What did the critics really think of "Cuckoo's Calling" (before they knew it was by J K Rowling)?

Actually, they liked it. Galbraith's Cormoran Strike thriller could mark the start of another intensely successful Rowling series.

A reinvigorated J K Rowling has stuck two fingers up to the literary establishment with her first novel under the pseudonym 'Robert Galbraith'. The Cuckoo’s Calling was met with widespread acclaim upon its publication in April before the true identity of the author was revealed by The Sunday Times yesterday. Rowling has spoken of the “pure pleasure to get feedback under a different name” and this pleasure will inevitably be tinged with a sense of vindication, following the mixed reviews received by Rowling’s first foray into literature post-Harry Potter, The Casual Vacancy.

Before Rowling was exposed, publishers Mullholland initially claimed that the book, released in April, was based on Galbraith’s own experience in military service.  The crime thriller follows the elaborately named Cormoran Strike, a wounded Afghan veteran who now pursues a career as a private investigator. Alongside his new secretary Robin Ellacott, he investigates the suspicious suicide of celebrity supermodel Lula Landry.

Geoffrey Wansell of the Mail showers compliments upon Galbraith’s “auspicious debut”. Particular praise is reserved for Cormoran Strike who possesses a “dark fascination”, and is the most interesting fictional detective since “the wonderful Eddie Ginley, nightclub-comedian and wannabe private eye, in director Stephen Frears’ debut film Gumshoe [1971]”. Wansell astutely concluded in May that “there is no sign whatsoever that this is Galbraith’s first novel”.

Publisher’s Weekly was similarly appreciative of Galbraith’s “stellar debut”. It celebrates the novel’s “host of vividly drawn suspects and witnesses” and its “elegant solution”, and is once again, hugely impressed by Strike, “a complex and compelling sleuth.” It concludes that “readers will hope to see a lot more of this memorable sleuthing team".

Teresa Jacobsen of the Library Journal flattered Galbraith with even more inventive adulation, describing the novel as “like a mash-up of Charles Dickens and Penny Vincenzi”. Jacobsen found the novel engrossing, “laden with plenty of twists and distractions”. So too did Marcel Berlins of the Times. He commends the “sparkling dialogue”, and also Galbraith’s critique of celebrity culture.  A “scintillating debut novel set in the world of models, rappers, [and] fashion designers...” manages to produce a “convincing portrayal of the emptiness of wealth and glamour".

The second Cormoran Strike thriller is to be published in 2014. Reviews of the sequel are however set to be skewed by Rowling’s fame. They will surely not demonstrate the same unassuming inspection enjoyed by Galbraith’s first novel.

Rowling's pleaure following Galbraith's success will be intensified following the mixed reviews of "The Casual Vacancy". Photograph: Getty Images.
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Don’t worry, Old Etonian Damian Lewis calls claims of privilege in acting “nonsense!”

The actor says over-representation of the privately educated at the top of acting is nothing to worry about – and his many, many privately educated peers agree.

In the last few years, fears have grown over the lack of working class British actors. “People like me wouldn’t have been able to go to college today,” said Dame Julie Walters. “I could because I got a full grant. I don’t know how you get into it now.”

Last year, a report revealed that half of Britain’s most successful actors were privately educated. The Sutton Trust found that 42 per cent of Bafta winners over all time were educated independently. 67 per cent of British winners in the best leading actor, actress and director categories at the Oscars attended fee-paying schools – and just seven per cent of British Oscar winners were state educated.

“That’s a frightening world to live in,” said James McAvoy, “because as soon as you get one tiny pocket of society creating all the arts, or culture starts to become representative not of everybody but of one tiny part. That’s not fair to begin with, but it’s also damaging for society.”

But have no fear! Old Etonian Damian Lewis is here to reassure us. Comfortingly, the privately-educated successful actor sees no problem with the proliferation of privately-educated successful actors. Speaking to the Evening Standard in February, he said that one thing that really makes him angry is “the flaring up recently of this idea that it was unfair that people from private schools were getting acting jobs.” Such concerns are, simply, “a nonsense!”

He elaborated in April, during a Guardian web chat. "As an actor educated at Eton, I'm still always in a minority," he wrote. "What is true and always rewarding about the acting profession is that everyone has a similar story about them being in a minority."

Lewis’s fellow alumni actors include Hugh Laurie, Tom Hiddleston, Eddie Redmayne – a happy coincidence, then, and nothing to do with the fact that Etonians have drama facilities including a designer, carpenter, manager, and wardrobe mistress. It is equally serendipitous that Laurie, Hiddleston and Tom Hollander – all stars of last year’s The Night Manager – attended the same posh prep school, The Dragon School in Oxford, alongside Emma Watson, Jack Davenport, Hugh Dancy, Dom Joly and Jack Whitehall. “Old Dragons (ODs) are absolutely everywhere,” said one former pupil, “and there’s a great sense of ‘looking after our own’." Tom Hollander said the Dragon School, which has a focus on creativity, is the reason for his love of acting, but that’s neither here nor there.

Damian Lewis’s wife, fellow actor Helen McCrory, first studied at her local state school before switching to the independent boarding school Queenswood Girls’ School in Hertfordshire (“I’m just as happy to eat foie gras as a baked potato,” the Telegraph quote her as saying on the subject). But she says she didn’t develop an interest in acting until she moved schools, thanks to her drama teacher, former actor Thane Bettany (father of Paul). Of course, private school has had literally no impact on her career either.

In fact, it could have had an adverse affect – as Benedict Cumberbatch’s old drama teacher at Harrow, Martin Tyrell, has explained: “I feel that [Cumberbatch and co] are being limited [from playing certain parts] by critics and audiences as a result of what their parents did for them at the age of 13. And that seems to me very unfair.”

He added: “I don’t think anyone ever bought an education at Harrow in order for their son to become an actor. Going to a major independent school is of no importance or value or help at all.” That clears that up.

The words of Michael Gambon should also put fears to rest. “The more Old Etonians the better, I think!” he said. “The two or three who are playing at the moment are geniuses, aren’t they? The more geniuses you get, the better. It’s to do with being actors and wanting to do it; it’s nothing to do with where they come from.”

So we should rejoice, and not feel worried when we read a list of privately educated Bafta and Oscar winners as long as this: Chiwetel Ejiofor (Dulwich College), Emilia Clarke (St Edward’s), Carey Mulligan (Woldingham School), Kate Winslet (Redroofs Theatre School), Daniel Day-Lewis (Sevenoaks School, Bedales), Jeremy Irons (Sherborne School), Rosamund Pike (Badminton), Tom Hardy (Reed), Kate Beckinsale (Godolphin and Latymer), Matthew Goode (Exeter), Rebecca Hall (Roedean), Emily Blunt (Hurtwood House) and Dan Stevens (Tonbridge).

Life is a meritocracy, and these guys were simply always the best. I guess the working classes just aren’t as talented.

Anna Leszkiewicz is a pop culture writer at the New Statesman.

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