Reddit provides cancer sufferer with early showing of Star Trek: Into Darkness

"The last thing he got to do that gave him pleasure was watch the new Star Trek movie."

I spend a lot of time here highlighting some of the worst corners of geek culture, so I thought it would be time to switch it up a bit.

Two weeks ago, Grady Hendrix, who goes by the name ideeeyut on Reddit, posted on r/startrek, about Daniel Craft, a friend of his who was dying of cancer. Dan's wife, Paige, described her husband's aggressive leukaemia, multiple surgeries and rounds of chemo, before a second unrelated cancer was found. The tumour in his liver was the last straw, and at 41, Dan had just weeks to live. And on top of everything else:

He was hospitalized and had to exchange our HOBBITT tickets (where the 10 min Star Trek preview was supposed to be shown) we were able to put him in a car and get over to the HOBBITT but NO PREVIEW????

We, his friends and family, the love of my life - WOULD LOVE him to be able to see the Star Trek movie but even the 10 minutes of the trailer would be AMAZING.

The post hit the front page of r/startrek, and a day or so later, according to a follow-up post from Hendrix:

Paige… got a voicemail from JJ Abrams and Damon Lindelof that was very nice and very straightforward: a producer for the movie would get in touch with them. The next day, one of the film's producers showed up at the door of their apartment with a DVD containing a very rough cut of Star Trek: Into Darkness in his hands. Paige had made popcorn, Dan had spent the previous day resting so he could sit through the movie, and after signing about 200 non-disclosure agreements they watched the film and had a blast.

Afterwards, Dan got back into bed, exhausted, and didn't get out again. Yesterday he was pretty non-responsive and Paige took him to the hospital for hospice care. Last night, at 10:15pm, with Paige and his brother in his room, Dan died. The last thing he got to do that gave him pleasure was watch the new Star Trek movie. And it's because of you.

Hendrix spoke to the Hollywood Reporter about his friend, with whom he had co-founded the New York Asian Film Festival in 2002:

Like the other directors of NYAFF, it was merely fulfilling a passion; Craft still had a day job: He worked in the data department for MTV until, due to his illness, he was no longer able to work. The film buff was also fluent in Mandarin, and even tried his hand at acting in a few Chinese television series. "He always played the evil white guy," Hendrix says. His biggest claim to fame might have been as an extra in Kill Bill Vol. 1, where Hendrix says Craft was "the bald white guy dancing on a dance floor."

"Dan would be rolling his eyes at being 'the inspirational cancer story,' but he's done a lot for movies over the years," Hendrix says. "It's nice that the movies finally did something for him."

Alex Hern is a technology reporter for the Guardian. He was formerly staff writer at the New Statesman. You should follow Alex on Twitter.

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Fark.com’s censorship story is a striking insight into Google’s unchecked power

The founder of the community-driven website claims its advertising revenue was cut off for five weeks.

When Microsoft launched its new search engine Bing in 2009, it wasted no time in trying to get the word out. By striking a deal with the producers of the American teen drama Gossip Girl, it made a range of beautiful characters utter the words “Bing it!” in a way that fell clumsily on the audience’s ears. By the early Noughties, “search it” had already been universally replaced by the words “Google it”, a phrase that had become so ubiquitous that anything else sounded odd.

A screenshot from Gossip Girl, via ildarabbit.wordpress.com

Like Hoover and Tupperware before it, Google’s brand name has now become a generic term.

Yet only recently have concerns about Google’s pervasiveness received mainstream attention. Last month, The Observer ran a story about Google’s auto-fill pulling up the suggested question of “Are Jews evil?” and giving hate speech prominence in the first page of search results. Within a day, Google had altered the autocomplete results.

Though the company’s response may seem promising, it is important to remember that Google isn’t just a search engine (Google’s parent company, Alphabet, has too many subdivisions to mention). Google AdSense is an online advertising service that allows many websites to profit from hosting advertisements on its pages, including the New Statesman itself. Yesterday, Drew Curtis, the founder of the internet news aggregator Fark.com, shared a story about his experiences with the service.

Under the headline “Google farked us over”, Curtis wrote:

“This past October we suffered a huge financial hit because Google mistakenly identified an image that was posted in our comments section over half a decade ago as an underage adult image – which is a felony by the way. Our ads were turned off for almost five weeks – completely and totally their mistake – and they refuse to make it right.”

The image was of a fully-clothed actress who was an adult at the time, yet Curtis claims Google flagged it because of “a small pedo bear logo” – a meme used to mock paedophiles online. More troubling than Google’s decision, however, is the difficulty that Curtis had contacting the company and resolving the issue, a process which he claims took five weeks. He wrote:

“During this five week period where our ads were shut off, every single interaction with Google Policy took between one to five days. One example: Google Policy told us they shut our ads off due to an image. Without telling us where it was. When I immediately responded and asked them where it was, the response took three more days.”

Curtis claims that other sites have had these issues but are too afraid of Google to speak out publicly. A Google spokesperson says: "We constantly review publishers for compliance with our AdSense policies and take action in the event of violations. If publishers want to appeal or learn more about actions taken with respect to their account, they can find information at the help centre here.”

Fark.com has lost revenue because of Google’s decision, according to Curtis, who sent out a plea for new subscribers to help it “get back on track”. It is easy to see how a smaller website could have been ruined in a similar scenario.


The offending image, via Fark

Google’s decision was not sinister, and it is obviously important that it tackles things that violate its policies. The lack of transparency around such decisions, and the difficulty getting in touch with Google, are troubling, however, as much of the media relies on the AdSense service to exist.

Even if Google doesn’t actively abuse this power, it is disturbing that it has the means by which to strangle any online publication, and worrying that smaller organisations can have problems getting in contact with it to solve any issues. In light of the recent news about Google's search results, the picture painted becomes more even troubling.

Update, 13/01/17:

Another Google spokesperson got in touch to provide the following statement: “We have an existing set of publisher policies that govern where Google ads may be placed in order to protect users from harmful, misleading or inappropriate content.  We enforce these policies vigorously, and taking action may include suspending ads on their site. Publishers can appeal these actions.”

Amelia Tait is a technology and digital culture writer at the New Statesman.