Why Cameron must withdraw the whip from Chris Heaton-Harris

The Prime Minister cannot allow Conservative MPs to support rival candidates without consequences.

If there is one cardinal sin in any political party's rulebook, it is campaigning for a rival candidate in an election. Yet that is what Tory MP Chris Heaton-Harris, the party's campaign manager in Corby, has done.

Undercover footage obtained by Greenpeace (reported in today's Guardian) reveals that Heaton-Harris encouraged Telegraph blogger James Delingpole to stand as an anti-wind farm candidate in the byelection in Louise Mensch's former constituency and provided him with a "handful of people" to run his campaign.

He told film-maker Chris Atkins, who posed as a representative of a fictional lobby group called Windefensible, "There's a bit of strategy behind what's going on. I'm running the Corby byelection for the Tories … And Delingpole, who is my constituent, and a very good friend [inaudible] put his head above the parapet, but won't put his deposit down … It's just part of the plan."

He added: "I've managed to provide [Delingpole] with a handful of people who will sort him out. So my deputy chairman, political, resigned from my local party and is running his campaign as his agent. So it's all professionally done. The whole point of that is to actually just put it on the agenda."

It is clear that "the plan" was to use Delingpole's candidacy to shift government policy on wind farms, primarily through the energy minister, John Hayes. Heaton-Harris said: "Next week hopefully John Hayes, James Delingpole and I will have a meeting somewhere."

Delingpole eventually withdrew from the race after Hayes declared in an interview with the Daily Mail that "we can no longer have wind turbines imposed on communities." The plan, it appeared, had worked. In the film, Heaton-Harris is shown saying:"Delingpole can go and endorse the Ukip candidate, don't give a toss about that. Maybe we've just moved the agenda on."

The MP has responded to the story by insisting that he is not guilty of supporting a rival candidate since, because Delingpole never paid a deposit, he never technically joined the race. But only a fool would accept such pedantry. At a time when he should have been putting all his effort into supporting the Conservative candidate, Christine Emmett, in a seat that the Tories stand to lose to Labour, Heaton-Harris arranged for Tory staffers to be seconded to Delingpole's campaign as a part of a crusade against wind farms (thus contravening the government's policy).

Last week, the Conservative whip was rightly suspended from Nadine Dorries after she chose to abandon her parliamentary duties in favour of appearing on I'm A Celebrity...Get Me Out of Here! If David Cameron retains any self-respect, similar action must now be taken against Heaton-Harris. The Prime Minister owes it to those who, whatever their misgivings over coalition policy, loyally support the Conservative candidate to punish those who do not. He must kill the Tories' Militant Tendency at birth.

Tory MP Chris Heaton-Harris supported anti-wind farm campaigner James Delingpole in the Corby byelection. Photograph: Getty Images.

George Eaton is political editor of the New Statesman.

John Moore
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The man who created the fake Tube sign explains why he did it

"We need to consider the fact that fake news isn't always fake news at the source," says John Moore.

"I wrote that at 8 o'clock on the evening and before midday the next day it had been read out in the Houses of Parliament."

John Moore, a 44-year-old doctor from Windsor, is describing the whirlwind process by which his social media response to Wednesday's Westminster attack became national news.

Moore used a Tube-sign generator on the evening after the attack to create a sign on a TfL Service Announcement board that read: "All terrorists are politely reminded that THIS IS LONDON and whatever you do to us we will drink tea and jolly well carry on thank you." Within three hours, it had just fifty shares. By the morning, it had accumulated 200. Yet by the afternoon, over 30,000 people had shared Moore's post, which was then read aloud on BBC Radio 4 and called a "wonderful tribute" by prime minister Theresa May, who at the time believed it was a genuine Underground sign. 

"I think you have to be very mindful of how powerful the internet is," says Moore, whose viral post was quickly debunked by social media users and then national newspapers such as the Guardian and the Sun. On Thursday, the online world split into two camps: those spreading the word that the sign was "fake news" and urging people not to share it, and those who said that it didn't matter that it was fake - the sentiment was what was important. 

Moore agrees with the latter camp. "I never claimed it was a real tube sign, I never claimed that at all," he says. "In my opinion the only fake news about that sign is that it has been reported as fake news. It was literally just how I was feeling at the time."

Moore was motivated to create and post the sign when he was struck by the "very British response" to the Westminster attack. "There was no sort of knee-jerk Islamaphobia, there was no dramatisation, it was all pretty much, I thought, very calm reporting," he says. "So my initial thought at the time was just a bit of pride in how London had reacted really." Though he saw other, real Tube signs online, he wanted to create his own in order to create a tribute that specifically epitomised the "very London" response. 

Yet though Moore insists he never claimed the sign was real, his caption on the image - which now has 100,800 shares - is arguably misleading. "Quintessentially British..." Moore wrote on his Facebook post, and agrees now that this was ambiguous. "It was meant to relate to the reaction that I saw in London in that day which I just thought was very calm and measured. What the sign was trying to do was capture the spirit I'd seen, so that's what I was actually talking about."

Not only did Moore not mean to mislead, he is actually shocked that anyone thought the sign was real. 

"I'm reasonably digitally savvy and I was extremely shocked that anyone thought it was real," he says, explaining that he thought everyone would be able to spot a fake after a "You ain't no muslim bruv" sign went viral after the Leytonstone Tube attack in 2015. "I thought this is an internet meme that people know isn't true and it's fine to do because this is a digital thing in a digital world."

Yet despite his intentions, Moore's sign has become the centre of debate about whether "nice" fake news is as problematic as that which was notoriously spread during the 2016 United States Presidential elections. Though Moore can understand this perspective, he ultimately feels as though the sentiment behind the sign makes it acceptable. 

"I use the word fake in inverted commas because I think fake implies the intention to deceive and there wasn't [any]... I think if the sentiment is ok then I think it is ok. I think if you were trying to be divisive and you were trying to stir up controversy or influence people's behaviour then perhaps I wouldn't have chosen that forum but I think when you're only expressing your own emotion, I think it's ok.

"The fact that it became so-called fake news was down to other people's interpretation and not down to the actual intention... So in many interesting ways you can see that fake news doesn't even have to originate from the source of the news."

Though Moore was initially "extremely shocked" at the reponse to his post, he says that on reflection he is "pretty proud". 

"I'm glad that other people, even the powers that be, found it an appropriate phrase to use," he says. "I also think social media is often denigrated as a source of evil and bad things in the world, but on occasion I think it can be used for very positive things. I think the vast majority of people who shared my post and liked my post have actually found the phrase and the sentiment useful to them, so I think we have to give social media a fair judgement at times and respect the fact it can be a source for good."

Amelia Tait is a technology and digital culture writer at the New Statesman.