How would Jesus vote?

The 2008 US presidential election pits Baptist against Mormon, Methodist against evangelical. Who ge

To use a favourite American acronym, WWJD - What Would Jesus Do - in this year's presi dential election? For which candidate would Jesus vote in a country that is supposed to be 83 per cent Christian? For Senator Barack Obama, perhaps, a biracial yuppie who is a member of a self-described "unashamedly black" and "un asham edly Christian" church? Even if the house magazine of that church voted last year to give an award to a man it said "truly epitomised greatness": Louis Farrakhan, leader since 1978 of the Nation of Islam, a veteran anti-Semite who describes white people as "blue-eyed devils" and Jews as "bloodsuckers" who control everything? Would the fact that Obama has now disassociated himself from the award make any difference?

Or might Jesus pull his lever, touch the computer screen or tick his ballot paper beside the name of the former Massachusetts governor Mitt Romney - a devout believer in a religion which supposedly holds that the Garden of Eden where Adam and Eve first got together was actually in, er, Missouri? And that when Jesus returns to reign over the world he will not only do so from Jerusalem, but also reappear in Jackson County?

Maybe Jesus would prefer the former Arkan sas governor Mike Huckabee, also an ordained Southern Baptist minister, who jokes that the 16 people he had executed while governor "would hardly say I'm soft on crime"? Or Senator John McCain, a self-confessed adulterer shot down over Saigon while bombing a city in which he knew that men, women and children were living? Perhaps Senator Hillary Clinton, a lifelong Methodist churchgoer who was once an avid supporter of the extreme right-wing Republican presidential candidate Barry Goldwater, who wanted to nuke Moscow and believed that pov erty was proof of bad character?

I could go on, but won't. This is a complicated presidential election. I have always held that America is an infinitely more complex country than most Britons realise. Its religious attitudes and the inherent contradictions of its professed Christianity are uniquely American; the descriptions above of the 2008 US presidential candidates, for instance, may sound like surrealist musings, but they are all factually based. The only surprise is that while the media have been frantically trying to whip up the issues of racism (Barack) and sexism (Hillary) this year, there have been few of the usual squabbles over God or religion in the campaign so far.

The prime reason for this, I suspect, is that, thanks to the diabolical manoeuvrings of Karl Rove et al, voters in 2000 and 2004 were conned into believing they were voting for a man of strong Christian principles and "values", but instead found themselves landed with George W Bush. The Republicans thus twice hit the jackpot by using Rove's magic formula, repeatedly appropriating godly righteousness and using that mantra "v-word".

But Hillary Clinton, among others, vowed that in 2008 the Democrats would "take back" religion; the result is that we may well be witnessing the beginning of the end of the so-called "Christian right". Symbolically, Reverend Jerry Falwell - far-right king of the televangelists and founder of the hugely influential Moral Majority movement, which was crucial in propelling both Ronald Reagan and George W Bush into the White House - died suddenly last May, and there has been no stampede to fill his shoes.

Most amazingly of all, it is the Democrats who have so far been able to project themselves as evangelicals in the 2008 campaign, while the Republicans come over as secularists: Clinton, Obama and Edwards have each been married only once, to take a simplistic example, but at the start of the campaign the Republican candidates had been married on average 2.7 times.

To the irritation of many Democrats, John Kerry - a practising Catholic in a country where a quarter of the population is also Catholic - was painfully reluctant even to mention his faith in the 2004 campaign, while Bush was shamelessly gathering votes by Bible-thumping away. But Hillary Clinton now freely describes how she was sustained during the Lewinsky saga by "prayer warriors"; John Edwards tells how he "strayed away from the Lord" but his faith "came roaring back" when his 16-year-old son was killed; Obama literally preaches about tearing down the walls of Jericho at Martin Luther King's Ebenezer Baptist Church in Atlanta, his accent and rhetorical flourishes morphing effortlessly into those of King himself.

How times change, then. The only Republican playing the Christian card in this campaign, not surprisingly, is Reverend Huckabee - and he, as a result, has almost certainly put himself out of the running. He won the Republican caucus in Iowa, where 40 per cent of Republican voters describe themselves as evangelicals, and that put a fatal fire in his belly. First, he and his supporters launched nasty attacks on Romney, a Mormon, by putting it about that Mormons are not true Christians. Then he decreed that the US constitution should be amended "so it's up to God's standards" - the arbiter of God's standards presumably being Arkansas's former executioner himself.

