Breaking Bad series 5, episode 11: The last nail in the coffin

I need a new dust filter for my Hoover MaxExtract PressurePro model 60 - can you help me with that?

WARNING: This blog is for people currently watching Breaking Bad series 5, part 2. It contains spoilers.

Ah, bank holiday Monday. What better way to spend a lazy day at the end of summer than to the close the curtains and sip coffee while two dear old friends set off on the path towards mutual annihilation. For once, I was able to watch Breaking Bad as soon as it was uploaded to Netflix, at the generally office-bound hour of 10am. The episode, “Confessions”, began calmly, rolling with a detached prologue, the relevance of which was not immediately clear.

Todd Alquist (Jesse Plemons) calls “Mr White” - for reasons that aren’t obvious, approval maybe, or perhaps professional necessity? - to tell him that he has regained control of the meth business, and will cook again now that Declan (Louis Ferreira) is well on his way to Belize. So to speak. In a diner (where else), he tells his uncle Jack and his supremacist buddy the dramatic story of the methylamine train heist - minus the part where he shot and killed Drew Sharp, who saw it all, and whose tarantula he stole. After Jack wipes blood from his heavy boots, the three of them drive into New Mexico with the methylamine tank attached to the back of a pick-up truck.

Back in the interrogation room, Jesse wakes from his moral stupor when Hank reveals that he knows his brother-in-law is Heisenberg. There is a camera in the corner, which Hank turns off, before asking Jesse to inform on his former partner. “Eat me,” Jesse replies, but Hank knows something is up. “Happy people usually don’t go around throwing millions of dollars away”. Saul Goodman bursts in and reminds the two detectives in charge of Hank's previous dealings with Mr Pinkman. “He knocked the poor kid unconscious the last time the two of them were alone together”. Hank hobbles out of the room, and Saul calls after him, “Hey Rocky, keep your dukes up!” He explains to Jesse that the situation has “gone nuclear” before we cut to Walt in his bedroom, instructing Saul to bail Jesse out, whatever the cost.

Walter Jr (RJ Mitte) makes his first appearance of series 5 part two, and is convinced by his father to stay away from his aunt Marie’s house after Walt reveals that his cancer has come back. The young lad is distraught. Breaking Bad has always managed to blend high drama with a backdrop so familiar and kitsch as to almost be embarrassing (think the naff pine decor in Walt and Skyler's bedroom). As the Schraders and Whites come together to discuss next steps, a chipper young servitor named Trent breaks up the discussion to offer them beverages, water and home-made guacamole. Walt makes a second appeal for Hank to drop the investigation: to simply let him die in his own time, to which Marie buts in with the helpful suggestion that he do them all a favour and just kill himself. The entire conversation takes place through gritted teeth. Without ordering a thing (poor Trent will probably have his paltry wages docked), they part ways, but not before Walt hands Hank a DVD.

“We make it right here at the table!” - Trent. Image: AMC.

As the Schraders growled at Walt and Skyler's plea for leniency, I couldn't help but thinking: “C’mon Walt, show a little Heisenberg”. I needn’t have worried. Walt’s “confession” is not, as we were led to expect, a bargaining tool intended to inspire mercy in Hank. It is a threat. In front of the camera (nobody is liable to forget that Breaking Bad began with a similarly-worded admission), Walt explains that he is wrapped up in a drug empire, but that Hank Schrader, a man with both the connections, the know-how, and the perfect alibi, was the mastermind behind it all. Walt even manages to cry. His mention of $177,000 in medical bills provides the final piece of incriminating detail - “the last nail in the coffin” - that will make it impossible for him to prosecute without Pinkman.

Speak of the devil. Out in the desert - “Jesus, it’s always the desert” - Saul and Jesse wait for Walter to pay them a visit. A tarantula crawls towards Jesse's feet: a reminder of Todd’s crimes, and the creeping, manipulative power Walter seems to exert over the both of them. After Walt suggests Jesse make use of Saul’s relocation expert, Jesse breaks down into tears and tells him to “quit with the concerned father bullshit.” He tells Walt to ask him straightforwardly, as a favour, or even a warning, before the two embrace and we are left unsure whether Walter really cares for Jesse, or is simply relieved to be getting his way.

What happens in the desert, stays in the desert. Image: AMC.

