Britain's peculiar fascination with the weather

The Barbican's Rain Room exhibition is a reminder of how the weather defines our nation’s character.

"When two Englishmen meet, their first talk is of the weather". Dr. Johnson noted this in the 18th century and yet it is still unassailably true. Despite Oscar Wilde’s famous riposte, "conversation about the weather is the last refuge of the unimaginative", Britain remains a country peculiarly fascinated with the weather. This obsession seems quintessentially British, our literature is flooded with references and metaphors; one need only skim through a book of English poetry, or look at a Turner painting. However, there is something rather sentimental about it. As Richard Mabey aptly writes, despite the banality of discussions on the weather, the nice thing is that "we’re all in the weather together", it offers each of us a common narrative. Perhaps we choose this narrative because of a lack of imagination or because of an ingrained ‘stiff upper lip’ and a need for a conversation ‘safety net’. Whatever the reason, it is an ingrained part of our culture, BBC Radio 4 discovered this when they proposed cutting the late-night shipping forecast which provoked an outcry from listeners, most of whom did not actually live near the sea.

Pondering these thoughts and with a mixture of intrigue and bafflement, I headed off to see the Rain Room at the Barbican. The installation has been one of the institution's most successful exhibitions and comes to a close this weekend having opened on 4 October. The installation, created by Random International, seeks to "push people outside their comfort zones" and has certainly created a storm with queues averaging six hours. Once inside the rain room, one is confronted with what appears to be a downpour. However, when you enter as if by magic, the rain does not touch you. The installation is designed to allow viewers to interact and experience is both exciting and contemporary, the space is calming and intriguing and allows individuals to make what they will of it.

The exhibition, for me, most aptly sums up our fascination with weather and suggests that we enjoy the weather, not just as a banal piece of information, for idle chit chat, but as something that defines part of our nation’s rich character.

The Rain Room exhibition at the Barbican closes this weekend


The Rain Room exhibition at the Barbican.
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Why did the Tunisian National Dialogue Quartet win this year's Nobel Peace Prize?

Thanks to Tunisia, it is no longer possible to argue that the Middle East and North Africa are inherently undemocratic or prone to violence.

It is a fitting that in a tumultuous year for global peacemaking, the Nobel Peace Prize has been awarded to the little-known Tunisian National Dialogue Quartet, a coalition made up of the union federation UGTT, the employers’ institute, the Tunisian human rights league and the order of lawyers . Over the past few years, the Quartet has been quietly shepherded in democracy to the country that lit the fuse of the Arab Spring. In part thanks to the efforts of this broad cross-section of civil society, Tunisia has stayed the course in transitioning from an authoritarian past to a democratic future, even in the face of terrorist violence and as other revolutions in the region have faltered.

The award comes at a time of escalating sectarian conflicts in Syria, Libya and Yemen. Islamic State’s campaign of terror has uprooted Iraqis and Syrians alike, driving desperate refugees into small boats to battle the waves of the Mediterranean. They join others fleeing to Europe from political and economic crises in Africa and Asia, forming a stream of humanity symbolising failures in leadership in three continents.

Among all this, it is not hard to identify why the Norwegian Nobel Committee awarded the world’s most coveted peace prize to the Tunisian Quartet.

First,Tunisia deserves to be celebrated for its momentous achievements in consolidating democracy. Unlike other countries in the region, it has trodden a path that is slow but solid, adopting a comprehensive and consensus-building approach to decision-making.

In this it provides a rare and extremely important example, not only for the region but also for the world. Thanks to Tunisia, it is no longer possible to argue that the Middle East and North Africa are inherently undemocratic or prone to violence.

Civil society steps up

Second, the role of civil society is fundamental for bringing about sustainable peace. Political leadership is important, but the scale of the challenge in transitional societies means that we cannot simply leave things to political leaders to sort out.

At local level especially, peace feels a lot more real when it comes with tangible improvements to quality of life. Citizens want to see the economy motoring again and to have confidence in the state’s institutions. They want to know that they can sleep soundly and safely, without fear of violence, persecution or poverty. Governments often lack the capacity and credibility to deliver these dividends alone. Civil society must step up to the plate – particularly the associations of trade, justice and human rights of which the Quartet is formed.

And third, the Quartet’s work relies heavily on forming constructive relationships across the political spectrum – from secularists to fundamentalists. It has walked a fine line, keeping disparate groups with diverging interests invested in an inclusive national process of dialogue. It has, in the words of the Norwegian Nobel Committee, laid the “groundwork for a national fraternity”.

Politicians are often the most cynical of creatures, yet the Quartet has managed to build a sense of collective endeavour among them. It has encouraged them to put the country’s best interest ahead of personal or sectarian interests, making this the guiding principle for decision-making.

Other bright spots

The transition in Tunisia is a work in progress and there will be more setbacks and successes. The country was left reeling from two terrorist attacks earlier this year, when 22 people were killed at the Bardo Museum in Tunis, and another 39 people died during an attack on a tourist resort in Sousse. But the message today is clear – Tunisia has made remarkable progress since 2010, despite the odds. This is in large part due to a credible and engaged civil society, a remarkable achievement in a new democracy. The country has forged a path of inclusive national dialogue from which many lessons can be learned.

Elsewhere this year, Myanmar goes to the polls in November – the country’s first free national ballot since 1990. Colombia is closer to lasting peace than ever, ending half a century of war that has taken 220,00 lives and uprooted six million people.

The US restored diplomatic relationships with Cuba, and also struck a landmark agreement with Iran over its nuclear programmes. And the UN has adopted the sustainable development goals, explicitly recognising peaceful and inclusive societies as a development priority for the first time. Behind every step forward there is an individual or institution worthy of the Nobel Peace Prize, but only one can win and the Tunisian National Dialogue Quartet is a worthy laureate.

Laura Payne is a Research Fellow and Director of RISING Global Peace Forum, Coventry University

This article was originally published on The Conversation. Read the original article.


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