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The NS Profile: Muammar al-Gaddafi

The‘‘mad dog of the Middle East’’ is back in the spotlight, 41 years after he took power.

Shortly before he died in 1970, the Egyptian president Gamal Abdel Nasser said: "I rather like Gaddafi. He reminds me of myself when I was that age." As a teenager growing up in the desert outside Sirte, Gaddafi had been an avid listener to Nasser's inflammatory Arab nationalist broadcasts on Radio Cairo. His school had even expelled him for organising a student strike in support of the Egyptian leader. Here was the "leader of the Arabs", who had humiliated the old colonial powers during Suez and brought the promise of unity to the region, giving his blessing. To the young colonel, still not 30, there could have been no greater compliment.

Gaddafi seemed worthy of the older man's mantle when he came to power in Libya on 1 September 1969, deposing the weak, pro-western king Idris while the monarch was receiving medical treatment abroad. By the end of 1970, he had expelled between 15,000 and 25,000 of the despised Italians who had occupied Libya from 1911-41, removed the US and British military bases, and turned Tripoli's Catholic cathedral into the Gamal Abdel Nasser Mosque.

Forty years on, Gaddafi is the object of international vilification once again. Yet America's fury at the Lockerbie bomber's triumphant repatriation does not change the fact that the Libyan leader is now a friend of the west. He has held meetings with Tony Blair and Gordon Brown, and Silvio Berlusconi greeted him with a warm embrace when his plane touched down at Ciam­pino Airport in Rome in June. The former "mad dog of the Middle East", as Ronald Reagan called him, is even due to address the UN General Assembly in New York on 23 September. He has stopped offering sanctuary to and sponsoring terrorists, and traded his WMD programme for the normalisation of relations with the west.

None of this would have been conceivable during Gaddafi's early years in power. By the late 1960s, oil revenues were rapidly increasing - Libya overtook Kuwait as the world's fifth-largest exporter in 1969 - and Gaddafi played an important role in the 1973-74 oil crisis in which Opec cut production and raised prices, by leading the embargo on shipments to the US. At the same time as making good on his promises to provide free education and health care (as well as subsidised housing) for Libya's small population, he could back his ambition for regional hegemony with money, providing subsidies to Egypt and to others he saw as allies in the fight against Israel.

But Gaddafi did not limit his aid to Israel's enemies. Over time, it seemed any group that styled itself as a freedom movement could call on the Libyan state purse, from the IRA to the Moro National Liberation Front in the Philippines. Although his dreams of a pan-Arab merger with Tunisia, Egypt and Syria failed, Gaddafi's influence was felt far and wide. This frequently alarmed his neighbours, as did his erratic behaviour. In 1973, for instance, the QEII set sail from Southampton to Haifa full of Jewish passengers celebrating the 25th anniversary of the State of Israel. According to Nasser's successor Anwar al-Sadat, Gaddafi ordered an Egyptian submarine temporarily under his command to torpedo the liner: a directive countermanded only when Sadat ordered the sub to return to base in Alexandria.

Those who have met the "Brother Leader and Guide of the Revolution" over the decades describe him as "dramatic", "charismatic", "camp" (a television reporter who interviewed him in the 1970s told me he was convinced Gaddafi was wearing eyeliner) and always "unpredictable". He surrounds himself with female bodyguards, and broke wind noisily throughout an interview with the BBC's John Simpson. In March, he stormed out of an Arab summit in Qatar, declaring himself "the dean of the Arab rulers, the king of kings of Africa and the imam of all Muslims". Such behaviour can, but should not, obscure the reality that he presided over a police state that dealt brutally with anyone perceived to pose a threat. By 1975, Sadat was already describing him as "100 per cent sick and possessed by the devil".

But for all Gaddafi's rashness during this decade (he also launched abortive invasions of Chad in 1972 and 1980), initially at least the west gave the young colonel's new regime the green light. "We thought he was a bit left-wing," says a British source, "but not too bad, and that we could deal with him." The US even supplied him with intelligence support. Very soon after the coup that brought him to power, the CIA warned him of a plot within the Revolutionary Command Council, Libya's supreme authority, allowing him to arrest and imprison the ring­leaders. News travelled, and Gaddafi gained a reputation in the region for enjoying America's favour. Although this had mostly evaporated by the end of the decade, Billy Carter, brother of the US president Jimmy Carter, still attended celebrations marking the tenth anniversary of Gaddafi's accession on 1 September 1979. In one of the many embarrassments he caused his brother, it was later revealed that Billy had received a $220,000 loan from the Libyan government.

