Mandela, Queen Elizabeth and Handel’s Messiah

There is no doubt that the reaction to Mandela's death will reflect his values of reconciliation, understanding and harmony.

 

It was the moment everyone had been waiting for. As the choir finally arrived at the Hallelujah chorus, the audience rose as one. The Cape Town City Hall does not posses the greatest acoustics, but its slightly faded interior brightened with the soaring notes. The city’s Philharmonia Choir has performed Handel’s Messiah every Easter since 1968. Then the audience would have been exclusively white. Today it is thoroughly multiracial and as the packed hall finally shuffled out, there was a warm buzz of an evening well spent. The tenor, Thembinkosi Mgetyengana, still studying at the University of Cape Town, had been particularly well received.

The City Hall has seen its fair share of illustrious guests. The Queen celebrated her twenty-first birthday here in 1947. The mayoral parlour – with its magnificent wood panelling – was redecorated specially for the occasion. On the wall an oil painting of the warship that had brought her to these shores, is depicted docked with the face of Table Mountain towering above it. On the shelf, there is a black and white photograph of Princess Elizabeth in a flowing party dress, smiling just a little nervously.

On her twenty-first birthday, on the 21 April 1947, the princess was touring South Africa with her parents and younger sister. In a speech broadcast on the radio from Cape Town, she spoke of dedicating her life to the service of the Commonwealth. “I declare before you all that my whole life whether it be long or short shall be devoted to your service and the service of our great imperial family to which we all belongs,” she said.

But it is for another, more famous speech, for which this Town Hall is best known. Just below the mayoral parlour, up a short flight of steps from the street, is the modest balcony that was once the centre of world attention. It was from here, on Sunday 11 February 1990 that Nelson Mandela made his first public address after his release from 27 years of imprisonment. The Grand Parade, laid out before the City Hall, was packed with more than 250,000 people. The speech was televised live around the world.

Mandela, his voice ringing with emotion, told the vast audience, “I stand here before you not as a prophet, but as a humble servant of you, the people.” He went on to thank the millions who had “campaigned tirelessly” for his release, before addressing people the City of Cape Town itself. “I extend special greetings to the people of Cape Town, the city which has been my home for three decades. Your mass marches and other forms of struggle have served as a constant source of strength to all political prisoners.”

Today, at 94, Nelson Mandela is once more back in hospital, suffering from pneumonia. It is the third time he’s been treated in an undisclosed hospital in the past year. The South African public are given brief, reassuring bulletins on his condition, but it is no longer in the headlines or the topic of conversation. Most people seem resigned that the man who so inspired the country is now in some sort of transition between this world and the next. It has been years since he took an active part in politics and even glimpses of Mandela in public have been rare events. World leaders have, sometimes, been allowed to visit him, but even these have become increasingly infrequent.

It is, perhaps, the calm before the storm. The international media have been preparing for the Mandela death for years. Achieves have been trawled, locations recced, guests booked. Days of non-stop coverage have been meticulously planned. Even the Mandela’s old party – the ANC – is said to have quietly appointed a public relations firm to handle the avalanche of media attention that his demise is certain to unleash.

One question almost every journalist has been asked for years is: what will happen when Mandela goes? The seldom articulated implication is clear – will the reconciliation that he preached be swept away in a tide of black anger? It is not difficult to find websites predicting just such an outcome. One suggests 70,000 will be killed in a Communist inspired plot.

While predicting the future is always a mug's game, this kind of speculation is no more than far-right hysteria. No one doubts that Mandela’s death will be met with a vast outpouring of emotion from ordinary South Africans – of all races. But it will be tempered by the values that he stood for: of reconciliation, understanding and harmony among his people. The country’s institutions are sound and its roots are deep. They will survive even the passing of its most revered son.   

Nelson Mandela speaking on a trip back to Robben Island in 2003. Photograph: Getty Images

Martin Plaut is a fellow at the Institute of Commonwealth Studies, University of London. With Paul Holden, he is the author of Who Rules South Africa?

Gerald Wiener
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From the Kindertransport to Dolly the Sheep: a New Statesman subscriber's story

Gerald Wiener's life has now been turned into a biography. 