Saul makes the call: “I need a new dust filter for my Hoover MaxExtract PressurePro model 60 - can you help me with that?” At the car wash Walter stands in the darkness and announces to Skyler “It worked and we’re fine”, before we cut to Hank looking pensive at the DEA office. One of the qualities of the show that always surprises me is the way it makes you root for everyone, and hope that they win out, while simultaneously making clear that nobody can win, and that sooner or later they all must suffer. In the process of arranging Jesse’s departure (to Alaska, he suggests), Saul and Huell swipe Jesse’s weed so as not to jeopardise things when the professional arrives to pick him up. Looking at the packet of wilmington cigarettes in his hand, a whiskery Jesse figures out that if Huell could swipe his dope baggy, he could easily have switched out the packet with the ricin in, covering for Walter after he poisoned Brock. In the episode's final moments father and surrogate son reach for their weapons: Walt retrieves a gun stored in the A1 vending machine, Jesse a canister of gasoline. Is this how Walt’s house is destroyed? we wonder. Is the house even empty?

Three extra things:

Walt Jr’s reappearance reminded me of this.

The Hoover MaxExtract 60 PressurePro Carpet Deep Cleaner is getting some interesting reviews on Amazon.

Charlie Brooker talks to Vincent Gilligan at the Edinburgh Book Festival.

Jesse and Walter take a hard look at the "concerned father" complex. Image: AMC.

Philip Maughan is a freelance writer in Berlin and a former Assistant Editor at the New Statesman.

Photo: NRK
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Skam, interrupted: why is the phenomenally popular teen drama ending before its peak?

The show has been building towards high school graduation – but now it’s ending before its lead characters finish school.

“Have you heard they started their bus already?”
“No!”
“One month into high school – and they started their bus.”

This Skype conversation between Eva and Isak comes early in the first episode of Skam. The phenomenally internationally successful series follows teenagers at a high school in Oslo. The “bus” they're discussing is a key plot point and concern of the students' lives. That’s because, in Norway, graduating high school students participate in “russefeiring” – it’s a rite of passage into adulthood, a celebration of completing high school, and a farewell to friends departing for university or jobs around the country.

Students gather into groups, give their gang a name, wear matching coloured overalls, rent a big car or a van, and spend late April to mid May (17 May – Norwegian Constitution Day) continuously partying. They call it the “three week binge”. It’s a big fucking deal. 

Skam, with its focus on teens in high school, has therefore spent a lot of time thinking about “russ”. The show, which is set at the exact same time it airs, has followed its four main characters Eva, Noora, Isak and Sana (who each have a season of the show written from their perspective, a la Skins), as well as all their friends, from their first few weeks at school in September 2015. In other words, preparations take years, and we’ve heard a lot about the plans for their russ bus.

In season one, Eva has fallen out with her best friend, and is hurt when she hears she is moving on and has formed a new bus, with new friends, called Pepsi Max.

We meet one of the show’s most prominent characters, Vilde, when we see her trying to get a bus of girls together. The show’s five main girl characters, Eva, Noora, Vilde, Chris and Sana, become friends because of her efforts: they bond during their “bus meetings” and fundraising attempts. They flirt with a group of boys on a bus calling themselves “The Penetrators”.

The latest season follows Sana’s struggles to ensure the bus doesn’t fall apart, and an attempt to join buses with rivals Pepsi Max. The joyful climax of season four comes when they finally buy their own bus and stop social-climbing, naming themselves “Los Losers”. Bus drama is the glue that keeps the show together.

But now, in June 2017, a whole year before the characters graduate, Skam is ending. The architect of the girls’ bus, Vilde, has never had her own season, unlike most of her friends. Many assumed that Vilde would have had her own season during her final year at school. Fans insist the show’s creator Julie Andem planned nine seasons in total, yet Skam is ending after just four.

The news that Skam would stop after season four came during the announcement that Sana, a Muslim member of the “girl squad”, would be the next main character. The show’s intense fandom were delighted by the character choice, but devastated at the news that there would only be one more season. “I can’t accept that this is the last season,” one wrote on Reddit.

“I'm so shocked and sad. It’s honestly just...weird. It doesn’t make sense, and it’s not fair. It’s not fair that we’re not getting a Vilde season. Most importantly, it’s not fair that we’ll never get to see them on their russ, see them graduating, nothing. It seems like such an abrupt decision. It doesn’t serve the storyline at all.”

