Watch: Eddie Mair roasts Boris

Mair deflects the London Mayor's multiple attempts to change tack.

Boris Johnson had a diffcult time in an interview with Eddie Mair this morning, in which he was called "a nasty piece of work", and during which his multiple attempts to change course were defeated by Mair, who insisted the interview was about Johnson's integrity. Watch the clip below:

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The interview started with Mair asking about the upcoming documentary "Boris Johnson: The Irresistable Rise". Boris said he "hadn't seen it", to which Mair replied "but this happened in your life so you know about this."

Mair then asked Johnson about his dismissal from the Times over making up a quote. Boris asked whether Mair was sure "our viewers wouldn't want to hear more about housing", but Mair disagreed. Boris admitted he had "mildly sandpapered" a quote while at the Times, to which Mair responded "let me ask you about a bare faced lie."

Boris was quizzed about the time he was sacked for lying to his party about an affair, and the infamous recorded phone call with Darius Guppy. Boris said he "disputed" the interpretations of events.

Photograph: Getty Images

Martha Gill writes the weekly Irrational Animals column. You can follow her on Twitter here: @Martha_Gill.

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“Trembling, shaking / Oh, my heart is aching”: the EU out campaign song will give you chills

But not in a good way.

You know the story. Some old guys with vague dreams of empire want Britain to leave the European Union. They’ve been kicking up such a big fuss over the past few years that the government is letting the public decide.

And what is it that sways a largely politically indifferent electorate? Strikes hope in their hearts for a mildly less bureaucratic yet dangerously human rights-free future? An anthem, of course!

Originally by Carly You’re so Vain Simon, this is the song the Leave.EU campaign (Nigel Farage’s chosen group) has chosen. It is performed by the singer Antonia Suñer, for whom freedom from the technofederalists couldn’t come any suñer.

Here are the lyrics, of which your mole has done a close reading. But essentially it’s just nature imagery with fascist undertones and some heartburn.

"Let the river run

"Let all the dreamers

"Wake the nation.

"Come, the new Jerusalem."

Don’t use a river metaphor in anything political, unless you actively want to evoke Enoch Powell. Also, Jerusalem? That’s a bit... strong, isn’t it? Heavy connotations of being a little bit too Englandy.

"Silver cities rise,

"The morning lights,

"The streets that meet them,

"And sirens call them on

"With a song."

Sirens and streets. Doesn’t sound like a wholly un-authoritarian view of the UK’s EU-free future to me.

"It’s asking for the taking,

"Trembling, shaking,

"Oh, my heart is aching."

A reference to the elderly nature of many of the UK’s eurosceptics, perhaps?

"We’re coming to the edge,

"Running on the water,

"Coming through the fog,

"Your sons and daughters."

I feel like this is something to do with the hosepipe ban.

"We the great and small,

"Stand on a star,

"And blaze a trail of desire,

"Through the dark’ning dawn."

Everyone will have to speak this kind of English in the new Jerusalem, m'lady, oft with shorten’d words which will leave you feeling cringéd.

"It’s asking for the taking.

"Come run with me now,

"The sky is the colour of blue,

"You’ve never even seen,

"In the eyes of your lover."

I think this means: no one has ever loved anyone with the same colour eyes as the EU flag.

I'm a mole, innit.