Alma Har'el has made the most successful "engineered" documentary yet.
There are no real surprises in George Clooney’s latest drama.
Political biopics can conceal as much as they reveal, writes Ryan Gilbey.
What's the connection between the artist and TOWIE?
There are many Maggie Thatchers, and which story we choose to tell says more about us than it does her.
Silent, black and white film by a French director is the biggest winner at the 2012 awards.
"I only came for the horse. I don't do red carpets," says one of a cluster of reporters penned at the edge of the red carpet.
Stories of sex and finance reveal New York’s seamy side.
Why muddy sound can sometimes improve a film.
<em>The Iron Lady</em> was a ghoulish spectacle while the subject was still alive.
You belong to a generation that came to political consciousness under Margaret Thatcher.
This year's cinematic highlights.
The likes of Fassbinder, Godard, Pasolini, Tarkovsky, Wajda and Visconti were once seen as essential
Why do we want to see our political figures on the big screen?
Ralph Fiennes’s upcoming film adaptation of Shakespeare’s
Coriolanus shows its versatility – and p
Critics' Choice: The Best of 2011
Intricate storytelling has never looked so good.
Ocular obsessions in cinema.
Two fantasy worlds offer sentiment and surrealism in turn.
Yo Zushi watches a year in Japanese film and receives some lessons in love.
This wartime drama is just too understated, writes Ryan Gilbey.
From new releases in the Bond and Batman series to follow-ups to Blade Runner and Beetlejuice.
Cross-generational filmmaking is a tricky business.
John Steinbeck, When Bankers Were Good and the Academy Awards.
Films based on children's toys are proving popular in Tinseltown, but are the commercial gains super
This tale of a serial killer will haunt you for years.
Bringing sitcoms to the big screen is a difficult business.
A murky adaptation is flawed but full of passion.
Marilyn Monroe remains a subject of lurid fascination,
but still we refuse to acknowledge her arti
“It’s more interesting to play the person who makes mistakes”