Gilbey on Film: terrible taglines
By Ryan Gilbey - 02 March 11:40

Film posters don't always get it right.

Capitalism: a Love Story (12A)
By Lisa Mullen - 25 February 7:07

Is Michael Moore afraid of his own left-wing politics?

Gilbey on Film: the real Oscar winners
By Ryan Gilbey - 23 February 13:30

Suffering from awards fatigue? Our film critic has the antidote.

Tales from the archives
By Sara Wajid - 18 February 16:34

John Akomfrah subverts the cheery official narrative of multicultural Britain.

The Headless Woman (12A)
By Ryan Gilbey - 18 February 7:09

A psychological thriller with a political dimension impresses Ryan Gilbey.

"Flowers of evil are growing in the stony Yorkshire soil"
By Daniel Trilling - 17 February 15:53

The New Yorker's take on Red Riding.

Gilbey on Film: the greatest movie endings ever
By Ryan Gilbey - 16 February 13:01

And how will Roman Polanski's The Ghost compare?

Jean-Pierre Jeunet: Q&A
By Charlotte Newman - 12 February 14:08

The director of Amélie talks to the NS about his new film, Micmacs.

John Pilger on why the Oscars are a con
By John Pilger - 11 February 7:09

This year's Oscar nominations are a parade of propaganda and stereotypes.

Food, Inc (PG)
By Ryan Gilbey - 11 February 7:09

A shocking, if preachy, exposé of the food industry.

Gilbey on Film: 44 Inch Chest -- and a very naughty word
By Ryan Gilbey - 09 February 12:30

Our film critic on swearing in movies.

Chris Morris interviewed
By Daniel Trilling - 08 February 12:48

The creator of Brass Eye on his new film, Four Lions.

Invictus (12A)
By Ryan Gilbey - 04 February 6:28

Mandela the Magnificent? Not on this evidence.

Gilbey on Film: the Oscars grouch
By Ryan Gilbey - 02 February 16:09

Why make the Best Film category larger? It's obvious who's going to win.

Precious (15)
By Ryan Gilbey - 28 January 7:06

There’s something creepy about this tear-jerker

Gilbey on Film: are you sitting comfortably?
By Ryan Gilbey - 26 January 11:02

Our film critic on the pitfalls of a visit to the cinema.

A Prophet (18)
By Ryan Gilbey - 21 January 7:37

Jacques Audiard raises the bar in this prison movie

Gilbey on Film: is Six Degrees of Separation the perfect movie?
By Ryan Gilbey - 19 January 12:38

Our film critic certainly thinks so

Still Walking (U)
By Ryan Gilbey - 14 January 6:27

Shades of Ozu colour this tender family portrait

Gilbey on Film: Eric Rohmer remembered
By Ryan Gilbey - 12 January 14:34

The French New Wave director specialised in love gone astray -- and the occasional severed head

Gilbey on Film: who cares about Warren Beatty?
By Ryan Gilbey - 12 January 11:23

Our film critic spots a publicity stunt

His dark materials
By Tom McCarthy - 08 January 8:19

David Lynch’s films are hymns to bodily mutilation and dysfunction, in which prosthetic props threat

The Road (15)
By Ryan Gilbey - 07 January 6:30

Ryan Gilbey applauds a rigorous adaptation of Cormac McCarthy’s novel

Gilbey on Film: what to watch in 2010
By Ryan Gilbey - 05 January 11:14

Our film critic chooses his highlights

I’m Gonna Explode (15)
By Ryan Gilbey - 30 December 6:16

Ryan Gilbey hears echoes of the French new wave in a teenage love story

Gilbey on Film: the top ten movies of 2009
By Ryan Gilbey - 18 December 14:12

Do you agree with our film critic's line up?

Humpday (15) / Avatar (12A)
By Ryan Gilbey - 17 December 7:06

Avoid 3-D antics and try something more subtle

Changing the garde
By Ryan Gilbey - 10 December 5:47

A new breed of star showed us that big-name actors could be experimental too

Where the Wild Things Are (PG)
By Ryan Gilbey - 03 December 6:55

These things are just a bit tame

Paranormal Activity (15)
By Ryan Gilbey - 26 November 5:41

Simplicity is a highly effective tool in horror films