Cameron rebuked by UK Statistics Authority over debt lies

After the PM falsely claimed the coalition "was paying down Britain’s debts", the UK Statistics Authority points out that the national debt has risen by £300bn.

Last week I reported that Labour's Rachel Reeves had issued a complaint to the UK Statistics Authority after David Cameron falsely stated in a Conservative Party political broadcast that the coalition "was paying down Britain’s debts".

Andrew Dilnot, the chair of the stats authority, has now replied to Reeves, confirming that there was no basis for Cameron's claim. He rightly points out that the national debt has risen from £811.3bn, or 55.3 per cent of GDP, to £1,111.4bn, or 70.7 per cent of GDP, since the coalition entered office. This is hardly surprising. For debt to fall, the government would have to run a budget surplus, something unthinkable at a time of economic stagnation. But that hardly excuses Cameron's myth-making. The PM doesn't need to be told the difference between the deficit and the debt (although Dilnot helpfully reminds him anyway), he just chooses to use the latter as a synoym for the former because it's a more familiar concept to voters.

It's not the first time that the PM has had his knuckles rapped by the nation's number-crunchers. Last year, the Conservatives were forced to correct their claim to have increased real-terms spending on the NHS "in each of the last two years". 

After complaining for years about Gordon Brown's manipulation of economic statistics, the government came to power promising a new regime of transparency. But Cameron's willful distortion of the facts on debt and NHS spending shows he's been unable to hold himself to this standard.

So it's just as well that Dilnot assures us, "I am copying this to the Prime Minister’s Chief of Staff at 10 Downing Street".

You can read his reply to Reeves in full below. 

Letter to Rachel Reeves by

David Cameron leaves 10 Downing Street in London, on January 30, 2012. Photograph: Getty Images.

George Eaton is political editor of the New Statesman.

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The economics of outrage: Why you haven't seen the end of Katie Hopkins

Her distasteful tweet may have cost her a job at LBC, but this isn't the last we've seen of Britain's biggest troll. 

Another atrocity, other surge of grief and fear, and there like clockwork was the UK’s biggest troll. Hours after the explosion at the Manchester Arena that killed 22 mostly young and female concert goers, Katie Hopkins weighed in with a very on-brand tweet calling for a “final solution” to the complex issue of terrorism.

She quickly deleted it, replacing the offending phrase with the words “true solution”, but did not tone down the essentially fascist message. Few thought it had been an innocent mistake on the part of someone unaware of the historical connotations of those two words.  And no matter how many urged their fellow web users not to give Hopkins the attention she craved, it still sparked angry tweets, condemnatory news articles and even reports to the police.

Hopkins has lost her presenting job at LBC radio, but she is yet to lose her column at Mail Online, and it’s quite likely she won’t.

Mail Online and its print counterpart The Daily Mail have regularly shown they are prepared to go down the deliberately divisive path Hopkins was signposting. But even if the site's managing editor Martin Clarke was secretly a liberal sandal-wearer, there are also very good economic reasons for Mail Online to stick with her. The extreme and outrageous is great at gaining attention, and attention is what makes money for Mail Online.

It is ironic that Hopkins’s career was initially helped by TV’s attempts to provide balance. Producers could rely on her to provide a counterweight to even the most committed and rational bleeding-heart liberal.

As Patrick Smith, a former media specialist who is currently a senior reporter at BuzzFeed News points out: “It’s very difficult for producers who are legally bound to be balanced, they will sometimes literally have lawyers in the room.”

“That in a way is why some people who are skirting very close or beyond the bounds of taste and decency get on air.”

But while TV may have made Hopkins, it is online where her extreme views perform best.  As digital publishers have learned, the best way to get the shares, clicks and page views that make them money is to provoke an emotional response. And there are few things as good at provoking an emotional response as extreme and outrageous political views.

And in many ways it doesn’t matter whether that response is negative or positive. Those who complain about what Hopkins says are also the ones who draw attention to it – many will read what she writes in order to know exactly why they should hate her.

Of course using outrageous views as a sales tactic is not confined to the web – The Daily Mail prints columns by Sarah Vine for a reason - but the risks of pushing the boundaries of taste and decency are greater in a linear, analogue world. Cancelling a newspaper subscription or changing radio station is a simpler and often longer-lasting act than pledging to never click on a tempting link on Twitter or Facebook. LBC may have had far more to lose from sticking with Hopkins than Mail Online does, and much less to gain. Someone prepared to say what Hopkins says will not be out of work for long. 

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