New Statesman Ai Weiwei guest edit shortlisted for Amnesty Award

Ai Weiwei, Cheng Yizhong and the New Statesman nominated.

Amnesty International have announced the shortlist for their 2013 Media Awards, and the New Statesman has been nominated for a series of three articles published in our 22 October issue guest-edited by Chinese artist Ai Weiwei. Amnesty’s Media Awards “recognize excellence in human rights reporting and acknowledge journalism’s significant contribution to the UK public’s awareness and understanding of human rights issues.”

Ai Weiwei is an internationally renowned artist and a free speech advocate. He was previously detained by the Chinese government on charges of tax evasion and is still prevented from leaving the country. He is currently appealing a fine imposed by the Beijing Local Taxation Bureau for $1.85m.

The New Statesman’s editorial team spent six months working closely with Ai and his team in Beijing to produce an ambitious issue dedicated to China and its future. The three nominated articles are : “Fact have blood as evidence”, an interview Ai conducted with blind civil activist Chen Guangcheng; the “The Virus of Censorship”, in which newspaper editor Cheng Yizhong reveals how journalists in China are kept in a state of fear and endemic self-censorship through government manipulation and policing; and “Meet the 50 Cent Party”, which saw Ai Weiwei expose the underworld of state-sponsored commentators by interviewing an unnamed twenty six year old graduate who explained the process by which he is hired to influence the thoughts of ‘netizens’.

The issue was published bilingually, produced as a digital issue in Mandarin and a print edition in English.  With original content from Chinese journalists, authors, artists and musicians, the magazine was edited in a foreign language for the first time in its history. It was a rewarding challenge that our commissioning editor Sophie Elmhirst outlined eloquently in this post-production blog.

The New Statesman and Ai Weiwei also jointly launched a Twitter campaign which posed the question “what is the future of China?” to ordinary citizen and collated thousands of responses, a selection of which were published in the magazine.

Following publication, we urged readers to download and to share the issue, for free, across social networking websites in an attempt to breach “The Great Firewall”. Our deputy Helen Lewis reiterated our commitment to free, uncensored journalism in this blog post - which offers links to the magazine as a sharable torrent file, magnet link and PDF.  

These three features revealed a side of China rarely seen in the west, and would never have seen publication in their authors’ home country. This issue was an act of solidarity with like-minded writers on the other side of the world; a promise that we would do our part to give a home to their stories, so often stifled. In his leader for the issue, Ai wrote:

I chose to dedicate my issue of the magazine to China, its people, its history, its culture, its current situation and its future. My country has to recognise itself, which is a challenge to anybody at any stage in life.

…the only way we can be successful, in China and in life, is through greater communication and wider awareness, in constantly questioning our standards and our conditions. You, as readers, are part of this, you are active members of this family, and you can be proud of that. We should all be proud of that.

The New Statesman is nominated alongside Janine di Giovanni’s Seven Days in Syria, published by Granta, in the Consumer Magazine category.

The issue has also been shortlisted for the British Media Award’s Cross Media project.

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Cabinet audit: what does the appointment of Andrea Leadsom as Environment Secretary mean for policy?

The political and policy-based implications of the new Secretary of State for Environment, Food and Rural Affairs.

A little over a week into Andrea Leadsom’s new role as Secretary of State for Environment, Food and Rural Affairs (Defra), and senior industry figures are already questioning her credentials. A growing list of campaigners have called for her resignation, and even the Cabinet Office implied that her department's responsibilities will be downgraded.

So far, so bad.

The appointment would appear to be something of a consolation prize, coming just days after Leadsom pulled out of the Conservative leadership race and allowed Theresa May to enter No 10 unopposed.

Yet while Leadsom may have been able to twist the truth on her CV in the City, no amount of tampering will improve the agriculture-related side to her record: one barely exists. In fact, recent statements made on the subject have only added to her reputation for vacuous opinion: “It would make so much more sense if those with the big fields do the sheep, and those with the hill farms do the butterflies,” she told an audience assembled for a referendum debate. No matter the livelihoods of thousands of the UK’s hilltop sheep farmers, then? No need for butterflies outside of national parks?

Normally such a lack of experience is unsurprising. The department has gained a reputation as something of a ministerial backwater; a useful place to send problematic colleagues for some sobering time-out.

But these are not normal times.

As Brexit negotiations unfold, Defra will be central to establishing new, domestic policies for UK food and farming; sectors worth around £108bn to the economy and responsible for employing one in eight of the population.

In this context, Leadsom’s appointment seems, at best, a misguided attempt to make the architects of Brexit either live up to their promises or be seen to fail in the attempt.

At worst, May might actually think she is a good fit for the job. Leadsom’s one, water-tight credential – her commitment to opposing restraints on industry – certainly has its upsides for a Prime Minister in need of an alternative to the EU’s Common Agricultural Policy (CAP); a policy responsible for around 40 per cent the entire EU budget.

Why not leave such a daunting task in the hands of someone with an instinct for “abolishing” subsidies  thus freeing up money to spend elsewhere?

As with most things to do with the EU, CAP has some major cons and some equally compelling pros. Take the fact that 80 per cent of CAP aid is paid out to the richest 25 per cent of farmers (most of whom are either landed gentry or vast, industrialised, mega-farmers). But then offset this against the provision of vital lifelines for some of the UK’s most conscientious, local and insecure of food producers.

The NFU told the New Statesman that there are many issues in need of urgent attention; from an improved Basic Payment Scheme, to guarantees for agri-environment funding, and a commitment to the 25-year TB eradication strategy. But that they also hope, above all, “that Mrs Leadsom will champion British food and farming. Our industry has a great story to tell”.

The construction of a new domestic agricultural policy is a once-in-a-generation opportunity for Britain to truly decide where its priorities for food and environment lie, as well as to which kind of farmers (as well as which countries) it wants to delegate their delivery.

In the context of so much uncertainty and such great opportunity, Leadsom has a tough job ahead of her. And no amount of “speaking as a mother” will change that.

India Bourke is the New Statesman's editorial assistant.