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Galliano’s fashionable beliefs: Laurie Penny on an act of hypocrisy

The problem with racism and sexism in fashion goes far beyond one slurring fantasist.

The fashion industry is a vacuous sausage factory that minces down the bodies of vulnerable young people, tosses in handfuls of unexamined prejudice and squeezes out glistening parcels of expensive self-hatred. There is also, as Hunter S Thompson might have said, a negative side.

This week, after an alleged anti-Semitic verbal assault by the Dior designer John Galliano in a Paris bar, an earlier video emerged of him ranting about Jews and women. "I love Hitler. People like you would be dead today," he tells two horrified women. "Your mothers, your forefathers, would be fucking gassed and fucking dead."

Fashion people everywhere rushed to check their hair before joining the chorus of dismay, almost as if racism and sexism were not the stock-in-trade of their industry. In fact, it is an open secret in high fashion that black and minority ethnic faces - alongside women whose ribs cannot be counted through their rattan tops, or "fat mummies" in the phraseology of Chanel's Karl Lagerfeld - are not welcome. The few working black models accuse fashion houses of declining to hire them on the basis of skin tone - model agencies recently suggested that perhaps consumers just don't like looking at black people.

Diversity in fashion is going backwards. The recent fashion week in New York, one of the most multicultural places on the planet, featured 85 per cent white models, a proportion that has hardly changed in a decade. Recent high-profile campaigns have showcased white models in blackface, and when real black models do make it on to the pages of magazines, the airbrushing invariably lightens their colouring and straightens their hair into more marketable, Caucasian styles. Then we wonder why anxious teenagers across the world are using dangerous toxins to bleach the blackness out of their skin.

Frock horror

What should shock is not just the substance of Galliano's comments, but the fact that it took a man being caught on camera explicitly saying that he loves Hitler for the fashion industry to acknowledge a teeny problem with racism. The rabid misogyny of Galliano's outburst has hardly been commented on because, while most people now acknowledge that anti-Semitism isn't very nice, the jury is still out on institutional sexism.

The misogyny of fashion culture, however, exceeds its apparent conviction that any woman with the temerity to do more than silently starve herself is abhorrent. Silent complicity surrounds the rapes and sexual assaults that are routine in the industry. When the designer Anand Jon was last year found guilty on 16 counts of rape and sexual battery of models as young as 14, the only surprise expressed by fashion insiders was that his victims had dared to come forward at all.

The pearl-clutching piety of the response to Galliano's ugly outburst is a primer in tasteful hypocrisy. High-profile fashion colleagues eventually expressed discomfort with his viewpoint, if that's an appropriate term for the sort of drooling monologue normally delivered by a park-bench pervert with two hands down his pants. The problem with racism and sexism in fashion, however, goes far beyond one slurring fantasist.

Laurie Penny is a contributing editor to the New Statesman. She is the author of five books, most recently Unspeakable Things.

This article first appeared in the 07 March 2011 issue of the New Statesman, The great property swindle

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Theresa May’s stage-managed election campaign keeps the public at bay

Jeremy Corbyn’s approach may be chaotic, but at least it’s more authentic.

The worst part about running an election campaign for a politician? Having to meet the general public. Those ordinary folk can be a tricky lot, with their lack of regard for being on-message, and their pesky real-life concerns.

But it looks like Theresa May has decided to avoid this inconvenience altogether during this snap general election campaign, as it turns out her visit to Leeds last night was so stage-managed that she barely had to face the public.

Accusations have been whizzing around online that at a campaign event at the Shine building in Leeds, the Prime Minister spoke to a room full of guests invited by the party, rather than local people or people who work in the building’s office space.

The Telegraph’s Chris Hope tweeted a picture of the room in which May was addressing her audience yesterday evening a little before 7pm. He pointed out that, being in Leeds, she was in “Labour territory”:

But a few locals who spied this picture online claimed that the audience did not look like who you’d expect to see congregated at Shine – a grade II-listed Victorian school that has been renovated into a community project housing office space and meeting rooms.

“Ask why she didn’t meet any of the people at the business who work in that beautiful building. Everyone there was an invite-only Tory,” tweeted Rik Kendell, a Leeds-based developer and designer who says he works in the Shine building. “She didn’t arrive until we’d all left for the day. Everyone in the building past 6pm was invite-only . . . They seemed to seek out the most clinical corner for their PR photos. Such a beautiful building to work in.”

Other tweeters also found the snapshot jarring:

Shine’s founders have pointed out that they didn’t host or invite Theresa May – rather the party hired out the space for a private event: “All visitors pay for meeting space in Shine and we do not seek out, bid for, or otherwise host any political parties,” wrote managing director Dawn O'Keefe. The guestlist was not down to Shine, but to the Tory party.

The audience consisted of journalists and around 150 Tory activists, according to the Guardian. This was instead of employees from the 16 offices housed in the building. I have asked the Conservative Party for clarification of who was in the audience and whether it was invite-only and am awaiting its response.

Jeremy Corbyn accused May of “hiding from the public”, and local Labour MP Richard Burgon commented that, “like a medieval monarch, she simply briefly relocated her travelling court of admirers to town and then moved on without so much as a nod to the people she considers to be her lowly subjects”.

But it doesn’t look like the Tories’ painstaking stage-management is a fool-proof plan. Having uniform audiences of the party faithful on the campaign trail seems to be confusing the Prime Minister somewhat. During a visit to a (rather sparsely populated) factory in Clay Cross, Derbyshire, yesterday, she appeared to forget where exactly on the campaign trail she was:

The management of Corbyn’s campaign has also resulted in gaffes – but for opposite reasons. A slightly more chaotic approach has led to him facing the wrong way, with his back to the cameras.

Corbyn’s blunder is born out of his instinct to address the crowd rather than the cameras – May’s problem is the other way round. Both, however, seem far more comfortable talking to the party faithful, even if they are venturing out of safe seat territory.

Anoosh Chakelian is senior writer at the New Statesman.

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