Mannequins are a reflection of the way we see our ideal selves. Photo: Getty
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Size 16 shop mannequins are bad for women’s health – but not in the way you think

The way we present the female form spreads the idea that physical pleasingness is the primary guarantee of a woman’s acceptability to society.

The day you chuck your thin wardrobe is the day that you’ve decided the weight you’ve put on isn’t coming off again. The old you, the ghost you who could slip into those trousers and shiver inside that dress – she has been eaten into submission; she isn’t coming back. And I suspect that when chief medical officer Dame Sally Davies criticises the introduction of size 16 mannequins in Debenhams, it’s because she thinks they represent that moment of surrender on a national scale. We could have a sugar tax and install a cycle network, but maybe this is who we are now: maybe we’ve simply come to an accommodation with our bigger selves. (Whether our livers or our cardiovascular systems can be as tolerant as our self-esteem is, of course, another matter.)

The comments about mannequins aren’t really the most important part of Davies’ report, but there’s substance to them. Selling clothes always means selling an idea about the kind of person your target consumer can be. As the exchange of cash for garb gets nearer, the ideal is shuffled delicately closer to the actual until it seems so close you believe you could just stretch out and pluck it from the rail. The wistful, remote, skinny beauty of the catwalk becomes the slightly less alienating thinness of the fashion magazine, then transmutes into the shop window figure that looks like it could almost be you on a good day, before passing through the most important conversion and leaving the store in carrier bag, swinging hopefully by your side. There is one last miracle, and that’s the one where you put on your new clothes and realise that, rather than changing you into the kind of person who wears this marvellous outfit, you’ve just turned this outfit into the kind of thing that a slightly disappointing person like you wears.

All is vanity, all is dust. And for the most part, fashion relies on it being that way. Your unhappiness is the engine that keeps commerce ticking. Every product is the answer to a problem, one way or another, and if the clothes-buying portion of the world woke up one day and decided they had no problems to which a side-buttoning denim skort was the answer, the British high street would be in a bad way. Maybe it’s a kindness to remove one portion of that perpetual misery by installing mannequins that are closer to the actual size of women. At any rate, if we have to have a model figure, surely better that it’s Debenhams reasonably sized woman rather than something like the Venezuelan “operated mannequins” with their hoisted tits and globular buttocks, designed to match that country’s surgically hewn ideal of beauty. At least you can see yourself fitting into the injection-moulded pattern of the UK’s new standard without having four bags of silicone slipped through four incisions in your body.

But a standard mannequin is still a beauty myth, even if that myth has got bigger. Accepting largeness as a form of loveliness is not the same as accepting every woman’s body on its own terms. A friend confided a while ago that she felt like a misfit on account of her size – not because she thought she was too big, but because she’d started to feel that her size 16 was insufficient to qualify her for the “fatshion” scene, where the attractive standard starts around size 20 and comes in a smartly maintained 50s pin-up package. In line with mainstream fashion imagery, that package is overwhelmingly white – which, given that Black African, Black Caribbean and Pakistani women are disproportionately likely to be obese (pdf), is a notable enforcement of the usual beauty standards in the middle of something that casts itself as an aesthetic rebellion. And it’s a rebellion that can act like a regiment: several fat accepters have found that the scene’s body positivity started to run out when, whether deliberately or through illness, they stopped having quite so much body to be positive about.

Obesity isn’t a uniquely female problem. But the self-torturing belief that our bodies are somehow an offence to decency by being the wrong sort is. Anorexia, plastic surgery, obsessive dieting and feeling like the wrong sort of fat – these are issues that, in the vast majority of cases, plague women and not men, because it’s women and not men who learn that their physical pleasingness is the primary guarantee of their acceptability to society. It’s women who learn that they exist to be looked at, and it’s women who are encouraged to make drastic alterations when they inevitably fail to match the shape they’re asked to be, whether that shape is a wispily unobtrusive size 0, an hourglassy 16, or a voluptuous 20 snapping hot selfies with a kebab in hand. The chief medical officer is right that mannequins are bad for our health. I’m just not sure she understands exactly how right she is.