To the countless Republicans who regard the holiness of the US constitution as inextricable from the Bible, that has not gone down well. Therein, in fact, lies the central contradiction inherent in the uneasy mix of American politics and religion. The constitution's famous First Amendment, ratified in 1791, forbids Congress from making any law "respecting an establishment of religion" - yet it would be politically suicidal, more than two centuries later, for any presidential aspirant to declare him or herself to be a non-believer. Indeed, 61 per cent of Americans say they would simply not vote for a candidate who does not believe in God.

The unresolved paradox in all this is that trillions of pennies carried in every American pocket and handbag proudly proclaim that "In God We Trust". No presidential speech ever ends with words other than "God bless America". But in whose God are Americans supposed to believe? A Jewish one? An Islamic one? The knee-jerk belief in America's "manifest destiny" - that God made a covenant with its people to lead the rest of the world and it can therefore, literally, do no wrong - remains pervasive, justifying everything from the original extermination of Native Americans and the 19th-century "expansionism" into Mexico to the 21st-century occupation of Iraq. Just as God was an Englishman when Britain was the world's imperial superpower, so He is now, indubitably, an American.

Enter Mitt Romney, and it all becomes much more complicated. Religious freedom, he says, is "fundamental to America's greatness" - but just as John F Kennedy felt compelled to plead with Americans in 1960 that it would be acceptable for their president to be a Catholic, so Romney is being forced in this campaign to argue that a Mormon would also be OK. "No authorities in my church . . . will ever exert influence on presidential decisions," said Romney in December, echoing JFK's reassurances that the Vatican would not take over the US.

But with Huckabee's piety threatening him daily, Romney felt he could not leave it at that. "Americans acknowledge that [religious] liberty is a gift of God, not an indulgence of government," he said, neatly personifying his country's unresolved confusions. "Freedom requires religion, just as religion requires freedom," he went on, managing to slip in adverse comparisons between feckless European secularism and redoubtably strong American faith.

But faith in what? There are dangerous people about, Romney ploughed on, who are "intent on establishing a new religion in America - the religion of secularism". Eh? Finally, he made the unequivocal declaration he clearly feels necessary if he is to be perceived by the American electorate as an acceptable US president 217 years after that constitutional amendment: "I believe that Jesus Christ is the son of God and the saviour of mankind."

The problem facing Romney in his quest for the White House is that because Mormons were persecuted in the 19th century, they became increasingly secretive and defensive about exactly what they do believe. A very familiar Washington-area landmark is "the Mormon temple" that glistens alongside the city's notorious Beltway - but only Church elders (not even rank-and-file Mormons) have a clue what's inside. Polygamy was banned by the Church in 1890, but the FBI (it's interested in this kind of thing) estimates that between 20,000 and 40,000 of America's 5.8 million Mormons still practise it. A USA Today/Gallup poll found that only 72 per cent of Americans would be willing to vote for a qualified candidate who was a Mormon; a black person or a woman was much more acceptable.

All of which, I am beginning to suspect, could make this a landmark election that will put America's religious freedom and tolerance to the test every bit as much as its attitudes towards race and gender. McCain (an Anglican-turned-Baptist, incidentally) is, as I write, the Republican front-runner - but Romney is closing in on him. Should McCain fade in this most unpredictable of elections, we will be left with a 60-year-old female Methodist candidate who has already spent two controversial terms in the White House, a 46-year-old biracial Christian with a Muslim middle name, and a 60-year-old near-billionaire Mormon whose seemingly strange religious beliefs are shrouded in secrecy.

Yet being a Christian in America tends not to mean what it means elsewhere: the poor, the meek, the merciful, the hungry and the pure-hearted don't get much of a look-in, I'm afraid. Huckabee's tally of 16 executions looks pretty pathetic when compared to the 142 kills George W Bush managed to chalk up while he was governor of Texas, and look where that got Bush. And Obama and Romney are committed to increasing the size of the US military. So WWJD, then? Pray for America, I think.

