Students follow a lesson in a biology laboratory at the Roma Tre university (Photo credit: Tizani/AFP/Getty Images)
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Scientists criticise new “open access” journal which limits research-sharing with copyright

Restrictive copyright licenses and expensive submission fees have led to a significant number of scientists to criticise Science Advances, a new journal due to launch next year, for failing to live up to its open access principles.

One hundred and fifteen scientists have signed an open letter to the American Association for the Advancement of Science (AAAS), one of the world’s most prestigious scientific societies and publisher of the journal Science, expressing concerns over the launch of a new scientific journal, Science Advances. The AAAS describes Science Advances as open access, a term used to describe free online access to research for members of the public - but the scientists who have signed the open letter say they are "deeply concerned" with the specifics of its model, claiming it could stifle the sharing of scientific knowledge.

The journal, expected to debut in 2015, asks scientists for up to $5,500 (roughly £3,300) to publish their research. Although most open access journals are supported by charging a similar article processing fee, Science Advances has an additional charge of $1,500 for articles more than ten pages long. Leading open access journals, such as PeerJ, the BMC series and Plos One, do not have such surcharges. Studies in Science Advances will also be published under a Creative Commons license which prohibits sharing by any commercial entity, which critics consider means that the journal is not truly open access.

Jon Tennant, an Earth scientist from Imperial College London and the person who initiated the open letter, said via email:

The $1500 surcharge for going over ten pages is ridiculous. In the digital age it's completely unjustifiable. This might have made sense if Science Advances were a print journal, but it's online only."

The 115 open access advocates propose that page surcharges will negatively impact the progression of academic research. They may encourage researchers to unnecessarily omit important details of their studies, cutting them short to make sure papers make it under the ten-page limit. Although an AAAS spokesperson describes their prices as “competitive with comparable open-access journals”, critics haven't been convinced:

The licensing issue is also controversial, as the use of a non-commercial license like the Creative Commons BY-NC one fails to meet the standards set out by the Budapest Open Access Initiative. Creative Commons licenses work by using copyright legislation - which usually tries to prevent the re-use of creative work - against itself, by explicitly releasing work with a license which states that certain kinds of remixing and sharing are allowed. However, the non-commercial CC license chosen by the AAAS is not used by organisations such as the Research Councils UK and Wellcome Trust, as it isn't seen as compatible with the principles of open access.

Open access should mean the unrestricted, immediate, online availability of scientific research papers. It allows people from around the world, including those who work outside academic institutions, to read and share scientific literature with no paywalls, and the right to freely reuse things like scientific papers without fear of copyright claims. "There is little evidence that non-commercial restrictions provide a benefit to the progress of scholarly research, yet they have significant negative impact, limiting the ability to reuse material for educational purposes and advocacy," the open letter argues. Using CC BY-NC would mean work published in Science Advances couldn't be used by Wikipedia, newspapers or scholarly publishers without permission or payment, for example. The journal will offer scientists the choice of a license without these restrictions, but anyone opting for this more open option will have to pay a further fee of $1,000 (£602). 

On 28 August, the AAAS appeared to respond to the open letter through Paul Jump of the Times Higher Education magazine, after surprise within the scientific community that the organisation had appointed open access sceptic Kent Anderson as its publisher. However, the New Statesman was later informed by Tennant that he had been told by Science Advances' editor-in-chief, Marcia McNutt, that a newly-created FAQ page on the AAAS site was in fact the formal response to the open letter. Tennant wrote:

The response in the form of an FAQ that does not acknowledge the open letter, or address any of the concerns or recommendations we raised in the letter, is breathtakingly rude and dismissive of the community the AAAS purport to serve."

Scientific knowledge is communicated and distributed more effectively when there are no restrictions. Many studies have showed that research papers made available through open access journals are cited more often than those in toll-based journals. The open access movement increases the chances of scientific research being discovered, which can lead to the collaboration of ideas, and the generation of potentially life-changing scientific insights.

"The AAAS should be a shining beacon within the academic world for progression of science," Tennant explains. “If this is their best shot at that, it's an absolute disaster at the start on all levels. What publishers need to remember is that the academic community is not here to serve them - it is the other way around."

(Update: This piece originally stated that all CC licenses have copyleft provisions when only the CC Share-Alike license does, and has been corrected.)

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How the internet has democratised pornography

With people now free to circumvent the big studios, different bodies, tastes and even pubic hair styles are being represented online.

Our opinions and tastes are influenced by the media we consume: that much is obvious. But although it’s easy to have that conversation if the medium we are discussing is “safe for work”, pornography carries so much stigma that we only engage with it on simple terms. Porn is either “good” or “bad”: a magical tool for ­empowerment or a destructive influence on society. Many “pro-porn” campaigners shy away from nuanced critique, fearing it could lead to censorship. “Anti-porn” campaigners, convinced that porn is harmful by definition, need look no further than the mainstream tube sites – essentially, aggregators of clips from elsewhere – to gather examples that will back them up.

