Breaking Bad series 5, episode 9: Ordinary, decent lives

The beginning of the end for Walter White, and Breaking Bad, is here.

WARNING: This blog is for people currently watching Breaking Bad series 5, part 2. It contains spoilers.

Near the beginning of the fifth and final series of AMC’s Breaking Bad, Mike Ehrmantraut, a one-time “cleaner” and PI, refuses the offer of a partnership in the soon-to-be-resurrected methamphetamine business of a former high school chemistry teacher turned pathological monster. “You are a time bomb - tick, tick, ticking,” he tells Walter White, who has just become the last meth cook standing in an open market. “And I have no intention of being around for the boom.”

The second half of the final series has just kicked off on Netflix, lighting the charges that will lead us to the programme’s conclusion. In eight weeks' time we will have witnessed a 46 and a half hour moral drama set to join the pay-per-view television hall of fame alongside the Sopranos, The Wire and a handful of others. Watching the show produces a unique, churning discomfort, as we try to reconcile our feelings for the pitiable Walter White (and even our attraction to his sublime alter ego “Heisenberg”), with the acts he goes on to commit. Audiences often comment on shifting the red line beyond which Walter ceases to be a loveable, if pathetic, science geek and family man, and becomes a megalomaniacal drug lord in a pork pie hat and sunglasses.

Walter outside his house in the episode prologue. Photograph: AMC.

“Blood Money” begins in the same chronological moment as the series overall. It is Walter’s 52nd birthday and he has just bought himself a machine gun. He has also let his hair grow back. After retrieving the talismanic ricin vial from behind the socket in his now derelict home, he is spotted by his next-door neighbour. “Hi Carol,” Walt says. Carol shrieks and drops her groceries, confirming what we had already fairly assumed: Walter is now a fugitive, with no alternative to work with but a hail of bullets. Creator Vincent Gilligan did promise “Mr Chips to Scarface” after all.

After the credits we are back to where episode 8 left off, as Hank (Dean Norris) finally emerges from the longest crap in television history. He emerges into the full horror of his oversight. The DEA’s finest is now aware that his brother-in-law is the legendary meth cook Heisenberg, though it takes for him to accept it. He painstakingly lines up Gale Boetticher’s handwriting in the copy of Walt Whitman’s Leaves of Grass from Walter’s bathroom with the lab notes taken from Gale’s flat. After another appearance from Carol (“Hi Carol!”) Hank has a panic attack and crashes into somebody’s painted wooden fence. It’s all a bit much for the poor guy.

Meanwhile Skyler (Anna Gunn) and Walt have made a full-time occupation of laundering the many millions Walt earned from his über-pure crystale. Repeatedly in this episode Walt attempts to assert the normality of his affairs - “Have an A1 day” he chirps at customers in the car wash where he once earned extra cash after school - but past darknesses refuse to stay in the past. Into the car wash walks Lydia Rodarte-Quayle (Laura Fraser), to whom Walt bestowed the business after his wife convinced him it was time to quit. She complains that the product’s quality has dropped to 60 per cent, but is chased off the property by a ferocious Skyler White - showing a little Heisenberg of her own. Let’s hope there’s more of that to come.

Hank provides us with a handy little montage of misdemeanours as he collates the evidence against Walt in his garage: Tuco’s body, lab equipment, CCTV footage, photographs of Hector Salamanca and Chow. While our (anti) hero goes about his life, his former partner and surrogate son Jesse (Aaron Paul) tells crooked lawyer Saul Goodman (Bob Odenkirk) that he wants to give away his “blood money”. He is, as before, wracked with guilt. After the inane ramblings of former slinger Badger drive him from his house, he tells Saul to give $2million to the parents of the Drew Sharp (the boy who died after the methylamine train heist) and $2million to Mike’s granddaughter Kaylee Ehrmantraut.

Better call Saul - or, this time, maybe not. Barn door open! Photograph: AMC.

When Walt hears about this, the camera pulls back to reveal that he is having chemotherapy. The cancer is back. Last week Breaking Bad enthusiasts at the Telegraph published their predictions for the second half of the final series of the show. One of the ideas that intrigued me most was Benjamin Secher’s suggestion that “there are only two reasons to give a character the exact same name as his father: one is to suggest that the boy will inevitably following his dad’s footsteps (and if the series had a softer centre, it would end with junior taking the helm of Walter’s crystal meth empire); the other is to set-up a scene of mistaken identity.” Could Walter Jr. (RJ Mitte) suffer for the sins of his father? The old familiar sickness in my guts returned on reading Catherine Gee’s litany of possible deaths:

Three things will happen. Walter’s cancer will return, baby Holly will die and Hank will kill Walter. Unless Walter kills Hank. Or unless Jesse kills Hank to protect Walter. Or maybe Junior will kill Hank AND Jesse to protect Walter. Or Ted Beneke will make a dramatic return to become Hank’s star witness – and then will kill Walter.