God and me

Philip Pullman, novelist

What does “God” mean? Given that theologians themselves are still debating the matter, it would be presumptuous of an unbeliever to answer. I'll wait until they're all agreed, and then consider the verdict with interest. It still won't bring him into existence. As for whether he exists or not, I don't agree with those who say that any sentence containing the word "God" must be meaningless, because something doesn't have to exist in order to have meaning: mathematicians, for example, make great use of the square root of -1. So I suppose (anticipating the answer of the united theologians) that what the term "God" means is whatever you can make that term do; but that would merely mean that he was useful, not necessarily that he existed.

Has God ever spoken to you? No.

Where would we be without God? In one sense, exactly where we are now. In another sense, many things would be different - including the entire history of the Jewish, Christian and Muslim worlds.

Jon Snow, broadcaster

What does "God" mean? Anything.

Has God ever spoken to you? Not that I know of.

Where would we be without God? In a dreadful state . . . It's a great comfort to have someone to grieve to or blame, or even thank, when things go wrong and right.

Andrew Stephen was appointed US Editor of the New Statesman in 2001, having been its Washington correspondent and weekly columnist since 1998. He is a regular contributor to BBC news programs and to The Sunday Times Magazine. He has also written for a variety of US newspapers including The New York Times Op-Ed pages. He came to the US in 1989 to be Washington Bureau Chief of The Observer and in 1992 was made Foreign Correspondent of the Year by the American Overseas Press Club for his coverage.

This article first appeared in the 04 February 2008 issue of the New Statesman, God

MATTHIAS SEIFARTH FOR NEW STATESMAN
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Moby: “The average American IQ is around 98”

Moby, the vegan king of chill-out pop, talks wealth, David Bowie’s hat and the average IQ of his fellow Americans.

In January 2012, two women walking their nine dogs on the hill beneath the Hollywood sign found a man’s severed head wrapped in a plastic bag. His decomposing feet and hands were discovered nearby. First theories pointed to the work of a Mexican drug cartel, or the murderous Canadian porn actor Luka Magnotta. The story piqued the interest of the electronic dance music mogul Moby, who wrote about it in a New Statesman diary in May this year.

Today, the smell of cedar and pine hits you on the canyon path, which is hot, steep and sandy – an immediate wilderness in one of LA’s most exclusive areas. The Griffith Observatory shines like a strange white temple on the hill. Brad Pitt, a local resident, was doorstepped after the head was discovered: he lives near Moby on the streets of Los Feliz, near Griffith Park, where the only sounds are hedge strimmers and workmen’s radios. Moby’s 1920s mansion is all but obscured by Virginia creeper.

As we sit down at his kitchen table, Moby tells me that the body parts were found to belong to a 66-year-old Canadian flight attendant called Hervey Medellin. Shortly before Medellin’s disappearance, his boyfriend, Gabriel Campos-Martinez, had used a computer in the flat they shared to find an article titled, “Butchering of the human carcass for human consumption”. The head, feet and hands showed signs of having been frozen: the rest of the body was never found. He says it was one of those rare times in life where reality was more intriguing than the conspiracy theories.

Moby, of course, eats no meat. Fifteen minutes’ drive away in the hipster neighbourhood of Silver Lake, his vegan bistro, Little Pine, serves a variety of plant-based dishes, proceeds from which go to animal rights organisations including the Humane Society and Peta. His own music is never played there. We are meeting to talk about his new album – but, he says: “It’s 2016 and people neither buy nor listen to albums. And they certainly don’t listen to the 16th album made by a 51-year-old musician. I don’t care if anyone gives me money for this music or for live shows ever again. Once a record’s released, I couldn’t care less what happens with it. I liked making it, but I don’t care.”

He is currently working his way though the stages of grief outlined by the psychiatrist Elisabeth Kübler-Ross. To denial, anger, bargaining, depression and acceptance he has added a new phase: Schadenfreude. On the night of the US election, he left the house at 6pm west coast time to watch the coverage with some friends. He checked his usual round of sites on his phone: CNN, the New York Times, the Washington Post, Nate Silver’s FiveThirtyEight, the Guardian, the Huffington Post, the BBC, politico.com. He was concerned to see that no one was calling any of the early states; with Obama’s election, exit polls suggested the victory by noon. Days earlier, Moby had been predicting humanity’s “wake-up call” in the form of the destruction of Greenland or a zoonotic virus – but not this. He is softly spoken, with a quick laugh and the kind of intelligence that seems to warm him up from the inside when he talks, but today he is angry.