No one has given a concrete reason about why the show ended prematurely. Ina, who plays Chris, said in an interview that “we all need a break”.

Some fans went into denial, starting petitions to encourage Andem to continue with the show, while rumours abound suggesting it will return. 

Many speculated that the show simply became too popular to continue. “I think that the show would have had six seasons and a Vilde season if the show didn’t become popular outside of Scandinavia,” one wrote. “I think the pressure and the large amount of cringy fans (not saying that some Scandinavian fans aren’t cringy) has made making the show less enjoyable for the actors and creators.”

Andem has stayed mostly quiet on her reasons for ending the show, except for a statement made via her Instagram. She recalls how very early on, during a season one shoot, someone first asked her how long the show would last:

“We were standing in the schoolyard at Nissen High School, a small, low-budget production crew, one photographer, the sound engineer and me. ‘Who knows, but I think we should aim for world domination,’ I said. We all laughed, ‘cause I was obviously joking. None of us understood then how big Skam would turn out to be. This experience has been completely unreal, and a joy to be a part of.”

Skam has been a 24/7 job,” she continues. “We recently decided that we won’t be making a new season this fall. I know many of you out there will be upset and disappointed to hear this, but I’m confident this is the right decision.”

Many fans feel that season four has struggled under the burden of ending the show – and divisions and cracks have appeared in the fandom as a result.

Some feel that Sana’s season has been overshadowed by other characters and plotlines, something that is particularly frustrating for those who were keen to see greater Muslim representation in the show. Of a moment in season four involving Noora, the main character from season two, one fan account wrote, “I LOVE season tw- I mean four. That’s Noora’s season right? No wait, is it Willhell’s season??? What’s a Sana.”

Others feel that the subject of Islam hasn’t been tackled well in this season. Some viewers felt one scene, which sees Sana and her white, non-Muslim friend, Isak, discuss Islamophobia, was whitesplainy. 

One popular translation account, that provides a version of the show with English subtitles, wrote of the scene: “A lot of you guys have been disappointed by the latest clip and you’re not the only ones. We do want to finish this project for the fans but we are disappointed with how this season has gone.” They announced they would be translating less as a result.

The final week of the show has been light on Sana. Instead, each character who never received a full season has had a few minutes devoted to their perspective. These are the other girls from the girl squad, Vilde and Chris, and the boyfriends of each main character: Eva’s ex Jonas, Isak’s boyfriend Even, Eva’s current fling “Penetrator Chris” and Noora’s on-off boyfriend William.

It’s understandable to want to cover key perspectives in the show’s final week, but it can feel teasing – we get a short glimpse into characters' home lives, like Vilde struggling to care for her depressed mother, but the scene ends before we can really get into it. And, of course, it takes precious time away from Sana in the show’s final minutes.

Some were frustrated by the characters focused on. “Penetrator Chris” is a particularly minor character – one fan account wrote of his scene: “This is absolutely irrelevant. 1) It sidelines Sana 2) It asks more questions 3) It doesn’t answer shit. This isn’t even Sana’s season anymore and that’s absolutely disgusting. She didn’t even get closure or ten episodes or anything.

“Sana has been disrespected and disregarded and erased and sidelined and that is fucking gross. She deserved better. Yet here we are watching a Penetrator Chris clip. How ironic that it’s not even called just “Christopher” because that’s all he is. “Penetrator Chris”.

It’s been a dramatic close for a usually warm and tight-knit fan community. Of course, many fans are delighted with the final season: their only sadness is there won’t be more. One of the largest fan accounts tried to keep things positive. “I know people have mixed feelings about Skam and who deserves what in terms of screentime this season (etc),” they wrote, “which I totally understand.

"However, everything has already been filmed, so there is nothing we can do about it. I think this last week of Skam will be much more enjoyable for everyone if we focus on the positives in the clips ahead. Skam isn’t perfect. People are allowed to disagree. But let’s go into this week being grateful for everything Skam has given us.”

Some fans choose to look to what the future holds for the show – an American remake. It will keep the same characters and plotlines as the original, and Andem may be involved.

Few think it will be a patch on the current show, but some are excited to have the chance to watch it teasingly as a group regardless. It seems unlikely that the US remake will compare in terms of quality – not least because the original was so heavily researched and tied to Norwegian culture. But for fans struggling to let go of Skam, it can’t come soon enough.

Anna Leszkiewicz is a pop culture writer at the New Statesman.

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