Yesterday’s Dreams by Jack Vettriano
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Jack Vettriano: standing in the shadows of love

Scotland’s favourite painter on the art of heartbreak.

Yesterday’s Dreams was painted in 1994. The setting is the studio that I kept on the second floor of a townhouse that I had at the time in Edinburgh, in Lynedoch Place, not five minutes’ walk from the First Minister’s official residence, Bute House.

The title and inspiration for the painting come from a song by Lamont Dozier and the brothers Brian and Eddie Holland, who, as a trio, arranged and produced many songs that helped define the Motown sound in the 1960s and provided the soundtrack to my adolescence. I first heard the song after it was released in 1968, when I was a 17-year-old with a girlfriend who was 19. And yes, she turned the boy into a man in every way. But she moved on to another trainee lover and left me totally broken-hearted.

I retired to my bedroom for three months, my solitude interrupted only by having to go to work, and listened to “Yesterday’s Dreams” endlessly and wrote poetry – nothing for Robert Burns or Leonard Cohen to worry about but cathartic at the time, for me. I was just a young guy who couldn’t cope with a broken heart and this song captured the terrible pain that only love can inflict.

Yesterday’s dreams today are all sorrow
Just like your love, girl, fading away . . .
Yesterday’s love won’t last till tomorrow
I know you’re leaving, but what can I say? . . .
Yesterday’s dreams though gone and behind us
They’re lonely reminders of plans that we made.

When I emerged from my self-imposed exile, I stopped listening to the song to prove to myself that I’d moved on, and didn’t rediscover it until 26 years later when I came across a CD of The Four Tops Greatest Hits. I bought it and immediately played the track and it took me right back to me as a tragic 17-year-old. I knew I had a painting to do and I didn’t want it to be a self-portrait, so I contacted a friend, told her my story and Yesterday’s Dreams is the result.

For some reason I have always been drawn to people, particularly women, whose hearts have been broken – occasionally by me. I think this feeds in to my melancholic tendencies, and definitely influences my choice of music. In Yesterday’s Dreams, I wanted to capture an atmosphere of melan­choly and longing, so I kept the scene simple: a woman dressed in black, holding a pair of gloves and a cigarette; she’s turned away from the viewer and is looking out of my studio window. Mundane though this may seem, I’d never painted net curtains before, but I wanted to see if I could do it because they added something in the partial veiling of her and the view beyond. When I look at the painting now, it makes me nostalgic about my time in Lynedoch Place and the view out of my window, which is Randolph Cliff, the most beautiful row of Georgian houses, opposite my studio.

I like to create atmosphere and here I wanted to capture the woman’s sadness that her lover has left her and is not coming back. There is a period of grieving after the loss of love and so I dressed my character in black and put her in a grey background to give the painting an almost funereal setting. The clothes were all from charity shops; I pick things up when I see them and they find their way into paintings at a later date. I gave her a cigarette as I do enjoy watching a woman smoking – I guess I’m in the minority there, but I just do.

I planned the painting carefully. I wanted it to be very simple, with a restricted palette of colours – almost monochromatic, with the tones of the Edinburgh sky blending with the pale grey stone of the houses opposite. I am proud of this painting and I was so pleased when it was selected for inclusion in my 20-year retrospective at Kelvingrove Art Gallery. I hope that visitors to the exhibition were moved by it in some way.

www.jackvettriano.com

This article first appeared in the 26 February 2014 issue of the New Statesman, Scotland: a special issue

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Want to send a positive Brexit message to Europe? Back Arsene Wenger for England manager

Boris Johnson could make a gesture of goodwill. 

It is hard not to feel some sympathy for Sam Allardyce, who coveted the England job for so many years, before losing it after playing just a single match. Yet Allardyce has only himself to blame and the Football Association were right to move quickly to end his tenure.

