Pope Francis's comments on homosexuality and abortion do not go far enough

The Pope has said the Church has become far too obsessed with policing homosexuality, infidelity and abortion - but bear in mind everything he did not say. Progressive Catholics should take a deep breath before they rejoice.

This piece first appeared on newrepublic.com.

It’s a sign of how cramped the public image of the Roman Catholic Church has become over the past 34 years that Pope Francis’s comments in an extensive interview with La Civiltà Cattolica could spark such a rapturous response from progressive Catholics. Yes, Francis said the church has become “obsessed” with denouncing abortion, homosexuality, and contraception. And yes, he called for a “new balance” in the church’s teaching so that it doesn’t lose “the freshness and fragrance of the gospels.” But however much those remarks signal a shift from the rhetorical style of popes John Paul II and Benedict XVI, progressive Catholics need to understand that the change is, and is likely to remain, a matter of words. 

Consider what the pope did not say. He didn’t say that homosexual acts are morally permissible. He didn’t say that abortion can be morally acceptable in certain (or any) circumstances. He didn’t say anything to indicate he was interested in revisiting Pope Paul VI’s 1968 reaffirmation of the church’s ban on artificial contraception. He didn’t imply that he’s interested in revising the church’s strictures against married priests. He certainly didn’t indicate an openness to permitting the ordination of women. The interview contains no sign that the pope is willing to budge on any of the items on the progressive Catholic wish-list of reforms. 

What the pope did say, in effect, is that in recent years the church has been focusing too single-mindedly on policing sex. He didn’t say anything to imply that he disagreed with or hoped to change any of the church’s sexual teachings. He just wants to place them in a broader context. Catholicism preaches a gospel of human dignity and salvation—that, and not a creepy sexual surveillance, must come first. This is especially true if the church hopes to enjoy any success with a “new evangelization” of the Western world.

As I recently argued, rhetoric is important in the history and life of the church—especially when it takes the form of a rebuke of outspoken lay and clerical critics. (Bishop Thomas Tobin of Providence, Rhode Island, spoke for many conservatives when he recently described himself as “a little bit disappointed” that the new pope hadn’t addressed “more directly the issue of abortion.” Today’s interview is Francis’s response to this view.)

Still, words remain mere words when they are unaccompanied by action—and this is something progressive Catholics need to keep in mind as they respond to the new pope. Francis hasn’t changed a single doctrine or dogma of the church, and he’s exceedingly unlikely to. By all means, reform-minded Catholics should rejoice when the pope changes the rhetorical emphasis of the Vatican. But a “revelation”? Get a grip.

Damon Linker is the author of The Theocons and The Religious Test.

This piece first appeared on newrepublic.com.

Pope Francis - Jorge Mario Bergoglio - waves after his general audience at the Vatican on 18 September. Photograph: Getty Images.
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“Rise like lions after slumber”: why do Jeremy Corbyn and co keep reciting a 19th century poem?

How a passage from Percy Shelley’s The Masque of Anarchy became Labour’s battle cry.

“If I may, I’d like to quote one of my favourite poets, Percy Bysshe Shelley,” Jeremy Corbyn politely suggested to a huge Glastonbury audience. The crowd of nearly 120,000 – more accustomed to the boom of headline acts than elderly men reading out romantic poetry – roared its approval.

“Rise like lions after slumber, in unvanquishable number!” he rumbled. “Shake your chains to earth like dew, which in sleep had fallen on you: ye are many – they are few!”

The Labour leader told the crowd that this was his favourite line. It’s the final stanza of Shelley’s 1819 poem, The Masque of Anarchy, written in response to the Peterloo Massacre earlier that year, when a cavalry charged into a non-violent protest for the vote.

Though it was not published in Shelley’s lifetime – it was first released in 1832 – the poem has become a rallying cry for peaceful resistance. It has been recited at uprisings throughout history, from Tiananmen Square to Tahrir Square.

Corbyn’s turn on the Pyramid Stage was not the first time he’s used it. He recited the stanza during his closing speech on election night in Islington, and the audience began quoting along with him:


It was also used by comedian and celebrity Labour supporter Steve Coogan at a rally in Birmingham:


During Corbyn’s second leadership campaign, his ally Chris Williamson MP told a public meeting that this part of the poem should be “our battle cry” . He delivered on this the following year by reciting the poem to me in his Renault Clio while out on the campaign trail in England’s most marginal constituency (which he ended up winning).

