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Think before you act: against the modern cult of spontaneity

Truly living in the moment and being utterly spontaneous would render you unable to make and keep promises, or to formulate any kind of plan for helping yourself or others.

Illustration: Ciara Phelan for the New Statesman

Live for the moment. Be spontaneous. Be free and happy. Don’t worry about the future. Act as though it’s your last day on earth. Such is one modern conception of the good life. Adverts encourage us to drop everything and jet off for a city break at the last moment, or to walk at random into a bar where we are sure to meet a new gang of stock-photo besties, all ostentatiously sipping the same brand of transparent liquor. People are reluctant to make concrete social arrangements, so just say, “Text me.” Serendipity is our friend; planning is for losers. “Spontaneity” is rhetorically offered as the reason to celebrate both online social media and last-minute travel bucket shops.

It hardly seems to matter that anyone who really acted according to this ideology would be a kind of sociopath. Truly living in the moment and embracing utter spontaneity would render you, for instance, unable to make and keep promises, or to formulate any kind of plan for helping yourself or others. You’d turn into someone like the amusing but oddly disturbing character Old Merrythought in Francis Beaumont’s play The Knight of the Burning Pestle (recently revived to hilarious effect at the Globe in London). Merrythought spends all his time singing and drinking ale, because he assumes there will always be meat on the table come dinnertime. Being so spontaneous would make you, in short, a fantastically annoying and irresponsible flibbertigibbet.

Why, then, is the dream of spontaneity so attractive? It is perhaps because most of our lives are so corralled and timetabled, and our workdays increasingly subject to silent, automated time-and-motion studies conducted by data-harvesting computers for the purpose of what is euphemised as “workforce science”, that we dream all the more of being able to be spontaneous – at least in our free time. Our “free” time, of course, as Guy Debord noted, is just that time which is left to us after the violent expropriation of most of it. And so the idea of spontaneity is a dream of liberty.

But true freedom, as Jean-Paul Sartre noted, is also terrifying. And spontaneity, it seems, is a virtue that we sorely wish to have ascribed to us but don’t actually want to act out rigorously. To be thought of as a spontaneous person is to own a certain kind of devil-may-care cool, to seem open to new experiences. Actually to be a spontaneous person, though, might be a frightful mess. Well, there’s an app for that. Indeed, a whole new class of smartphone apps offers what can be thought of as a kind of mediated, filtered spontaneity – a kind of just-in-time planning that still gives the desired impression of impetuosity. Thus, location-aware dating apps such as Tinder sell the possibility of meeting someone in a nearby bar that evening – almost like people used to do before the age of ambient internet, using only their faces. (According to my informants, a not insignificant number of Tinder users describe themselves as “spontaneous” on their carefully curated profiles.) Meanwhile, a mobile booking start-up called Hotel Tonight recently added a feature allowing users to peek at probable same-day rates a few days ahead. The company announced on its blog, deadpan, that this planning feature was part of “our never-ending quest to empower people to be more spontaneous”.

Consumer spontaneity, you might suspect, is at least very good for business. It seems as though it would be very much in the interest of people selling things if a habit of recklessly spending money at a moment’s notice were considered part of a desirable personality. As it happens, a friend’s Twitter feed was recently interrupted by a “promoted tweet” (that is, advert) from an account calling itself “Be Spontaneous UK”, and chirruping: “Go Brazilian this summer with free Ipanema flip-flops when you pick up our bikini razor now.” Perhaps the purchase of a “bikini razor” is meant to count as an investment in future spontaneity of a vaguely porny kind, though the spontaneity that really counts here is that of immediately clicking on an ad to buy a product. It turns out that “Be Spontaneous UK” is a marketing account owned by Wilkinson Sword.

Probably not coincidentally, either, one finds that recent “spontaneity surveys” showing that Britons really wish they were more spontaneous are predominantly carried out on behalf of companies for which more spontaneity equals more business: train operators and retailers. Or take the advert for Delta Private Jets, described in a recent essay by Ian Bogost, the tagline of which reads: “Perfect moments are often made on a moment’s notice.” Here, spontaneity becomes a kind of meta-luxury.

