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Mama said knock you out

In 1979, Margaret Thatcher became prime minister – and a rap record was a hit for the first time. Ma

Both rap and neoliberalism are 30 years old: 1979, the year that Margaret Thatcher was elected, was also the year when the Sugarhill Gang had the first bona fide hip-hop hit with “Rapper’s Delight”. At the time, few anticipated either the impact that neoliberalism and hip-hop would have, or the way in which they would come to echo one another. “Rapper’s Delight”, with its steal from Chic’s “Good Times” providing a backdrop to freestyling rhymes, was treated as little more than a post-disco novelty record. But within a decade hip-hop would be the globally dominant pop music and neoliberalism would have changed the political/economic climate.

What hip-hop and neoliberalism have in common is an emphasis on “keeping it real”. Neoliberalism emerged by defining itself against what it labelled as an unrealistic and unsustainable programme of social welfare and public spending. In Britain, as Andy Beckett reminds us in his recent When the Lights Went Out, neoliberal “realism” was auditioned in James Callaghan’s speech to the Labour party conference in Blackpool in 1976. It was here that Callaghan, justifying spending cuts demanded by the International Monetary Fund, claimed that Britain’s postwar consensus had been living on “borrowed time”. His speechwriter Peter Jay referred to a “new realism” – a phrase, he ruefully noted when Beckett interviewed him, that Thatcher took up. And for neoliberals the truth is that people are motivated by competition and acquisitiveness, not by altruism.

Built from an upbeat disco sample, “Rapper’s Delight” was a party record. The subsequent huge hit “The Message” by Grandmaster Flash and the Furious Five set a different tone: its vision of a collapsed infrastructure, apathy and dejection reflected the then state of New York City, but the perspective was one of critical social commentary, not of identification with the brutal conditions. Already, however, hip-hop was engaged in a process of unlearning the fluid surrealism that dominated the psychedelic funk of George Clinton and Sly Stone in the 1970s.

Hip-hop disciplined the looseness of funk, encasing it in the hard snare-drum sound on the Tommy Boy records of the early 1980s. It was as if, under pressure from the newly harsh economic regime – Ronald Reagan came to power in 1981 – the funk body had stiffened into the phallic posturing of the rapper. Instead of the delirium of psychedelic funk, its gaze focused on UFOs and distant stars, the rapper’s eyes were fixed on the street, until staying “street” became code for a contracted sense of reality.

The militancy of Public Enemy in the mid-1980s, and their ballistic, information-dense use of sampling, were envisaged as a critical intervention into this “reality”. For Chuck D, the New York group’s lead rapper, staying vigilant, refusing to allow oneself to submit to the pacifying effects of drugs and the media, was a political duty. But rather than presaging an era of politicised hip-hop, Public Enemy’s vision of “CNN for black folks” proved to be the end of a sequence of popular politicised black music. There would always be socially conscious hip-hop, but never again would it be as popular as Public Enemy made it.

Schoolly D, another rapper who emerged in the mid-1980s with an album of pummelling minimalism, was more typical of the coming trend. At the time, his assertion of a swaggering survivalist ego, locked in a permanent kill-or-be-killed struggle for recognition, caused consternation among left-wing and liberal commentators, prompting a discussion which continues to this day about whether this music merely reflected violence or actually caused it. When you listen back to Schoolly D now with ears accustomed to later gangsta rap, it sounds a little cartoonish, but it marked a turning point of sorts: hip-hop was no longer commenting on the savage realities of the ’hood, but hyperbolically revelling in them.

The stage was set for hip-hop’s embracing of the gangster. Its adherents were fixated on films such as the Godfather trilogy, Goodfellas and (a particular favourite) Scarface, because they presented a kind of anti-mythical myth. The world they projected – of generalised betrayal, distrust and exploitation – was in tune with the capitalist realism of neoliberalism, except that hip-hop’s celebration of the crime lord, its sense that there was ultimately no difference between the tycoon and the criminal, acted as an unintentional parody of neoliberal rapacity. Even so, the left was faced with the melancholy prospect that the dominant form of black popular music was now a celebration of conspicuous consumption and will to power. In hip-hop, as in neoliberalism, economics bullied politics out of the picture.

