By altering people’s newsfeeds to show more “positive” or “negative” content, Facebook’s “research” sought to understand how feelings can spread. Image: Getty
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Laurie Penny on Facebook's manipulation: It can manipulate your mood. It can affect whether you vote. When do we start to worry?

The social network admits manipulating its users’ emotions through the content it put in their newsfeeds. Think that’s creepy? A couple of years ago, it influenced their voting patterns, too. When do we get scared about what Facebook could do with its power?

When you clicked the little box that said you agreed to Facebook’s terms of service, you agreed to be a lab rat. 

The internet is alight with news of a study conducted by the social media company’s research department into “emotional contagion”. Over 600,000 people had their Facebook newsfeeds altered to reflect more “positive” or “negative” content, in order to determine if seeing more sad messages makes a person sadder. The “negative” content wasn’t entirely censored from the newsfeeds of the test subjects – if you checked in to your friend’s personal page, you could still see if he’d had a good day or not. But the newsfeeds themselves were tweaked without warning, and the emotional responses of test subjects tracked, judged by changes in their use of language.

The findings of the study – that people are influenced by the emotions of others online as they are offline – surprised precisely nobody. The findings are not the point. The point, and indeed the fact that has sent ripples of outrage around the web, is that Facebook can do this. Facebook can manipulate the emotions of hundreds of thousands of people just to see what happens. 

I’ve been digging into this story for a number of weeks now. Having read the paper and spoken to a number of experts in the field, including those who are more informed than me about the dirt-under-the-fingernails procedures of psychological research, I am not convinced that the Facebook team knows what it’s doing. It does, however, know what it can do – what a platform with access to the personal information and intimate interactions of 1.25 billion users can do. 

Nobody has ever had this sort of power before. No dictator in their wildest dreams has been able to subtly manipulate the daily emotions of more than a billion humans so effectively. There are no precedents for what Facebook is doing here. Facebook itself is the precedent. What the company does now will influence how the corporate powers of the future understand and monetise human emotion. Dr Adam Kramer, the man behind the study and a longtime member of the company’s research team, commented in an excited Q & A that “Facebook data constitutes the largest field study in the history of the world.” The ethics of this situation have yet to be unpacked.

I put a number of questions to Facebook’s representatives, including Dr Kramer, over the course of three weeks of phone calls, emails and direct messages. I was repeatedly told that Adam Kramer was too busy to talk to me and would remain too busy for the foreseeable future, although Dr Kramer himself told me that he couldn’t speak to me without the say so of the press team. Facebook were unavailable for comment. Facebook went to some lengths to be as unavailable as possible for comment without directly telling me where to shove my inquiry. Facebook were unavailable for comment in the way that a man who, on hearing the doorbell, runs out of the back door and over the garden wall is not at home to visitors.

I asked if it was possible for users to find out if their own newsfeeds had been altered. No answer. I asked if it was possible for users to opt out of any further such studies. No answer, but if I’d got one, I suspect it would have been “no” – all users agree implicitly to be experimented upon when they sign up for the service. I asked if anyone had bothered to check up on all the people in whom negative emotions were apparently induced. No answer.

 

The one thing Facebook’s representatives would tell me is that yes, they had indeed carried out the study and yes, they had been looking into the effects of emotional contagion for some time. Right now, the internet is outraged that Facebook played with the emotions of over half a million users in the name of research, without their consent. But one key thing to remember here – and what becomes clear upon reading through half a decade’s worth of news reports – is that Facebook have been doing this for years. The company’s suggestion that it doesn’t understand all the fuss about its “emotional contagion” research is rather undermined by the fact that it has been conducting said research at great expense and for some time. 

Their barely-consensual experiments with manipulating emotion and ideologies, rather than merely tracking their patterns, are not new. They are ongoing. Facebook is deeply invested in “what happens when you apply the science of how people relate to each other to social technology”, to quote from the prospectus for their recent “Compassion Research Day”. The ethics of altering people’s experience of the world on this scale, without their consent, for the purposes of research, do not appear to trouble the Facebook research team.

Emotional engineering is, and always has been, Facebook’s business model. It is the practice of making itself socially indispensable that has ensured that, for many millions of people, Facebook has become the default front page of the internet. Their newsfeed is literally that – it’s the first place many of us go to find out what’s been happening in the world, and in the worlds of those we love, those we like, and those we once met at a party and got an awkward friend request from two weeks later. Nathan Jurgenson, a social media theorist, researcher at Snapchat and editor at the New Inquiry, told me that: “This is part of the terms of service. All design plays at our emotions. That study didn’t mention the like button, which is itself emotional engineering.” 