 

The rhetorical invitation to spontaneity by commercial interests exists in a productive relationship with the modern dualism of psychological science. This is not classical mind-body dualism, but the dualism of more-or-less-allegorical brain systems. In the influential lingo of the behavioural economist Daniel Kahneman, author of Thinking, Fast and Slow, we have a “System 1” brain that delivers snap, intuitive judgements through unconscious processing, and a “System 2” brain that does the slow, cold reasoning.

Now, which of those brains is the “spontaneous” one? Why, System 1, of course, the blinking, unthinking brain, the site of “hot cognition”. The weirdly anti-rational weather of our age, indeed, insists that this intuitive System 1 is “who we really are”. Because our rationality can be infected with errors by System 1 biases, or so this story goes, we should give up all hope of being reliably rational.

This is certainly a convenient hypothesis for boosters of “nudge” politics, who seek to make citizens do the right thing (save for retirement, buy healthy food) by exploiting the subconscious biases and errors to which System 1 is prone. The wise folk who design the nudges are pleased to call themselves “choice architects”. As we are led unsuspectingly along their mazy garden path, on which what they consider the “right” choices are the easiest ones for us to make – the healthy meal is at eye level; we are automatically enrolled as organ donors unless we can be bothered to opt out – we casually make the decisions that they have already chosen for us. Thus, through careful engineering of the alternatives presented, the liberal paternalists of nudge ideology want to exploit our lazily automatic behaviour.

This might be a resistible challenge to our autonomy as long as the specific choice architecture and its rationale are made available in an open and transparent way, but that is not the way the field is developing. The British government’s Behavioural Insights Team, aka the Nudge Unit, was part-privatised this year, and hopes to profit from advising foreign governments, local authorities and commercial interests, now that it is immune from Freedom of Information requests from ordinary citizens who might wish to scrutinise its methods. To embrace spontaneity, then, might be to let a cadre of unaccountable behaviour engineers make important economic and political choices for us.

This seems all the more plausible when we remember that to praise another’s “spon­taneity” often carries an infantilising or otherwise condescending undertone. Black musicians of the Jazz Age were routinely praised by white critics for their supposedly innate “spontaneity”, in rhetoric that cast them almost as idiots savants, untrained yet miraculously skilful in the moment. The literary critic F R Leavis, meanwhile, wielded “spontaneous” and its cognates as terms of his highest praise when discussing writers, such as D H Lawrence, who he felt were conduits (as it were almost unreflective) of Life Itself.

In his recent book How to Read Literature, the former boy terror of literary theory Terry Eagleton surprisingly revives this Leavisite virtue as one of the positive qualities he says we should learn to recognise in fiction. Eagleton quotes a passage from John Updike and complains: “There is nothing spontaneous about it.” Casting himself as a kind of prosodic Antiques Roadshow expert, able to spot a fake at ten paces, he cites a passage of William Faulkner and diagnoses the fault thus: it has “an air of spontaneity about it which is almost entirely fabricated”.

Never mind that every “air” in a piece of writing must be fabricated, in the sense that all prose effects must be built from the careful choice and placement of words. It is probably bootless to wonder how a Leavis or an Eagleton could possibly know, absent surveillance footage and brain scans of the target writers at work, exactly how “spontaneous” this or that passage’s creation was. Further, of course, the most “spontaneous” writing is likely to be the worst writing, as long as you agree that writing benefits from thought. Many literary stories of spontaneous composition are myths. Jack Kerouac – celebrated by Allen Ginsberg for his miraculous “spontaneous bop prosody” – did bash out a typescript of On the Road in three weeks on a 120-foot-long scroll of paper, but the novel had already been through several versions and rewrites for more than two years before that first full-length draft was “spontaneously” composed.