“It is disturbing on so many levels,” he says. “One, that we have elected an inept racist as president. Two, just seeing how dumb and delusional so many Americans are. Because really – in terms of the subsets of people who would vote for Trump – you have to be delusional, or racist, or stupid. I am so confused as to the fact that such a high percentage of Americans are either really stupid or incredibly bigoted.”

The stupidity of Americans is, he says, a matter of “anthropological curiosity” – or simply demographics. “The average American IQ is around 98,” he notes. “So that honestly means – in a vaguely non-pejorative way – that there are a lot of really, really dumb people. The nonsense that people were spouting before the election – that Trump was a good businessman, for example? This phenomenon has been particularly egregious of late: people have an almost adversarial relationship with evidence. Climate-change deniers are another example.”

As a self-described old-timey alcoholic, Richard Melville Hall (nicknamed Moby by his father in honour of his great-great-great-uncle Herman) has a pervasive interest in neurochemistry. He uses it to explain much of the past six months in Western politics. Our failing political systems – the subject, in fact, of the album he doesn’t want to talk about – are underpinned by “a kind of delusional motivation, which is basically to ignore the countless things that are actually going wrong in the world and focus all your attention on things that are arbitrary. In the United States, you have people who have perfectly good jobs in safe communities who are obsessed about Mexico, crime and unemployment. We have these quasi-Orwellian responses to stimuli, and they come from a place of fear and scarcity. Humans are still built to amass as much wealth as possible, and fight off the enemies as quickly as possible, but the only threats are the ones we generate ourselves.”

There’s a dishcloth on the table, a few magazines, a bit of a draught and Moby in a black hoodie pouring two glasses of water.

Fear and scarcity pervade American society, he says, because social policy is an extension of corporate process and “nothing is free from the cadres of professional lobbyists”. Meanwhile the ravenous news consumption that helped drive Trump reflects a human addiction to the “neurochemical jolt” of engaging with the media.

“People have a profound and almost feral attachment to that which makes them feel good in the moment,” he says. “Without thinking of long-term consequences, does their belief give them a shot of dopamine right at this second? If so, they hold on to it. Eating junk food, voting Brexit and voting for Trump.”

 

***

 

Moby is the model of an addictive personality well-practised at controlling itself. He was a fully fledged alcoholic by his early twenties: at ten, he’d been given champagne and made himself the promise, “I always want to feel this good.” Now, he cannot touch a drink, but his modern-day addiction, he says without a beat, is his phone. Every thought is pursued to extremes. He recently released an animated video for a new song, “Are You Lost In the World Like Me?”, showing a procession of grotesque, phone-addicted cartoon characters filming a girl as she throws herself off a skyscraper and hits the ground.

The house is vaguely baronial, airy and open-plan: all dark wood and furniture polish. An Annie Hall poster in the pool house; a coyote postcard on the kitchen wall.

This particular property is a result of serious downsizing: Moby has a habit of buying very big places, doing them up and then moving out. When he was still in New York, he bought a remote mountaintop retreat in Kent Cliffs, 50 miles north of Manhattan. He created a magnificent bedroom of 1,500 square feet with ten skylights – but quickly learned he could only get a decent night’s sleep when he pulled his mattress into the cupboard. He told the New York Times that, living all alone in the big house, he “felt like Orson Welles at the end of Citizen Kane”.

He moved to LA in 2010, swapped vodka for quinoa smoothies and took the keys for another large building – the Wolf’s Lair, the turreted, 1920s Gothic castle in Hollywood once inhabited by Marlon Brando, with the swimming pool historically used for porn movies and the hidden tiki bar. He bought it for $4m and sold it for $12.5m four years later – allegedly to Banksy. He rattled around in that house, too. Right on cue, he tells me: “I felt like Orson Welles at the end of Citizen Kane.”

On the one hand, these were sensible ­investments for the man who’s sold 20 million records; on the other, large impersonal spaces appealed to Moby long before he was in a position to buy them. Raised by his single mother on food stamps and welfare in Darien, Connecticut, he started his adult life squatting an abandoned lock factory, where he could ride his moped around his bedroom, piss into a bottle and read battered Star Trek paperbacks while working on early demo tapes, rather like a ragged, vegan version of the boy in the movie Big.

He was very happy in his penniless state, as he records in his memoir, Porcelain. He’d like to propose something he calls the End of Wealth – but we’ll come back to that.

