Paris Brown: Social media means your awful 17-year-old self is shackled to you forever

The attacks on Britain’s first youth police commissioner for some carelessly offensive tweets show that unless you’re an unusually cautious or discreet teenager, you’re writing a patchwork public diary without realising it.

 

Some days I thank the stars that Twitter wasn’t invented until I was 32. The occasion this time is the Mail on Sunday’s comically disingenuous “exposé” of Britain’s first youth police commissioner, 17-year-old Paris Brown: yet another pseudo-scandal drawn from Twitter’s bottomless well of fauxtroversy.

The tweets revealed by the paper’s reporter Russell Myers tell us many things about Brown. She swears. She gets drunk. She talks about sex that she may or may not be actually having. She uses carelessly offensive language. She thinks weed is funny. She is “self-obsessed”. In short, she is a teenager. To Myers her opinions are so horrifyingly alien that the police might as well have hired Alex from A Clockwork Orange but anyone who actually remembers being a teenager might not be quite so alarmed. (Obviously it’s wonderful to find the Mail standing up so firmly for the rights of gay people and immigrants, although I fear that Myers is in for quite a shock when he reads the rest of the paper that employs him.)

Teenagers are messy, thorny creatures, maddened by hormones, rubbed raw by the onslaught of new emotions and unprecedented situations, prey to obscure resentments, petty prejudices and half-understood, third-hand ideas, often self-righteous and thoughtlessly cruel but just as frequently (though less publicly) vulnerable and compassionate. Growing up is a long process and Brown is still in its midst. The central theme of the TV shows Girls and Fresh Meat is how malleable we are even in our early 20s, constantly re-presenting ourselves to those around us as we fumble towards a stable, adult identity. To a 17-year-old, even a tweet from a year ago can seem like the work of another, more embarrassing, more incomplete person.

Every now and then I’m gut-punched by the memory of something stupid or unpleasant I did in my teens, as I’m sure most people are. Coming-of-age tales from Great Expectations to The Catcher in the Rye tell us again and again what emotional havoc young people can wreak even while believing their intentions are just.

But for people of my generation these are only memories, blessedly undocumented. The problem with social media is that it preserves every step of this chaotic journey. Growing up is a process of rewriting yourself but Twitter and Facebook function as palimpsests of all the versions of yourself that are better forgotten until, if you’re unlucky enough to be of public interest, the traces are uncovered years later by malicious reporters and magnified to unrecognisably grotesque proportions.

I used to think that social media’s muddying of the border between private and public was most problematic for older users whereas so-called digital natives understood the rules of the game, but of course many don’t, for the simple reason that they are of an age when they don’t understand much about the way the world works. Unless you’re an unusually cautious or discreet teenager, you’re writing a patchwork public diary without realising it, revealing things about yourself that you don’t consciously intend to stand by years, or even weeks, later. Even adults sometimes tweet things in the heat of the moment that they later regret so why would people too young to be trusted with a car or the vote be infallibly wise when it comes to what they give away online?

We’re increasingly aware of just how foggy teenagers’ understanding of social media’s implications can be. As Rhiannon Lucy Cosslett recently wrote in the New Statesman, following the Steubenville rape case, “Rather than seeing the web as a witness to their lives, standing outside the action, as many of the older generation would, younger people consider it a component of their lived experience. The internet doesn’t just confirm your existence: it is your existence.”

No doubt Paris Brown’s monstering by the Mail will scare some teenagers into thinking twice about what they say on Twitter and Facebook but thinking twice isn’t really adolescents’ forte. They are too caught up in the fierce nowness of life to consider which tweets or posts might one day rise up to cost them a job or a relationship.

And yet young people are aware there is a general problem. Viktor Mayer-Schönberger, professor of internet governance at the Oxford Internet Institute, advocates an expiration date on online data to establish the “right to be forgotten”. He cites a 2011 study by the University of Berkeley that found that 84 per cent of 18-to-24-year-olds wanted this right enshrined in legislation.

Mayer-Schönberger told the Guardian last week: “Our brains reconstruct the past based on our present values. Take the diary you wrote 15 years ago, and you see how your values have changed. There is a cognitive dissonance between now and then. The brain reconstructs the memory and deletes certain things. It is how we construct ourselves as human beings, rather than flagellating ourselves about things we've done. But digital memories will only remind us of the failures of our past, so that we have no ability to forget or reconstruct our past.”

“Right to be forgotten” legislation is currently moving through the EU but this is really more of a moral issue than a legal one. Even if “incriminating” information is out there, we don’t need to dwell on it. Better to forgive youthful errors and let people like Paris Brown outgrow their crasser, shallower selves. It’s fantastic that Kent Police and Crime Commissioner Ann Barnes has rebuffed opportunistic calls for Brown to resign. If Brown’s job is to represent the experiences of genuine teenagers, rather than spotlessly mature mini-adults, then she is clearly well-equipped.

 

Paris Brown during an emotional BBC interview.

Dorian Lynskey is a journalist living in London. He blogs at:

33RevolutionsPerMinute.wordpress.com

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How Donald Trump is slouching towards the Republican nomination

There was supposed to be a ceiling above which Trump’s popular support could not climb.