One of the most pleasant things about writing, indeed, is that spontaneity is corrigible: something that seems like a good idea on the spur of the moment, as one’s fingers are banging out a paragraph, can be quietly got rid of in the sober tranquillity of revision, when it becomes clear that it’s rubbish. To elevate spontaneity to a central literary virtue is as anti-intellectual as its diagnosis is whimsically subjective.

 

The invitation to citizens to luxuriate in a pleasurable absence of deliberation perhaps connects, too, the rhetorical fashion for spontaneity with the sudden promotion of “mindfulness” by corporate and state interests. A parliamentary working group was even set up this spring to explore the potential for mindfulness in health, education and the criminal justice system. Breath-centred mindfulness meditation is no doubt beneficial for many individuals, sharing as it does certain aspects with similar practices such as yoga and qigong. But it is tempting to suspect that official attempts to impose it on employees or schoolchildren have as one unspoken motivation the desire to create a more pliant individual. The more able you become to concentrate blissfully in the moment, the less troubled you will be by intrusive negative thoughts about your employer or government policy. And so mindfulness can become a counsel of passivity, as well as a mental medication to distract our attention from underlying problems. An institutional population may be offered the anti-stress benefits of mindfulness rather than the removal of the stressors that have made it stressed in the first place.

Mindfulness and spontaneity are both, as psychic ideals, opposed to worry and effort, which we can easily think are what daily life actually requires of us. They could thus be understood alternatively, in an emancipatory way. Perhaps there is a secular version available of the kind of evangelical Protestantism that embraces an ecstatic approach to life, a kind of Dionysian spontaneity that trusts in God’s will. Edward Slingerland’s interesting recent book Trying Not to Try: the Ancient Art of Effortlessness and the Surprising Power of Spontaneity, for example, contrasts the overscheduled busywork of a modern productivity freak with what he calls “body thinking”, defined essentially in the same way as the System 1 brain: “tacit, fast and semi-automatic behaviour that flows from the unconscious with little or no conscious interference”. This is certainly desirable for a tennis player facing a 130mph serve, or a martial artist, or an improvising musician, but Slingerland wants to argue that social action can become just as virtuously “spontaneous” as well-drilled athletic or artistic action. In support of this thesis, he cites the opinions of several classical Chinese thinkers (including Confucius) on the traditional virtue of “wu-wei” – the principle of non-action. Slingerland characterises it as “the dynamic, effortless and unselfconscious state of mind of a person who is optimally active and effective”.

It turns out, as you might guess, that in the opinion of all the tradition’s eminences, such grace can be achieved only through rationally deliberate practice. The true and valuable kind of spontaneity for which Slingerland argues must, paradoxically, be the result of long, conscious training. This is as true of graceful behaviour as it is of mastery in tennis or jazz – no musician becomes a brilliantly “spontaneous” improviser without spending thousands of unobserved hours running through scales. (After an early humiliation when he had the confidence but not the chops to sit with a pro band, Charlie Parker locked himself away to practise for years before he ventured on stage again.) In the matter of respectable behaviour, more­over, the result – desirable though it surely is – is not really “spontaneity” at all but good character, formed through habitual virtuous action, as Aristotle was arguing in another ancient philosophical culture altogether. “The Way of Heaven”, according to one Chinese sage, even excels in “planning for the future, though it is always relaxed”. It doesn’t sound very spontaneous, does it? Wu-wei leads to gracefully appropriate action, but not thoughtlessly random action.

We do seem to have the idea that authentic virtue is spontaneous – being “spontaneously” kind is considered more real than being kind after conscious reflection, though it is hard to see why. Conversely, one may spontaneously offer a hurtful insult or a violent assault. Spontaneity cannot be a good in itself, yet we feel that it somehow makes a good action better. The obvious explanation for this would be to say that an action performed this way implies a history of doing similar things, which is how it became spontaneous in the first place. This is not, however, the point Slingerland emphasises. Instead he wants to praise spontaneous action precisely because it is allegedly unfiltered by the nasty conscious mind.

