Lynn Barber at the premierer of "An Education" in 2009. Photo: Getty
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A Curious Career: learning Lynn Barber's rules for celebrity interviews

Lynn Barber's A Curious Career is a curious concoction, a mixture of retold stories and reprinted interviews from a writer who has always been better at writing about other people rather than herself.

A Curious Career 
Lynn Barber
Bloomsbury, 211pp, £16.99

The rules of the celebrity interview can be pretty plainly stated, according to Lynn Barber in her new memoir, A Curious Career. Both participants – interviewer and interviewee – “know that this is a transaction in which we both hope to get something more than we intend to give. The celebrity hopes for maximum publicity for their book or film or whatever they are plugging in return for minimal self-exposure. The journalist delivers the publicity but aims to wrest a few revealing remarks from the celebrity along the way.”

How do you go about that wresting? Chapter three of this book, “On Interviewing”, provides a handy instruction manual – you’d think almost anyone could do it. Do your research. Arrive on time. Make sure your tape recorder is working. Hope your front tooth doesn’t fall out (this happened to Barber when she was interviewing Oliver Stone; apparently he was a gent about the whole business). See if you can persuade your subjects to allow you into their home. Ask open-ended questions: you can’t go wrong with: “Why?” I’ve done a fair bit of interviewing along the way, and I can vouch for the quality and usefulness of this advice: I even allowed myself to be pleased to discover that Barber hates listening to her own voice on her recordings just as much as I hate listening to mine.

Whom better to take advice from in this regard? Soon to be 70, Barber is the doyenne of celebrity interviewers. She got her start at Oxford, writing for Cherwell, the student paper, where she had the good fortune to interview Bob Guccione, who was just about to launch Penthouse to rival Playboy. She ended up working for him for £16 a week: “not bad for those days – enough to buy a new outfit every week at Biba”. She wrote a couple of books (the title of the first, How to Improve Your Man in Bed, has a perfect Mad Men ring to it) and eventually joined the Sunday Express Magazine, where (once again interviewing her old pal Guccione) she started writing her pieces in the first person, which wasn’t the custom then. The “Demon Barber” was born.

Now, perhaps all this sounds a little familiar to you. Much of this information – and much of interest that’s in this book – can be found written more carefully, and certainly at greater depth, in An Education. This first memoir was published in 2009 to wide acclaim, and its central story of the teenage Barber’s relationship with Simon, a much older man, was made into a fine film starring Carey Mulligan and Peter Sarsgaard. If you haven’t read An Education, that’s the place to start – for A Curious Career is a curious concoction, an odd and, finally, not very satisfying mix of retold stories, reprinted interviews and hasty recollection.

By now the tale of Barber lying to Julie Andrews when the actress asked if she had children (Barber denied the existence of her daughters to save precious interviewing time) has been recounted often; but it’s presented here rather as if it were brand new. Interviews that can easily be found online (with Marianne Faithfull, with Martin Clunes) are reproduced in their entirety for no better reason, one feels, than to pad out the book; interviews that are less easily accessible (with James Stewart, with Muriel Spark) are, alas, not included – but then if they were the reader might not purchase the author’s earlier collections of interviews. Clever old Lynn.

There is also a sense that, in the end, Barber isn’t really a natural memoirist. Towards the close of the book she reveals that she discovered, after An Education had been published, what happened in the end to Simon – “my conman”, she calls him. As he was so much older, it is unsurprising to learn that he died. Barber’s reaction is a pretty brisk “Phew!”.

Other people are her game. “To be a good interviewer you have to know yourself pretty well,” she writes: and in the most important sense at least, she does. She is “exceptionally nosy”, she tells us; but this applies best to her subjects. Introspective she is not. Over the long course of her remarkable, and curious, career, that nosiness has been served her – and us – pretty well. 

Erica Wagner is the Eccles British Library Writer in Residence and a judge of the 2014 Man Booker Prize

Erica Wagner is a New Statesman contributing writer and a judge of the 2014 Man Booker Prize. A former literary editor of the Times, her books include Ariel's Gift: Ted Hughes, Sylvia Plath and the Story of “Birthday Letters” and Seizure.

This article first appeared in the 14 May 2014 issue of the New Statesman, Why empires fall

Photo: Channel 4
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Who will win Great British Bake Off 2017 based on the contestants’ Twitters

An extremely serious and damning investigation. 

It was morning but the sky was as dark as the night – and the night was as dark as a quite dark rat. He walked in. A real smooth gent with legs for seconds. His pins were draped in the finest boot-cut jeans money could buy, and bad news was written all over his face. “I’m Paul,” he said. “I know”. My hooch ran dry that night – but the conversation never did. By nightfall, it was clear as a see-through rat.   

Some might say that going amateur detective to figure out which contestants win and lose in this year’s Great British Bake Off is spoiling the fun faster than a Baked Alaska left out of the freezer. To those people I’d say: yes. The following article is not fun. It is a serious and intense week-by-week breakdown of who will leave GBBO in 2017. How? Using the contestants’ Twitter and Instagram accounts, of course.

