment to that which makes them feel good in the moment,” he says. “Without thinking of long-term consequences, does their belief give them a shot of dopamine right at this second? If so, they hold on to it. Eating junk food, voting Brexit and voting for Trump.”

 

***

 

Moby is the model of an addictive personality well-practised at controlling itself. He was a fully fledged alcoholic by his early twenties: at ten, he’d been given champagne and made himself the promise, “I always want to feel this good.” Now, he cannot touch a drink, but his modern-day addiction, he says without a beat, is his phone. Every thought is pursued to extremes. He recently released an animated video for a new song, “Are You Lost In the World Like Me?”, showing a procession of grotesque, phone-addicted cartoon characters filming a girl as she throws herself off a skyscraper and hits the ground.

The house is vaguely baronial, airy and open-plan: all dark wood and furniture polish. An Annie Hall poster in the pool house; a coyote postcard on the kitchen wall.

This particular property is a result of serious downsizing: Moby has a habit of buying very big places, doing them up and then moving out. When he was still in New York, he bought a remote mountaintop retreat in Kent Cliffs, 50 miles north of Manhattan. He created a magnificent bedroom of 1,500 square feet with ten skylights – but quickly learned he could only get a decent night’s sleep when he pulled his mattress into the cupboard. He told the New York Times that, living all alone in the big house, he “felt like Orson Welles at the end of Citizen Kane”.

He moved to LA in 2010, swapped vodka for quinoa smoothies and took the keys for another large building – the Wolf’s Lair, the turreted, 1920s Gothic castle in Hollywood once inhabited by Marlon Brando, with the swimming pool historically used for porn movies and the hidden tiki bar. He bought it for $4m and sold it for $12.5m four years later – allegedly to Banksy. He rattled around in that house, too. Right on cue, he tells me: “I felt like Orson Welles at the end of Citizen Kane.”

On the one hand, these were sensible ­investments for the man who’s sold 20 million records; on the other, large impersonal spaces appealed to Moby long before he was in a position to buy them. Raised by his single mother on food stamps and welfare in Darien, Connecticut, he started his adult life squatting an abandoned lock factory, where he could ride his moped around his bedroom, piss into a bottle and read battered Star Trek paperbacks while working on early demo tapes, rather like a ragged, vegan version of the boy in the movie Big.

He was very happy in his penniless state, as he records in his memoir, Porcelain. He’d like to propose something he calls the End of Wealth – but we’ll come back to that.

In the past few years Moby has broken free from the “Beckettian purgatory of touring”. When his biggest-selling album, Play, was released in 1999, his music career was effectively “over”. Before Play, he had changed creative direction, going from progressive house to ambient to thrashy punk – to which he has just returned – and no one knew what to do with him. The only reason he hadn’t been dropped by his UK label, Mute Records, was that its owner, Daniel Miller, was “an old egalitarian socialist”.

Play sampled slave songs of the Deep South – recorded by the ethnomusicologist Alan Lomax in the 1940s – and wove them into a backdrop of cerebral chill-out. The songs of pain and emotion took on an eerie neutrality, and TV shows and ad companies came calling. He was approached by Will and Grace and Grey’s Anatomy. At that point, selling records and touring were still more lucrative than licensing a song to TV – and licensing a song to TV was still considered selling out. But Moby considers himself an ugly duckling: “If someone who was once unattractive suddenly gets asked out on loads of dates, of course they say yes a lot.” He licensed every song on Play and it became the soundtrack of the millennium.

His memoir was unusual because it concentrated on the ten-year period before he got famous. It captured his enthusiasm – and his strangeness – at its source and showed him to have a sense of humour that may have passed people by the first time round. “I’m in London! London!” he wrote. “Benny Hill, Joy Division, Peter O’Toole!” He visited the vegan café in Covent Garden.

The book is filled with money: or with the constant, practical concern of not having it. Navigating poverty is an everyday routine: he is an “alchemist” turning used beer bottles into nickels at the recycler, and thence into soya milk and oranges. In his early twenties he becomes a Christian, partly so that he can repeat the Sermon on the Mount at Bible classes in the households of Greenwich Village and “judge” the rich children.

Book two, which Faber & Faber is waiting for, is more difficult. The period of his fame and fortune in the 2000s is too much of a cliché. “Ten years ago I was entitled, narcissistic, bottoming out, alcoholic, selfish and feral. Robbie Williams has done that story, so has Ozzy and Mötley Crüe. Who wants to read that? It’s tautological.”

Instead, he has decided to write about the first ten years of his life. It will look into his relationship with his mother, who loved him but raised him in various drug dens. He was at her side when she died in 1997, but he missed her funeral, having woken late in the morning to discover that at some point in the night he must have got up and set his alarm clock three hours late. He took a taxi to the wake, worrying about the fare, and for reasons he can’t really explain, turned up cracking jokes.

He has a strange nostalgia for the kinds of friendships you have in early adulthood, when everyone is equal, “before that point when someone starts making money and they think they’ve won: they’re going to have access to a different kind of happiness”.

In 2003, when he turned 38, he was famous, wealthy and miserable. “I’ve been able to see and inhabit almost every stratum on the socioeconomic scale, from extreme poverty and obscurity to wealth and fame, and it gives me an insight into it,” he says. “Because a lot of people who experience wealth are born into it, and a lot of people who experience poverty never leave it. I can safely say that for me there has been no causal effect between increased fame and wealth and increased basic happiness and well-being.”