“We have a very strong intuition,” he writes, “increasingly confirmed by work in cognitive science, that the conscious, verbal mind is often a sneaky, conniving liar, whereas spontaneous, unselfconscious gestures are reliable indicators of what’s really going on inside another person.”

Well, sometimes, perhaps. But of course the conscious, verbal mind can often write interesting books about how one can consciously and verbally achieve the state of social elegance they recommend to their readers, who must similarly absorb such information consciously and verbally, and then act on it. Indeed, since the kind of trained spontaneity Slingerland values is achieved through rational practice, it seems inconsistent to attempt to valorise the one by means of denigrating the other.

The dream of spontaneity is one of escape, but the truth might be that the more time we spend in a self-built cage, the better we can escape. Other work in psychology reported at the premium end of the self-help spectrum seems to indicate, indeed, that pursuing spontaneity at all costs ensures we will be less happy. As Oliver Burkeman, author of The Antidote: Happiness for People Who Can’t Stand Positive Thinking, has written, the problem with a devotion to spontaneity is that we are all subject to “decision fatigue”, the existential lethargy that sets in quickly when we are forced to make too many trivial choices. The antidote might be, then, to stick even more closely to a timetable. “It’s ironic that people resist schedules because they want to be spontaneous and savour the moment,” Burkeman writes, “given that your average Zen monk – whose whole job, to simplify somewhat, is to savour the moment – abides by a rigorous schedule”.

Freed from the self-imposed pressure to do an awesome thing spontaneously, so this argument goes, we will actually experience more pleasure. “Stop worrying about living spontaneously,” Burkeman advises, “and you might start having more fun.”

But if more fun is our goal, the lure of spontaneity might creep back in. Is our overvaluation of spontaneity not, after all, born of a deep-seated fear – the fear of missing out? If we commit to one social plan for the whole evening, we might be missing out on something cooler happening just around the corner. So the mediated-spontaneity tools of the smartphone comfort us with the idea that it is always possible to bail out in favour of something better. And this is pleasant, too, for the hipster entrepreneurs who have just launched the nearby pop-up absinthe bar or dude-food smokehouse. As Jacob Burak reports in a recent essay, the fear of missing out “occurs mostly in people with unfulfilled psychological needs in realms such as love, respect, autonomy and security”. Too overwhelming a fear of missing out – a generalised attitude of always looking over the shoulder of the person you’re talking to in case there is someone more interesting or attractive at the party – can rob the victim of the ability to take pleasure in anything.

And so it might be that those dedicated to the spontaneous lifestyle will continue to be frazzled and unhappy, however many bikini razors and pairs of Brazilian flip-flops they own – while their masters, whose plans are anything but spontaneous, look on with dark satisfaction.

Steven Poole’s most recent book is “Who Touched Base in My Thought Shower?: A Treasury of Unbearable Office Jargon” (Sceptre, £8.99)

This article first appeared in the 08 July 2014 issue of the New Statesman, The end of the red-top era?

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The prophets of Trumpism

How the ideas of two pre-war intellectual refugees – the radical Herbert Marcuse and the reactionary Eric Voegelin – are influencing the new culture wars among Trump and his acolytes.

Even after Donald Trump’s more conciliatory address to Congress, American politics seems set to become a battle between the president’s joyless autocracy and a carnival of protest that could end up evoking the anti-war movements of the 1960s. There will be more draconian executive orders and more marches in pink hats. There may well be violence.

The intellectual battle that will be played out in the months and years to come, however, was foretold by two German refugees from Nazi persecution: Eric Voegelin, the doyen of Cold War reactionary conservatives, and Herbert Marcuse, the inspiration behind the revolutionary student activism of the 1960s. Voegelin argued that society needed an order that could be found only by reaching back to the past. Marcuse argued that refusal to accede to tyranny was essential to give birth to a revolutionary politics that would propel progress to a new kind of society. Marcuse the radical and Voegelin the reactionary could not seem further apart, and yet they share a common intellectual root in Germany in the 1920s, from which came a shared critique of modern society. Their ideas may well inspire some of the political conflicts to come.