The change was decisive once Ronald Reagan entered the Oval Office in 1981. That August, the US air force shot down two Libyan fighter planes in disputed waters in the Mediterranean. Reagan ordered US citizens to leave the country and refused US passport holders permission to travel there. By the end of the year, his administration was claiming that Libya had plans to assassinate the president and, if that failed, would target other senior officials such as the vice-president George H W Bush, the secretary of state Al Haig and the defence secretary Caspar Weinberger.

After four more years of skirmishes and ineffective sanctions, Reagan seized on a specific incident that he felt could justify a forceful strike on the Libyan regime: the bombing in April 1986 of a West Berlin disco packed with off-duty US servicemen. The US reprisal, in which Gaddafi's adopted daughter Hanna died, was controversial. There were suggestions - since given more credence - that Syria or Iran was behind the disco bombings. No European ally apart from Britain would give permission to the US to use its bases to launch the attack. Today, the Tory MP Daniel Kawczynski, chairman of the parliamentary all-party Libya group and author of a forthcoming biography of Gaddafi, says: "More questions should have been asked in parliament. We were rather gung-ho in supporting the attack."

As far as Britain was concerned, two incidents confirmed Gaddafi as the leader of a terrorist state: the fatal shooting of PC Yvonne Fletcher by a gunman inside the Libyan embassy in London in 1984, and the 1988 downing of the Pan Am jet at Lockerbie. These continue to be the main stumbling blocks to Gaddafi's final rehabilitation in the eyes of the west, as the international row over the repatriation from a Scottish prison of Abdelbaset Ali al-Megrahi has demonstrated. "The man who shot PC Yvonne Fletcher has been identified in Tripoli," says Kawczynski. "For us to let them have al-Megrahi without insisting on a statement about her is ludicrous." The Tory MP is also working with the Northern Irish Democratic Unionist Party to try to secure compensation for the victims of Libyan-funded IRA atrocities. He says he has repeatedly raised these issues with government ministers, but has been rebuffed. "'Don't rock the boat,' was what one of them said to me."

The story of how the "mad dog" came in from the cold goes back to the 1990s, when Kofi Annan and Nelson Mandela persuaded the Libyan leader that the two Lockerbie suspects should stand trial (al-Megrahi's co-defendant was acquitted). The UN immediately suspended sanctions it had imposed in 1992 and 1993. When Gaddafi was quick to condemn the attacks of 11 September 2001 as acts of terrorism, urging Libyans to donate blood for use by American victims, it seemed another remarkable volte-face by a man who would once have been expected to revel in US misfortune.

In fact, it was a sign that Gaddafi was never the irrational maverick some liked to say he was. Sanctions had hit the Libyan economy hard, depriving the country of the specialists and the markets it needed to exploit its oil wealth; and two other factors had left him short of allies. As the diplomat and Middle East specialist Sir Mark Allen, who was one of the UK's negotiators in the talks that led to Britain's rapprochement with Libya, writes in his book, Arabs: "At the end of the cold war, the Arab left was stranded . . . The region was retuning . . . The reference points were not left or right, monarchical tradition or the promises of socialism, but fidelity to the example of the early Muslim community."

After Egypt and Israel made peace at Camp David, Gaddafi turned ever closer to the Soviet Union, which stationed thousands of military advisers inhis country and from which he bought billions of dollars of arms. But once the USSR collapsed, says Oliver Miles, a former British ambassador to Libya, "he saw that if Uncle Sam was going to give him a kick, there was no one there to protect him". Nor was it conceivable that he could embrace the Islamists who, in fact, posed a threat to his rule. "He was deeply concerned about the threat from al-Qaeda," says Mike O'Brien, who as a Foreign Office minister was the first member of a British government to meet Gaddafi in 2002. "He had always promoted a more secularist, nationalist agenda."

He had set out his views at great length during his first decade in power, in the three volumes of his Green Book. His "Third Universal Theory" supposedly combined Islam with socialism - though the loose structure he presided over, which allowed for relatively free discussion by his associates before the leader took the final decision and retired to his tent in the desert, could be viewed as owing just as much to Arab, tribal forms of decision-making. Yet however one views Gaddafi's philosophy, he has long set his face against the Islamists, and he acted against ex-mujahedin fighters returning from Afghan­istan in the mid-1990s when other Arab states welcomed them home. Indeed, Gaddafi was the first leader to call for an international arrest warrant for Osama Bin Laden in 1998.

