First they came for the porn stars: the problem with an online filter

The idea that you can tackle misogyny with a porn filter or a plastic bag is one of the more ludicrous conceits of social conservatives in modern times.

A few days ago, Conservatives received an email from David Cameron Himself, boasting of his new porn filter, a filter that will “protect childhood itself”. Underneath his signature, written in teeny-tiny text, was the message: “Blocked by your spam filter? Add bulletin@news.conservatives.com” to your address book.” Even the best filters still catch out the morally pure. 

The Co-op supermarket have implemented a filter of their own, demanding that lads’ mags be delivered in opaque modesty bags. The move comes after pressure from campaigns like “Lose the Lads’ Mags” run by Object and Feminista, who would prefer it if the Co-op would stop selling such titles altogether. Their spokesperson referred to the bags as ‘misogyny bags’, which is the point where the logic of their campaign falls apart.

Let’s take two examples, and in the comments below you can tell readers which you think is more misogynistic, more objectifying.  In the first example, Kelly Brook is on a beach, wearing a bikini. She has travelled there to work consensually with a photographer and editor on a professional collaboration, producing pictures on her terms that she likes. One of the pictures is printed on the front cover of FHM with a caption saying that Kelly Brook competes with the desert to see who’s hottest. It is obvious that she is looking at the camera, interacting consensually with the photographer.

In the second example, Kelly Brook is on a beach, wearing a bikini. She is on holiday. A paparazzi photographer takes pictures of her from an unflattering angle. They find their way to the desk of Heat magazine, who publish the picture on the front cover with the headline: “Does Kelly Brook look fat to you? Readers give their verdict.” Doubtless Heat would argue that they were joining the debate in Brook’s support, highlighting the absurdity of calling an obviously beautiful and healthy woman "fat". But if Heat really wanted to tackle the vile culture of body-policing that pervades modern media, they could simply choose not to participate in it.

The idea that you can tackle misogyny with a porn filter or a plastic bag is one of the more ludicrous conceits of social conservatives in modern times. The digital version of drug prohibition, it is a gesture to traditional values that allows politicians to give the impression of action without addressing the root issues. For all their talk about misogyny, campaigners seem more interested in tackling sexuality. For all their talk about the safety of porn stars, campaigners seem more interested in driving them out of their jobs than reforming the industry.

That’s the other effect of filters – they censor. Deborah Orr, writing in the Guardian, sees no problem with censorship. But then why should she? Orr is middle-class, and has regular access to a newspaper column in which to express her opinions. Her voice is safe, and if others aren’t that’s their problem. Her writing treats such people with contempt - women who enjoy "violent" porn are, to Orr’s eyes, picking up “useful tips on fictional rape”. But it’s precisely that sort of bigoted attitude to minority sexual preferences that inspires unease about the increasing efforts to censor the internet in accordance with "mainstream" tastes.

Of course for Deborah Orr there is no censorship, because Deborah Orr is a privileged middle-class woman with considerable personal agency – she can simply press the button at any time and have the filter deactivated. It doesn’t seem to occur to her that not everybody is in the same position. If you don’t own a house, if your landlord, partner (or abusive partner), parent, flatmate or university owns the connection, you may not have the same choice that Orr does. Anyone can choose not to seek out porn, not everyone can choose to have access to it.

And of course it won’t just be porn. It can’t be, because filters simply aren’t good enough to make a clear distinction. As Wired reported over the weekend, all other kinds of "objectionable" content could be included too. “As well as pornography, users may automatically be opted in to blocks on "violent material", "extremist related content", "anorexia and eating disorder websites" and "suicide related websites", "alcohol" and "smoking". But the list doesn't stop there. It even extends to blocking "web forums" and "esoteric material", whatever that is. "Web blocking circumvention tools" is also included, of course.”

To date, advocates of a porn filter have failed even to adequately define porn, let alone demonstrate that it causes significant harm in our society, or that a filter will have any impact in reducing that harm. Meanwhile the negative consequences of a filter are demonstrable. Thousands of people will be barred from legitimate exploration of their sexuality, and have their access to advice on sexual health, sexuality, and mental health issues removed. The most vulnerable people in society will be the least able to circumvent the block.

But that’s okay, because Daily Mail readers will be able to sleep soundly in the belief that they have made an import contribution in the war on misogyny.

1955: A model leaves a photography studio after posing for pornographic shots, and walks out of the building into the light. Photo: Pryor/Three Lions/Getty Images

Martin Robbins is a Berkshire-based researcher and science writer. He writes about science, pseudoscience and evidence-based politics. Follow him on Twitter as @mjrobbins.

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Theresa May’s stage-managed election campaign keeps the public at bay

Jeremy Corbyn’s approach may be chaotic, but at least it’s more authentic.

The worst part about running an election campaign for a politician? Having to meet the general public. Those ordinary folk can be a tricky lot, with their lack of regard for being on-message, and their pesky real-life concerns.

But it looks like Theresa May has decided to avoid this inconvenience altogether during this snap general election campaign, as it turns out her visit to Leeds last night was so stage-managed that she barely had to face the public.

Accusations have been whizzing around online that at a campaign event at the Shine building in Leeds, the Prime Minister spoke to a room full of guests invited by the party, rather than local people or people who work in the building’s office space.

The Telegraph’s Chris Hope tweeted a picture of the room in which May was addressing her audience yesterday evening a little before 7pm. He pointed out that, being in Leeds, she was in “Labour territory”:

But a few locals who spied this picture online claimed that the audience did not look like who you’d expect to see congregated at Shine – a grade II-listed Victorian school that has been renovated into a community project housing office space and meeting rooms.

“Ask why she didn’t meet any of the people at the business who work in that beautiful building. Everyone there was an invite-only Tory,” tweeted Rik Kendell, a Leeds-based developer and designer who says he works in the Shine building. “She didn’t arrive until we’d all left for the day. Everyone in the building past 6pm was invite-only . . . They seemed to seek out the most clinical corner for their PR photos. Such a beautiful building to work in.”

Other tweeters also found the snapshot jarring:

Shine’s founders have pointed out that they didn’t host or invite Theresa May – rather the party hired out the space for a private event: “All visitors pay for meeting space in Shine and we do not seek out, bid for, or otherwise host any political parties,” wrote managing director Dawn O'Keefe. The guestlist was not down to Shine, but to the Tory party.

The audience consisted of journalists and around 150 Tory activists, according to the Guardian. This was instead of employees from the 16 offices housed in the building. I have asked the Conservative Party for clarification of who was in the audience and whether it was invite-only and am awaiting its response.

Jeremy Corbyn accused May of “hiding from the public”, and local Labour MP Richard Burgon commented that, “like a medieval monarch, she simply briefly relocated her travelling court of admirers to town and then moved on without so much as a nod to the people she considers to be her lowly subjects”.

But it doesn’t look like the Tories’ painstaking stage-management is a fool-proof plan. Having uniform audiences of the party faithful on the campaign trail seems to be confusing the Prime Minister somewhat. During a visit to a (rather sparsely populated) factory in Clay Cross, Derbyshire, yesterday, she appeared to forget where exactly on the campaign trail she was:

The management of Corbyn’s campaign has also resulted in gaffes – but for opposite reasons. A slightly more chaotic approach has led to him facing the wrong way, with his back to the cameras.

Corbyn’s blunder is born out of his instinct to address the crowd rather than the cameras – May’s problem is the other way round. Both, however, seem far more comfortable talking to the party faithful, even if they are venturing out of safe seat territory.

Anoosh Chakelian is senior writer at the New Statesman.

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