The culture wars of the 1960s are very much alive for Trump’s acolytes. Steve Bannon, the former executive chairman of the alt-right website Breitbart News and Trump’s chief strategist, blames the counterculture of the 1960s – the drugs, the hippies, the liberal reforms – for America losing its way and, eventually, succumbing to economic crisis in 2008. Bannon set out his ideas in Generation Zero, a 2010 documentary which blamed the financial crash not on greedy, under-regulated bankers but on the moral and cultural malaise that started in the 1960s. He is still fighting people who might have been inspired by Marcuse. “The baby boomers are the most spoiled, most self-centred, most narcissistic generation the country has ever produced,” he told an interviewer in 2011.

Bannon’s thinking, set out in several speeches over the past few years, is that America’s working and middle classes have been betrayed by an elite in Washington, DC (the “Imperial City”, he calls it) which oversees insider deals so that the insiders can profit from global capitalism. Bannon wants to return America to traditions rooted in Judaeo-Christian values and to reassert national sovereignty. Most worryingly, on several occasions he has said that the crisis will only be resolved through the catharsis of conflict and national mobilisation through war.

America has always been a work in progress. Ronald Reagan and Barack Obama were very different presidents but they shared a belief that progress was America’s calling. The reactionary turn in US politics is not just a shift to the right but an attempt to displace progress as the common creed.

Instead, Bannon and his ilk want America to become a work in regress, as the historian Mark Lilla argues in his recent book on reactionary philosophy, The Shipwrecked Mind. Much of the new reactionary thinking echoes Voegelin’s idea that, in order to renew itself, a society must first go backwards to find where and how it lost its way.

 

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Eric Voegelin defies easy categorisation. Born in 1901 in Cologne and brought up in Vienna, he was brave and principled. After a visit to the United States in the 1920s, he wrote two books criticising Nazi racial politics, which got him sacked from his teaching position at the University of Vienna. When the Germans arrived in Austria following the Anschluss in 1938, Voegelin and his wife fled on a train as the Gestapo ransacked their apartment.

After a brief stay in Switzerland, he moved to America and in 1942 took up an academic post at Louisiana State University. He then embarked on a prolific career, the centrepiece of which was his sprawling, multi-volume work Order and History.

Voegelin’s philosophy gave expression to the dark and powerful forces that had shaped his life. He believed that modern society was prey to flawed utopianism – he called this “gnosticism” – in which an elite of prophets takes power, claiming special insight into how heaven could be created on Earth for a chosen people. Gnostic sects in the Middle Ages had their modern equivalents in the Nazi proclamation of a racially pure utopia and the Marxist promise of equality for all. Voegelin’s catchphrase was: “Don’t immanentise the eschaton!” (meaning: “Do not try to build heaven on Earth”).

Marxism and Nazism, Voegelin argued, were political versions of religion: we get rid of God only to reinstall him in the form of an elite of reformers with all the answers. In his recent bestselling book Homo Deus, Yuval Harari argues that we are entering a new stage of the process that Voegelin identified. We have become as powerful as gods, he argued, but now need to learn how to be wise and responsible gods.

Today Voegelin’s attack on overreaching perfectionism echoes in reactionary criticism of Obamacare and in the yearning for national certitude. Voegelin thought the role of philosophy was not to change the world, but to understand its underlying order and help us tune in to that, rather than being diverted by the lure of the false prophets of political religion.

He was influenced by the Viennese satirist Karl Kraus, who said that “origin is the goal”, by which he meant that the point of the future was to restore the ancient past. For Voegelin, order comes from a sense of harmony, of everything being in its place. This is a position that opens itself up to deeply conservative interpretations.