You can hear it echoed in Labour’s campaign slogan: “For the many, not the few”.

Corbyn’s election guru, James Schneider, told the Standard at the time that “it would be a stretch” to say the slogan was taken directly from the poem, but that “Jeremy does know Shelley”. Yet even he took the time to recite the whole stanza down the phone to the journalist who was asking.

Corbyn is famously a fan of the novelist and author Ben Okri. The pair did a literary night at the Royal Festival Hall in London’s Southbank in July last year, in which the Shelley lines came up at the end of the event, as reported by Katy Balls over at the Spectator. Okri announced that he wanted to recite them, telling Corbyn and the audience:

“I want to read five lines of Shelley . . . I think there are some poems that ought to be, like you know those rock concerts, and the musician starts to sing and the whole audience knows the lines? And sings along with them? Well this ought to be one of those, and I’d like to propose that we somehow make it so that anytime someone starts with the word ‘Rise’, you know exactly what the lines are going to be.”

Which, of course, is exactly what Corbyn did at Glastonbury.

“We have this huge, abundant literature on the left and it’s hardly known”

The former left-wing Labour leader Michael Foot loved the poem and recited the lines at demos, and Stop the War – the campaign group Corbyn supports and chaired – took a line from it as the title of its 2014 film about anti-Iraq War action, We Are Many.

So why does the Labour left rally around some lines of poetry written nearly 200 years ago?

“It’s a really appropriate poem,” says Jacqueline Mulhallen, author of Percy Bysshe Shelley: Poet and Revolutionary (Pluto, 2015). “Shelley wrote a poem about the fact that these people were protesting about a minority taking the wealth from the majority, and the majority shouldn’t allow it to happen.

“He was writing at the beginning of industrial capitalism, and protested then, and 200 years later, we’ve still got the same situation: food banks, homeless people, Grenfell Tower, more debts – that’s why it has great resonance when Corbyn quotes it.”

“Shelley said there’s loads of us, it’s just a little corrupt crew – well, of course that applies now”

Michael Rosen, the poet and former Children’s Laureate, also describes the poignancy of Shelley’s words in Corbyn’s campaign. “You’ve got a sense of continuity,” he tells me. “Shelley was campaigning for freedom, for free thought, for free love. He was campaigning for a fairer society; it was a time of incredible oppression. He said there’s loads of us, it’s just a little corrupt crew – well, of course that applies now.”

Rosen celebrates the poem’s place in the Labour movement. “When any of us from the left quote people from the past, we’re saying that we have traditions... We’re making a claim on our authenticity,” he says. “Just in the same way as the right and the establishment draw on the pageantry of the Queen, or talk about Parliament or quote Winston Churchill. These are our traditions, which are different. You hardly ever come across it, either in newspapers or history lessons or anything.”

Rosen, a friend of Corbyn’s, believes his speech brings a left-wing tradition alive that is often forgotten. “We have this huge, abundant literature on the left and it’s hardly known. What’s great about Jeremy calling on it is to remind us . . . This stuff sits in old museums and libraries, gathering dust until it’s made active and live again. It’s made active and live particularly when being used in an environment like that [Glastonbury]. He was making the words come alive.”

Read more: 7 things we learned from Jeremy Corbyn on The One Show

The Masque of Anarchy’s final stanza has been recited at high-profile protests throughout history – including at the 20,000 garment workers’ strike in 1909 in New York, the student-led demo in China’s Tiananmen Square in 1989, anti-Poll Tax protests, and at Tahrir Square in Egypt during the Arab Spring, according to Mulhallen. The way civilians were treated by the authorities in many of these protests echoes what happened at Peterloo.

So does Corbyn’s penchant for the verse mark a similar radical turning-point in our history? “It’s indicating a change in attitude that people should start thinking about redistributing the wealth again,” says Mulhallen. “People are becoming much more aware.”

Anoosh Chakelian is senior writer at the New Statesman.

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