The trouble with TED talks

In the cult of TED, everything is awesome and inspirational, and ideas aren’t supposed to be challenged, says Martin Robbins.

I’ve long been amused by the slogan of TED, makers of the ubiquitous TED talks. TED’s slogan is this: ‘Ideas worth spreading.’ Apparently TED has some ideas, and we should spread them. What ideas? Ideas that TED in its infinite wisdom has picked out for us, ideas which are therefore implied to be true and good and right. What should we do with these ideas? We should build a message around them - slick presentations by charismatic faces captured in high definition - and we should spread that message far and wide. If this doesn’t yet sound familiar, try replacing ‘TED’ with ‘GOD’. ‘Ideas worth spreading’ sounds more like the slogan of the Jehovah’s Witnesses.

It’s nearing midnight, and I’m sitting in my pants in front of the computer holding a tumbler of scotch, the curtains closed, the lights off, doing something I don’t do enough of these days – just watching. This is not how TED Talks are supposed to be consumed. The genius of the format is that nobody really watches them: we play them on iPods or we run them in our browsers while working on other things, but it’s rare that people put one on the television and sit down and really focus on them. They come at us from the side of our vision, sneaking past our preoccupied neural circuitry and planting little seeds in the nooks and crevices of our minds, like mould spores on a damp window frame. In the darkest hours of countless nights I’ve woken convinced that a solar-powered cup holder will end third world debt, but not really knowing why.

I start with a talk by Rob Legato, and sixteen minutes later I’m aware of only three things: the talk was awesome, I can’t remember anything of substance from the talk, and I’m now watching a weirdly artificial standing ovation - by sheer coincidence a camera happens to be pointed at some of the first audience members to rise to their feet; then the rest of the audience follows, compelled by social instinct to follow their peers. Of course standing ovations occur more frequently in homogenous audiences, and what better crowd could there be than social elites who’ve invested thousands of dollars for the opportunity to bask in the warm glow someone else’s intellectual aura.

I choose a talk by Ben Goldacre next, a man whose work I know and enjoy. Ben’s high-speed presentation style was once described by a fan as like being ‘skull-fucked with his data-cock’, and his appearance at TED did little to restrain his exuberance, but I found myself switching off after a while; I’d seen his talk before, at The Royal Institution. In fact, virtually none of the talks I watched were particularly new or original – presentations that are that well-polished rarely are.

One of the common charges against TED is that it’s elitist, and yet many of the speakers were the sort of people you might find at your local ‘Skeptics in the Pub’ event. The genius of TED is that it takes capable-but-ordinary speakers, doing old talks they’ve performed many times elsewhere, and dresses them up in a production that makes you feel like you’re watching Kennedy announce the race to the moon.

The videos aren’t given star ratings; instead you have to rate them by checking words from a list: ‘jaw-dropping’, ‘persuasive’, ‘courageous’, ‘fascinating’, ‘beautiful’ and an array of similarly vapid adjectives. Cameras lurk below the eye-line of the speakers looking up at their sharply defined forms, picked out by spotlights against dark backgrounds like a Greek god’s statue in a museum display case. The crowd acts as a single helpful entity; laughing when it should laugh, whooping when it should whoop, awwing when it should aww. Quotes are picked out and highlighted as if they carry some profound truth: “There's no such thing as a dumb user,” says Timothy Prestero, a designer who has clearly never read the user comments on Comment is Free. Or indeed the articles. There are no questions here: in the cult of TED, everything is awesome and inspirational, and ideas aren’t supposed to be challenged.

The problem with this evangelical approach, discarding the voice of scepticism and mindlessly parroting ‘fascinating’ ideas instead of challenging them, is that you risk spreading some utter codswallop. A couple of weeks ago, TED posted a list of the 20 most-watched TED talks to date. Occupying third and fifth place is pair of talks viewed more than sixteen million times, dedicated to a “paradigm-shifting” technology with “thrilling potential” from 2009. It was called ‘SixthSense’.

Nope, nor me. And yet its inventor, Pranav Mistry, is described by the on-stage TEDster as a ‘genius’ and “truly one of the two or three best inventors in the world right now,” the latter assertion based, amusingly, on “the people we’ve seen at TED.” That Mistry is talented and clever I wouldn’t dispute for a second, but words are cheap, and they get cheaper when overused. The presentation looks to my tired eyes like a slightly ropey sales pitch, except the ruthless interrogators of Dragons’ Den have been replaced by a whooping, clapping audience displaying the world-weary cynicism of an arena-full of Beliebers. Anyone who posed a meaningful question in this environment would be treated like they’d thrown a shit in someone’s face.

With the world’s easiest audience, many inaccuracies and errors go unchallenged. A talk by Terry Moore on algebra was littered with unsourced claims about Spanish language and history. Their coverage of science topics is at best superficial, and sometimes downright misleading. Felisa Wolfe-Simon’s infamous claim that bacteria could incorporate arsenic into their DNA led to a huge backlash from the scientific community, during which she refused to engage with critics and said that: “Any discourse will have to be peer-reviewed in the same manner as our paper was, and go through a vetting process so that all discussion is properly moderated.” Not long afterwards, she signed up to do a distinctly un-peer-reviewed TED talk. ‘Ideas worth spreading’ . . . except in this instance the ideas didn’t survive peer-review.

Ultimately, the TED phenomenon only makes sense when you realise that it’s all about the audience. TED Talks are designed to make people feel good about themselves; to flatter them and make them feel clever and knowledgeable; to give them the impression that they’re part of an elite group making the world a better place. People join for much the same reason they join societies like Mensa: it gives them a chance to label themselves part of an intellectual elite. That intelligence is optional, and you need to be rich and well-connected to get into the conferences and the exclusive fringe parties and events that accompany them, simply adds to the irresistible allure. TED’s slogan shouldn’t be ‘Ideas worth spreading’, it should be: ‘Ego worth paying for’.