When, in his presidential inauguration address, Trump spoke of American “carnage”, he was echoing Voegelin’s account of decay and disorder. When he talked of “one people, one nation, one heart” he was evoking the kind of order that Voegelin spoke of. Trump and his acolytes see their mission as the need to restore a natural order, under which illegal immigrants and aliens are kept well away and white people can feel at home once more in a society where everyone signs up to Judaeo-Christian beliefs.

Nothing could be further from the ideas of Herbert Marcuse.

Born in 1898 in Berlin, Marcuse became a member of the celebrated Marxist Frankfurt School, which included Theodor Adorno, Max Horkheimer and, tangentially, Walter Benjamin. Marcuse emigrated to the United States in 1933 as Hitler came to power. By 1940, he had become a US citizen and, while Voegelin was starting work at Louisiana State, Marcuse was working as a researcher for the Office of Strategic Services, the precursor of the CIA. He continued working for the government after the war and resumed his academic career only in 1952. His best-known book, One-Dimensional Man, was published in 1964.

One of Marcuse’s big ideas was the “Great Refusal”: progress had to start with refusing to accept an unacceptable reality. One should say “no” to a world of alienating work, dominated by corporations and impersonal systems, which allow little room for people to explore their deeper sense of humanity. Marcuse saw the student and anti-war protests of the 1960s and 1970s, which adopted him as their intellectual mentor, as evidence that the Great Refusal was gaining momentum.

Trump has given the Great Refusal new life. The documentary film-maker Michael Moore has called for cities to become “regions of resistance” by offering sanctuary to immigrants threatened with deportation. Angela Davis, the once-jailed Black Panther revolutionary who was close to Marcuse, told the Women’s March in Washington that people had to be ready for “1,459 days of resistance: resistance on the ground, resistance on the job, resistance in our art and in our music”. In a lecture at the Free University of West Berlin published in 1970, Marcuse said demonstrations and protests were an essential first step towards a “liberation of consciousness” from the capitalist machine:

“The whole person must demonstrate his participation and his will to live . . . in a pacified, human world . . . it is . . . harmful . . . to preach defeatism and quietism, which can only play into the hands of those who run the system . . . We must resist if we still want to live as human beings, to work and be happy.”

The Great Refusal was a capacious idea capable of embracing anyone who wanted to say, “No, enough!” It could embrace trade unions and workers, African Americans and feminists, students and national liberation movements, those who were on the margins of society and those professionals – technicians, scientists, artists, intellectuals – who worked at its centres of power and who chose to refuse as an act of conscience.

As a new generation prepares to embark on a period of resistance, what lessons should they learn from the wave of protest that Marcuse once helped to inspire?

Protest is a way to bear witness, to make voices heard and to make it possible for people to bond. Yet the fire of protest can easily die out as the Occupy movement did, even if its embers are still glowing. The carnival-type atmosphere can be uplifting but fleeting. Creating common programmes to be taken forward by organisations demands hard work. The Arab spring showed how quickly a popular revolution can turn sour when a movement is not ready to take power.

Since the protests that Marcuse was involved in, no comparable movement of the left in the United States has mobilised such a broad support base. Instead, that period of resistance was followed, at the end of the 1970s, by a shift to the right in the US and the UK. It was reactionaries, not revolutionaries, who set off forward to the past.

Now we seem to be in for an intensifying cycle of conflict between the adherents of Marcuse and Voegelin: between the Marxist revolutionary and the mystic conservative; between resistance and order; between those who want to live among a cosmopolitan, urban multitude and those who want a society of provincial oneness and sameness; those who want change, innovation and creativity and those who crave simplicity, stability and authority.

That much is obvious. Yet what is striking is not how different Marcuse was from Voegelin, but how alike they were. The best way to respond to the rise of Trump might be to blend their ideas rather than set them against one another, to create a new intellectual and political combination. Indeed, they could be seen as different branches of the same intellectual tree.

