Where are all the right-wing stand-ups?

Yes, Jimmy Carr avoided tax and the BNP loves Al Murray’s Pub Landlord, but it’s hard to find a comedian who votes Tory.

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Caroline Raphael, BBC Radio 4’s commissioning editor for comedy, recently confessed to difficulty in finding unashamedly right-wing comedians to balance the left-wingers on her shows. I know about stand-up only, not about comedy in general, but in my experience there aren’t really any right-wing stand-up comedians who would fit Raphael’s brief. You can’t programme something that doesn’t exist.

There are wits and humorists on the right, of course. The print-media comedy of Jeremy Clarkson, Rod Liddle and Richard Littlejohn, for example, amuses thousands of people. Under analysis, their prose reveals the reliably effective structures of traditionally funny writing. A demonstrably true political observation is gradually exaggerated for comic effect until it becomes absurd and then a wry conclusion, usually more appropriate to the exaggerated version of the initial fact than the fact itself, is appended to the piece by literary sleight of hand.

There’s no denying that this approach can draw laughs, though usually laughs of painful and bitter resignation, from the readership. Indeed, Clarkson’s right-wing comedy integrity was cemented in 2011 when he was described as “one of the few things worth watching on the Burqa Broadcasting Corporation (BBC)” by the Norwegian neo-Nazi mass murderer Anders Behr­ing Breivik, a man not known for his sense of humour but whose right-wing credentials are unimpeachable. Yet where are all the bona fide right-wing stand-up comedians and could any of them fit the Radio 4 brief?

Roy “Chubby” Brown, a northern club comic with brilliant timing and the ability to tap in to his working-class audience’s prevailing fears, tours vast halls beneath the critical radar. Chubby’s fans imagine that the Marxist media cabal sees him as too “politically incorrect” for broadcast. The BBC, however, is publicly accountable in a way that the label that sells Chubby’s CDs in service stations is not. The punchlines and end points of jokes on BBC comedy shows can be ridiculous for comic effect but the set-ups must reflect real facts or the BBC would face consequences.

Thus, this crowd-pleasing Chubby gag could not be broadcast: “You can’t say anything about religion these days, can you? They say you can’t say ‘Protestant’, you can’t say ‘Muslim’, you can’t say ‘Jew’. Which is a shame, because I like to go in my news­agent on a Sunday morning and say, ‘Here’s a quid. Keep the change, you Paki bastard.’” The set-up is based on an erroneous assumption about religion and political correctness (you can say “Protestant”, “Muslim” and “Jew”) and has no etymological relationship to the discussion of racist language that the pay-off seems to be addressing, though the punchy brutality of Chubby’s performance swiftly and convin­cingly papers over the logical cracks.

Many Chubby jokes about supposedly controversial material proceed from similarly unsubstantiated tabloid myths. Even the most dogmatically leftist Jeremy Hardy jokes have at least some of the BBC’s required basis in news fact. Chubby does have a funny hat, though. Hardy doesn’t even have a hat.

Would any of our popular arena come­dians fit the right-wing stand-up bill? The Daily Mail inexplicably demonises Jimmy Carr and Frankie Boyle as “politically correct left-wingers”, yet to sensitive souls they appear callous, apolitical nihilists. Carr’s jokes about the disabled and his tax avoidance undermine the idea that he is politically correct. You can’t make sense of their acts politically, but imagine them (and their unseen writing teams) not as rounded characters with backstories but as arch saloon-bar wits, trying out a succession of controversial, sometimes contradictory positions for fun, and they become coherent. Carr flirted with the idea of being a liberal satirist on Channel 4’s Ten O’Clock Live, a former marketing man expanding his post-pub customer base into the Guardian green belt. Perhaps Carr might wear a right-wing hat for Radio 4 if the money was right, which it wouldn’t be, but Boyle is too likely to be bluntly anti-war or pro-Palestinian to help Radio 4 out of its Trotskyite ghetto.

Al Murray’s patriotic Pub Landlord, though a favourite on BNP internet discussion boards, is in reality a satire of the Little England mentality and so he would not help Radio 4’s right-wing quota. Jim Davidson is avowedly right-wing but seems to want the respect and friendship of trendy liberal comics while racially and homophobically abusing them on his blog, and is currently under investigation anyway, due to his links to the 1970s. I doubt his News Quiz seat is being kept warm. Henning Wehn and Liam Mullone occupy broadly libertarian positions and would please the right with their common-sense fiscal comments but confuse it with their views on individual freedom and use of irony.

