Educating Yorkshire and Bad Education: Stepping into a vortex of competition, bullying and sexual tension

I loved watching the first part of the new documentary Educating Yorkshire. All I could think was: “No school for me, suckers!”

Educating Yorkshire, Bad Education
Channel 4, BBC3
 
I loved watching the first part of the new documentary Educating Yorkshire (5 September, 9pm). All I could think was: “No school for me, suckers!” Perhaps this sounds sad: I’m in my forties; I should be long past Feeling the Fear come September. But the truth is I hated almost every moment of my years in fulltime education, and the weird similarities between Thornhill Community Academy in Dewsbury and my old school in Sheffield brought all the loathing rushing back.
 
It wasn’t just the building, utilitarian to a fault, but the staff, too. I’d almost forgotten how much the northern male likes to swagger, flirt and gurn in the classroom, how much he relishes the melodrama of a good telling-off (“Unfortunately, you don’t find us in a very charitable mood today . . .”). How heavenly to remember all this, safe in the knowledge that I will never again have to enter such a vortex of low-level competition, bullying and sexual tension.
 
Ah, competition. But calm down, this is not Gove-speak. Rather, I refer to the way that in much of the state sector one must strive hard to be – or at least to appear to be – the school’s least active, alert, interested, clever or successful pupil; a dumb kind of a contest but one that it is vital to win, or so it feels at the time.
 
At Thornhill, where a new head teacher, Mr Mitchell, is trying hard to lift standards, there are lots of pupils involved in this particular madness. They wander the corridors, limp as rags. Prod them, however, and they spring delightfully to life. “No, I’ve just got style, sir,” swanked Bailey, when a teacher wondered aloud if her woolly hat was a sign she was off to play golf.
 
Bailey, alas, has a bit of a problem, caught between her desire to seem like the least enthusiastic person alive and a secret wish to become a prefect and Make Something of Herself. When told to remove her nail polish, her reply was straightforward. “I can’t!” she said, as if she’d been asked to construct an algorithm for cosmetic change. Why not? “Because I don’t like my nails.”
 
Later on, Mr Mitchell inquired after her pencilled eyebrows – weren’t they getting a bit big? Patiently, she explained the difficulty to him. These facial caterpillars of hers need to match, so if one appears to be bigger than the other, she must then adjust the first – and so . . . they grow. “You can use stencils,” she said, though it was clear from her tone that such technical kit is not for her; she would rather wield the kohl freehand and hang the consequences.
 
All this is delicious – like a play by Jez Butterworth. That the school is improving rapidly allows you to enjoy it without worrying too much about these children’s results. It also makes me think that Jack Whitehall’s Bad Education, back for a second series (3 September, 10.30pm), is not half so far-fetched as some of its critics might imagine.
 
How’s this for comedy? In Educating Yorkshire, a female teacher complained to her class of feeling hot. “Maybe you’re going through the menopause, miss,” said 12-year-old Ryan. And then: “Do you know what that is?” At which point, Miss actually answered: “Yes. It’s when you get older and you . . . change.” Ryan grimaced, sympathetically.
 
No wonder that Bad Education, which I watched straight afterwards, had a distinct whiff of documentary. I remember teachers exactly like Alfie (Whitehall), who desperately sucked up to the classes that bullied them. We had a German master who turned his “lessons” into an eternal Rubik’s Cube competition (prizes of cash and Smarties).
 
At Abbey Grove School’s swimming gala, the wimpish Alfie claimed a chlorine allergy so bad it would turn him “from Jamie Redknapp to Harry Redknapp just like that”. But then, in the cause of trying to prove his class wasn’t a bunch of complete losers, he agreed to enter the synchronised diving contest and his face swelled up until he looked like Avid Merrion in Bo’ Selecta!. God, it was funny. I sniggered all the way through and then – old habits die hard – nipped out for a bag of cheese and onion crisps, the swimming gala snack of choice, whether you’re 14 or 40.
Eyebrow debate: Bailey, a pupil at Thornhill Community College. Photo: Gary Calton/Channel 4

Rachel Cooke trained as a reporter on The Sunday Times. She is now a writer at The Observer. In the 2006 British Press Awards, she was named Interviewer of the Year.

