Scottish independence: Aye, have a dream

The National Collective asked a country’s most creative minds to "imagine a better Scotland" – and now the idea is taking hold.

Thousands marched through the streets of Edinburgh on Saturday. The crowd, which straggled its way from the Royal Mile to the great stone columns on Calton Hill, were marking a year until the referendum for Scottish independence.

Amongst them were a group of artists, writers, filmmakers and photographers, all sporting the same black and white T-shirts. One man held aloft a cardboard placard: “Aye, have a dream.” Another, hand painted in green, girlish letters, read: “Vote as if you live in the early days of a better nation,” a play on the slogan made popular by the writer Alasdair Gray.

The marchers represented a growing grass roots movement among the arts community in Scotland, who are lending their skills to the nationalist cause. They are young. They are creative. They are witty and sometimes brash. They call themselves ‘the National Collective’.

The National Collective is a non-party political body – although, like the rest of the country, it tends towards the left – which seeks out new ways to inspire an undecided Scottish electorate to vote ‘Yes’ come next September.

The collective made headlines earlier this year when it published an article criticising Ian Taylor, the unionist campaign’s biggest donor and chief executive of the oil company Vitol, noting that – amongst other complaints – his firm had been found guilty of grand larceny in the US in 2007 after paying $13m in kickbacks to Iraqi officials under Saddam Hussein for oil contracts.

(Threats from Taylor’s solicitor’s prompted the collective’s website to go offline shortly afterwards – offering only a page of static and Mogwai’s Music for a Forgotten Future. The article has since been republished.)

Since then support for their campaign has ballooned. Last month its website received 80,000 hits, and there are now local chapters in all the major Scottish cities – Edinburgh, Glasgow, Dundee, Stirling, Inverness and Aberdeen.

I met two of the core members – Mairi McFadyen, an academic at Edinburgh University, and Ròs Hunter, a student at Glasgow – over a coffee at the Fruitmarket Gallery, where the trains of Waverley Station below make themselves known in a rumbling through the foundations.

Mairi is a founding member of Trad Yes, a group of folk musicians keen to express their support for independence. She said: "We don't want our musicians to make their gig a political event. But we ask them to have a banner on stage, or mention the campaign during the performance, to make their support known."

The National Collective promotes their contributors in a number of different ways. New writing and images are published on the main website; musicians, spoken word and short films showcased on a dedicated YouTube channel.

Ròs explained: “Anyone who wants to suggest a new project can fill in an online document outlining their proposal, telling us what they'd need us to provide or what resources they can offer. They might want to borrow a camera, or need some volunteers to help at an event, or they might just need coloured paper and pens."

Her 'wish tree' project asks supporters to write what they would like to see from an independent Scotland onto coloured paper tags, which are then tied to a branch or string. Wishes range from deadly serious (“We decide which wars we fight”) to flippant (“More sunshine and fewer midgies!”), but together they offer a broad brush impression of a great hope for the future.

Indeed, the pair are almost giddy with the possibilities, recounting the aspirations and travails of the campaign with a rare earnestness, both in vigorous agreement that the Collective is one outlet through which young Scots are growing in “cultural confidence”.

Such enthusiasm is infectious. The National Collective has attracted warm words from a number of high profile Scots, including the national poet Liz Lochhead, the author Alasdair Gray and the comedian Elaine C Smith.

The playwright Alan Bissett, whose (ironic) poem Vote Britain (“Vote with your heart. Vote Empire.”) has become a rallying cry amongst the nationalist movement, joined the collective as a 'creative ambassador'. 

He said: “Artists are by their nature suspicious of  party politics, since this almost invariably means toeing some kind of line - which is the death of the imagination. At the same time, however, we understand the value of collaborating on a project larger than ourselves as individuals, since that’s how musicians, film-makers and playwrights work.  

"The National Collective gives us the chance to explore the independence issue flexibly and with a creative spirit: no conversation is off-limits and nothing feels coercive. We want to be anarchic, outspoken and free."

Their support reflects how the wider creative community in Scotland have rallied around the Yes campaign. As has been remarked upon in the Scottish press, there are few in the arts willing to admit to unionist sympathies, despite a flood of names declaring in the opposite direction including Annie Lennox, Jack Vettriano and Frankie Boyle (and many more, which have been compiled in a list on the National Collective’s website).

It’s a surprising trend, given that the level of support for independence amongst the general population hovers around 30%.