In the Spectator, Liddle suggested the actor Alexander Armstrong as a right-wing alternative to Jeremy Hardy on Radio 4, presumably because he is a member of the Notting Hill set – but Armstrong hasn’t written any comedy this century and has never performed authored stand-up, being principally an amusing mouthpiece for other writers’ jokes and advertisers’ sales pitches. Is the best we can suggest in a search for a right-wing comedian just a celebrity whose friend’s sister is George “Pencils” Osborne’s wife?

Will anyone make up the right-wing stand-up comedian numbers? Since I started in the late 1980s, there have always been stand-ups who appear to be right-wing, but usually are upper-middle-class liberals who, realising that they can’t help their accents, have chosen to take on the role of a kind of out-of-touch, paternalistic Tory “posh boy”. The slit-eyed Simon Evans, whom you may have seen on a big TV stand-up showcase, is the funniest and the most committed of these, hating football fans, working-class women who dress like prostitutes and anyone who has more than two children. Particularly good over short distances, Evans nevertheless inhabits his stage persona so completely, convincingly and hilariously that I assume it must on some level overlap with his beliefs. Whether he is a real Tory or a pretend one, Radio 4 could do worse than make the unflinching Evans the official voice of the comedy opposition.

The stand-up Jerry Sadowitz’s apparent distaste for Islam, feminism and Nelson Mandela might appear to place him at the right end of the political spectrum and his language would keep him off Radio 4, but because Sadowitz is one of the most complete and perfect stand-ups in history, his exact political position is complicated. By accident or design, he appears to be socially, sexually, culturally, physically and economically at the bottom of the pile. This gives him licence to attack everything and everyone, like a drowning rat swimming desperately up the U-bend. And this tells us a lot about the essence of stand-up.

Stand-up comedians are not the same as wits and columnists and humorists. Strip away the showbiz and a pure stand-up is still a turn, a music-hall act. It’s clowning, and clowns are always tragic figures. Clowns’ comedy came from the inevitability of their defeat, from the gulf between what they want – whether it’s sex with their bored partner or a socialist utopia – and what they are going to get, which is nothing, nothing and a kick in the goolies. Interestingly, in the early years of the Pub Landlord, Murray alluded to how the publican’s reactionary beliefs had been compounded by domestic troubles in his past, lending him a comically effective low status that was inevitably compromised by the character’s subsequent huge popularity. Josie Long is one of the most determin­edly left-wing stand-ups working today, hated by armies of internet trolls. For me, what has improved her act even further lately is her creeping acknowledgement that the character she inhabits is involved in a self-mythologising, romantic and perhaps doomed struggle against capitalism, compromised by her frailties. In her solo show last summer, Long maintained that she’d missed the heroic chance to live the leftist legend and be arrested at a sit-in on an anti-Vodafone demo, having been distracted in Soho by a Thai buffet. Character and failure inform the theorising. And, love him or loathe him, Jeremy Hardy does not sound like a happy or powerful man. His corduroy candy mountain crumbled in the 1980s. He is destined to whinge into the dying of the light. That is his tragedy. That is his clown.

Ultimately, the left will lose. Big business will pollute the planet, capitalist culture will kill off the arts and humanities, schools will all be privatised, libraries will all close, social mobility will cease, the gulf between rich and poor will grow and everything beautiful will die. The left may note little human rights victories – gay marriage and the odd bit of better pay – but the machine is rolling inexorably forwards to crush it.

The African-American stand-up Chris Rock maintained that stand-up comedy should always be punching upwards. It’s a heroic little struggle. You can’t be a right-wing clown without some character caveat, some vulnerability, some obvious flaw. You’re on the right. You’ve already won. You have no tragedy. You’re punching down. You can be a right-wing comedy columnist, away from the public eye, a disembodied, authoritarian presence that doesn’t need to show doubt. Who could be on a stage, crowing about their victory and ridiculing those less fortunate than them without any sense of irony, shame or self-knowledge? That’s not a stand-up comedian. That’s just a cunt.