This article first appeared in the 09 September 2013 issue of the New Statesman, Britain alone

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What David Hockney has to tell us about football

Why the sudden glut of blond footballers? A conversation I had with the artist back in 1966 gave me a clue. . .

In 1966, I went to interview David Hockney at a rather run-down flat in Bayswater, central London. He was 28 and had just won a gold medal at the Royal College of Art.

In his lavatory, I noticed a cut-out photograph from a newspaper of Denis Law scoring a goal. I asked if he was a football fan. He said no, he just liked Denis Law’s thighs.

The sub-editors cut that remark out of the story, to save any gossip or legal problems. In 1966 homosexual activity could still be an offence.

Hockney and a friend had recently been in the United States and had been watching an advert on TV that said “Blondes have more fun”. At two o’clock in the morning, slightly drunk, they both went out, bought some hair dye and became blond. Hockney decided to remain blond from then on, though he has naturally dark hair.

Is it true that blonds have more fun? Lionel Messi presumably thinks so, otherwise why has he greeted this brand-new season with that weird blond hair? We look at his face, his figure, his posture and we know it’s him – then we blink, thinking what the heck, does he realise some joker has been pouring stuff on his head?

He has always been such a staid, old-fashioned-looking lad, never messing around with his hair till now. Neymar, beside him, has gone even blonder, but somehow we expect it of him. He had foony hair even before he left Brazil.

Over here, blonds are popping up all over the shop. Most teams now have a born-again blondie. It must take a fortune for Marouane Fellaini of Man United to brighten up his hair, as he has so much. But it’s already fading. Cheapskate.

Mesut Özil of Arsenal held back, not going the full head, just bits of it, which I suspect is a clue to his wavering, hesitant personality. His colleague Aaron Ramsey has almost the full blond monty. Paul Pogba of Man United has a sort of blond streak, more like a marker pen than a makeover. His colleague Phil Jones has appeared blond, but he seems to have disappeared from the team sheet. Samir Nasri of Man City went startlingly blond, but is on loan to Seville, so we’re not able to enjoy his locks. And Didier Ndong of Sunderland is a striking blond, thanks to gallons of bleach.

Remember the Romanians in the 1998 World Cup? They suddenly appeared blond, every one of them. God, that was brilliant. One of my all-time best World Cup moments, and I was at Wembley in 1966.

So, why do they do it? Well, Hockney was right, in a sense. Not to have more fun – meaning more sex – because top footballers are more than well supplied, but because their normal working lives are on the whole devoid of fun.

They can’t stuff their faces with fast food, drink themselves stupid, stay up all night, take a few silly pills – which is what many of our healthy 25-year-old lads consider a reasonably fun evening. Nor can they spend all their millions on fun hols, such as skiing in the winter, a safari in the spring, or hang-gliding at the weekend. Prem players have to be so boringly sensible these days, or their foreign managers will be screaming at them in their funny foreign accents.

While not on the pitch, or training, which takes up only a few hours a day, the boredom is appalling, endlessly on planes or coaches or in some hotel that could be anywhere.

The only bright spot in the long days is to look in the mirror and think: “Hmm, I wonder what highlights would look like? I’ve done the beard and the tattoos. Now let’s go for blond. Wow, gorgeous.”

They influence each other, being simple souls, so when one dyes his hair, depending on where he is in the macho pecking order, others follow. They put in the day by looking at themselves. Harmless fun. Bless ’em.

But I expect all the faux blonds to have gone by Christmas. Along with Mourinho. I said that to myself the moment he arrived in Manchester, smirking away. Pep will see him off. OK then, let’s say Easter at the latest . . . 

Hunter Davies is a journalist, broadcaster and profilic author perhaps best known for writing about the Beatles. He is an ardent Tottenham fan and writes a regular column on football for the New Statesman.

This article first appeared in the 22 September 2016 issue of the New Statesman, The New Times