Last month, the LA producers Sa-Ra Creative Partners released Nuclear Evolution: the Age of Love. It is not really a hip-hop record. Rap is just one element of Sa-Ra’s sound, which, instead of hip-hop’s habitual hyper-awake state of survivalist awareness, is bleary and dreamy and diffusely erotic. What seems to be returning here is the psychedelic utopianism that hip-hop rejected in order to demonstrate its realism. In common with Clinton’s Funkadelic and their near-namesake the avant-jazz exponent Sun Ra, Sa-Ra’s language is science fictional, their songs laced with references to the cosmos, stars and spaceships.

But Sa-Ra are not alone: it is possible to hear their music as the culmination of an anti-gangsta tendency – including J Dilla, OutKast and Kanye West – that has quietly coalesced in hip-hop over the past decade. In fact, it is difficult to classify West’s last album, 808s and Heartbreak (2008), with its strange electronic melancholy and uncanny auto-tuned singing, as straightforwardly a hip-hop record at all. Instead, West and Sa-Ra are perhaps best considered a return to psychedelic soul, the genre synthesised from out-there rock, jazz and funk by Sly Stone and developed by the Motown sonic conceptualist Norman Whitfield in his experimental productions for the Temptations and the Undisputed Truth.

With the bank crisis literally discrediting the neoliberal model of reality, and Barack Obama’s election raising utopian hopes after the dark reign of George Bush, could it be that hip-hop’s status as top dog in black popular music is finally coming to an end?

Mark Fisher’s “Capitalist Realism” will be published in December by Zero Books. He blogs at http://k-punk.abstractdynamics.org

This article first appeared in the 06 July 2009 issue of the New Statesman, HOWZAT!

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We need to talk about the online radicalisation of young, white women

Alt-right women are less visible than their tiki torch-carrying male counterparts - but they still exist. 

In November 2016, the writer and TED speaker Siyanda Mohutsiwa tweeted a ground-breaking observation. “When we talk about online radicalisation we always talk about Muslims. But the radicalisation of white men online is at astronomical levels,” she wrote, inspiring a series of mainstream articles on the topic (“We need to talk about the online radicalisation of young, white men,” wrote Abi Wilkinson in The Guardian). It is now commonly accepted that online radicalisation is not limited to the work of Isis, which uses social media to spread propaganda and recruit new members. Young, white men frequently form alt-right and neo-Nazi beliefs online.

But this narrative, too, is missing something. When it comes to online radicalisation into extreme right-wing, white supremacist, or racist views, women are far from immune.

“It’s a really slow process to be brainwashed really,” says Alexandra*, a 22-year-old former-racist who adopted extreme views during the United States presidential election of 2016. In particular, she believed white people to be more intelligent than people of colour. “It definitely felt like being indoctrinated into a cult.”

Alexandra was “indoctrinated” on 4Chan, the imageboard site where openly racist views flourish, especially on boards such as /pol/. It is a common misconception that 4Chan is only used by loser, basement-dwelling men. In actuality, 4Chan’s official figures acknowledge 30 percent of its users are female. More women may frequent 4Chan and /pol/ than it first appears, as many do not announce their gender on the site because of its “Tits or GTFO” culture. Even when women do reveal themselves, they are often believed to be men who are lying for attention.

“There are actually a lot of females on 4chan, they just don't really say. Most of the time it just isn't relevant,” says Alexandra. Her experiences on the site are similar to male users who are radicalised by /pol/’s far-right rhetoric. “They sowed the seeds of doubt with memes,” she laughs apprehensively. “Dumb memes and stuff and jokes…

“[Then] I was shown really bullshit studies that stated that some races were inferior to others like… I know now that that’s bogus science, it was bad statistics, but I never bothered to actually look into the truth myself, I just believed what was told to me.”

To be clear, online alt-right radicalisation still skews majority male (and men make up most of the extreme far-right, though women have always played a role in white supremacist movements). The alt-right frequently recruits from misogynistic forums where they prey on sexually-frustrated males and feed them increasingly extreme beliefs. But Alexandra’s story reveals that more women are part of radical right-wing online spaces than might first be apparent.

