In Buenos Aires, nights out start with pre-drinks or "previa" at 1am

Elizabeth Yentumi on nightlife in Argentina, which differs from the UK on more than just the time.

One of the most well known aspects of Buenos Aires is the buzzing nightlife scene. While I’ve never been a club-hopper, something which has always threatened to undermine my student status, I do enjoy the occasional night out and love to dance to anything with a beat. My debut into Buenos Aires clubbing was quite the experience.

Many similarities exist between the standard British night out and its Argentine counterpart. First of all there is the customary pre-drinks or ‘previa’ which serves not only as a fun social prelude to the evening but also provides slight economic relief in the face of increasing nightclub drinks prices. The main difference lay in the fact that the gathering I found myself at began at the horrifying time of 1 am. Three hours later I tried to explain to a group of spirited, stylish portenas (Buenos Aires natives) that by this time in the UK I would have spent a respectable four hours on the dance floor and would be contemplating my journey home and the leftovers I would gorge on before running into the open arms of my bed. This was received with incredulous stares, a few snorts and a ‘Che boluda! Ya no empezó la noche!’ meaning ‘Mate, the night has only just begun.’

It’s now 4.15am. I tried to hide my fatigue and restlessness to get to the boliche, nightclub, while the girls continued to ply me with Argentine mainstay Fernet, an amaro or bitter spirit. Type Fernet into Wikipedia to see a full list of the ingredients to get an idea of this strange, new herb-filled drink. I may like it now but my facial expression after that first sip bore an uncanny resemblance to the look I gave my Grandma after a spoonful of cod liver oil when I was 5 years old. The taste wasn’t far off either. Sadly I couldn’t hide my expression as quickly as I had hoped. We finally arrived at the nightclub by taxi at 4.45am (not that I was aware of this).

Other similarities between UK clubs and Argentine ones include long queues of scantily clad girls teetering on heels, higher entrance fees for men and drinks deals for guests who arrive before a certain time. The real difference, however, can be found on the dance floor. A rhythmic and lively genre of music called Cumbia is played in addition to the popular UK and US chart music we’re used to. Originally enjoyed in the 90s by lower classes and pinched from the Caribbean coast of Columbia about 50 years before, the songs are a fusion of West African beats, Spanish guitars and various Argentine folkloric influences like cuarteto. What this somewhat incomplete definition really means is that people can shake, shimmy and let loose a bit more than when dancing along to the faster, static beats of pop music.

Cumbia also encourages dancing in partners, which is not only good, quasi old-fashioned fun and a bit like a salsa class with tipsy students but also an ‘efficient’ way for a guy to initiate conversation with a girl. Imagine a Latin American Grease. On the practical side, if you don’t dance energetically it doesn’t look as though you aren’t enjoying yourself; just that you are ‘feeling’ the beat. The relaxed vibe allows Argentinians to party until long past dawn. And if staying out until 8am wasn’t enough, why don’t we add a spot of breakfast before we go home? Personally, I was proud of the 6.30am end to my night, although it was slightly undermined when my friends, who I realised were far from quitting the dance floor, made me promise I wouldn’t go home so ‘temprano’ again. A poor show from the British girl who claimed to have a passion for dancing. I made it until 6.55am the next time. I can’t quite hear your applause...

Some things don't change no matter where you are in the world. Photograph: Getty Images.
John Moore
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The man who created the fake Tube sign explains why he did it

"We need to consider the fact that fake news isn't always fake news at the source," says John Moore.

"I wrote that at 8 o'clock on the evening and before midday the next day it had been read out in the Houses of Parliament."

John Moore, a 44-year-old doctor from Windsor, is describing the whirlwind process by which his social media response to Wednesday's Westminster attack became national news.

Moore used a Tube-sign generator on the evening after the attack to create a sign on a TfL Service Announcement board that read: "All terrorists are politely reminded that THIS IS LONDON and whatever you do to us we will drink tea and jolly well carry on thank you." Within three hours, it had just fifty shares. By the morning, it had accumulated 200. Yet by the afternoon, over 30,000 people had shared Moore's post, which was then read aloud on BBC Radio 4 and called a "wonderful tribute" by prime minister Theresa May, who at the time believed it was a genuine Underground sign. 

"I think you have to be very mindful of how powerful the internet is," says Moore, whose viral post was quickly debunked by social media users and then national newspapers such as the Guardian and the Sun. On Thursday, the online world split into two camps: those spreading the word that the sign was "fake news" and urging people not to share it, and those who said that it didn't matter that it was fake - the sentiment was what was important. 

Moore agrees with the latter camp. "I never claimed it was a real tube sign, I never claimed that at all," he says. "In my opinion the only fake news about that sign is that it has been reported as fake news. It was literally just how I was feeling at the time."

Moore was motivated to create and post the sign when he was struck by the "very British response" to the Westminster attack. "There was no sort of knee-jerk Islamaphobia, there was no dramatisation, it was all pretty much, I thought, very calm reporting," he says. "So my initial thought at the time was just a bit of pride in how London had reacted really." Though he saw other, real Tube signs online, he wanted to create his own in order to create a tribute that specifically epitomised the "very London" response. 

Yet though Moore insists he never claimed the sign was real, his caption on the image - which now has 100,800 shares - is arguably misleading. "Quintessentially British..." Moore wrote on his Facebook post, and agrees now that this was ambiguous. "It was meant to relate to the reaction that I saw in London in that day which I just thought was very calm and measured. What the sign was trying to do was capture the spirit I'd seen, so that's what I was actually talking about."

Not only did Moore not mean to mislead, he is actually shocked that anyone thought the sign was real. 

"I'm reasonably digitally savvy and I was extremely shocked that anyone thought it was real," he says, explaining that he thought everyone would be able to spot a fake after a "You ain't no muslim bruv" sign went viral after the Leytonstone Tube attack in 2015. "I thought this is an internet meme that people know isn't true and it's fine to do because this is a digital thing in a digital world."

Yet despite his intentions, Moore's sign has become the centre of debate about whether "nice" fake news is as problematic as that which was notoriously spread during the 2016 United States Presidential elections. Though Moore can understand this perspective, he ultimately feels as though the sentiment behind the sign makes it acceptable. 

"I use the word fake in inverted commas because I think fake implies the intention to deceive and there wasn't [any]... I think if the sentiment is ok then I think it is ok. I think if you were trying to be divisive and you were trying to stir up controversy or influence people's behaviour then perhaps I wouldn't have chosen that forum but I think when you're only expressing your own emotion, I think it's ok.

"The fact that it became so-called fake news was down to other people's interpretation and not down to the actual intention... So in many interesting ways you can see that fake news doesn't even have to originate from the source of the news."

Though Moore was initially "extremely shocked" at the reponse to his post, he says that on reflection he is "pretty proud". 

"I'm glad that other people, even the powers that be, found it an appropriate phrase to use," he says. "I also think social media is often denigrated as a source of evil and bad things in the world, but on occasion I think it can be used for very positive things. I think the vast majority of people who shared my post and liked my post have actually found the phrase and the sentiment useful to them, so I think we have to give social media a fair judgement at times and respect the fact it can be a source for good."

Amelia Tait is a technology and digital culture writer at the New Statesman.