At what point do I tell my child that life just isn't fair?

Alice O'Keeffe's "Squeezed Middle" column.

Larry and I are feeding the ducks in the park when I spot something out of the corner of my eye. What is that? I squint and peer, and eventually walk over to the plastic bag glistening in the sunlight by the side of the pond. It is full of lamb chops. Raw, sweaty, slightly greenish lamb chops.
 
My stomach heaves and rage rises up in my chest. What kind of beast dumps a bagful of raw lamb chops in a public park? The same kind of beast that rips up the daffodils planted by local schoolchildren. The same kind of beast who lets their horrible slavering Staffie shit all over the children’s playground. The same kind of beast who is still drilling for fossil fuel even though the human race is headed for a slow, hideous extinction. What is wrong with humans? We seem determined to make life unpleasant for ourselves.
 
“What is that?”
 
“It’s nothing, bubs. Somebody has left some meat in the park, that’s all.”
 
“Why?” Larry is going through a “why” phase.
 
“I don’t know. People do strange things. Sometimes they do things that aren’t very nice.”
 
“Why?”
 
I have been wondering when and how to introduce Larry to the idea that people are often complete idiots. Brutal honesty is my new policy. Middle-class mothers spend too much time telling their children to be nice, to share, not to hit anybody, to say please and thank you, not to drop litter in the street, or tease cats, or stomp on worms. I feel we should prepare our offspring a little better for the harsh, selfish, brutal and misguided reality they will inevitably face at some point.
 
Yet, before I can say anything, I feel a tear trickle down my cheek and disappear into the collar of my coat. What is going on? I wipe it away quickly. But then there’s another one, and another, and before I know it I am crying, really proper snotty unstoppable crying.
 
“Mummy, what’s the matter?”
 
“Don’t worry, darling, I’m fine.”
 
But I’m not, that much is obvious because my mouth gapes and I have to cover it with my hand before I start to dribble. The truth is, I haven’t been feeling too good recently. Perhaps it’s because Moe hasn’t been sleeping, or because Curly and I haven’t been getting on, or because I’ve been trying to work too much, or because the house thing fell through and now we’re going to be stuck in our slightly-too-small-flat for evermore. I don’t know. I wish it would all just go away.
 
Larry stares at me, puzzled. He’s lost some of his baby chub and his features are starting to take on the more defined angles of a little boy. The thought that he will one day grow up sends me into another round of ribcageracking sobs.
 
“Hey, you know what?” He scoots over to the buggy where Moe is lying asleep and rummages around until he finds the stained and tattered rag he has been sleeping with since he was a baby. “You need blankie.” 

Alice O'Keeffe is an award-winning journalist and former arts editor of the New Statesman. She now works as a freelance writer and looks after two young children. You can find her on Twitter as @AliceOKeeffe.

This article first appeared in the 29 July 2013 issue of the New Statesman, Summer Double Issue

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An alternative Trainspotting script for John Humphrys’ Radio 4 “Choose Life” tribute

Born chippy.

Your mole often has Radio 4’s Today programme babbling away comfortingly in the background while emerging blinking from the burrow. So imagine its horror this morning, when the BBC decided to sully this listening experience with John Humphrys doing the “Choose Life” monologue from Trainspotting.

“I chose not to choose life: I chose something else. And the reasons? There are no reasons. Who needs reasons when you’ve got Radio 4?” he concluded, as a nation cringed.

Introduced as someone who has “taken issue with modernity”, Humphrys launched into the film character Renton’s iconic rant against the banality of modern life.

But Humphrys’ role as in-studio curmudgeon is neither endearing nor amusing to this mole. Often tasked with stories about modern technology and digital culture by supposedly mischievous editors, Humphrys sounds increasingly cranky and ill-informed. It doesn’t exactly make for enlightening interviews. So your mole has tampered with the script. Here’s what he should have said:

“Choose life. Choose a job and then never retire, ever. Choose a career defined by growling and scoffing. Choose crashing the pips three mornings out of five. Choose a fucking long contract. Choose interrupting your co-hosts, politicians, religious leaders and children. Choose sitting across the desk from Justin Webb at 7.20 wondering what you’re doing with your life. Choose confusion about why Thought for the Day is still a thing. Choose hogging political interviews. Choose anxiety about whether Jim Naughtie’s departure means there’s dwindling demand for grouchy old men on flagship political radio shows. Choose a staunch commitment to misunderstanding stories about video games and emoji. Choose doing those stories anyway. Choose turning on the radio and wondering why the fuck you aren’t on on a Sunday morning as well. Choose sitting on that black leather chair hosting mind-numbing spirit-crushing game shows (Mastermind). Choose going over time at the end of it all, pishing your last few seconds on needlessly combative questions, nothing more than an obstacle to that day’s editors being credited. Choose your future. Choose life . . .”

I'm a mole, innit.