“You’d think that it would never happen to you, that you would never hold such horrible views," says Alexandra. "But it just happened really slowly and I didn't even notice it until too late."

***

We are less inclined to talk about radical alt-right and neo-Nazi women because they are less inclined to carry out radical acts. Photographs that emerged from the white nationalist rally in Charlottesville this weekend revealed that it was mostly polo shirt-wearing young, white men picking up tiki torches, shouting racial slurs, and fighting with counter-protestors. The white supremacist and alt-right terror attacks of the last year have also been committed by men, not women. But just because women aren’t as visible doesn’t mean they are not culpable.  

“Even when people are alt-right or sympathisers with Isis, it’s a tiny percentage of people who are willing or eager to die for those reasons and those people typically have significant personal problems and mental health issues, or suicidal motives,” explains Adam Lankford, author of The Myth of Martyrdom: What Really Drives Suicide Bombers, Rampage Shooters, and Other Self-Destructive Killers.

“Both men and women can play a huge role in terms of shaping the radicalised rhetoric that then influences those rare people who commit a crime.”

Prominent alt-right women often publicly admit that their role is more behind-the-scenes. Ayla Stewart runs the blog Wife With a Purpose, where she writes about “white culture” and traditional values. She was scheduled to speak at the Charlottesville “Unite the Right” rally before dropping out due to safety concerns. In a blog post entitled “#Charlottesville May Have Redefined Women’s Roles in the Alt Right”, she writes:

“I’ve decided that the growth of the movement has necessitated that I pick and choose my involvement as a woman more carefully and that I’m more mindful to chose [sic] women’s roles only.”

These roles include public speaking (only when her husband is present), gaining medical skills, and “listening to our men” in order to provide moral support. Stewart declined to be interviewed for this piece.

It is clear, therefore, that alt-right women do not have to carry out violence to be radical or radicalised. In some cases, they are complicit in the violence that does occur. Lankford gives the example of the Camp Chapman attack, committed by a male Jordanian suicide bomber against a CIA base in Afghanistan.

“What the research suggests in that case was the guy who ultimately committed the suicide bombing may have been less radical than his wife,” he explains. “His wife was actually pushing him to be more radical and shaming him for his lack of courage.” 

***

Just because women are less likely to be violent doesn’t mean they are incapable of it.

Angela King is a former neo-Nazi who went to prison for her part in the armed robbery and assault of a Jewish shop owner. She now runs Life After Hate, a non-profit that aims to help former right-wing extremists. While part of a skinhead gang, it was her job to recruit other women to the cause.

“I was well known for the violence I was willing to inflict on others… often times the men would come up to me and say we don’t want to physically hurt a woman so can you take care of this,” King explains. “When I brought other women in I looked for the same qualities in them that I thought I had in myself.”

King's 1999 mugshot

 

These traits, King explains, were anger and a previous history of violence. She was 15 when she became involved with neo-Nazis, and explains that struggles with her sexuality and bullying had made her into a violent teenager.

“I was bullied verbally for years. I didn't fit in, I was socially awkward,” she says. One incident in particular stands out. Aged 12, King was physically bullied for the first time.

“I was humiliated in a way that even today I still am humiliated by this experience,” she says. One day, King made the mistake of sitting at a desk that “belonged” to a bully. “She started a fight with me in front of the entire class… I’ve always struggled with weight so I was a little bit pudgy, I had my little training bra on, and during the fight she ripped my shirt open in front of the entire class.

“At that age, having absolutely no self-confidence, I made the decision that if I became the bully, and took her place, I could never be humiliated like that again.”

Angela King, aged 18

King’s story is important because when it comes to online radicalisation, the cliché is that bullied, “loser” men are drawn to these alt-right and neo-Nazi communities. The most prominent women in the far-right (such as Stewart, and Lauren Southern, a YouTuber) are traditionally attractive and successful, with long blonde hair and flashing smiles. In actuality, women that are drawn to the movement online might be struggling, like King, to be socially accepted. This in no way justifies or excuses extreme behaviour, but can go some way to explaining how and why certain young women are radicalised. 