Once Gaddafi took the step to open up and dismantle his WMD programme, and then agree compensation for victims of Lockerbie, the way was open for the inter­national community to welcome Libya back. Gaddafi's son and possible heir, Saif, is clear about the path Libya is now taking. "The future is with more liberalism, more freedom, with democracy," he said in an interview with Time magazine. "This is the evolution of the entire world, and you either go with it or be left behind."

O'Brien, for one, is convinced. "Gaddafi is an intelligent guy who has been in control for 40 years," he says. "He realised that the only way to extradite himself from his difficulties was to use Libya's oil and gas wealth. This was realpolitik. He recognises that the world has changed and that he has to change with it."

For those who believe the west made a disastrous mistake in opposing the wave of nationalist politicians who came to power in the Middle East from the 1950s onwards, there is an irony. Gaddafi is the last of that generation, and while others who cloaked themselves in the rhetoric of Nasser have fallen, failed or died, it is the young man once praised by the Egyptian president who now appears to be becoming the kind of Arab leader with whom we can, and with whom we wish, to do business.

Sholto Byrnes is a Contributing Editor to the New Statesman

This article first appeared in the 31 August 2009 issue of the New Statesman, The next 100 years

MATTHIAS SEIFARTH FOR NEW STATESMAN
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Moby: “The average American IQ is around 98”

Moby, the vegan king of chill-out pop, talks wealth, David Bowie’s hat and the average intelligence of his fellow Americans.

In January 2012, two women walking their nine dogs on the hill beneath the Hollywood sign found a man’s severed head wrapped in a plastic bag. His decomposing feet and hands were discovered nearby. First theories pointed to the work of a Mexican drug cartel, or the murderous Canadian porn actor Luka Magnotta. The story piqued the interest of the electronic dance music mogul Moby, who wrote about it in a New Statesman diary in May this year.

Today, the smell of cedar and pine hits you on the canyon path, which is hot, steep and sandy – an immediate wilderness in one of LA’s most exclusive areas. The Griffith Observatory shines like a strange white temple on the hill. Brad Pitt, a local resident, was doorstepped after the head was discovered: he lives near Moby on the streets of Los Feliz, near Griffith Park, where the only sounds are hedge strimmers and workmen’s radios. Moby’s 1920s mansion is all but obscured by Virginia creeper.

As we sit down at his kitchen table, Moby tells me that the body parts were found to belong to a 66-year-old Canadian flight attendant called Hervey Medellin. Shortly before Medellin’s disappearance, his boyfriend, Gabriel Campos-Martinez, had used a computer in the flat they shared to find an article titled, “Butchering of the human carcass for human consumption”. The head, feet and hands showed signs of having been frozen: the rest of the body was never found. He says it was one of those rare times in life where reality was more intriguing than the conspiracy theories.

Moby, of course, eats no meat. Fifteen minutes’ drive away in the hipster neighbourhood of Silver Lake, his vegan bistro, Little Pine, serves a variety of plant-based dishes, proceeds from which go to animal rights organisations including the Humane Society and Peta. His own music is never played there. We are meeting to talk about his new album – but, he says: “It’s 2016 and people neither buy nor listen to albums. And they certainly don’t listen to the 16th album made by a 51-year-old musician. I don’t care if anyone gives me money for this music or for live shows ever again. Once a record’s released, I couldn’t care less what happens with it. I liked making it, but I don’t care.”

He is currently working his way though the stages of grief outlined by the psychiatrist Elisabeth Kübler-Ross. To denial, anger, bargaining, depression and acceptance he has added a new phase: Schadenfreude. On the night of the US election, he left the house at 6pm west coast time to watch the coverage with some friends. He checked his usual round of sites on his phone: CNN, the New York Times, the Washington Post, Nate Silver’s FiveThirtyEight, the Guardian, the Huffington Post, the BBC, politico.com. He was concerned to see that no one was calling any of the early states; with Obama’s election, exit polls suggested the victory by noon. Days earlier, Moby had been predicting humanity’s “wake-up call” in the form of the destruction of Greenland or a zoonotic virus – but not this. He is softly spoken, with a quick laugh and the kind of intelligence that seems to warm him up from the inside when he talks, but today he is angry.