There are many candidates for the job. The experience of Alan Pardew and the potential of Eddie Howe make them strong contenders. The FA's reported interest in Ralf Rangner sent most of us scurrying to Google to find out who the little known Leipzig manager is. But the standout contender is Arsenal's French boss Arsene Wenger, 

Would England fans accept a foreign manager? The experience of Sven Goran-Eriksson suggests so, especially when the results are good. Nobody complained about having a Swede in charge the night that England won 5-1 in Munich, though Sven's sides never won the glittering prizes, the Swede proving perhaps too rigidly English in his commitment to the 4-4-2 formation.

Fabio Capello's brief stint was less successful. He never seemed happy in the English game, preferring to give interviews in Italian. That perhaps contributed to his abrupt departure, falling out with his FA bosses after he seemed unable to understand why allegations of racial abuse by the England captain had to be taken seriously by the governing body.

Arsene Wenger could not be more different. Almost unknown when he arrived to "Arsene Who?" headlines two decades ago, he became as much part of North London folklore as all-time great Arsenal and Spurs bosses, Herbert Chapman or Bill Nicholson, his own Invicibles once dominating the premier league without losing a game all season. There has been more frustration since the move from Highbury to the Emirates, but Wenger's track record means he ranks among the greatest managers of the last hundred years - and he could surely do a job for England.

Arsene is a European Anglophile. While the media debate whether or not the FA Cup has lost its place in our hearts, Wenger has no doubt that its magic still matters, which may be why his Arsenal sides have kept on winning it so often. Wenger manages a multinational team but England's football traditions have certainly got under his skin. The Arsenal boss has changed his mind about emulating the continental innovation of a winter break. "I would cry if you changed that", he has said, citing his love of Boxing Day football as part of the popular tradition of English football.

Obviously, the FA must make this decision on football grounds. It is an important one to get right. Fifty years of hurt still haven't stopped us dreaming, but losing to Iceland this summer while watching Wales march to the semi-finals certainly tested any lingering optimism. Wenger was as gutted as anybody. "This is my second country. I was absolutely on my knees when we lost to Iceland. I couldn't believe it" he said.

The man to turn things around must clearly be chosen on merit. But I wonder if our new Foreign Secretary Boris Johnson - albeit more of a rugger man himself - might be tempted to quietly  suggest in the corridors of footballing power that the appointment could play an unlikely role in helping to get the mood music in place which would help to secure the best Brexit deal for Britain, and for Europe too.

Johnson does have one serious bit of unfinished business from the referendum campaign: to persuade his new boss Theresa May that the commitments made to European nationals in Britain must be honoured in full.  The government should speed up its response and put that guarantee in place. 

Nor should that commitment to 3m of our neighbours and friends be made grudgingly.

So Boris should also come out and back Arsene for the England job, as a very good symbolic way to show that we will continue to celebrate the Europeans here who contribute so much to our society.

British negotiators will be watching the twists and turns of the battle for the Elysee Palace, to see whether Alain Juppe, Nicolas Sarkozy end up as President. It is a reminder that other countries face domestic pressures over the negotiations to come too. So the political negotiations will be tough - but we should make sure our social and cultural relations with Europe remain warm.

More than half of Britons voted to leave the political structures of the European Union in June. Most voters on both sides of the referendum had little love of the Brussels institutions, or indeed any understanding of what they do.

But how can we ensure that our European neighbours and friends understand and hear that this was no rejection of them - and that so many of the ways that we engage with our fellow Europeans rom family ties to foreign holidays, the European contributions to making our society that bit better - the baguettes and cappuccinos, cultural links and sporting heroes remain as much loved as ever.

We will see that this weekend when nobody in the golf clubs will be asking who voted Remain and who voted Leave as we cheer on our European team - seven Brits playing in the twelve-strong side, alongside their Spanish, Belgian, German, Irish and Swedish team-mates.

And now another important opportunity to get that message across suddenly presents itself.

Wenger for England. What better post-Brexit commitment to a new Entente Cordiale could we possibly make?

Sunder Katwala is director of British Future and former general secretary of the Fabian Society.