Voegelin was influenced by the German- Jewish philosopher Hans Jonas, who studied with Martin Heidegger in Freiburg in the 1920s. Jonas joined the German Jewish Brigade, which fought against Hitler, before emigrating to the US, where he became a professor at the New School in New York. He was one of the foremost scholars of gnosticism, which became Voegelin’s focus. Towards the end of his life, Jonas took up a chair at the University of Munich named after Voegelin.

Voegelin did not study at Freiburg, but one of his closest friends was the social ­theorist Alfred Schütz, a student of Edmund Husserl’s who applied his phenomenological thinking to the sociology of ­everyday life. Marcuse studied with Husserl and Heidegger at Freiburg, at the same time as Jonas and Hannah Arendt. From that shared intellectual root have emerged some powerful ideas that could unite progressives and conservatives.

Only at moments of profound crisis – of the kind we are living through – do we see just how contingent, vulnerable and fragile our society is. Voegelin warned: “In an hour of crisis, when the order of society flounders and disintegrates, the fundamental problems of political existence in history are more apt to come into view than in periods of comparative stability.”

A crisis should be a time for profound reflection, yet leaders are more likely to resort to “magical operations” to divert people’s attention: moral condemnation, branding enemies as aggressors, threatening war. “The intellectual and moral corruption,” Voegelin wrote, “which expresses itself in the aggregate of such magical operations may pervade society with the weird ghostly atmosphere of a lunatic asylum, as we experience it in Western society.”

Welcome to the Trump White House.

 

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Voegelin is a timely reminder of how unconservative Donald Trump is and of how conservatives should be a vital part of the coalition against him. Conservatism comes in several strains: laissez-faire conservatives such as George Osborne want small government, free trade, low taxes and freedom of choice. Status quo conservatives such as Angela Merkel want stability and continuity, even if that entails sticking with social welfare programmes and liberal democracy. Authoritarian conservatives, however, are prepared to use the big state to engineer change.

One important question for the future is whether the laissez-faire and status quo conservatives will realign around the ascendant authoritarian camp promoted by Trump. Merkel is the world leader of the conservative-inspired opposition to the US president. But his most profound critic is Pope Francis, who uses language similar to Voegelin’s to condemn the “material and spiritual poverty” of capitalism, and the language of Marcuse to condemn the process of dehumanisation embarked upon by Bannon and Trump.

“As Christians and all people of goodwill, it is for us to live and act at this moment,” the Pope has said. “It is a grave responsib­ility, since certain present realities, unless ­effectively dealt with, are capable of ­setting off a process of dehumanisation which would then be hard to reverse.”

The challenge for progressives is to reframe resistance in terms that can appeal to conservatives: to use conservative ideas of character and spirituality for progressive ends. We will spend a great deal more time trying to conserve things. The swarm of legal challenges against Trump will hold him to the principles of the US constitution and the rule of law. Many of the young people attracted to Bernie Sanders and the Occupy movement yearned for the restoration of the American dream.

Building bridges with the conservative opposition is not merely a tactical manoeuvre to widen support. It has deeper roots in shared doubts about modernity which go back to Freiburg and the man both Marcuse and Jonas renounced in 1964 for supporting the Nazis: Martin Heidegger.

For Heidegger, modernity was a restless, disruptive force that displaced people from jobs, communities and old ways of life, and so left them searching for a sense of home, a place to come back to, where they could be at one with the world. Technology played a central role in this, Heidegger argued, providing not just tools for us to use, but an entire framework for our lives.

Marcuse, writing four decades before ­Facebook and Google, warned that we needed to resist a life in which we freely comply with our own subjugation by technical, bureaucratic systems that control our every thought and act; which make life rich but empty, busy but dead, and turn people into adjuncts of vast systems. We should “resist playing a game that was always rigged against true freedom”, he urged, using language that has been adopted by Trump.

Writing not far from what was to become Silicon Valley, Marcuse pointed to a much larger possibility: the technological bounty of capitalism could, in principle, free us from necessity and meet all human needs, but “. . . only if the vast capabilities of science and technology, of the scientific and artistic imagination, direct the construction of a sensuous environment; only if the world of work loses its alienating features and becomes a world of human relationships; only if productivity becomes creativity are the roots of domination dried up in individuals”.