“It is disturbing on so many levels,” he says. “One, that we have elected an inept racist as president. Two, just seeing how dumb and delusional so many Americans are. Because really – in terms of the subsets of people who would vote for Trump – you have to be delusional, or racist, or stupid. I am so confused as to the fact that such a high percentage of Americans are either really stupid or incredibly bigoted.”

The stupidity of Americans is, he says, a matter of “anthropological curiosity” – or simply demographics. “The average American IQ is around 98,” he notes. “So that honestly means – in a vaguely non-pejorative way – that there are a lot of really, really dumb people. The nonsense that people were spouting before the election – that Trump was a good businessman, for example? This phenomenon has been particularly egregious of late: people have an almost adversarial relationship with evidence. Climate-change deniers are another example.”

As a self-described old-timey alcoholic, Richard Melville Hall (nicknamed Moby by his father in honour of his great-great-great-uncle Herman) has a pervasive interest in neurochemistry. He uses it to explain much of the past six months in Western politics. Our failing political systems – the subject, in fact, of the album he doesn’t want to talk about – are underpinned by “a kind of delusional motivation, which is basically to ignore the countless things that are actually going wrong in the world and focus all your attention on things that are arbitrary. In the United States, you have people who have perfectly good jobs in safe communities who are obsessed about Mexico, crime and unemployment. We have these quasi-Orwellian responses to stimuli, and they come from a place of fear and scarcity. Humans are still built to amass as much wealth as possible, and fight off the enemies as quickly as possible, but the only threats are the ones we generate ourselves.”

There’s a dishcloth on the table, a few magazines, a bit of a draught and Moby in a black hoodie pouring two glasses of water.

Fear and scarcity pervade American society, he says, because social policy is an extension of corporate process and “nothing is free from the cadres of professional lobbyists”. Meanwhile the ravenous news consumption that helped drive Trump reflects a human addiction to the “neurochemical jolt” of engaging with the media.

“People have a profound and almost feral attachment to that which makes them feel good in the moment,” he says. “Without thinking of long-term consequences, does their belief give them a shot of dopamine right at this second? If so, they hold on to it. Eating junk food, voting Brexit and voting for Trump.”

 

***

 

Moby is the model of an addictive personality well-practised at controlling itself. He was a fully fledged alcoholic by his early twenties: at ten, he’d been given champagne and made himself the promise, “I always want to feel this good.” Now, he cannot touch a drink, but his modern-day addiction, he says without a beat, is his phone. Every thought is pursued to extremes. He recently released an animated video for a new song, “Are You Lost In the World Like Me?”, showing a procession of grotesque, phone-addicted cartoon characters filming a girl as she throws herself off a skyscraper and hits the ground.

The house is vaguely baronial, airy and open-plan: all dark wood and furniture polish. An Annie Hall poster in the pool house; a coyote postcard on the kitchen wall.

This particular property is a result of serious downsizing: Moby has a habit of buying very big places, doing them up and then moving out. When he was still in New York, he bought a remote mountaintop retreat in Kent Cliffs, 50 miles north of Manhattan. He created a magnificent bedroom of 1,500 square feet with ten skylights – but quickly learned he could only get a decent night’s sleep when he pulled his mattress into the cupboard. He told the New York Times that, living all alone in the big house, he “felt like Orson Welles at the end of Citizen Kane”.

He moved to LA in 2010, swapped vodka for quinoa smoothies and took the keys for another large building – the Wolf’s Lair, the turreted, 1920s Gothic castle in Hollywood once inhabited by Marlon Brando, with the swimming pool historically used for porn movies and the hidden tiki bar. He bought it for $4m and sold it for $12.5m four years later – allegedly to Banksy. He rattled around in that house, too. Right on cue, he tells me: “I felt like Orson Welles at the end of Citizen Kane.”

On the one hand, these were sensible ­investments for the man who’s sold 20 million records; on the other, large impersonal spaces appealed to Moby long before he was in a position to buy them. Raised by his single mother on food stamps and welfare in Darien, Connecticut, he started his adult life squatting an abandoned lock factory, where he could ride his moped around his bedroom, piss into a bottle and read battered Star Trek paperbacks while working on early demo tapes, rather like a ragged, vegan version of the boy in the movie Big.

