Mandela, Queen Elizabeth and Handel’s Messiah

There is no doubt that the reaction to Mandela's death will reflect his values of reconciliation, understanding and harmony.

 

It was the moment everyone had been waiting for. As the choir finally arrived at the Hallelujah chorus, the audience rose as one. The Cape Town City Hall does not posses the greatest acoustics, but its slightly faded interior brightened with the soaring notes. The city’s Philharmonia Choir has performed Handel’s Messiah every Easter since 1968. Then the audience would have been exclusively white. Today it is thoroughly multiracial and as the packed hall finally shuffled out, there was a warm buzz of an evening well spent. The tenor, Thembinkosi Mgetyengana, still studying at the University of Cape Town, had been particularly well received.

The City Hall has seen its fair share of illustrious guests. The Queen celebrated her twenty-first birthday here in 1947. The mayoral parlour – with its magnificent wood panelling – was redecorated specially for the occasion. On the wall an oil painting of the warship that had brought her to these shores, is depicted docked with the face of Table Mountain towering above it. On the shelf, there is a black and white photograph of Princess Elizabeth in a flowing party dress, smiling just a little nervously.

On her twenty-first birthday, on the 21 April 1947, the princess was touring South Africa with her parents and younger sister. In a speech broadcast on the radio from Cape Town, she spoke of dedicating her life to the service of the Commonwealth. “I declare before you all that my whole life whether it be long or short shall be devoted to your service and the service of our great imperial family to which we all belongs,” she said.

But it is for another, more famous speech, for which this Town Hall is best known. Just below the mayoral parlour, up a short flight of steps from the street, is the modest balcony that was once the centre of world attention. It was from here, on Sunday 11 February 1990 that Nelson Mandela made his first public address after his release from 27 years of imprisonment. The Grand Parade, laid out before the City Hall, was packed with more than 250,000 people. The speech was televised live around the world.

Mandela, his voice ringing with emotion, told the vast audience, “I stand here before you not as a prophet, but as a humble servant of you, the people.” He went on to thank the millions who had “campaigned tirelessly” for his release, before addressing people the City of Cape Town itself. “I extend special greetings to the people of Cape Town, the city which has been my home for three decades. Your mass marches and other forms of struggle have served as a constant source of strength to all political prisoners.”

Today, at 94, Nelson Mandela is once more back in hospital, suffering from pneumonia. It is the third time he’s been treated in an undisclosed hospital in the past year. The South African public are given brief, reassuring bulletins on his condition, but it is no longer in the headlines or the topic of conversation. Most people seem resigned that the man who so inspired the country is now in some sort of transition between this world and the next. It has been years since he took an active part in politics and even glimpses of Mandela in public have been rare events. World leaders have, sometimes, been allowed to visit him, but even these have become increasingly infrequent.

It is, perhaps, the calm before the storm. The international media have been preparing for the Mandela death for years. Achieves have been trawled, locations recced, guests booked. Days of non-stop coverage have been meticulously planned. Even the Mandela’s old party – the ANC – is said to have quietly appointed a public relations firm to handle the avalanche of media attention that his demise is certain to unleash.

One question almost every journalist has been asked for years is: what will happen when Mandela goes? The seldom articulated implication is clear – will the reconciliation that he preached be swept away in a tide of black anger? It is not difficult to find websites predicting just such an outcome. One suggests 70,000 will be killed in a Communist inspired plot.

While predicting the future is always a mug's game, this kind of speculation is no more than far-right hysteria. No one doubts that Mandela’s death will be met with a vast outpouring of emotion from ordinary South Africans – of all races. But it will be tempered by the values that he stood for: of reconciliation, understanding and harmony among his people. The country’s institutions are sound and its roots are deep. They will survive even the passing of its most revered son.   

Nelson Mandela speaking on a trip back to Robben Island in 2003. Photograph: Getty Images

Martin Plaut is a fellow at the Institute of Commonwealth Studies, University of London. With Paul Holden, he is the author of Who Rules South Africa?

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How Donald Trump is slouching towards the Republican nomination

There was supposed to be a ceiling above which Trump’s popular support could not climb.

In America, you can judge a crowd by its merchandise. Outside the Connecticut Convention Centre in Hartford, frail old men and brawny moms are selling “your Trump 45 football jerseys”, “your hats”, “your campaign buttons”. But the hottest item is a T-shirt bearing the slogan “Hillary sucks . . . but not like Monica!” and, on the back: “Trump that bitch!” Inside, beyond the checkpoint manned by the Transportation Security Administration and the secret service (“Good!” the man next to me says, when he sees the agents), is a family whose three kids, two of them girls, are wearing the Monica shirt.