“At the age of 15 I had been bullied, raped. I had started down a negative path you know, experimenting with drugs, drinking, theft. And I was dealing with what I would call an acute identity crisis and essentially I was a very, very angry young woman who was socially awkward who did not feel like I had a place in the world, that I fit in anywhere. And I had no self-confidence or self-esteem. I hated everything about myself.”

King explains that Life After Hate’s research reveals that there are often non-ideological based precursors that lead people to far right groups. “Individuals don’t go to hate groups because they already hate everyone, they go seeking something. They go to fill some type of void in their lives that they’re not getting.”

None of this, of course, excuses the actions and beliefs of far-right extremists, but it does go some way to explaining how “normal” young people can be radicalised online. I ask Alexandra, the former 4Chan racist, if anything else was going on in her life when she was drawn towards extreme beliefs.

“Yes, I was lonely,” she admits.                                                       

***

That lonely men and women can both be radicalised in the insidious corners of the internet shouldn’t be surprising. For years, Isis has recruited vulnerable young women online, with children as young as 15 becoming "jihadi brides". We have now acknowledged that the cliché of virginal, spotty men being driven to far-right hate excludes the college-educated, clean-cut white men who made up much of the Unite the Right rally last weekend. We now must realise that right-wing women, too, are radicalised online, and they, too, are culpable for radical acts.  

It is often assumed that extremist women are radicalised by their husbands or fathers, which is aided by statements by far-right women themselves. The YouTuber, Southern, for example, once said:  

“Anytime they [the left] talk about the alt-right, they make it sound like it’s just about a bunch of guys in basements. They don’t mention that these guys have wives – supportive wives, who go to these meet-ups and these conferences – who are there – so I think it’s great for right-wing women to show themselves. We are here. You’re wrong.”

Although there is truth in this statement, women don’t have to have far-right husbands, brothers, or fathers in order to be drawn to white supremacist or alt-right movements. Although it doesn’t seem the alt-right are actively preying on young white women the same way they prey on young white men, many women are involved in online spaces that we wrongly assume are male-only. There are other spaces, such as Reddit's r/Hawtschwitz, where neo-Nazi women upload nude and naked selfies, carving a specific space for themselves in the online far-right. 

When we speak of women radicalised by husbands and fathers, we misallocate blame. Alexandra deeply regrets her choices, but she accepts they were her own. “I’m not going to deny that what I did was bad because I have to take responsibility for my actions,” she says.

Alexandra, who was “historically left-wing”, was first drawn to 4Chan when she became frustrated with the “self-righteousness” of the website Tumblr, favoured by liberal teens. Although she frequented the site's board for talking about anime, /a/, not /pol/, she found neo-Nazi and white supremacist beliefs were spread there too. 

“I was just like really fed up with the far left,” she says, “There was a lot of stuff I didn't like, like blaming males for everything.” From this, Alexandra became anti-feminist and this is how she was incrementally exposed to anti-Semitic and racist beliefs. This parallels the story of many radicalised males on 4Chan, who turn to the site from hatred of feminists or indeed, all women. 

 “What I was doing was racist, like I – deep down I didn't really fully believe it in my heart, but the seeds of doubt were sowed again and it was a way to fit in. Like, if you don't regurgitate their opinions exactly they’ll just bully you and run you off.”

King’s life changed in prison, where Jamaican inmates befriended her and she was forced to reassess her worldview. Alexandra now considers herself “basically” free from prejudices, but says trying to rid herself of extreme beliefs is like “detoxing from drugs”. She began questioning 4Chan when she first realised that they genuinely wanted Donald Trump to become president. “I thought that supporting Trump was just a dumb meme on the internet,” she says.

Nowadays, King dedicates her life to helping young people escape from far-right extremism. "Those of us who were involved a few decades ago we did not have this type of technology, cell phones were not the slim white phones we have today, they were giant boxes," she says. "With the younger individuals who contact us who grew up with this technology, we're definitely seeing people who initially stumbled across the violent far-right online and the same holds for men and women.

"Instead of having to be out in public in a giant rally or Klan meeting, individuals find hate online."

* Name has been changed

Amelia Tait is a technology and digital culture writer at the New Statesman.

This article first appeared in the 06 July 2009 issue of the New Statesman, HOWZAT!