The Devil Wears Prada 2 is pure guilty pleasure
Twenty years since the original film, Meryl Streep and Anne Hathaway are back, facing off in a changed fashion world
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The forgotten brilliance of Britain’s post-war cinema
As a new film season at the BFI shows, we can read the character of a battered nation and its…
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Rose of Nevada: a hypnotic Cornish Back to the Future
Mark Jenkin’s new film is beautifully made. But does it make any deeper sense?
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The Wizard of the Kremlin has no magic
This earnest adaptation of a bestselling book on the rise of Putin has too much hectoring and not enough drama
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Albert Camus, estranged
François Ozon subtly updates The Stranger and its author’s attitudes to French colonialism
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Ken Burns’ visions of America
The filmmaker on his career and the American Revolution
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Jim Jarmusch and the parental pleasure principle
In Father Mother Sister Brother, the director turns the incomprehension between family members into a film of pure pleasure
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Hollywood loves Russians again
American cinema clearly prioritises its smouldering leading men over a distant war
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