In the past few years Moby has broken free from the “Beckettian purgatory of touring”. When his biggest-selling album, Play, was released in 1999, his music career was effectively “over”. Before Play, he had changed creative direction, going from progressive house to ambient to thrashy punk – to which he has just returned – and no one knew what to do with him. The only reason he hadn’t been dropped by his UK label, Mute Records, was that its owner, Daniel Miller, was “an old egalitarian socialist”.

Play sampled slave songs of the Deep South – recorded by the ethnomusicologist Alan Lomax in the 1940s – and wove them into a backdrop of cerebral chill-out. The songs of pain and emotion took on an eerie neutrality, and TV shows and ad companies came calling. He was approached by Will and Grace and Grey’s Anatomy. At that point, selling records and touring were still more lucrative than licensing a song to TV – and licensing a song to TV was still considered selling out. But Moby considers himself an ugly duckling: “If someone who was once unattractive suddenly gets asked out on loads of dates, of course they say yes a lot.” He licensed every song on Play and it became the soundtrack of the millennium.

His memoir was unusual because it concentrated on the ten-year period before he got famous. It captured his enthusiasm – and his strangeness – at its source and showed him to have a sense of humour that may have passed people by the first time round. “I’m in London! London!” he wrote. “Benny Hill, Joy Division, Peter O’Toole!” He visited the vegan café in Covent Garden.

The book is filled with money: or with the constant, practical concern of not having it. Navigating poverty is an everyday routine: he is an “alchemist” turning used beer bottles into nickels at the recycler, and thence into soya milk and oranges. In his early twenties he becomes a Christian, partly so that he can repeat the Sermon on the Mount at Bible classes in the households of Greenwich Village and “judge” the rich children.

Book two, which Faber & Faber is waiting for, is more difficult. The period of his fame and fortune in the 2000s is too much of a cliché. “Ten years ago I was entitled, narcissistic, bottoming out, alcoholic, selfish and feral. Robbie Williams has done that story, so has Ozzy and Mötley Crüe. Who wants to read that? It’s tautological.”

Instead, he has decided to write about the first ten years of his life. It will look into his relationship with his mother, who loved him but raised him in various drug dens. He was at her side when she died in 1997, but he missed her funeral, having woken late in the morning to discover that at some point in the night he must have got up and set his alarm clock three hours late. He took a taxi to the wake, worrying about the fare, and for reasons he can’t really explain, turned up cracking jokes.

He has a strange nostalgia for the kinds of friendships you have in early adulthood, when everyone is equal, “before that point when someone starts making money and they think they’ve won: they’re going to have access to a different kind of happiness”.

In 2003, when he turned 38, he was famous, wealthy and miserable. “I’ve been able to see and inhabit almost every stratum on the socioeconomic scale, from extreme poverty and obscurity to wealth and fame, and it gives me an insight into it,” he says. “Because a lot of people who experience wealth are born into it, and a lot of people who experience poverty never leave it. I can safely say that for me there has been no causal effect between increased fame and wealth and increased basic happiness and well-being.”

When Moby talks about himself, he applies many apologetic epithets: clichéd, meditating, yoga-loving, mealy-mouthed. In 2007 he developed mobygratis.com, a large online resource offering independent film-makers and film students a licence to use his music for free. If their films are commercially successful, the revenue from licence fees must go to the Humane Society. He says he wants to propose a more rational, evidence-based approach to wealth.

“We are still attached to the idea of the redistribution of wealth,” he says. “As progressive lefties, we’re all brought up to think that is a good idea. In the old days, it meant the difference between eating and not eating. Nowadays the person on $30,000 consumes twice the calories of the millionaire, and has a bigger TV and works fewer hours.

“There is an underlying assumption that if wealth were distributed more evenly then people would be happier, but there is unfortunately very little anthropological or sociological evidence to support that idea, unless there are institutions to support the basic needs of community, like food and shelter. Confusing materialism with happiness is the essence of our culture.”

While west LA is plastic surgery and gold-plated toilets, he says, his own neighbourhood is “David Lynch wearing an old T-shirt and mowing the lawn”. Among the millionaires of Los Feliz, conspicuous consumption is frowned upon. He knows several who live “incredibly austere lives. I was having tea with Jim Carrey the other day. He’s basically just giving everything away. He just realised that owning three planes was stressing him out . . .”