Other people are content with the shirts they arrived in (“Waterboarding – baptising terrorists with freedom” and “If you don’t BLEED red, white and blue, take your bitch ass home!”). There are 80 chairs penned off for the elderly but everyone else is standing: guys in motorcycle and military gear, their arms folded; aspiring deal-makers, suited, on cellphones; giggling high-school fatsos, dressed fresh from the couch, grabbing M&M’s and Doritos from the movie-theatre-style concession stands. So many baseball hats; deep, bellicose chants of “Build the wall!” and “USA!”. (And, to the same rhythm, “Don-ald J!”)

A grizzled man in camouflage pants and combat boots, whose T-shirt – “Connecticut Militia III%” – confirms him as a member of the “patriot” movement, is talking to a zealous young girl in a short skirt, who came in dancing to “Uptown Girl”.

“Yeah, we were there for Operation American Spring,” he says. “Louis Farrakhan’s rally of hate . . .”

“And you’re a veteran?” she asks. “Thank you so much!”

Three hours will pass. A retired US marine will take the rostrum to growl, “God bless America – hoo-rah!”; “Uptown Girl” will play many more times (much like his speeches, Donald J’s playlist consists of a few items, repeated endlessly), before Trump finally looms in and asks the crowd: “Is this the greatest place on Earth?”

There was supposed to be a ceiling above which Trump’s popular support could not climb. Only a minority within a minority of Americans, it was assumed, could possibly be stupid enough to think a Trump presidency was a good idea. He won New Hampshire and South Carolina with over 30 per cent of the Republican vote, then took almost 46 per cent in Nevada. When he cleaned up on Super Tuesday in March, he was just shy of 50 per cent in Massachusetts; a week later, he took 47 per cent of the votes in Mississippi.

His rivals, who are useless individually, were meant to co-operate with each other and the national party to deny him the nomination. But Trump won four out of the five key states being contested on “Super-Duper Tuesday” on 15 March. Then, as talk turned to persuading and co-opting his delegates behind the scenes, Trump won New York with 60 per cent.

Now, the campaign is trying to present Trump as more “presidential”. According to his new manager, Paul Manafort, this requires him to appear in “more formal settings” – without, of course, diluting “the unique magic of Trump”. But whether or not he can resist denouncing the GOP and the “corrupt” primary system, and alluding to violence if he is baulked at at the convention, the new Trump will be much the same as the old.

Back in Hartford: “The Republicans wanna play cute with us, right? If I don’t make it, you’re gonna have millions of people that don’t vote for a Republican. They’re not gonna vote at all,” says Trump. “Hopefully that’s all, OK? Hopefully that’s all, but they’re very, very angry.”

This anger, which can supposedly be turned on anyone who gets in the way, has mainly been vented, so far, on the protesters who disrupt Trump’s rallies. “We’re not gonna be the dummies that lose all of our jobs now. We’re gonna be the smart ones. Oh, do you have one over there? There’s one of the dummies . . .”

There is a frenzied fluttering of Trump placards, off to his right. “Get ’em out! . . . Don’t hurt ’em – see how nice I am? . . . They really impede freedom of speech and it’s a disgrace. But the good news is, folks, it won’t be long. We’re just not taking it and it won’t be long.”

It is their removal by police, at Trump’s ostentatious behest, that causes the disruption, rather than the scarcely audible protesters. He seems to realise this, suddenly: “We should just let ’em . . . I’ll talk right over them, there’s no problem!” But it’s impossible to leave the protesters where they are, because it would not be safe. His crowd is too vicious.

Exit Trump, after exactly half an hour, inclusive of the many interruptions. His people seem uplifted but, out on the street, they are ambushed by a large counter-demonstration, with a booming drum and warlike banners and standards (“Black Lives Matter”; an image of the Virgin of Guadalupe, holding aloft Trump’s severed head). Here is the rest of the world, the real American world: young people, beautiful people, more female than male, every shade of skin colour. “F*** Donald Trump!” they chant.

After a horrified split-second, the Trump crowd, massively more numerous, rallies with “USA!” and – perplexingly, since one of the main themes of the speech it has just heard was the lack of jobs in Connecticut – “Get a job!” The two sides then mingle, unobstructed by police. Slanging matches break out that seem in every instance to humiliate the Trump supporter. “Go to college!” one demands. “Man, I am in college, I’m doin’ lovely!”

There is no violence, only this: some black boys are dancing, with liquid moves, to the sound of the drum. Four young Trump guys counter by stripping to their waists and jouncing around madly, their skin greenish-yellow under the street lights, screaming about the building of the wall. There was no alcohol inside; they’re drunk on whatever it is – the elixir of fascism, the unique magic of Trump. It’s a hyper but not at all happy drunk.

As with every other moment of the Trump campaign so far, it would have been merely some grade of the cringeworthy – the embarrassing, the revolting, the pitiful – were Trump not slouching closer and closer, with each of these moments, to his nomination. 

This article first appeared in the 28 April 2016 issue of the New Statesman, The new fascism