Writing in the 1960s, when full employment was the norm and advanced society was enjoying a sense of plenty, Marcuse foreshadowed the debates we are having now about what it will mean to be human in an age of machines capable of rapid learning. Mark Zuckerberg’s argument in his recently published manifesto that Facebook creates an infrastructure for a co-operative and creative global civil society is a response to concerns that Marcuse raised.

 

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Just as Marcuse saw that capitalism was a union of contradictions – freedom created on the basis of exploitation, wealth generated by poverty – Voegelin thought modern society was self-defeating: it declined as it advanced. Giving everyone wages to buy stuff from the shops was not progress, he said, but a soulless distortion of the good life, an invitation to spiritual devastation. The gnosticism that Voegelin so hated, the effort to design a perfect society, was also the source of the technological and rational bureaucracy that Marcuse blamed for creating a one-dimensional society. Voegelin would have regarded the apostles of Silicon Valley as arch-gnostics, creating a rational order to the world with the insights gleaned from Big Data and artificial intelligence.

Marcuse and Voegelin point us in the same direction for a way forward. People need to be able to find a sense of meaning and purpose in their lives. Both would have seen Trump’s ascendancy as a symptom of a deeper failure in modern society, one that we feel inside ourselves. The problem for many of us is not that we do not have enough money, but that we do not have enough meaning.

For Voegelin, living well involves “opening our souls” to something higher than buy and sell, work and shop, calculate and trade, margins and profits. Once we detach ourselves from these temporary, Earthly measures of success, we might learn to accept that life is a mysterious, bubbling stream upon which we cannot impose a direction.

A true sense of order, Voegelin argues, comes from living with an open soul and a full spirit, not being part of a machine manufacturing false promises. If we cannot manage to create order from within, by returning to the life guided by the soul, we will find order imposed, more brutally, from without. Marcuse, likewise, thought that turning the Great Refusal into a creative movement required an inner renewal, a “liberation of consciousness” through aesthetics, art, fantasy, imagination and creativity. We can only escape the grip of the one-dimensional society, which reduces life to routines of buying and selling, by recognising that we are multidimensional people, full of potential to grow in different ways. It is not enough merely to resist reality; we have to escape it through leaps of imagination and see the world afresh.

Václav Havel, the leader of the Czech resistance to communist rule, called this “living in truth”. Havel’s most influential essay, “The Power of the Powerless”, written in 1978, is about how to avoid the slow spiritual death that comes from living in an oppressive regime that does not require you to believe in what it does, merely to go along with “living within a lie”.

The greengrocer who is the central figure and motif in Havel’s essay eventually snaps, and stops putting in his shop window an official sign that reads: “Workers of the world, unite!” Havel wrote: “In this revolt the greengrocer steps out of living within the lie. He rejects the ritual and breaks the rules of the game. He discovers once more his suppressed identity and dignity. His revolt is an attempt to live within the truth.”

Human beings by nature long to live in truth, even when put under pressure to live a lie. In language evocative of Voegelin and Marcuse, Havel writes: “In everyone there is some longing for humanity’s rightful dignity, for moral integrity, for free expression of being and a sense of transcendence over the world of existence.”

In communist Czechoslovakia that meant taking a wide and generous view of what counts as resistance as people sought their own ways to “live in truth”. Under President Trump, many Americans are finding they are living within a regime of lies, and they will be drawn back, time and again, to find ways, large and small, personal and political, to live in truth.

Resistance to Trump and Trumpism will succeed only if it mobilises both conservative and progressive forces opposed to authoritarianism, and it needs to stand for a better way to live in truth, with dignity.

Charles Leadbeater is the author of the ALT/Now manifesto, which is available to read at: banffcentre.ca

This article first appeared in the 23 March 2017 issue of the New Statesman, Trump's permanent revolution