In his New Statesman diary, Moby said that life in LA offered him miles and miles of lavender-scented name-dropping.

“Coldplay played the Rose Bowl recent­ly,” he says. “And the Rose Bowl holds 75,000 people. It’s a struggle for me to sell 2,000. At first, I winced with a little jealousy. But then I thought, ‘If my career was at that Coldplay level, how would that actually affect my daily existence? Would it make my shoes fit better? Would it make the water pressure in my shower better?’ As long as you’ve satisfied the basic hierarchy of needs – enough to eat, clean air to breathe, bears not eating your legs – happiness is all where and how you put your attention.”

***

He goes to his kitchen cupboard and from among the colanders and measuring jugs he extracts a black velvet fedora – size seven, silk-lined, from a London company established in 1879. In green marker around the inside rim are the words “With love from David – Christmas 2005”. Bowie gave it to him over Christmas dinner that year. “It’s the hat that he wore in The Man Who Fell to Earth,” Moby says. “There’s this amazing picture of him wearing it with John Lennon and it’s clearly when he was doing a lot of cocaine.”

Moby lived on Mott Street in Little Italy and Bowie lived on Mulberry Street. “I had a little roof deck, and he had a beautiful roof terrace, and we could wave at each other.” They were neighbours and friends, worked on music together, went on tour together, had barbecues together. He says the title of Bowie’s last album, Black Star, is a reference to the 1960 Elvis Presley song of the same name “about the end of a life” (“And when a man sees his black star,/He knows his time, his time has come”).

“David had been sick for a long time,” he says. “Or ill, as you say in the UK. So, David had been ill for a long time. I was very pleased that . . . after he died, people were asking me, ‘How do you feel?’ and I’m like, ‘Actually, I’m just kind of happy that he lived as long as he did.’ Because I . . . had thought, yeah, I had thought that he was going to die a little before that. So.”

The Radiohead singer Thom Yorke lives just up the street from him in Los Angeles but Moby has never met him “as far as I know”. Apart from Bowie, he claims not to have musician friends.

“Musicians – and I’m sure you’ve encountered this many times – have a sense of self-importance that is off-putting,” he says. “It is very hard to be friends with someone who thinks that just by showing up, they’re doing something special. At the end of the day, you want to say to them, ‘You know what? You wrote a couple of good songs. Let’s put it in perspective.’”

He was born on 11 September 1965, and on his 36th birthday he watched the twin towers burning from his roof deck. He tells me that when the second plane hit and it became clear the first was no accident, he heard “the cumulative effect of ten thousand rooftops covered with people, and the weirdest scream. A scream of horror but also a scream of understanding.”

Fifteen years on, he talks about this year’s politics as a Manichaean thing. “Half the world are motivated by fear and desire to move backwards, and the other half are motivated by optimism and a desire to move forward rationally. It’s religious tolerance versus fundamentalism; it’s racism versus inclusion. I wonder if there’s a way we can make peace with that whole other half of humanity who are holding on to a non-evidence-based approach to the future. But I don’t know what it is.” He has known Hillary Clinton for two decades, was a vocal supporter of hers during the election run and released a pair of anti-Trump tracks for Dave Eggers’s music project 30 Days, 50 Songs.

He says that many celebrity Clinton backers were cautious to come out for her during the primaries “because Bernie supporters wanted to crucify you. Now Trump has united and inspired Democrats more than anything since the Vietnam War.”

The election result, he says, might just be “the equivalent of a crystal meth addict going on one last bender. Maybe this bender will finally convince Americans to stop voting for Republicans. Because they are terrible. There has always been an understanding that if everyone in America voted, there would be no Republican politicians. The reason Republicans win is that most Americans don’t vote.

“Those of us on the left who were brought up to be tolerant of people who had different opinions from us – well that’s great, ­unless the opinions are bigoted and wrong. If someone is a climate-change denier, they are wrong. If someone voted for Brexit, they are wrong. If someone voted for Trump, they are wrong. There is a lot of ambiguity in the world, but not about these things.”

The clock ticks towards 11.15am and Moby, ever punctual, is done.

“These Systems Are Failing” is out now on Little Idiot/Mute

Kate Mossman is the New Statesman's arts editor and pop critic.

This article first appeared in the 08 December 2016 issue of the New Statesman, Brexit to Trump