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Why Ayn Rand is still relevant (and dangerous)

Hers is the spirit of the age: the age of selfishness. An age of greed, financial crime, and indifference to the poor, sick, and disabled.

Illustration by Darryl Cunningham

I can’t remember how I first came across Ayn Rand. I know I was already aware of Rand when news broke of her death in 1982. This suggests that I was a teenager when I initially came across the First Lady of Logic. Back then I was dimly aware that she had some dubious political views and was a hate figure to those on the left, but beyond that I knew nothing. Yet, she’s gone on to have a profound influence on me, not because I share her philosophy, but because I don’t.

I was drawn to Ayn Rand because her politics are almost exactly the opposite of my own. I tend to take the side of the underdog and I have a keen sense of injustice. She cared little for those crushed under the wheels of capitalism and considered economic failure to be your own fault if it happened to you. To help another just for the sake of it with no benefit to yourself, was in her eyes, a moral weakness. She developed a whole philosophy – the philosophy of Objectivism, in order to justify her own selfishness and contempt for the needy.

Rand is little known in Europe, but in the States, 30 years after her death, she still has a huge following. Her books, especially Atlas Shrugged, sell in their thousands. Top businessmen and politicians name her as an influence. Objectivism is a very convenient philosophy if you’re someone who venerates your own needs over everyone else’s.

My book on the 2008 financial crisis, Supercrash, starts with Ayn Rand. I wanted to write about Rand, because I felt if I could understand her, I could get to the heart of what has gone wrong in Western politics over the past three decades, and at the same time, define my own beliefs more thoroughly.

Ayn Rand’s hand in the 2008 financial crisis, through her influence on the chair of the US Federal Reserve, Alan Greenspan, has been well documented. Rand was Greenspan’s mentor in the years before he reached high office when he completely bought the Objectivist line, that the free market was entirely good and government regulation entirely bad. As a result, his zero touch approach to mortgage and banking regulation led directly to the financial crisis. He felt, as Rand did, that business could regulate itself more effectively than any government could. After all, banking CEOs were hardly likely to destroy their own businessess, were they? In short, Greenspan took his hands off the steering wheel, allowing the car to veer off a cliff.

Rand’s fear of government control stemmed from her youthful experiences in Russia during the revolution. She was born in Saint Petersburg in the early years of the 20th century and emigrated to the US in the 1920s. She’d seen the horrors of totalitarianism first hand, and she forever-after associated government regulation, no matter how benign, to be a sign of creeping communism. She saw how her father’s business had been appropriated by the Bolsheviks, "for the good of the people". This, in her view, was altruism being used as a cover for theft. It marked the beginning of her distrust of altruism as a concept and her embracing of selfishness as a virtue.

In Rand’s philosophy an individual’s needs matter more than the needs of the majority, taxation is theft, and the welfare system should be allowed to wither away (along, presumably, with the poor).

So a world of low taxes, low business regulation, welfare state rollback, and government reduced only to matters of policing and the military, while all else is farmed out to giant corporations, is a world Rand would much approve of. If this picture looks familiar, it’s because it’s the world that those on the political right have been moving us towards for the last thirty years.

All of the above shows us why Ayn Rand is still relevant. Hers is the spirit of the age: the age of selfishness. An age of greed, financial crime, and indifference to the poor, sick, and disabled. Where most work harder for less and a tiny percentage of people at the top of society own the majority of all wealth.

Darryl Cunningham’s “Supercrash: How to Hijack the Global Economy” is published by Myriad, £14.99

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Katy Perry’s new song is not so much Chained to the Rhythm as Chained to a Black Mirror episode

The video for “Chained to the Rhythm” is overwhelmingly pastel and batshit crazy. Watch out, this satire is sharp!

If you’ve tuned into the radio in the last month, you might have heard Katy Perry’s new song, “Chained to the Rhythm”, a blandly hypnotic single that’s quietly, creepingly irresistible.

If you’re a really attuned listener, you might have noticed that the lyrics of this song explore that very same atmosphere. “Are we crazy?” Perry sings, “Living our lives through a lens?”