A suitably vague but uplifting photo of hot air balloon. Photo: Getty Images

Martin Robbins is a Berkshire-based researcher and science writer. He writes about science, pseudoscience and evidence-based politics. Follow him on Twitter as @mjrobbins.

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Unlikely sisters in the Gaza Strip

A former Jewish settler in Gaza recalls her childhood friendship with a young Palestinian.

It was well after midnight, one summer night in 1995, when Inbar Rozy, a 13-year-old living in the former Israeli settlement of Alei Sinai in the northern Gaza Strip, heard her parents answer the phone. Sitting up in bed, surrounded by potted plants, candles and fairy dolls lit by shafts of light from a nearby security outpost, Inbar listened closely.

“I could hear everyone talking around me, making calls,” Inbar said when we met recently in Nitzan, southern Israel. When she got up to find out what was happening, her parents told her to make up a second mattress. As dawn broke, they led into the room a young woman carrying a small bag and wearing a black shirt and jeans. “She had shoulder-length dark hair dyed with red henna and beautiful eyes – big, black with thick eyelashes,” Inbar told me, smiling. “[She was] quiet. She looked scared.”

The woman was Rina (her surname cannot be given for security reasons), a talented artist in her early twenties studying at a local art college, where she had fallen in love with a Christian boy. For Rina, coming from a traditional family, marrying a non-Muslim would be strictly forbidden.

When her parents found out, they were furious and forbade her from seeing her boyfriend. But her male cousins felt this wasn’t enough. Earlier on the day the girls first met, Rina’s cousins had attempted to kill her in retribution for her perceived “honour crime”. Seeing that another attempt on her life was likely, Rina’s father called a relative, who in turn called Inbar’s father, Yossef, a friend of many years. There was no doubt she had to leave. Ironically, a Jewish settlement protected by the Israel Defence Forces was the safest place in Gaza for her to be.

In 1967, Israel seized the Gaza Strip from Egypt during the Six Day War. In time, it settled 21 communities on a third of the land, with a population of 8,000 by 2005. Soldiers guarded the settlements from 1.5 million displaced Palestinians, tens of thousands of whom were displaced in 1967 and moved to live in nearby refugee camps. In Gaza, before Israel’s ultimate withdrawal from the Strip in 2005, relationships between Israeli settlers and Palestinians were fraught. True, many Palestinians worked in Israeli settlements, earning wages higher than elsewhere in the Strip, but the two communities lived largely separate lives.

In the mid-1990s, even after the Oslo Accords, violence was simmering. Israeli military incursions increased with the outbreak of the Second Intifada in 2000. Thousands of home-made Qassam rockets were launched by Palestinian militants at settlers and those living in southern Israel. Security measures hardened. The veteran Israeli journalist Amira Hass, who spent several years living in Gaza, describes neighbourhoods that were “turned into jails behind barbed-wire fences, closed gates, IDF surveillance, tanks and entry-permit red tape”.

And yet, in spite of the forced segregation, Inbar’s family enjoyed close links with their Palestinian neighbours. Inbar’s father worked as an ambulance driver, and on several occasions he helped transport those who lived nearby for emergency medical treatment in Israel. “Every Tuesday, my father’s Jewish and Arab friends would come to our house and we’d eat lunch together,” Inbar remembered.

Given the gravity of Rina’s situation, she couldn’t leave the house. Secrecy was paramount. The girls spent weeks together indoors, Inbar said, chatting, watching TV and drawing. “I’m not sure that as a child I actually understood it for real,” she said. “She taught me how to paint and sketch a face from sight.”

Almost as soon as Rina arrived, Inbar’s family began receiving anonymous phone calls asking about her. “My dad told me, ‘Don’t mention anything about Rina. Say you don’t know what they’re talking about – because otherwise they’ll come and kill us,’” Inbar said.

While the girls got to know each other, Inbar’s mother, Brigitte, found a women’s shelter in East Jerusalem for Rina. Whereas today Gaza is closed off by a military border under heavy surveillance, at that time it was porous. Brigitte drove Rina in to the capital, where she was given a new name and identity that would enable her to begin a new life, on condition that she contact no one in Gaza.

Today Inbar, who is 33, works at the Gush Katif centre in Nitzan – a museum dedicated to the memory of the Israeli settlements in Gaza. Despite her parents’ objections, the family was evacuated in 2005. Unlike most settlers in Gaza, some residents of Alei Sinai were determined to stay on, even if that meant forfeiting their Israeli citizenship. “I have no problem with living as a minority in a Palestinian state,” one of Alei Sinai’s inhabitants, Avi Farhan, told the Israeli daily Haaretz at the time.

Inbar now lives in Ashkelon, a city of 140,000 in southern Israel, and finds the big city alienating, especially when she recalls the warm relationships that once existed in Gaza. “I’ve never felt less secure,” she told me.

Years later, she learned that Rina had developed cancer and died. “The day before Rina left . . . she drew a portrait of me,” she said, describing how her friend had outlined, in charcoal strokes, the features of the teenager. Her parents packed the portrait with all their belongings in a shipping container the day they left Gaza. Soon after, the container was destroyed in a fire.

“I think if people had given it a chance . . . they would have had these kinds of friendships,” Inbar said, looking back. “We’d get along fairly well if we didn’t look at others as the monsters over the wall.” 

This article first appeared in the 27 August 2015 issue of the New Statesman, Isis and the new barbarism