A number of factors play a part in this surge of support from the creative community, not least because the Scottish Government has traditionally placed a lot of emphasis in funding for the arts – particularly when seen in comparison to the Coalition government at Westminster. The national arts agency Arts Council England saw its budget slashed by almost a third in 2010 and by a further 5% earlier this year; its equivalent, Creative Scotland, on the other hand, has seen its budget cut by a mere 2%.

The First Minister Alex Salmond too has personally shown his admiration of a number of Scottish writers by quoting from their work in his speeches. Last year he read The Nonsense Ends by little-known Edinburgh poet George Robinson at the SNP party conference (“Not I and more are yet content / With just a devolved parliament.”), the year before invoking Robert Burns’ A Red, Red Rose when he promised that “the rocks will melt with the sun before I allow tuition fees to be imposed on Scottish students.”

Thus Salmond grasps that the poet may be better placed to inspire than the politician, even going so far as to declare that he would be asking “one of Scotland’s great literary talents” to help write the Scottish Government’s upcoming white paper on independence, due to be published in November. (The novelist William McIlvanney has been tipped for the role, but there has been no confirmation.)

There too is the inherent romanticism of an independence movement: the struggle for freedom makes a grand narrative, with which the more pressing fight – the struggle against apathy – can be fought.

Campaigning to maintain the status quo, which is what the unionist movement Better Together is tasked with, is a less inspiring task. But then, the No campaign doesn’t need to inspire; creating uncertainty will almost certainly be enough to lure the canny Scots to remain within the safety of the Union.

Better Together, led by the former Chancellor of the Exchequer Alistair Darling, has faced claims of fear-mongering, after initial arguments centred around the risks of independence (the oil money running out, banks sinking the economy, the EU barring re-entry), in a bid to present this scrappy little country as incapable of looking after itself. This approach did not sit well with the public, but as Darling himself remarked, “the onus is on those who want to break up the union to explain why going-it-alone would be better for Scotland.”

Police estimated the crowd at the rally on Saturday to number in the region of 8,300. Its organisers disagreed, claiming that between 20,000 and 30,000 turned up. Either way, it was a good show in a city with a population of less than 500,000.

Nevertheless, to win the referendum, the Yes campaign needs the support of many hundreds of thousands more. It’s a big ask, but they have some of the country’s most inspiring voices on their side. Is it possible? Certainly. Is it likely? Well, who knows.

The Dundee-born novelist AL Kennedy said: “Arts workers might feel that being in a more progressive, autodidactic atmosphere would be good in general and good for them personally.  They may feel an independent, left leaning Scotland would be that place. Some people always feel they might be a bigger fish if the pond was smaller, some want to get creative with a whole new start for their country.

“It will be an interesting time, the next few months... but the cultural ground work and confidence and architecture are all there. That's not in doubt. This is a vote about whether Scotland's politicians measure up or not.”

Thousands of pro-independence campaigners attend a rally on Calton Hill in Edinburgh. Image: Getty

Cal Flyn is a freelance journalist, who writes for the Sunday Times, New Statesman and others. Find more of her work at www.calflyn.com and her Twitter handle is @calflyn.

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An unmatched font of knowledge

Edinburgh’s global reputation as a knowledge economy is rooted in the performance and international outlook of its four universities.

As sociologist-turned US Senator Daniel Patrick Moynihan recognised when asked how to create a world-class city, a strong academic offering is pivotal to any forward-looking, ambitious city. “Build a university,” he said, “and wait 200 years.” He recognised the long-term return such an investment can deliver; how a renowned academic institution can help attract the world. However, in today’s increasingly globalised higher education sector, world-class universities no longer rely on the world coming to come to them – their outlook is increasingly international.

Boasting four world-class universities, Edinburgh not only attracts and retains students from around the world, but also increasingly exports its own distinctively Scottish brand of academic excellence. In fact, 53.9% of the city’s working age population is educated to degree level.

In the most recent QS World University Rankings, the University of Edinburgh was named as the 21st best university in the world, reflecting its reputation for research and teaching. It’s a fact reflected in the latest UK Research Exercise Framework (REF), conducted in 2014, which judged 96% of its academic departments to be producing world-leading research.

Innovation engine

Measured across the UK, annual Gross Value Added (GVA) by University of Edinburgh start-ups contributes more than £164m to the UK economy. In fact, of 262 companies to emerge from the university since the 1960s, 81% remain active today, employing more than 2,700 staff globally. That performance places the University of Edinburgh ahead of institutions such as MIT in terms of the number of start-ups it generates; an innovation hothouse that underlines why one in four graduates remain in Edinburgh and why blue chip brands such as Amazon, IBM and Microsoft all have R&D facilities in the city.