The clues are simple but manifold, like a rat with cousins. They include:

  • The date a contestant signed up for social media (was it during, or after, the competition?)
  • Whether a contestant follows any of the others (indicating they had a chance to bond)
  • A contestant’s personal blog and headshots (has the contestant already snaffled a PR?)
  • Pictures of the contestant's baking.
  • Whether a baker refers to themselves as a “baker” or “contestant” (I still haven’t figured this one out but FOR GOD’S SAKE WATSON, THERE’S SOMETHING IN IT)

Using these and other damning, damning, damning clues, I have broken down the contestants into early leavers, mid-season departures, and finalists. I apologise for what I have done.

Early leavers

Kate

Kate appears not to have a Twitter – or at least not one that the other contestants fancy following. This means she likely doesn’t have a book deal on the way, as she’d need to start building her social media presence now. Plus, look at how she’s holding that fork. That’s not how you hold a fork, Kate.

Estimated departure: Week 1

Julia

This year’s Bake Off began filming on 30 April and each series has ten episodes, meaning filming ran until at least 9 July. Julia first tweeted on 8 May – a Monday, presumably after a Sunday of filming. Her Instagram shows she baked throughout June and then – aha! – went on holiday. What does this mean? What does anything mean?

Estimated departure: Week 2

James

James has a swish blog that could indicate a PR pal (and a marketing agency recently followed him on Twitter). That said, after an April and May hiatus, James began tweeting regularly in June – DID HE PERHAPS HAVE A SUDDEN INFLUX OF FREE TIME? No one can say. Except me. I can and I am.

Estimated departure: Week 3

Tom

Token-hottie Tom is a real trickster, as a social media-savvy youngster. That said, he tweeted about being distracted at work today, indicating he is still in his old job as opposed to working on his latest range of wooden spoons. His Instagram is suspiciously private and his Twitter sparked into activity in June. What secrets lurk behind that mysteriously hot face? What is he trying to tell me, and only me, at this time?

Estimated departure: Week 4

Peter

Peter’s blog is EXCEPTIONALLY swish, but he does work in IT, meaning this isn’t a huge clue about any potential managers. Although Peter’s bakes look as beautiful as the moon itself, he joined Twitter in May and started blogging then too, suggesting he had a wee bit of spare time on his hands. What’s more, his blog says he likes to incorporate coconut as an ingredient in “everything” he bakes, and there is absolutely no bread-baking way Paul Hollywood will stand for that.

Estimated departure: Week 5

Mid-season departures

Stacey

Stacey’s buns ain’t got it going on. The mum of three only started tweeting today – and this was simply to retweet GBBO’s official announcements. That said, Stacey appears to have cooked a courgette cake on 9 June, indicating she stays in the competition until at least free-from week (or she’s just a massive sadist).

Estimated departure: Week 6

Chris

Chris is a tricky one, as he’s already verified on Twitter and was already solidly social media famous before GBBO. The one stinker of a clue he did leave, however, was tweeting about baking a cake without sugar on 5 June. As he was in London on 18 June (a Sunday, and therefore a GBBO filming day) and between the free-from week and this date he tweeted about bread and biscuits (which are traditionally filmed before free-from week in Bake Off history) I suspect he left just before, or slap bang on, Week 7. ARE YOU PROUD NOW, MOTHER?

Estimated departure: Week 7

Flo

Flo’s personal motto is “Flo leaves no clues”, or at least I assume it is because truly, the lady doesn’t. She’s the oldest Bake Off contestant ever, meaning we can forgive her for not logging onto the WWWs. I am certain she’ll join Twitter once she realises how many people love her, a bit like Val of seasons past. See you soon, Flo. See you soon.

Estimated departure: Week 8

Liam

Liam either left in Week 1 or Week 9 – with 0 percent chance it was any of the weeks in between. The boy is an enigma – a cupcake conundrum, a macaron mystery. His bagel-eyed Twitter profile picture could realistically either be a professional shot OR taken by an A-Level mate with his dad’s camera. He tweeted calling his other contestants “family”, but he also only follows ONE of them on the site. Oh, oh, oh, mysterious boy, I want to get close to you. Move your baking next to mine.

Estimated departure: Week 9

Finalists

Steven

Twitter bios are laden with hidden meanings and Steven Carter-Bailey’s doesn’t disappoint. His bio tells people to tune in “every” (every!) Tuesday and he has started his own hashtag, #StevenGBBO. As he only started tweeting 4 August (indicating he was a busy lil baker before this point) AND his cakes look exceptionally lovely, this boy stinks of finalist.  

(That said, he has never tweeted about bread, meaning he potentially got chucked out on week three, Paul Hollywood’s reckoning.)

Sophie

Sophie’s Twitter trail is the most revealing of the lot, as the bike-loving baker recently followed a talent agency on the site. This agency represents one of last year’s GBBO bakers who left just before the finale. It’s clear Sophie’s rising faster than some saffron-infused sourdough left overnight in Mary’s proving drawer. Either that or she's bolder than Candice's lipstick. 

Chuen-Yan

Since joining Twitter in April 2017, Yan has been remarkably silent. Does this indicate an early departure? Yes, probably. Despite this, I’m going to put her as a finalist. She looks really nice. 

Amelia Tait is a technology and digital culture writer at the New Statesman.