Russell Brand's replies to contributors: From Russell with love

Behind the scenes at the New Statesman guest edit.

 

From: Russell Brand

To: Daniel Pinchbeck

 

Never have you written more succinctly and irrefutably on this most nebulous and complex of topics. Excellent! Other than your dismissal of the term “Revolution”, which is the magazine’s theme and, I think, a necessary galvanising signifier for the previous generation and the more truculent members of the working class. How like you to be insurgent in a magazine about insurgence.

 

To: Gary Lineker

 

Gary! This is f***ing brilliant. Great vocab, cool swearing, great structure. Keeping possession in an unflustered, enveloping rhythm before scoring – a lovely gag nicked in the six-yard box, right at the death. If only the national side could do that.

The stuff about your personal experience as a young player and your dad’s disappointment at a discipline issue is cool and surprising but makes sense of the “Lineker myth” – I mean story, not myth as in untrue – of you as disciplined and gentlemanly.

I love hearing about the way you supported your sons – that’s really spiritual and sounds like simple good parenting.

I am reminded that I heard you say, when I was a kid, that you never put the ball in the net during the pre-match warm-up because a goal is sacred. That, for me, is where football and poetry intersect, at the point where there is magic beyond what we can understand. I suppose that’s why you lot are superstitious.

I don’t know anything about football. My inability to play the game is one of the great laments of my life – my dad and stepdad were both really good Sunday players and growing up in Essex in the Eighties and not knowing how to trap a ball was like going to school in a bikini. Which I also did.

 

To: Rupert Everett

 

What you have written is the most tender, personal, inclusive, funny, candid piece I’ve ever read on homosexual culture.

A mate of mine’s young relative has recently been diagnosed positive. There is a lot of fear and ignorance around him. I will pass on this gentle chronicle of his history and potentially bright and fun future. Your writing is an antidote to prejudice and fear.

The Wilde motif is f***ing brilliant, the throwaway, self-aware career refs are great fun. Your description of the transition of NYC from utopia to hospice is Dickensian. Emphasis on the first syllable. I like that you wrote it to me, as a letter. I come from a culture that can be surprisingly ignorant around homosexuality. Your candour and spellbinding charm woke me the f*** up.

Obviously like most heterosexual men on meeting you, there was a quick wince of regret that I wasn’t gay. After reading this, I’m seriously considering reverse conversion therapy.

To: Noel Gallagher

Really funny, smart, surprising and not in accordance with my manifesto – which will mean you’re in trouble after the revolution but you’re fine for now.

My prediction: “George Osborne – most slappable man in Britain” will take off and end up on T-shirts.

 

To: Oliver Stone

 

 

As I listened to Jemima reading your piece, I felt the wave of undulating devotion that typically accompanies her voice.

However, I can almost certainly ascribe the sense of fervid, virile, “fight the power”, “f*** the man”, hammer-and-sickle priapism to your writing. It was inspiring and thorough and entertaining and cool. Thank you.

 

To: Alec Baldwin

 

 

Yes, Alec! Yes! An authoritative, rolling, beat, HOWLing hymn of dissent.

I like the bludgeoning body shots of listed transgressions, the optimistic flights into a new, true, concealed narrative. Your naming of the Kennedy assassination as an end of innocence, a commencement of institutionalised deceit, is smart. The revaluation of truth as a prized, perversely neglected commodity is skilful.

I think you’re f***ing great, Alec Baldwin.

 

To: Naomi Klein

 

I received and read with relish (as much relish as one can muster when being politely informed that the planet is undergoing systematic destruction to maintain an imaginary economic idea) your brilliant and provocative piece. This wonderful, precise and accessible article is what the issue needed and validates the decision to go with such a potentially amorphous topic as “revolution”.

What you’ve written is galvanising , original and inspiring. I’ve not written anything yet but I’m so amped up on Klein-engendered fervour, I might instead throw my laptop through Powergen HQ’s windows. I read No Logo when I was in the foothills of my junkie-dom. I was in Cuba, coincidentally, flooded by anti-establishment rage. Had I not been high I could’ve got in trouble – they’re surprisingly strict there!

Reading your article made me feel the charge, the fuel, the kick that we can and must take action. I like that feeling, Naomi (especially now I’m not allowed drugs); it is in fact the feeling I live for. One of two feelings I live for . . . The other one is in fact summoning me now.

 

To: Judd Apatow

 

Thank you, Judd. Obviously your success, aside from the more starkly clown-based Anchorman and Cable Guy-type movies, is to a large degree based on your remarkable ability to infuse comedy with personal truth.

This piece of writing, though, has a rawness and innocence that I find very touching beyond what I’m accustomed to in your milieu. Comedy saved my life, too. Sometimes when I’m on the precipice, when I feel, even now, that I am that unselectable little boy, a joke comes, and humour sweeps me into its gangly arms and saves me.