One such spin out making its mark is PureLiFi, founded by Professor Harald Haas to commercialise his groundbreaking research on data transmission using the visible light spectrum. With data transfer speeds 10,000 times faster than radio waves, LiFi not only enables bandwidths of 1 Gigabit/sec but is also far more secure.

Edinburgh’s universities play a pivotal role in the local economy. Through its core operations, knowledge transfer activities and world-class research the University generated £4.9bn in GVA and 44,500 jobs globally, when accounting for international alumni.

With £1.4bn earmarked for estate development over the next 10 years, the University of Edinburgh remains the city’s largest property developer. Its extensive programme of investment includes the soon-to-open Higgs Centre for Innovation. A partnership with the UK Astronomy Technology Centre, the new centre will open next year and will supply business incubation support for potential big data and space technology applications, enabling start-ups to realise the commercial potential of applied research in subjects such as particle physics.

It’s a story of innovation that is mirrored across Edinburgh’s academic landscape. Each university has carved its own areas of academic excellence and research expertise, such as the University of Edinburgh’s renowned School of Informatics, ranked among the world’s elite institutions for Computer Science. 

The future of energy

Research conducted into the economic impact of Heriot-Watt University demonstrated that it generates £278m in annual GVA for the Scottish economy and directly supports more than 6,000 jobs.

Set in 380-acres of picturesque parkland, Heriot-Watt University incorporates the Edinburgh Research Park, the first science park of its kind in the UK and now home to more than 40 companies.

Consistently ranked in the top 25% of UK universities, Heriot-Watt University enjoys an increasingly international reputation underpinned by a strong track record in research. 82% of the institution’s research is considered world-class (REF) – a fact reflected in a record breaking year for the university, attracting £40.6m in research funding in 2015. With an expanding campus in Dubai and last year’s opening of a £35m campus in Malaysia, Heriot-Watt is now among the UK’s top five universities in terms of international presence and numbers of international students.

"In 2015, Heriot-Watt University was ranked 34th overall in the QS ‘Top 50 under 50’ world rankings." 

Its established strengths in industry-related research will be further boosted with the imminent opening of the £20m Lyell Centre. It will become the Scottish headquarters of the British Geological Survey, and research will focus on global issues such as energy supply, environmental impact and climate change. As well as providing laboratory facilities, the new centre will feature a 50,000 litre climate change research aquarium, the UK Natural Environment Research Council Centre for Doctoral Training (CDT) in Oil and Gas, and the Shell Centre for Exploration Geoscience.

International appeal

An increasingly global outlook, supported by a bold international strategy, is helping to drive Edinburgh Napier University’s growth. The university now has more than 4,500 students studying its overseas programmes, through partnerships with institutions in Hong Kong, Singapore, China, Sri Lanka and India.

Edinburgh Napier has been present in Hong Kong for more than 20 years and its impact grows year-on-year. Already the UK’s largest higher education provider in the territory, more than 1,500 students graduated in 2015 alone.

In terms of world-leading research, Edinburgh Napier continues to make its mark, with the REF judging 54% of its research to be either world-class or internationally excellent in 2014. The assessment singled out particular strengths in Earth Systems and Environmental Sciences, where it was rated the top UK modern university for research impact. Taking into account research, knowledge exchange, as well as student and staff spending, Edinburgh Napier University generates in excess of £201.9m GVA and supports 2,897 jobs in the city economy.

On the south-east side of Edinburgh, Queen Margaret University is Scotland’s first university to have an on-campus Business Gateway, highlighting the emphasis placed on business creation and innovation.

QMU moved up 49 places overall in the 2014 REF, taking it to 80th place in The Times’ rankings for research excellence in the UK. The Framework scored 58% of Queen Margaret’s research as either world-leading or internationally excellent, especially in relation to Speech and Language Sciences, where the University is ranked 2nd in the UK.

In terms of its international appeal, one in five of Queen Margaret’s students now comes from outside the EU, and it is also expanding its overseas programme offer, which already sees courses delivered in Greece, India, Nepal, Saudi Arabia and Singapore.

With 820 years of collective academic excellence to export to the world, Edinburgh enjoys a truly privileged position in the evolving story of academic globalisation and the commercialisation of world-class research and innovation. If he were still around today, Senator Moynihan would no doubt agree – a world-class city indeed.

For further information www.investinedinburgh.com