When we talk about the influence of porn, the emphasis is usually on a particular type of video – hardcore sex scenes featuring mostly slim, pubic-hairless women and faceless men: porn made for men about women. This kind of porn is credited with everything from the pornification of pop music to changing what we actually do in bed. Last year the UK government released a policy note that suggested porn was responsible for a rise in the number of young people trying anal sex. Although the original researcher, Cicely Marston, pointed out that there was no clear link between the two, the note prompted a broad debate about the impact of porn. But in doing so, we have already lost – by accepting a definition of “porn” shaped less by our desires than by the dominant players in the industry.

On the day you read this, one single site, PornHub, will get somewhere between four and five million visits from within the UK. Millions more will visit YouPorn, Tube8, Redtube or similar sites. It’s clear that they’re influential. Perhaps less clear is that they are not unbiased aggregators: they don’t just reflect our tastes, they shape what we think and how we live. We can see this even in simple editorial decisions such as categorisation: PornHub offers 14 categories by default, including anal, threesome and milf (“mum I’d like to f***”), and then “For Women” as a separate category. So standard is it for mainstream sites to assume their audience is straight and male that “point of view” porn has become synonymous with “top-down view of a man getting a blow job”. Tropes that have entered everyday life – such as shaved pubic hair – abound here.

Alongside categories and tags, tube sites also decide what you see at the top of their results and on the home page. Hence the videos you see at the top tend towards escalation to get clicks: biggest gang bang ever. Dirtiest slut. Horniest milf. To find porn that doesn’t fit this mould you must go out of your way to search for it. Few people do, of course, so the clickbait gets promoted more frequently, and this in turn shapes what we click on next time. Is it any wonder we’ve ended up with such a narrow definition of porn? In reality, the front page of PornHub reflects our desires about as accurately as the Daily Mail “sidebar of shame” reflects Kim Kardashian.

Perhaps what we need is more competition? All the sites I have mentioned are owned by the same company – MindGeek. Besides porn tube sites, MindGeek has a stake in other adult websites and production companies: Brazzers, Digital Playground, Twistys, PornMD and many more. Even tube sites not owned by MindGeek, such as Xhamster, usually follow the same model: lots of free content, plus algorithms that chase page views aggressively, so tending towards hardcore clickbait.

Because porn is increasingly defined by these sites, steps taken to tackle its spread often end up doing the opposite of what was intended. For instance, the British government’s Digital Economy Bill aims to reduce the influence of porn on young people by forcing porn sites to age-verify users, but will in fact hand more power to large companies. The big players have the resources to implement age verification easily, and even to use legislation as a way to expand further into the market. MindGeek is already developing age-verification software that can be licensed to other websites; so it’s likely that, when the bill’s rules come in, small porn producers will either go out of business or be compelled to license software from the big players.

There are glimmers of hope for the ethical porn consumer. Tube sites may dominate search results, but the internet has also helped revolutionise porn production. Aspiring producers and performers no longer need a contract with a studio – all that’s required is a camera and a platform to distribute their work. That platform might be their own website, a dedicated cam site, or even something as simple as Snapchat.

This democratisation of porn has had positive effects. There’s more diversity of body shape, sexual taste and even pubic hair style on a cam site than on the home page of PornHub. Pleasure takes a more central role, too: one of the most popular “games” on the webcam site Chaturbate is for performers to hook up sex toys to the website, with users paying to try to give them an orgasm. Crucially, without a studio, performers can set their own boundaries.

Kelly Pierce, a performer who now works mostly on cam, told me that one of the main benefits of working independently is a sense of security. “As long as you put time in you know you are going to make money doing it,” she said. “You don’t spend your time searching for shoots, but actually working towards monetary gain.” She also has more freedom in her work: “You have nobody to answer to but yourself, and obviously your fans. Sometimes politics comes into play when you work for others than yourself.”

Cam sites are also big business, and the next logical step in the trickle-down of power is for performers to have their own distribution platforms. Unfortunately, no matter how well-meaning your indie porn project, the “Adult” label makes it most likely you’ll fail. Mainstream payment providers won’t work with adult businesses, and specialist providers take a huge cut of revenue. Major ad networks avoid porn, so the only advertising option is to sign up to an “adult” network, which is probably owned by a large porn company and will fill your site with bouncing-boob gifs and hot milfs “in your area”: exactly the kind of thing you’re trying to fight against. Those who are trying to take on the might of Big Porn need not just to change what we watch, but challenge what we think porn is, too.

The internet has given the porn industry a huge boost – cheaper production and distribution, the potential for more variety, and an influence that it would be ridiculous to ignore. But in our failure properly to analyse the industry, we are accepting a definition of porn that has been handed to us by the dominant players in the market.

Girl on the Net writes one of the UK’s most popular sex blogs: girlonthenet.com

This article first appeared in the 16 February 2017 issue of the New Statesman, The New Times