Comedy is a retort to oppression, corruption and even death. It saved me when I was alone at home, at school, and every lonely, destitute place I’ve ever been in since. And now, when everything is actually OK and I still get down, comedy reminds me how silly I am, how silly it all is.

 

To: Diablo Cody

 

Beautiful writing, gentle, humorous, elegantly structured.

If there were Oscars for journalism, you’d have even more clutter in your downstairs loo.

 

To: John Rogers

 

John. We are friends. Proper, not pretend, to-the end friends.

Therefore I take you for granted. But that piece of writing surprised and excited me, mate. The simple unpretentiousness of walking as a revolutionary act.

What I found most remarkable, John, was the strength of your writing: purposeful, confident, strident and assured. It is my belief that it is this manner of authority and ease that is required for the advancement of our ideals.

 

To: David DeGraw

 

Clear as crystal, as sharp as broken glass, as explosive as a Molotov cocktail. There is some great writing in the issue, mate; but this spells out, in the dominant language of economics and in cold, hard numbers, the necessity for action.

 

To: Shepard Fairey

 

That image is f***ing spectacular. The comedy of the bulb, the literalism of the brain. This is why I call you the most relevant living artist. F*** the bourgeoisie, long live the revolution.

Russell holds the artwork for his guest edit's cover. Image: Kalpesh Lathigra

Russell Brand guest-edited the New Statesman in October 2013. Find him on Twitter: @rustyrockets.

This article first appeared in the 23 October 2013 issue of the New Statesman, Russell Brand Guest Edit

Photo: Getty
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How a small tax rise exposed the SNP's anti-austerity talk for just that

The SNP refuse to use their extra powers to lessen austerity, says Kezia Dugdale.

"We will demand an alternative to slash and burn austerity."

With those few words, Nicola Sturgeon sought to reassure the people of England, Wales and Northern Ireland last year that the SNP were a party opposed to public spending cuts. We all remember the general election TV debates, where the First Minister built her celebrity as the leader of the anti-austerity cause.

Last week, though, she was found out. When faced with the choice between using the powers of the Scottish Parliament to invest in the future or imposing cuts to our schools, Nicola Sturgeon chose cuts. Incredible as it sounds the SNP stood shoulder to shoulder with the Tories to vote for hundreds of millions of pounds worth of cuts to schools and other vital public services, rather than asking people to pay a little bit more to invest. That's not the choice of an anti-austerity pin-up. It's a sell-out.

People living outside of Scotland may not be fully aware of the significant shift that has taken place in politics north of the border in the last week. The days of grievance and blaming someone else for decisions made in Scotland appear to be coming to an end.

The SNP's budget is currently making its way through the Scottish Parliament. It will impose hundreds of millions of pounds of cuts to local public services - including our schools. We don't know what cuts the SNP are planning for future years because they are only presenting a one year budget to get them through the election, but we know from the experts that the biggest cuts are likely to come in 2017/18 and 2018/19. For unprotected budgets like education that could mean cuts of 16 per cent.

It doesn't have to be this way, though. The Scottish Parliament has the power to stop these cuts, if only we have the political will to act. Last week I did just that.

I set out a plan, using the new powers we have today, to set a Scottish rate of income tax 1p higher than that set by George Osborne. This would raise an extra half a billion pounds, giving us the chance to stop the cuts to education and other services. Labour would protect education funding in real terms over the next five years in Scotland. Faced with the choice of asking people to pay a little bit more to invest or carrying on with the SNP's cuts, the choice was pretty simple for me - I won't support cuts to our nation’s future prosperity.

Being told by commentators across the political spectrum that my plan is bold should normally set alarm bells ringing. Bold is usually code for saying something unpopular. In reality, it's pretty simple - how can I say I am against cuts but refuse to use the powers we have to stop them?

Experts - including Professors David Bell and David Eiser of the University of Stirling; the Resolution Foundation; and IPPR Scotland - have said our plan is fair because the wealthiest few would pay the most. Trade unions have backed our proposal, because they recognise the damage hundreds of millions of pounds of cuts will do to our schools and the jobs it will cost.

Council leaders have said our plan to pay £100 cashback to low income taxpayers - including pensioners - to ensure they benefit from this plan is workable.

The silliest of all the SNP's objections is that they won't back our plan because the poorest shouldn't have to pay the price of Tory austerity. The idea that imposing hundreds of millions of pounds of spending cuts on our schools and public services won't make the poorest pay is risible. It's not just the poorest who will lose out from cuts to education. Every single family and business in Scotland would benefit from having a world class education system that gives our young the skills they need to make their way in the world.

The next time we hear Nicola Sturgeon talk up her anti-austerity credentials, people should remember how she did nothing when she had the chance to end austerity. Until now it may have been acceptable to say you are opposed to spending cuts but doing nothing to stop them. Those days are rapidly coming to a close. It makes for the most important, and most interesting, election we’ve had in Scotland.

Kezia Dugdale is leader of Scottish Labour.