Has the phone hacking trial created a new form of journalism?

The idea that the democratisation of news means we are all journalists now is, sadly, a fantasy.

The dead tree press is dead, all hail the new journalism.

The publishers’ grasp is loosened now that a legion of bloggers and tweeters can break news and break the monopolies over it.

Up to a point.

Looking at the reporting of the phone hacking trial you would be forgiven for thinking that old models of reporting the news had been swept aside by something altogether more immediate and democratic.

Although previous trials have been liveblogged and tweeted, this one seems to have attracted a degree more coverage in that way from the media, perhaps because the media, or a part of it, is in the dock.

The break with traditional reporting was completed this week by the presence of Peter Jukes, an independent journalist and author of Fall of the House of Murdoch, who along with other reporters, livetweeted the first week of the trial.

What was different about Jukes was that as a result  of the response to his reporting, he was able to crowdsource sufficient funds to allow him to carry on until Christmas.

Hail the new journalism then, cut free of proprietors; funded by individuals and communicating with its audience via Twitter, blogs and independent web publications.

New journalism though? Not really.

In fact, if you look back at the roots of Fleet Street, it is resolutely the sort of journalism that gave rise to our newspaper industry. Finance, distribution and mode of consumption might differ, but fundamentally it is the same.

And this trial illustrates that perfectly.

 Fleet Street is where it is, not because of the whim of a newspaper proprietor – the Courant was the first to set up there – but because of geography. Positioned between Westminster and the City and on the doorstep of the courts it was perfectly placed to report politics, commerce and crime to its waiting readers.

The first court reporters were trainee lawyers, supplementing their income hawking tales from trials to a public as eager for scandal then as they are today.

The papers fed their readers the stories they wanted to read and so was born an appetite for news, even among illiterate working classes who would have the papers read to them. Papers were partisan then, as they are now, chasing a partisan readership, or creating it, depending whether you believe papers form opinion or reflect it.

So today the ‘new’ journalism does exactly the same as its print forebears.

At its heart journalism is a very simple thing, finding good stories and telling them well. The means of delivery may have changed from timber-based to silicon, but the essence of what those tweeting the phonehacking trial is no different to what those law students were doing around Fleet Street all those years ago. So I am  not so sure this is really the 'new' journalism.

Much is made of the way in which online publication creates a dialogue, and journalism academics will talk about the end of top-down provision of news. But does this dialogue really change the nature of what we do? The comments below online publication and their immediacy may make readers feel empowered, part of the process rather than an observer, but is it really anything more than a souped-up letters page?

In the past the relationship between publisher and consumer was far closer as the bills and papers were hawked around Fleet Street. That link was lost as circulations grew and printing became more industrialised. What tweeters and bloggers are doing is reconnecting with their audience and establishing the sort of immediate relationship that was there when newspapers were born.

The idea that the democratisation of news means we are all journalists now is, sadly, a fantasy.

Good luck to any blogger who wandered into the Old Bailey last week thinking they would file a few juicy pars to their blog on the travails of those in the dock.

Writing about that, and keeping the right side of the law while doing it, and producing something actually worth reading from hours of proceedings requires a special set of skills. Skills that anyone can acquire, but not everyone has.

Those who win an audience are still those bloggers, tweeters and writers who can find a good story and tell it well.

Protestors gather outside the Royal Courts of Justice to demonstrate against Rupert Murdoch's News International. Are all of these people potential news-breakers? Image: Getty
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Let's face it: supporting Spurs is basically a form of charity

Now, for my biggest donation yet . . .

I gazed in awe at the new stadium, the future home of Spurs, wondering where my treasures will go. It is going to be one of the architectural wonders of the modern world (football stadia division), yet at the same time it seems ancient, archaic, a Roman ruin, very much like an amphitheatre I once saw in Croatia. It’s at the stage in a new construction when you can see all the bones and none of the flesh, with huge tiers soaring up into the sky. You can’t tell if it’s going or coming, a past perfect ruin or a perfect future model.

It has been so annoying at White Hart Lane this past year or so, having to walk round walkways and under awnings and dodge fences and hoardings, losing all sense of direction. Millions of pounds were being poured into what appeared to be a hole in the ground. The new stadium will replace part of one end of the present one, which was built in 1898. It has been hard not to be unaware of what’s going on, continually asking ourselves, as we take our seats: did the earth move for you?

Now, at long last, you can see what will be there, when it emerges from the scaffolding in another year. Awesome, of course. And, har, har, it will hold more people than Arsenal’s new home by 1,000 (61,000, as opposed to the puny Emirates, with only 60,000). At each home game, I am thinking about the future, wondering how my treasures will fare: will they be happy there?

No, I don’t mean Harry Kane, Danny Rose and Kyle Walker – local as well as national treasures. Not many Prem teams these days can boast quite as many English persons in their ranks. I mean my treasures, stuff wot I have been collecting these past 50 years.

About ten years ago, I went to a shareholders’ meeting at White Hart Lane when the embryonic plans for the new stadium were being announced. I stood up when questions were called for and asked the chairman, Daniel Levy, about having a museum in the new stadium. I told him that Man United had made £1m the previous year from their museum. Surely Spurs should make room for one in the brave new mega-stadium – to show off our long and proud history, delight the fans and all those interested in football history and make a few bob.

He mumbled something – fluent enough, as he did go to Cambridge – but gave nothing away, like the PM caught at Prime Minister’s Questions with an unexpected question.

But now it is going to happen. The people who are designing the museum are coming from Manchester to look at my treasures. They asked for a list but I said, “No chance.” I must have 2,000 items of Spurs memorabilia. I could be dead by the time I finish listing them. They’ll have to see them, in the flesh, and then they’ll be free to take away whatever they might consider worth having in the new museum.

I’m awfully kind that way, partly because I have always looked on supporting Spurs as a form of charity. You don’t expect any reward. Nor could you expect a great deal of pleasure, these past few decades, and certainly not the other day at Liverpool when they were shite. But you do want to help them, poor things.

I have been downsizing since my wife died, and since we sold our Loweswater house, and I’m now clearing out some of my treasures. I’ve donated a very rare Wordsworth book to Dove Cottage, five letters from Beatrix Potter to the Armitt Library in Ambleside, and handwritten Beatles lyrics to the British Library. If Beckham and I don’t get a knighthood in the next honours list, I will be spitting.

My Spurs stuff includes programmes going back to 1910, plus recent stuff like the Opus book, that monster publication, about the size of a black cab. Limited editions cost £8,000 a copy in 2007. I got mine free, as I did the introduction and loaned them photographs. I will be glad to get rid of it. It’s blocking the light in my room.

Perhaps, depending on what they want, and they might take nothing, I will ask for a small pourboire in return. Two free tickets in the new stadium. For life. Or longer . . . 

Hunter Davies is a journalist, broadcaster and profilic author perhaps best known for writing about the Beatles. He is an ardent Tottenham fan and writes a regular column on football for the New Statesman.

This article first appeared in the 16 February 2017 issue of the New Statesman, The New Times