Stewart Lee has curated “The Alternative Comedy Experience” for Comedy Central (Tuesdays, 11pm). Tickets for live dates are on sale at: stewartlee.co.uk

Illustration: Nick Hayes for the New Statesman

This article first appeared in the 12 April 2013 issue of the New Statesman, Centenary Special Issue

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In the race to be France's next president, keep an eye on Arnaud Montebourg

Today's Morning Call. 

Good morning. As far as the Brexit talks are concerned, the least important voters are here in Britain. Whether UK plc gets a decent Brexit deal depends a lot more on who occupies the big jobs across Europe, and how stable they feel in doing so.

The far-right Freedom Party in Austria may have been repudiated at the presidential level but they still retain an interest in the legislative elections (due to be held by 2018). Both Lega Nord and Five Star in Italy will hope to emerge as the governing party at the next Italian election.

Some Conservative MPs are hoping for a clean sweep for the Eurosceptic right, the better to bring the whole EU down, while others believe that the more vulnerable the EU is, the better a deal Britain will get. The reality is that a European Union fearing it is in an advanced state of decay will be less inclined, not more, to give Britain a good deal. The stronger the EU is, the better for Brexit Britain, because the less attractive the exit door looks, the less of an incentive to make an example of the UK among the EU27.

That’s one of the many forces at work in next year’s French presidential election, which yesterday saw the entry of Manuel Valls, the French Prime Minister, into the race to be the Socialist Party’s candidate.

Though his star has fallen somewhat among the general public from the days when his opposition to halal supermarkets as mayor of Evry, and his anti-Roma statements as interior minister made him one of the most popular politicians in France, a Valls candidacy, while unlikely to translate to a finish in the top two for the Socialists could peel votes away from Marine Le Pen, potentially allowing Emanuel Macron to sneak into second place.

But it’s an open question whether he will get that far. The name to remember is Arnaud Montebourg, the former minister who quit Francois Hollande’s government over its right turn in 2014. Although as  Anne-Sylvaine Chassany reports, analysts believe the Socialist party rank-and-file has moved right since Valls finished fifth out of sixth in the last primary, Montebourg’s appeal to the party’s left flank gives him a strong chance.

Does that mean it’s time to pop the champagne on the French right? Monteburg may be able to take some votes from the leftist independent, Jean-Luc Mélenchon, and might do some indirect damage to the French Thatcherite Francois Fillon. His supporters will hope that his leftist economics will peel away supporters of Le Pen, too.

One thing is certain, however: while the chances of a final run-off between Le Pen and Fillon are still high,  Hollande’s resignation means that it is no longer certain that the centre and the left will not make it to that final round.

THE SOUND OF SILENCE

The government began its case at the Supreme Court yesterday, telling justices that the creation of the European Communities Act, which incorporates the European treaties into British law automatically, was designed not to create rights but to expedite the implementation of treaties, created through prerogative power. The government is arguing that Parliament, through silence, has accepted that all areas not defined as within its scope as prerogative powers. David Allen Green gives his verdict over at the FT.

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The continuing acrimony in Momentum has once again burst out into the open after a fractious meeting to set the organisation’s rules and procedures, Jim Waterson reports over at BuzzFeed.  Jon Lansman, the organisation’s founder, still owns the data and has the ability to shut down the entire group, should he chose to do so, something he is being urged to do by allies. I explain the origins of the crisis here.

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Italy’s oldest bank, Monte Paschi, may need a state bailout after its recapitalisation plan was thrown into doubt following Matteo Renzi’s resignation. Italy’s nervous bankers will wait to see if  €1bn of funds from a Qatari investment grouping will be forthcoming now that Renzi has left the scene.

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Strong growth in the services sector puts Britain on course to be the highest growing economy in the G7. But Mark Carney has warned that the “lost decade” of wage growth and the unease from the losers from globalisation must be tackled to head off the growing tide of “isolation and detachment”.

THE REPLACEMENTS

David Lidington will stand in for Theresa May, who is abroad, this week at Prime Ministers’ Questions. Emily Thornberry will stand in for Jeremy Corbyn.

QUIT PICKING ON ME!

Boris Johnson has asked Theresa May to get her speechwriters and other ministers to stop making jokes at his expense, Sam Coates reports in the Times. The gags are hurting Britain’s diplomatic standing, the Foreign Secretary argues.

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Stephen Bush is special correspondent at the New Statesman. His daily briefing, Morning Call, provides a quick and essential guide to British politics.