Half of these ideas seem unlikely, but none are impossible. Ever since the pilot I had been convinced that the cancer would kill Walt, and that his actions would have been in vain - that is what a tragedy requires. But then his crimes escalated beyond anything I had imagined. The point at which Walter watched Jesse’s girlfriend choke to death on her own vomit was probably the point at which I decided a splutter and fall would be too good for Walt. Gilligan has spoken of his desire for judgement, for cosmic realignment, in making the series. The fear now is that Walter has tainted the family he claimed to be acting to save, and that they too must pay the price.

Walt is back in chemotherapy. Photograph: AMC.

In a throwback to episode 8, but also to the first series, Walt throws up in the toilet as a result of his cancer treatment. He notices his Leaves of Grass is gone. Walter has always been an incredible liar - he lies so well he can convince himself of almost anything. To begin with he lies to inflate the demon Heisenberg, to scare off the competition and satisfy his ego. Later he lies to deny it. He tells Jesse that they are both “out” (sound familiar Mr Corleone?) and that they can “try to live ordinary, decent lives”, before lying through his teeth, again and again, about his not having killed Mike.

Still, Jesse goes on a philanthropic spree, throwing large bundles of cash into front gardens, cacti and down drains, trying to atone like a junkie Lady Macbeth. This creeping episode reaches its crescendo when Walter, paranoid about his lost Whitman, finds a tracking device stuck to the bottom of his car. The next day he drives to Hank’s, is alarmed by his suspicious behaviour, and confronts him about it. Hank lowers the garage door and clocks Walter, splitting his temple wide open.

At first Walter seems to concede his guilt, not begging, but negotiating with Hank: “You and I both know I would never see the inside of a jail cell. I am a dying man who runs a car wash. My right hand to God that is all that I am. What’s the point?” But this, as was the case at the end of series 3, is a perfect collision of the two Walters: Mr White and Heisenberg. Even though he has, after 55 episodes, finally been rumbled, it is Hank who looks truly washed out, shocked and afraid. He asks Walter to bring over Skyler and the kids, so they can “talk” - which Walter refuses. They are now his hostages. 

“I don’t know who you are,” Hank whispers at the end of the episode. “I don’t even know who I’m talking to.”

Heisenberg responds: “If that’s true, if you don’t know who I am, maybe your best course would be to tread lightly.”

I'll be blogging after each of the final eight episodes of Breaking Bad. If you want to follow the series, bookmark this page.

On his 52nd birthday, Walter returns to the family home, deserted and tagged.

Philip Maughan is a freelance writer in Berlin and a former Assistant Editor at the New Statesman.

Photo: NRK
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Skam, interrupted: why is the phenomenally popular teen drama ending before its peak?

The show has been building towards high school graduation – but now it’s ending before its lead characters finish school.

“Have you heard they started their bus already?”
“No!”
“One month into high school – and they started their bus.”

This Skype conversation between Eva and Isak comes early in the first episode of Skam. The phenomenally internationally successful series follows teenagers at a high school in Oslo. The “bus” they're discussing is a key plot point and concern of the students' lives. That’s because, in Norway, graduating high school students participate in “russefeiring” – it’s a rite of passage into adulthood, a celebration of completing high school, and a farewell to friends departing for university or jobs around the country.

Students gather into groups, give their gang a name, wear matching coloured overalls, rent a big car or a van, and spend late April to mid May (17 May – Norwegian Constitution Day) continuously partying. They call it the “three week binge”. It’s a big fucking deal. 

Skam, with its focus on teens in high school, has therefore spent a lot of time thinking about “russ”. The show, which is set at the exact same time it airs, has followed its four main characters Eva, Noora, Isak and Sana (who each have a season of the show written from their perspective, a la Skins), as well as all their friends, from their first few weeks at school in September 2015. In other words, preparations take years, and we’ve heard a lot about the plans for their russ bus.

In season one, Eva has fallen out with her best friend, and is hurt when she hears she is moving on and has formed a new bus, with new friends, called Pepsi Max.

We meet one of the show’s most prominent characters, Vilde, when we see her trying to get a bus of girls together. The show’s five main girl characters, Eva, Noora, Vilde, Chris and Sana, become friends because of her efforts: they bond during their “bus meetings” and fundraising attempts. They flirt with a group of boys on a bus calling themselves “The Penetrators”.

The latest season follows Sana’s struggles to ensure the bus doesn’t fall apart, and an attempt to join buses with rivals Pepsi Max. The joyful climax of season four comes when they finally buy their own bus and stop social-climbing, naming themselves “Los Losers”. Bus drama is the glue that keeps the show together.

But now, in June 2017, a whole year before the characters graduate, Skam is ending. The architect of the girls’ bus, Vilde, has never had her own season, unlike most of her friends. Many assumed that Vilde would have had her own season during her final year at school. Fans insist the show’s creator Julie Andem planned nine seasons in total, yet Skam is ending after just four.

