The show must go on: Hugh Bonneville (left) in W1A
Show Hide image

Sharpening the pen: media satire W1A is back, and its aim is as sharp as ever

The mockumentary's second season opens with an hour long special - but some of it hits a bit too close to home.

W1A
BBC2

Twenty-seven minutes into the first episode of the new series of W1A (23 April, 9pm), I suddenly grasped that it wasn’t about to end. It had kicked off with an hour-long special! Hmm. I wasn’t as pleased as I might have been. You need quite a lot of plot to make a show of this kind work over 60 minutes: a royal visit that gets stymied by loopy BBC security procedures probably won’t do it, funny though rising bollards undoubtedly are in the right circumstances. And there’s the important matter of one’s blood pressure. Endure the incontinent burblings and management doublespeak of Siobhan Sharpe, Tracey Pritchard and David Wilkes for too long and you may need to spend the weekend sedated in a dark room with only the unabridged audiobook of Edward Gibbon’s History of the Decline and Fall of the Roman Empire for company.

Oh, well. Self-harm aside, the aim of W1A’s arrows is as true as ever. Kapow, as Sharpe (Jessica Hynes) would say: John Morton, its writer and director, nails the coyote. Its characters have returned pared down, reduced to their ninny-ish essence, which speaks of both Morton’s confidence and his great skill. Simon Harwood (Jason Watkins), the director of strategic governance, now speaks in full sentences only when he is moved to talk – as a wife might, with weary propriety – of “Tony” (Hall, the director general). The rest of the time, he just smiles and nods and says: “Brilliant.” He’s basically a ventriloquist’s dummy.

In series one, Wilkes (Rufus Jones), the irredeemably stupid and craven entertainment format producer, was notable for the gasp-inducing U-turns he would perform mid-conversation. Now, we find him sticking the car into reverse a mere sentence or two in. When Anna Rampton (Sarah Parish) suggested that Heavy Petting, a show in which celebrities swap pets (Kylie would exchange her Rhodesian ridgeback for Alan Carr’s Maine Coon), was not going to fly, he came up with Family Face-Off (“This is about all of us”) before she could so much as swallow. Rampton’s speciality, by the way, is swallowing. Soon, she will probably do nothing else.

What about Sharpe? The minimalism doesn’t apply to her, natch. “Win-bledon! Win-bledon!” she shouted, waving a giant foam finger with Sue Barker’s face on it at Ian Fletcher (Hugh Bonneville) and the others. (Do you see what she did there?) At Perfect Curve, her PR company, she and her bearded morons had come up with several ways of rebranding Wimbledon, the better to keep it from being bagged by S** (that is, Sky). Idea one: what about newsreaders, or, better still, David Attenborough, umpiring matches? Idea two: why not send Graham Norton into the players’ box to meet the girlfriends? Idea three: let’s have Novak coming on to the Doctor Who music and Andy to the Strictly theme. And the great news is that Sharpe has an “in” with Jo-Wilfried Tsonga, who, as W1A’s pitch-perfect voice-over helpfully reminded us, is “not so much ethnically white”.

Siobhan makes me honk but there are also moments – they seem to be increasing in frequency – when W1A cannot induce in me even so much as a wintry smile. When Lucy Freeman (Nina Sosanya) took a nervous screenwriter to meet a commissioning editor, they had to sit not on chairs but astride stupid shiny little dogs (or were they horses?) and then listen while he suggested that Scarborough was not, after all, the right place – sorry, I mean “precinct” – for a brilliant new drama and wouldn’t the series be better set in Leicester? Now, look. I haven’t yet been asked, in a meeting, to place my backside on a small, aluminium animal. But I’d be lying if I told you that I didn’t feel that this was a possibility some time in the near future. The leap from yellow Arne Jacobsen egg chairs, in which I’ve already occasionally been required to spin, to novelty ponies or puppies or whatever they were doesn’t seem to me to be all that far. And the worst part is that I can already see myself flicking a leg casually over the said beast even as I talk earnestly and with increasing desperation to its owner – a man or woman in whose hands my future may seem, on that particular day, sadly to lie.

