Tom Watson accuses May of "a cover-up" over child abuse claims

Labour MP says inquiry into allegations involving a senior Conservative politician is "the next stage of a cover-up".

After criticising the BBC for failing to respond adequately to allegations of child abuse by Jimmy Savile, the government is determined not to be seen to make the same mistake in the case of the alleged north Wales paedophile ring.

In a Commons statement earlier today, Theresa May announced the details of two inquiries into allegations of sexual abuse involving a former senior Conservative politician. The Home Secretary told MPs that north Wales police chief Mark Polin had invited Keith Bristow, the director general of the National Crime Agency, to "assess the allegations recently received, to review the historic police investigations and investigate any fresh allegations". He will produce an initial report on the case by April 2013. In addition, May confirmed that the government would ask "a senior independent figure" to lead an investigation into the 1996-2000 Waterhouse Inquiry, which is accused of failing to consider all allegations of abuse. "Given the seriousness of the allegations, we will make sure that this work is completed urgently," she added.

Responding for Labour, Yvette Cooper warned that having more than one inquiry risked causing confusion and called for "a single, overarching review". But it was Tom Watson, who first aired the new allegations at PMQs last month, who made the most notable intervention when he accused May of instituting "the next stage of a cover-up". The Labour MP told the Commons:

The lesson of Hillsborough and hacking is that a narrow-down investigation is the basic building block of a cover-up. To limit this inquiry to north Wales and Savile would in my view be a dereliction of the Home Secretary's duty. It would guarantee that many sickening crimes will remain uninvestigated and some of the most despicable paedophiles will remain protected by the establishment that has shielded them for 30 years.

Whether you were raped or tortured as a child in Wales or in Whitehall you are entitled to be heard. The media may be transfixed by the spectre of a paedophile cabinet minster abusing children, but what actually matters is that thousands and thousands of children, whose lives have been ground into nothing, who prefer to kill themselves than carry on, who have nowhere to turn, to whom nobody listens, whom nobody helps. Does she sincerely want to start making amends or can she live with being what she’s just announced – the next stage of a cover-up.

May was careful to warn MPs that using parliamentary privilege to name the Thatcher-era Tory could jeopardise any future prosecution. For the record, the individual in question has denied all of the allegations. He told the Daily Telegraph:

Some guy said I was in the habit of taking young men from Wrexham in my Rolls-Royce.

But I have only been to Wrexham once and I didn’t visit the children’s home, I made a speech to the constituency. I was with an official at all times. I never had a Rolls Royce.

When the inquiry was taking place I hired a lawyer to watch it in case there was any mention of my name. The point is that it is totally without any grounds whatsoever.

Labour MP Tom Watson warned that "many sickening crimes will remain uninvestigated". Photograph: Getty Images.

George Eaton is political editor of the New Statesman.

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“Trembling, shaking / Oh, my heart is aching”: the EU out campaign song will give you chills

But not in a good way.

You know the story. Some old guys with vague dreams of empire want Britain to leave the European Union. They’ve been kicking up such a big fuss over the past few years that the government is letting the public decide.

And what is it that sways a largely politically indifferent electorate? Strikes hope in their hearts for a mildly less bureaucratic yet dangerously human rights-free future? An anthem, of course!

Originally by Carly You’re so Vain Simon, this is the song the Leave.EU campaign (Nigel Farage’s chosen group) has chosen. It is performed by the singer Antonia Suñer, for whom freedom from the technofederalists couldn’t come any suñer.

Here are the lyrics, of which your mole has done a close reading. But essentially it’s just nature imagery with fascist undertones and some heartburn.

"Let the river run

"Let all the dreamers

"Wake the nation.

"Come, the new Jerusalem."

Don’t use a river metaphor in anything political, unless you actively want to evoke Enoch Powell. Also, Jerusalem? That’s a bit... strong, isn’t it? Heavy connotations of being a little bit too Englandy.

"Silver cities rise,

"The morning lights,

"The streets that meet them,

"And sirens call them on

"With a song."

Sirens and streets. Doesn’t sound like a wholly un-authoritarian view of the UK’s EU-free future to me.

"It’s asking for the taking,

"Trembling, shaking,

"Oh, my heart is aching."

A reference to the elderly nature of many of the UK’s eurosceptics, perhaps?

"We’re coming to the edge,

"Running on the water,

"Coming through the fog,

"Your sons and daughters."

I feel like this is something to do with the hosepipe ban.

"We the great and small,

"Stand on a star,

"And blaze a trail of desire,

"Through the dark’ning dawn."

Everyone will have to speak this kind of English in the new Jerusalem, m'lady, oft with shorten’d words which will leave you feeling cringéd.

"It’s asking for the taking.

"Come run with me now,

"The sky is the colour of blue,

"You’ve never even seen,

"In the eyes of your lover."

I think this means: no one has ever loved anyone with the same colour eyes as the EU flag.

I'm a mole, innit.