Trapped in our white picket fence
Like ornaments
So comfortable, we’re living in a bubble, bubble
So comfortable, we cannot see the trouble, trouble
Aren’t you lonely?
Up there in utopia
Where nothing will ever be enough
Happily numb

The chorus muses that we all “think we’re free” but are, in fact, “stumbling around like a wasted zombie, yeah.” It’s a swipe (hehe) at social media, Instagram culture, online dating, whatever. As we all know, modern technology is Bad, people who take photos aren’t enjoying the moment, and glimpses other people’s Perfect Lives leave us lonely and empty. Kids these days just don’t feel anything any more!!!

The video for this new song was released today, and it’s set in a (get this) METAPHORICAL AMUSEMENT PARK. Not since Banky’s Dismaland have we seen such cutting satire of modern life. Walk with me, through Katy Perry’s OBLIVIA.

Yes, the park is literally called Oblivia. Get it? It sounds fun but it’s about oblivion, the state of being unaware or unconscious, i.e. the state we’re all living in, all the time, because phones. (I also personally hope it’s a nod to Staffordshire’s own Oblivion, but cannot confirm if Katy Perry has ever been on the Alton Towers classic steel roller coaster.)

The symbol of the park is a spaced-out gerbil thing, because, aren’t we all caged little hairy beings in our own hamster wheels?! Can’t someone get us off this never-ending rat race?!

We follow Katy as she explores the park – her wide eyes take in every ride, while her peers are unable to look past the giant iPads pressed against their noses.


You, a mindless drone: *takes selfies with an iPad*
Katy Perry, a smart, engaged person: *looks around with actual human eyes, stops to smell the roses*

She walks past rides, and stops to smell the roses – and the pastel-perfect world is injected with a dose of bright red reality when she pricks her finger on a thorn. Cause that’s what life really is, kids! Risk! At least she FEELS SOMETHING.


More like the not-so-great American Dream, am I right?!

So Katy (wait, “Rose”, apparently) takes her seat on her first ride – the LOVE ME ride. Heteronormative couples take their seats against either a blue heart or a pink one, before being whizzed through a tunnel of Facebook reaction icons.

Is this a comment on social media sexism, or a hint that Rose is just too damn human for your validation station? Who knows! All we can say for sure is that Katy Perry has definitely seen the Black Mirror episode “Nosedive”:

Now, we see a whole bunch of other rides.


Wait time: um, forever, because the human condition is now one of permanent stasis and unsatisfied desires, duh.

No Place Like Home is decorated with travel stamps and catapults two of the only black people in the video out of the park. A searing comment on anti-immigrant rhetoric/racism? Uh, maybe?

Meanwhile, Bombs Away shoots you around like you’re in a nuclear missile.


War: also bad.

Then everyone goes and takes a long drink of fire water (?!?!) at Inferno H2O (?!?!) which is also a gas station. Is this about polluted water or petrol companies or… drugs? Or are we just so commercialised even fire and water are paid-for privileges? I literally don’t know.

Anyway, Now it’s time for the NUCLEAR FAMILY SHOW, in 3D, no less. Rose is last to put her glasses on because, guess what? She’s not a robot. The show includes your typical 1950s family ironing and shit, while hamsters on wheels run on the TV. Then we see people in the rest of theme park running on similar wheels. Watch out! That satire is sharp.

Skip Marley appears on the TV with his message of “break down the walls to connect, inspire”, but no one seems to notice accept Rose, and soon becomes trapped in their dance of distraction.


Rose despairs amidst the choreography of compliance.

Wow, if that didn’t make you think, are you even human? Truly?

In many ways – this is the Platonic ideal of Katy Perry videos: overwhelmingly pastel, batshit crazy, the campest of camp, yet somehow walking the fine line between self-ridicule and terrifying sincerity. It might be totally stupid, but it’s somehow still irresistible.

But then I would say that. I’m a mindless drone, stumbling around like a wasted zombie, injecting pop culture like a prescription sedative.

I’m chained…………. to the rhythm.

Anna Leszkiewicz is a pop culture writer at the New Statesman.