When Moby talks about himself, he applies many apologetic epithets: clichéd, meditating, yoga-loving, mealy-mouthed. In 2007 he developed mobygratis.com, a large online resource offering independent film-makers and film students a licence to use his music for free. If their films are commercially successful, the revenue from licence fees must go to the Humane Society. He says he wants to propose a more rational, evidence-based approach to wealth.

“We are still attached to the idea of the redistribution of wealth,” he says. “As progressive lefties, we’re all brought up to think that is a good idea. In the old days, it meant the difference between eating and not eating. Nowadays the person on $30,000 consumes twice the calories of the millionaire, and has a bigger TV and works fewer hours.

“There is an underlying assumption that if wealth were distributed more evenly then people would be happier, but there is unfortunately very little anthropological or sociological evidence to support that idea, unless there are institutions to support the basic needs of community, like food and shelter. Confusing materialism with happiness is the essence of our culture.”

While west LA is plastic surgery and gold-plated toilets, he says, his own neighbourhood is “David Lynch wearing an old T-shirt and mowing the lawn”. Among the millionaires of Los Feliz, conspicuous consumption is frowned upon. He knows several who live “incredibly austere lives. I was having tea with Jim Carrey the other day. He’s basically just giving everything away. He just realised that owning three planes was stressing him out . . .”

In his New Statesman diary, Moby said that life in LA offered him miles and miles of lavender-scented name-dropping.

“Coldplay played the Rose Bowl recent­ly,” he says. “And the Rose Bowl holds 75,000 people. It’s a struggle for me to sell 2,000. At first, I winced with a little jealousy. But then I thought, ‘If my career was at that Coldplay level, how would that actually affect my daily existence? Would it make my shoes fit better? Would it make the water pressure in my shower better?’ As long as you’ve satisfied the basic hierarchy of needs – enough to eat, clean air to breathe, bears not eating your legs – happiness is all where and how you put your attention.”

***

He goes to his kitchen cupboard and from among the colanders and measuring jugs he extracts a black velvet fedora – size seven, silk-lined, from a London company established in 1879. In green marker around the inside rim are the words “With love from David – Christmas 2005”. Bowie gave it to him over Christmas dinner that year. “It’s the hat that he wore in The Man Who Fell to Earth,” Moby says. “There’s this amazing picture of him wearing it with John Lennon and it’s clearly when he was doing a lot of cocaine.”

Moby lived on Mott Street in Little Italy and Bowie lived on Mulberry Street. “I had a little roof deck, and he had a beautiful roof terrace, and we could wave at each other.” They were neighbours and friends, worked on music together, went on tour together, had barbecues together. He says the title of Bowie’s last album, Black Star, is a reference to the 1960 Elvis Presley song of the same name “about the end of a life” (“And when a man sees his black star,/He knows his time, his time has come”).

“David had been sick for a long time,” he says. “Or ill, as you say in the UK. So, David had been ill for a long time. I was very pleased that . . . after he died, people were asking me, ‘How do you feel?’ and I’m like, ‘Actually, I’m just kind of happy that he lived as long as he did.’ Because I . . . had thought, yeah, I had thought that he was going to die a little before that. So.”

The Radiohead singer Thom Yorke lives just up the street from him in Los Angeles but Moby has never met him “as far as I know”. Apart from Bowie, he claims not to have musician friends.

“Musicians – and I’m sure you’ve encountered this many times – have a sense of self-importance that is off-putting,” he says. “It is very hard to be friends with someone who thinks that just by showing up, they’re doing something special. At the end of the day, you want to say to them, ‘You know what? You wrote a couple of good songs. Let’s put it in perspective.’”

He was born on 11 September 1965, and on his 36th birthday he watched the twin towers burning from his roof deck. He tells me that when the second plane hit and it became clear the first was no accident, he heard “the cumulative effect of ten thousand rooftops covered with people, and the weirdest scream. A scream of horror but also a scream of understanding.”

Fifteen years on, he talks about this year’s politics as a Manichaean thing. “Half the world are motivated by fear and desire to move backwards, and the other half are motivated by optimism and a desire to move forward rationally. It’s religious tolerance versus fundamentalism; it’s racism versus inclusion. I wonder if there’s a way we can make peace with that whole other half of humanity who are holding on to a non-evidence-based approach to the future. But I don’t know what it is.” He has known Hillary Clinton for two decades, was a vocal supporter of hers during the election run and released a pair of anti-Trump tracks for Dave Eggers’s music project 30 Days, 50 Songs.

He says that many celebrity Clinton backers were cautious to come out for her during the primaries “because Bernie supporters wanted to crucify you. Now Trump has united and inspired Democrats more than anything since the Vietnam War.”

The election result, he says, might just be “the equivalent of a crystal meth addict going on one last bender. Maybe this bender will finally convince Americans to stop voting for Republicans. Because they are terrible. There has always been an understanding that if everyone in America voted, there would be no Republican politicians. The reason Republicans win is that most Americans don’t vote.

“Those of us on the left who were brought up to be tolerant of people who had different opinions from us – well that’s great, ­unless the opinions are bigoted and wrong. If someone is a climate-change denier, they are wrong. If someone voted for Brexit, they are wrong. If someone voted for Trump, they are wrong. There is a lot of ambiguity in the world, but not about these things.”

The clock ticks towards 11.15am and Moby, ever punctual, is done.

“These Systems Are Failing” is out now on Little Idiot/Mute

Kate Mossman is the New Statesman's arts editor and pop critic.

This article first appeared in the 08 December 2016 issue of the New Statesman, Brexit to Trump