Of course, actual newspapers have been doing this since the days of hot type. They select stories to represent a particular worldview, alter content to suit their advertisers, change headlines, circulate propaganda. But Facebook is not a newspaper: it is a distribution platform, a site of social exchange. The equivalent here is not, just for example, the Sun newspaper deciding to back up Rupert Murdoch’s view of the world, but your local pub, shop, supermarket and post office suddenly refusing to stock anything but the Sun without prior warning. 

Most experiments of this sort, although there have been few on this scale, offer subjects a blind choice on the assumption that the choices will be harmless to them. Aleks Krotoski, an expert in internet research methods who has a PhD in social research, told me that while the study passed two ethics research boards, “for such a networked study, ethics boards consider the following when waiving the need to gain informed consent: the research must not involve greater than minimal risk”. What Facebook has done, by its own claims, is not harmless. The test induced negative emotions in tens of thousands of people in order to prove a point. 

Writing at Medium, Zeynep Tufekci identifies this as “a Gramscian model of social control: one in which we are effectively micro-nudged into ‘desired behaviour’ as a means of societal control”. That sort of control was never possible on this scale before. Television couldn’t do it. Radio couldn’t do it. Newspapers couldn’t keep track of how an individual reader was feeling and who they were talking to and determine what message to send. Social media companies can do all of that, and more. This has already extended to control of voting behaviour.

Facebook has already manipulated the voting behaviour of its users, and bragged about it, too.

I’m going to give you a second to consider the implications of that.

Here’s what happened. In 2010, Facebook made small, experimental alterations to the banners it released reminding US citizens to vote. Most users saw a banner encouraging voting, with images below the banner of Facebook friends who had already voted, or who had at least clicked the button claiming so (four per cent of people turned out to be lying about that). Two randomly-selected groups of 600,000 users – this seems to be the magic number for Facebook’s in-house wonks – saw a message without the faces of their friends, or no message at all. The 2012 study based on this data claimed that Facebook’s “get out and vote” messages may have caused an extra 340,000 votes to be cast, and that merely manipulating the message changed those numbers by tens of thousands. They determined this by examining public voter rolls: cross-checking private status information against the records the state holds on your political activity. 

The abstract proudly declares that its results “show that the messages directly influenced political self-expression, information seeking and real-world voting behaviour of millions of people”. The lead researcher on the voter-manipulation experiment, Dr J Fowler, told CNN: “If we want to make the world a better place on a massive scale, we should focus not just on changing a person’s behavior, but also on utilising the network to influence that person’s friends.”

For you and me, this is a massive secret political experiment on the creepy-totalitarian side of interesting. For a senator, or a Member of Parliament, this news means and meant much, much more. It means power. Power of a new and breathtaking kind. Power that demands to be paid attention to and courted. 

What if Facebook, for example, chose to subtly alter its voting message in swing states? What if the selected populations that didn’t see a get-out-and-vote message just happened to be in, say, majority African-American neighbourhoods? The fact that Facebook are obviously good guys who get movies made about them with Aaron Sorkin scripts and Trent Reznor soundtracks and would obviously never do such a thing doesn’t change the fact that they could do it, and more if they chose, and then claim it as research. 

The studies, taken individually, are creepy quasi-consensual experiments on individuals’ most intimate feelings and most important choices. Taken together, there's a terrifying pattern.

Facebook’s service is not free. Facebook’s product is your information, your worldview, your memories and experience, and that is what you pay with every time you log in. That information is power of a quality that is can be traded upon and sold.

The simple answer would, of course, be that if you don’t want to be spied on, emotionally manipulated and studied, quit Facebook. But that’s not how the modern economy of information works. It never has been. There is a cost to not participating in these new networks. The choice not to participate is the choice to miss out on events, birthdays, status updates. Your best friend’s wedding photos. Your young cousin’s call for help at four in the morning. Professional networks, like “Binders Full of Women Writers”, the great big glorious global group of authors and journalists I got an invite to last week. And, most importantly, news about the world. The recent articles I’ve read on the the Facebook emotional contagion study have been linked on my Facebook newsfeed. I find my own emotions negatively impacted by the news, and can’t help but wonder if anyone’s tracking that fact, if perhaps I should try to throw them off the scent by posting some pictures of adorable baby sloths.

More people live a part of their lives on Facebook than live in any single country on earth, apart from China. It is, effectively, a country itself, a country of pure information where the authorities know everything you do and can change everything you see, without even telling you first. They can make sure you only hear happy news on a particular day, to encourage you to buy more MacGuffins. And they can manipulate the way you vote.

If Facebook is a country, then it is a corporate dictatorship. This is not a metaphor. I believe that it is beyond time that we began to hold social networking not just to the laws of the market, but to the common laws of the societies we live in and the societies we want to see. Principles like the right to receive information without impediment. Principles like not making tens of thousands of people sad for your personal gain. Principles like corporations not messing about with the voting behavior of their users in any way, for any reason. And right now is when those principles, those precedents, will be decided.