He was very happy in his penniless state, as he records in his memoir, Porcelain. He’d like to propose something he calls the End of Wealth – but we’ll come back to that.

In the past few years Moby has broken free from the “Beckettian purgatory of touring”. When his biggest-selling album, Play, was released in 1999, his music career was effectively “over”. Before Play, he had changed creative direction, going from progressive house to ambient to thrashy punk – to which he has just returned – and no one knew what to do with him. The only reason he hadn’t been dropped by his UK label, Mute Records, was that its owner, Daniel Miller, was “an old egalitarian socialist”.

Play sampled slave songs of the Deep South – recorded by the ethnomusicologist Alan Lomax in the 1940s – and wove them into a backdrop of cerebral chill-out. The songs of pain and emotion took on an eerie neutrality, and TV shows and ad companies came calling. He was approached by Will and Grace and Grey’s Anatomy. At that point, selling records and touring were still more lucrative than licensing a song to TV – and licensing a song to TV was still considered selling out. But Moby considers himself an ugly duckling: “If someone who was once unattractive suddenly gets asked out on loads of dates, of course they say yes a lot.” He licensed every song on Play and it became the soundtrack of the millennium.

His memoir was unusual because it concentrated on the ten-year period before he got famous. It captured his enthusiasm – and his strangeness – at its source and showed him to have a sense of humour that may have passed people by the first time round. “I’m in London! London!” he wrote. “Benny Hill, Joy Division, Peter O’Toole!” He visited the vegan café in Covent Garden.

The book is filled with money: or with the constant, practical concern of not having it. Navigating poverty is an everyday routine: he is an “alchemist” turning used beer bottles into nickels at the recycler, and thence into soya milk and oranges. In his early twenties he becomes a Christian, partly so that he can repeat the Sermon on the Mount at Bible classes in the households of Greenwich Village and “judge” the rich children.

Book two, which Faber & Faber is waiting for, is more difficult. The period of his fame and fortune in the 2000s is too much of a cliché. “Ten years ago I was entitled, narcissistic, bottoming out, alcoholic, selfish and feral. Robbie Williams has done that story, so has Ozzy and Mötley Crüe. Who wants to read that? It’s tautological.”

Instead, he has decided to write about the first ten years of his life. It will look into his relationship with his mother, who loved him but raised him in various drug dens. He was at her side when she died in 1997, but he missed her funeral, having woken late in the morning to discover that at some point in the night he must have got up and set his alarm clock three hours late. He took a taxi to the wake, worrying about the fare, and for reasons he can’t really explain, turned up cracking jokes.

He has a strange nostalgia for the kinds of friendships you have in early adulthood, when everyone is equal, “before that point when someone starts making money and they think they’ve won: they’re going to have access to a different kind of happiness”.

In 2003, when he turned 38, he was famous, wealthy and miserable. “I’ve been able to see and inhabit almost every stratum on the socioeconomic scale, from extreme poverty and obscurity to wealth and fame, and it gives me an insight into it,” he says. “Because a lot of people who experience wealth are born into it, and a lot of people who experience poverty never leave it. I can safely say that for me there has been no causal effect between increased fame and wealth and increased basic happiness and well-being.”

When Moby talks about himself, he applies many apologetic epithets: clichéd, meditating, yoga-loving, mealy-mouthed. In 2007 he developed mobygratis.com, a large online resource offering independent film-makers and film students a licence to use his music for free. If their films are commercially successful, the revenue from licence fees must go to the Humane Society. He says he wants to propose a more rational, evidence-based approach to wealth.

“We are still attached to the idea of the redistribution of wealth,” he says. “As progressive lefties, we’re all brought up to think that is a good idea. In the old days, it meant the difference between eating and not eating. Nowadays the person on $30,000 consumes twice the calories of the millionaire, and has a bigger TV and works fewer hours.

“There is an underlying assumption that if wealth were distributed more evenly then people would be happier, but there is unfortunately very little anthropological or sociological evidence to support that idea, unless there are institutions to support the basic needs of community, like food and shelter. Confusing materialism with happiness is the essence of our culture.”

While west LA is plastic surgery and gold-plated toilets, he says, his own neighbourhood is “David Lynch wearing an old T-shirt and mowing the lawn”. Among the millionaires of Los Feliz, conspicuous consumption is frowned upon. He knows several who live “incredibly austere lives. I was having tea with Jim Carrey the other day. He’s basically just giving everything away. He just realised that owning three planes was stressing him out . . .”

