Citizen Cannes: the Man Behind the Cannes Festival
Phaidon, 384pp, £19.95
Studio Ghibli doesn't need to keep up with the Pixars.
What happens when movies take on poetry?
Two quirky tales of the heart show there's still life in love.
“Art films give me status, but Bollywood films give me a living”
The talking animals in cinema worth hearing.
Ryan Gilbey reviews the latest crop of Indian blockbusters
Treacle Jr is exactly the kind of British film that needs government support.
Michael Chanan's film about the anti-cuts movement is available exclusively via New Statesman.
The final movie in the franchise redeems all its predecessors.
Sean Penn’s dazed look fits this long view of 1950s America.
The relationship between directors and cinema technicians.
Ryan Gilbey admires a perfectly choreographed story of suspense.
An unglamorous Catherine Deneuve makes for sharp comedy.
An exquisite display of panic and paranoia.
How rejection fuelled the director's vision.
The Rev actor talks about playing a vicar, believing in God and attending university with Nick Clegg
Mel Gibson is an asset to this tale of redemption.
Celebrating the re-release of Alice, the director's 1988 masterpiece.
The comedian Maya Rudolph talks about working with Robert Altman and her new film, Bridesmaids.
The career of a folk hero is reconstructed from archive footage.
Why have movies - documentaries aside - been so slow to respond to the credit crunch?
Ryan Gilbey is charmed by a whimsical picture about life, death and goats.
Win Win gently subverts the conventions of Hollywood story-telling.
Ryan Gilbey reflects on a movie franchise that is way past its sell-by date.
Two studies into the nature of privacy form part of the London International Documentary Festival's
Is Zombie Undead the lowest-grossing film on record?
Ryan Gilbey has said all there is to say for the moment about Terrence Malick (page 40), whose long-awaited Tree of Life is the main attraction at this year's Cannes Film Festival, which runs from 11 to 22 May.
The acclaimed director on a new breed of British film-makers.