Sarah Ditum is a journalist who writes regularly for the Guardian, New Statesman and others. Her website is here.

Photo: Getty
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The rise of the green mayor – Sadiq Khan and the politics of clean energy

At an event at Tate Modern, Sadiq Khan pledged to clean up London's act.

On Thursday night, deep in the bowls of Tate Modern’s turbine hall, London Mayor Sadiq Khan renewed his promise to make the capital a world leader in clean energy and air. Yet his focus was as much on people as power plants – in particular, the need for local authorities to lead where central governments will not.

Khan was there to introduce the screening of a new documentary, From the Ashes, about the demise of the American coal industry. As he noted, Britain continues to battle against the legacy of fossil fuels: “In London today we burn very little coal but we are facing new air pollution challenges brought about for different reasons." 

At a time when the world's leaders are struggling to keep international agreements on climate change afloat, what can mayors do? Khan has pledged to buy only hybrid and zero-emissions buses from next year, and is working towards London becoming a zero carbon city.

Khan has, of course, also gained heroic status for being a bête noire of climate-change-denier-in-chief Donald Trump. On the US president's withdrawal from the Paris Agreement, Khan quipped: “If only he had withdrawn from Twitter.” He had more favourable things to say about the former mayor of New York and climate change activist Michael Bloomberg, who Khan said hailed from “the second greatest city in the world.”

Yet behind his humour was a serious point. Local authorities are having to pick up where both countries' central governments are leaving a void – in improving our air and supporting renewable technology and jobs. Most concerning of all, perhaps, is the way that interest groups representing business are slashing away at the regulations which protect public health, and claiming it as a virtue.

In the UK, documents leaked to Greenpeace’s energy desk show that a government-backed initiative considered proposals for reducing EU rules on fire-safety on the very day of the Grenfell Tower fire. The director of this Red Tape Initiative, Nick Tyrone, told the Guardian that these proposals were rejected. Yet government attempts to water down other EU regulations, such as the energy efficiency directive, still stand.

In America, this blame-game is even more highly charged. Republicans have sworn to replace what they describe as Obama’s “war on coal” with a war on regulation. “I am taking historic steps to lift the restrictions on American energy, to reverse government intrusion, and to cancel job-killing regulations,” Trump announced in March. While he has vowed “to promote clean air and clear water,” he has almost simultaneously signed an order to unravel the Clean Water Rule.

This rhetoric is hurting the very people it claims to protect: miners. From the Ashes shows the many ways that the industry harms wider public health, from water contamination, to air pollution. It also makes a strong case that the American coal industry is in terminal decline, regardless of possibile interventions from government or carbon capture.

Charities like Bloomberg can only do so much to pick up the pieces. The foundation, which helped fund the film, now not only helps support job training programs in coal communities after the Trump administration pulled their funding, but in recent weeks it also promised $15m to UN efforts to tackle climate change – again to help cover Trump's withdrawal from Paris Agreement. “I'm a bit worried about how many cards we're going to have to keep adding to the end of the film”, joked Antha Williams, a Bloomberg representative at the screening, with gallows humour.

Hope also lies with local governments and mayors. The publication of the mayor’s own environment strategy is coming “soon”. Speaking in panel discussion after the film, his deputy mayor for environment and energy, Shirley Rodrigues, described the move to a cleaner future as "an inevitable transition".

Confronting the troubled legacies of our fossil fuel past will not be easy. "We have our own experiences here of our coal mining communities being devastated by the closure of their mines," said Khan. But clean air begins with clean politics; maintaining old ways at the price of health is not one any government must pay. 

'From The Ashes' will premiere on National Geograhpic in the United Kingdom at 9pm on Tuesday, June 27th.

India Bourke is an environment writer and editorial assistant at the New Statesman.

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