In his New Statesman diary, Moby said that life in LA offered him miles and miles of lavender-scented name-dropping.

“Coldplay played the Rose Bowl recent­ly,” he says. “And the Rose Bowl holds 75,000 people. It’s a struggle for me to sell 2,000. At first, I winced with a little jealousy. But then I thought, ‘If my career was at that Coldplay level, how would that actually affect my daily existence? Would it make my shoes fit better? Would it make the water pressure in my shower better?’ As long as you’ve satisfied the basic hierarchy of needs – enough to eat, clean air to breathe, bears not eating your legs – happiness is all where and how you put your attention.”

***

He goes to his kitchen cupboard and from among the colanders and measuring jugs he extracts a black velvet fedora – size seven, silk-lined, from a London company established in 1879. In green marker around the inside rim are the words “With love from David – Christmas 2005”. Bowie gave it to him over Christmas dinner that year. “It’s the hat that he wore in The Man Who Fell to Earth,” Moby says. “There’s this amazing picture of him wearing it with John Lennon and it’s clearly when he was doing a lot of cocaine.”

Moby lived on Mott Street in Little Italy and Bowie lived on Mulberry Street. “I had a little roof deck, and he had a beautiful roof terrace, and we could wave at each other.” They were neighbours and friends, worked on music together, went on tour together, had barbecues together. He says the title of Bowie’s last album, Black Star, is a reference to the 1960 Elvis Presley song of the same name “about the end of a life” (“And when a man sees his black star,/He knows his time, his time has come”).

“David had been sick for a long time,” he says. “Or ill, as you say in the UK. So, David had been ill for a long time. I was very pleased that . . . after he died, people were asking me, ‘How do you feel?’ and I’m like, ‘Actually, I’m just kind of happy that he lived as long as he did.’ Because I . . . had thought, yeah, I had thought that he was going to die a little before that. So.”

The Radiohead singer Thom Yorke lives just up the street from him in Los Angeles but Moby has never met him “as far as I know”. Apart from Bowie, he claims not to have musician friends.

“Musicians – and I’m sure you’ve encountered this many times – have a sense of self-importance that is off-putting,” he says. “It is very hard to be friends with someone who thinks that just by showing up, they’re doing something special. At the end of the day, you want to say to them, ‘You know what? You wrote a couple of good songs. Let’s put it in perspective.’”

He was born on 11 September 1965, and on his 36th birthday he watched the twin towers burning from his roof deck. He tells me that when the second plane hit and it became clear the first was no accident, he heard “the cumulative effect of ten thousand rooftops covered with people, and the weirdest scream. A scream of horror but also a scream of understanding.”

Fifteen years on, he talks about this year’s politics as a Manichaean thing. “Half the world are motivated by fear and desire to move backwards, and the other half are motivated by optimism and a desire to move forward rationally. It’s religious tolerance versus fundamentalism; it’s racism versus inclusion. I wonder if there’s a way we can make peace with that whole other half of humanity who are holding on to a non-evidence-based approach to the future. But I don’t know what it is.” He has known Hillary Clinton for two decades, was a vocal supporter of hers during the election run and released a pair of anti-Trump tracks for Dave Eggers’s music project 30 Days, 50 Songs.

He says that many celebrity Clinton backers were cautious to come out for her during the primaries “because Bernie supporters wanted to crucify you. Now Trump has united and inspired Democrats more than anything since the Vietnam War.”

The election result, he says, might just be “the equivalent of a crystal meth addict going on one last bender. Maybe this bender will finally convince Americans to stop voting for Republicans. Because they are terrible. There has always been an understanding that if everyone in America voted, there would be no Republican politicians. The reason Republicans win is that most Americans don’t vote.

“Those of us on the left who were brought up to be tolerant of people who had different opinions from us – well that’s great, ­unless the opinions are bigoted and wrong. If someone is a climate-change denier, they are wrong. If someone voted for Brexit, they are wrong. If someone voted for Trump, they are wrong. There is a lot of ambiguity in the world, but not about these things.”

The clock ticks towards 11.15am and Moby, ever punctual, is done.

“These Systems Are Failing” is out now on Little Idiot/Mute

Kate Mossman is the New Statesman's arts editor and pop critic.

This article first appeared in the 08 December 2016 issue of the New Statesman, Brexit to Trump