Rachel Cooke trained as a reporter on The Sunday Times. She is now a writer at The Observer. In the 2006 British Press Awards, she was named Interviewer of the Year.

This article first appeared in the 24 April 2015 issue of the New Statesman, What does England want?

Getty
Show Hide image

Michelle Obama's powerful speech demolishes Donald Trump without even mentioning his name

This is one speech he won't be able to steal. 

After her stirring speech at the Democratic Convention, Michelle Obama can be sure of one thing - Melania Trump won't be able to copy it.

Obama, like her husband, is a fine orator, so much so that the wife of Republican nominee Donald Trump was widely suspected of borrowing from her speeches.

But those who crowded into the audience on Monday night could be sure of the real deal. 

Obama did not mention Trump by name, but in an implicit criticism of him, she spoke passionately about the responsibilities of the Presidency, and how the United States had moved on since the days of slavery and oppression. 

The Obamas knew their kids were watching them, she said: "We know that our words and actions matter." 

And in a reference to Trump's Twitter obsession, she declared: The issues a President faces "cannot be boiled down to 140 characters".

Obama, whose husband fought a fierce campaign against Hillary Clinton to clinch the Democratic nomination in 2008, now heaped praise on his former rival. 

Clinton was a "true public servant" who "did not pack up and go home" after losing to Obama in 2008, she said. She had carried out "relentless, thankless work" to actually make a difference in children's lives. 

And she reminded the audience the Presidential election was not just about left-right politics: "It is about who will have the power to shape our children for the next four or eight years of their lives."

But the African-American First Lady's most powerful statements were a reflection on race, gender and social mobility - issues far outside of Trump territory. 

In a reference to Clinton's 2008 concession speech, where she talked of making "cracks in the glass ceiling", Obama declared: 

"That is the story of this country, the story that has brought me to this stage tonight, the story of generations of people who felt the lash of bondage, the shame of servitude, the sting of segregation, but who kept on striving and hoping and doing what needed to be done so that today I wake up every morning in a house that was built by slaves.

"And I watch my daughters, two beautiful, intelligent, black young women playing with their dogs on the White House lawn.

"And because of Hillary Clinton, my daughters and all our sons and daughters now take for granted that a woman can be president of the United States."

She also recalled the little black boy who made headlines around the world when he visited the White House and asked the President: "Is my hair like yours?"

Obama's calm but intense delivery brought the packed arena to its feet, and earned her several standing ovations. Bill Clinton, former President and husband of Hillary, was seen to say "wow" from his place in the audience.

She ended with a final dig at Trump's slogan "Make America Great Again". Obama told the crowd:

"Don’t let anyone ever tell you that this country isn’t great, that somehow we need to make it great again. 

"Because this right now is the greatest country on earth."

Michelle Obama's speech: The best quotes

On Obama's 2008 victory

I will never forget that winter morning as I watched our girls, just 7 and 10 years old, pile into those black SUVs with all those big men with guns.

And I saw their little faces pressed up against the window, and the only thing I could think was, what have we done?

On bringing up kids

We insist that the hateful language they hear from public figures on TV does not represent the true spirit of this country.

How we explain that when someone is cruel or acts like a bully, you don’t stoop to their level. No, our motto is, when they go low, we go high.

On Hillary Clinton

What I admire most about Hillary is that she never buckles under pressure. She never takes the easy way out. And Hillary Clinton has never quit on anything in her life.

On who shouldn't be President

When you have the nuclear codes at your fingertips and the military in your command, you can’t make snap decisions. You can’t have a thin skin or a tendency to lash out. You need to be steady and measured and well-informed.

On equality

I wake up every morning in a house that was built by slaves. And I watch my daughters, two beautiful, intelligent, black young women playing with their dogs on the White House lawn.

And because of Hillary Clinton, my daughters and all our sons and daughters now take for granted that a woman can be president of the United States.

On the US

Don’t let anyone ever tell you that this country isn’t great, that somehow we need to make it great again. Because this right now is the greatest country on earth.

You can read a copy of the full speech here.