In 1997, Gerald Wiener, an animal geneticist, gathered with a group of friends in Edinburgh to celebrate the cloning of Dolly the sheep by one of his former colleagues. He was a respected scientist, who had contributed to the developments in research which led to this ground-breaking development – and a New Statesman reader.

It could have been very different. Gerald was born Horst, on 25 April 1926, to a German Jewish family. Raised in Berlin by his mother, Luise, he grew up under the shadow of the Nazi regime. He was forced out of his school, and left increasingly alone as friends and family fled to the United States and Britain. After Kristallnacht, when Nazis looted and vandalised Jewish-owned businesses, his mother was desperate for her son to escape. She managed to get him included in the last-ditch organised rescue of German Jewish children, which became known as the Kindertransport. At twelve, Wiener arrived in the UK, alone.

For many years, Wiener did not talk much about his past in Germany. Instead, he embraced a new life as a British schoolboy, and later travelled the world as a scientist. But when he met his second wife, the teacher and writer Margaret Dunlop, she began noting down some of his stories. Eventually she encouraged him to share so many details it has become a book: Goodbye Berlin: the biography of Gerald Wiener.

“I was moved by some of the stories, like his mother putting him on a train in Berlin,” Dunlop tells me when I call the couple at their home in Inverness. “I thought - what a terrible thing.”

“I rejected Germany totally for a long, long time,” Wiener, now 91, says. His mother, with whom he was reunited after she also managed to escape to Britain, threw herself into a wartime career as a nurse. “I had one friend from my school days in Berlin, and he was more like a sort of brother to me, but they also left Germany way behind.”

It was during this period of his life that Wiener first picked up a New Statesman. He spent the war years in Oxford, mentored by the Spooner cousins Rosemary and Ruth, related to William Spooner, who gave his name to the speech error.

Then, in the 1960s, his work took him to Germany, where he met fellow researchers. “They all detested the Hitler years,” he recalls. “I started feeling they are no different to me. I no longer felt bitter about Germany.” 

Still, the Nazis' atrocities had left Wiener almost completely without family. He lost his grandfather, aunt and uncle in the Holocaust. His paternal family fled to the United States. By the time Wiener found them again when taking up a fellowship to study in the US in 1956, his father, who survived the concentration camps, had died of a heart attack.

The next decades were spent patching his family together, and also reclaiming a connection to Germany. Wiener’s half brothers, who were born in Shanghai continue to visit. His American nephew, who works in the music industry, has a German girlfriend and lives in Berlin.

Wiener, too, went back to Berlin. In the early 1990s, the city invited former refugees to visit the city, all expenses paid. With some reservations, Wiener and Dunlop took up the offer. “It was quite exciting to go and see places that had been in my childhood,” he says. He also found the old people's home his grandfather had sought refuge in, before being taken by the Nazis.

Meanwhile, his career was taking him around the world, from India to North Korea. His belief in academic collaboration helped to build the momentum for the Roslin Institute, whose scientists eventually cloned the sheep known as Dolly. 

Wiener, who votes Liberal Democrat, wanted to remain in the EU, and he feels “very angry” that 48 per cent of voters have been ignored.

He adds: “I would be surprised if there was a single university or college who was in favour of Brexit.”

As for another of the great challenges of the present, the refugee crisis, Wiener feels a deep empathy for those living in wartorn regions. “Obviously I feel very, very sympathetic to refugees from more or less wherever,” he says. He sees the current German Chancellor, Angela Merkel, who acted decisively on this matter, as “a bit of a beacon”. At the same time, he believes that in order to fully integrate, refugees must make learning English a priority. “When I go down the street, and I hear people who still don’t speak English, that is the one thing that upsets me,” he says.

If Wiener, a successful scientist, is an example of how Britain can benefit by continuing to offer sanctuary to the world’s desperate, there is, however, a dark undertone to his integration. As a teenager, he knew there was no way back to the Berlin of his childhood. “There was no young generation,” he says of that time. “There was no future.”

Goodbye Berlin is published by Birlinn Books.

Julia Rampen is the digital news editor of the New Statesman (previously editor of The Staggers, The New Statesman's online rolling politics blog). She has also been deputy editor at Mirror Money Online and has worked as a financial journalist for several trade magazines. 

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