In America, you can judge a crowd by its merchandise. Outside the Connecticut Convention Centre in Hartford, frail old men and brawny moms are selling “your Trump 45 football jerseys”, “your hats”, “your campaign buttons”. But the hottest item is a T-shirt bearing the slogan “Hillary sucks . . . but not like Monica!” and, on the back: “Trump that bitch!” Inside, beyond the checkpoint manned by the Transportation Security Administration and the secret service (“Good!” the man next to me says, when he sees the agents), is a family whose three kids, two of them girls, are wearing the Monica shirt.

Other people are content with the shirts they arrived in (“Waterboarding – baptising terrorists with freedom” and “If you don’t BLEED red, white and blue, take your bitch ass home!”). There are 80 chairs penned off for the elderly but everyone else is standing: guys in motorcycle and military gear, their arms folded; aspiring deal-makers, suited, on cellphones; giggling high-school fatsos, dressed fresh from the couch, grabbing M&M’s and Doritos from the movie-theatre-style concession stands. So many baseball hats; deep, bellicose chants of “Build the wall!” and “USA!”. (And, to the same rhythm, “Don-ald J!”)

A grizzled man in camouflage pants and combat boots, whose T-shirt – “Connecticut Militia III%” – confirms him as a member of the “patriot” movement, is talking to a zealous young girl in a short skirt, who came in dancing to “Uptown Girl”.

“Yeah, we were there for Operation American Spring,” he says. “Louis Farrakhan’s rally of hate . . .”

“And you’re a veteran?” she asks. “Thank you so much!”

Three hours will pass. A retired US marine will take the rostrum to growl, “God bless America – hoo-rah!”; “Uptown Girl” will play many more times (much like his speeches, Donald J’s playlist consists of a few items, repeated endlessly), before Trump finally looms in and asks the crowd: “Is this the greatest place on Earth?”

There was supposed to be a ceiling above which Trump’s popular support could not climb. Only a minority within a minority of Americans, it was assumed, could possibly be stupid enough to think a Trump presidency was a good idea. He won New Hampshire and South Carolina with over 30 per cent of the Republican vote, then took almost 46 per cent in Nevada. When he cleaned up on Super Tuesday in March, he was just shy of 50 per cent in Massachusetts; a week later, he took 47 per cent of the votes in Mississippi.

His rivals, who are useless individually, were meant to co-operate with each other and the national party to deny him the nomination. But Trump won four out of the five key states being contested on “Super-Duper Tuesday” on 15 March. Then, as talk turned to persuading and co-opting his delegates behind the scenes, Trump won New York with 60 per cent.

Now, the campaign is trying to present Trump as more “presidential”. According to his new manager, Paul Manafort, this requires him to appear in “more formal settings” – without, of course, diluting “the unique magic of Trump”. But whether or not he can resist denouncing the GOP and the “corrupt” primary system, and alluding to violence if he is baulked at at the convention, the new Trump will be much the same as the old.

Back in Hartford: “The Republicans wanna play cute with us, right? If I don’t make it, you’re gonna have millions of people that don’t vote for a Republican. They’re not gonna vote at all,” says Trump. “Hopefully that’s all, OK? Hopefully that’s all, but they’re very, very angry.”

This anger, which can supposedly be turned on anyone who gets in the way, has mainly been vented, so far, on the protesters who disrupt Trump’s rallies. “We’re not gonna be the dummies that lose all of our jobs now. We’re gonna be the smart ones. Oh, do you have one over there? There’s one of the dummies . . .”

There is a frenzied fluttering of Trump placards, off to his right. “Get ’em out! . . . Don’t hurt ’em – see how nice I am? . . . They really impede freedom of speech and it’s a disgrace. But the good news is, folks, it won’t be long. We’re just not taking it and it won’t be long.”

It is their removal by police, at Trump’s ostentatious behest, that causes the disruption, rather than the scarcely audible protesters. He seems to realise this, suddenly: “We should just let ’em . . . I’ll talk right over them, there’s no problem!” But it’s impossible to leave the protesters where they are, because it would not be safe. His crowd is too vicious.

Exit Trump, after exactly half an hour, inclusive of the many interruptions. His people seem uplifted but, out on the street, they are ambushed by a large counter-demonstration, with a booming drum and warlike banners and standards (“Black Lives Matter”; an image of the Virgin of Guadalupe, holding aloft Trump’s severed head). Here is the rest of the world, the real American world: young people, beautiful people, more female than male, every shade of skin colour. “F*** Donald Trump!” they chant.

After a horrified split-second, the Trump crowd, massively more numerous, rallies with “USA!” and – perplexingly, since one of the main themes of the speech it has just heard was the lack of jobs in Connecticut – “Get a job!” The two sides then mingle, unobstructed by police. Slanging matches break out that seem in every instance to humiliate the Trump supporter. “Go to college!” one demands. “Man, I am in college, I’m doin’ lovely!”

There is no violence, only this: some black boys are dancing, with liquid moves, to the sound of the drum. Four young Trump guys counter by stripping to their waists and jouncing around madly, their skin greenish-yellow under the street lights, screaming about the building of the wall. There was no alcohol inside; they’re drunk on whatever it is – the elixir of fascism, the unique magic of Trump. It’s a hyper but not at all happy drunk.

As with every other moment of the Trump campaign so far, it would have been merely some grade of the cringeworthy – the embarrassing, the revolting, the pitiful – were Trump not slouching closer and closer, with each of these moments, to his nomination. 

This article first appeared in the 28 April 2016 issue of the New Statesman, The new fascism