Laurie Penny's Unspeakable Things: Sex, Lies and Revolution is available for pre-order. She will also be in conversation with classicist and author Mary Beard on 30 July at Conway Hall, London. More details and tickets here.

 

Laurie Penny is a contributing editor to the New Statesman. She is the author of five books, most recently Unspeakable Things.

Maggie Goldenberger
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Living the Meme: What happened to the Ermahgerd girl?

Four years after going viral, Maggie Goldenberger reveals what it was like for her childhood photo to become a meme.

Maggie Goldenberger is not the Ermahgerd girl, not really. Although she is the star of the four-year-old meme of an awkward tween girl holding up her favourite Goosebumps books, she was actually in costume at the time.

“I was in like sixth grade [year seven] maybe, and I’d always dress up and take photos with my friends,” she says. “I don’t feel that offended by it [becoming a meme] or feel that embarrassed by it, because I was just messing around.”

Now 29, Maggie is video-calling me from her home in Phoenix, Arizona, where she works as a cardiac nurse. Although she was 11 or 12 in the now internationally famous picture, it only went viral when she was 25 and on a six-month-long travelling trip. The image spread across the internet and was quickly captioned phonetically to imitate a speech impediment, and thus a rhotacised pronunciation of “Oh my God” was born. “Ermahgerd,” an internet user emblazoned the image, “Gersberms!”

If you’re not exactly sure what that means, you’re not alone. Maggie’s mother, although immediately proud of her daughter’s new-found fame, was a little bemused by the internet’s captions. Maggie tells me her mother, “had the picture up in her office and she thought it was hilarious. But she kept telling me like: ‘Maggie! They’re putting all this German writing all over your picture! What’s going on!’

“She didn’t quite understand it but she loved it.”

Like her mother, Maggie didn’t immediately comprehend her new online fame. She is happy to share her story, and laughs about it, but admits she still doesn’t really “get” the meme. “I’m even more confused about it now than I was then,” she says. “I kind of got like the novelty of it and it being fun but I don’t understand how it’s lasted so long.”

It is this confusion that means that Maggie, unlike most of the memes I have spoken to, has not made much money from her viral fame. “It’s hard for me to get behind something that I don’t understand,” she says when I ask if she ever considered releasing merchandise. “Also if I’m gonna make shirts I wanted them to be like fair trade, organic . . . and it just seemed like a lot going on, like the responsibility of it.”

Though Maggie could potentially have made thousands of dollars, not cultivating her online fame means that she is now able to live a relatively normal life. Most people don’t recognise her from the image, although word-of-mouth does mean that sometimes strangers approach her to take a picture. Maggie doesn’t mind this, but she is annoyed when people won’t reveal why they want a picture with her. “Then I’ll just find out a couple weeks into knowing them that they know about [the meme],” she says, “and I’m like, oh, just say it upfront.”

Yet while Maggie has never been embarrassed of Ermahgerd girl, she did get a taste of the darker side of internet fame when her friend’s brother uploaded a more recent photo of her, in a bikini, to Reddit, and revealed in his post that she was lesbian.

“I could finally feel for other people like in those tabloid magazines,” she says. “I thought I was a pretty confident person, not that weird with my body and things, but to have someone put your photo out there without your knowledge and to have people sharing it and making ugly comments . . . it's kind of an ugly world out there.”

Although Maggie did not enjoy being exposed in this way, she says the best thing about becoming a meme was when Vanity Fair wrote a profile on her in 2015. “I was going through a break-up at the time and when it came out I was getting attention for that and it just took away attention from the big break-up, so that was good timing.”

Despite enjoying the renewed attention on that occassion, however, Maggie is generally very grounded, and says she doesn’t normally announce who she is when she meets new people. “I usually try and not say anything,” she says, when I ask if it affects her dating life. “I keep it on the DL.”

 



Via Maggie Goldenberger

In many ways it is fortunate that 29-year-old Maggie is detached enough from her Ermahgerd persona to be able to do this. “I try to feel for others that have their meme go viral and it's their real picture,” she says. “It was kind of weird that people were just making fun of a child without trying to figure out who the child was . . . I just don’t understand why people feel like it’s okay just because it's online and it's a stranger.”

For the future, then, Maggie says she is “still working” on embracing her meme status. She has no plans to cultivate it online or to make any money, and instead intends to do some travel nursing across the United States or potentially abroad. I ask her, if she could have been famous for anything else, instead of this, what would she choose?

“Initially I think like comedy,” she muses. “But then I think I should do something for the greater good.”

 “Living the Meme” is a series of articles exploring what happens to people after they go viral. Check out the previous articles here.

To suggest an interviewee for Living the Meme, contact Amelia on Twitter.

Amelia Tait is a technology and digital culture writer at the New Statesman.