The news that Skam would stop after season four came during the announcement that Sana, a Muslim member of the “girl squad”, would be the next main character. The show’s intense fandom were delighted by the character choice, but devastated at the news that there would only be one more season. “I can’t accept that this is the last season,” one wrote on Reddit.

“I'm so shocked and sad. It’s honestly just...weird. It doesn’t make sense, and it’s not fair. It’s not fair that we’re not getting a Vilde season. Most importantly, it’s not fair that we’ll never get to see them on their russ, see them graduating, nothing. It seems like such an abrupt decision. It doesn’t serve the storyline at all.”

No one has given a concrete reason about why the show ended prematurely. Ina, who plays Chris, said in an interview that “we all need a break”.

Some fans went into denial, starting petitions to encourage Andem to continue with the show, while rumours abound suggesting it will return. 

Many speculated that the show simply became too popular to continue. “I think that the show would have had six seasons and a Vilde season if the show didn’t become popular outside of Scandinavia,” one wrote. “I think the pressure and the large amount of cringy fans (not saying that some Scandinavian fans aren’t cringy) has made making the show less enjoyable for the actors and creators.”

Andem has stayed mostly quiet on her reasons for ending the show, except for a statement made via her Instagram. She recalls how very early on, during a season one shoot, someone first asked her how long the show would last:

“We were standing in the schoolyard at Nissen High School, a small, low-budget production crew, one photographer, the sound engineer and me. ‘Who knows, but I think we should aim for world domination,’ I said. We all laughed, ‘cause I was obviously joking. None of us understood then how big Skam would turn out to be. This experience has been completely unreal, and a joy to be a part of.”

Skam has been a 24/7 job,” she continues. “We recently decided that we won’t be making a new season this fall. I know many of you out there will be upset and disappointed to hear this, but I’m confident this is the right decision.”

Many fans feel that season four has struggled under the burden of ending the show – and divisions and cracks have appeared in the fandom as a result.

Some feel that Sana’s season has been overshadowed by other characters and plotlines, something that is particularly frustrating for those who were keen to see greater Muslim representation in the show. Of a moment in season four involving Noora, the main character from season two, one fan account wrote, “I LOVE season tw- I mean four. That’s Noora’s season right? No wait, is it Willhell’s season??? What’s a Sana.”

Others feel that the subject of Islam hasn’t been tackled well in this season. Some viewers felt one scene, which sees Sana and her white, non-Muslim friend, Isak, discuss Islamophobia, was whitesplainy. 

One popular translation account, that provides a version of the show with English subtitles, wrote of the scene: “A lot of you guys have been disappointed by the latest clip and you’re not the only ones. We do want to finish this project for the fans but we are disappointed with how this season has gone.” They announced they would be translating less as a result.

The final week of the show has been light on Sana. Instead, each character who never received a full season has had a few minutes devoted to their perspective. These are the other girls from the girl squad, Vilde and Chris, and the boyfriends of each main character: Eva’s ex Jonas, Isak’s boyfriend Even, Eva’s current fling “Penetrator Chris” and Noora’s on-off boyfriend William.

It’s understandable to want to cover key perspectives in the show’s final week, but it can feel teasing – we get a short glimpse into characters' home lives, like Vilde struggling to care for her depressed mother, but the scene ends before we can really get into it. And, of course, it takes precious time away from Sana in the show’s final minutes.

Some were frustrated by the characters focused on. “Penetrator Chris” is a particularly minor character – one fan account wrote of his scene: “This is absolutely irrelevant. 1) It sidelines Sana 2) It asks more questions 3) It doesn’t answer shit. This isn’t even Sana’s season anymore and that’s absolutely disgusting. She didn’t even get closure or ten episodes or anything.

“Sana has been disrespected and disregarded and erased and sidelined and that is fucking gross. She deserved better. Yet here we are watching a Penetrator Chris clip. How ironic that it’s not even called just “Christopher” because that’s all he is. “Penetrator Chris”.

It’s been a dramatic close for a usually warm and tight-knit fan community. Of course, many fans are delighted with the final season: their only sadness is there won’t be more. One of the largest fan accounts tried to keep things positive. “I know people have mixed feelings about Skam and who deserves what in terms of screentime this season (etc),” they wrote, “which I totally understand.

"However, everything has already been filmed, so there is nothing we can do about it. I think this last week of Skam will be much more enjoyable for everyone if we focus on the positives in the clips ahead. Skam isn’t perfect. People are allowed to disagree. But let’s go into this week being grateful for everything Skam has given us.”

Some fans choose to look to what the future holds for the show – an American remake. It will keep the same characters and plotlines as the original, and Andem may be involved.

Few think it will be a patch on the current show, but some are excited to have the chance to watch it teasingly as a group regardless. It seems unlikely that the US remake will compare in terms of quality – not least because the original was so heavily researched and tied to Norwegian culture. But for fans struggling to let go of Skam, it can’t come soon enough.

Anna Leszkiewicz is a pop culture writer at the New Statesman.

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