Reviewed: Harry’s Games: Inside the Mind of Harry Redknapp by John Crace

Win or lose, on the booze.

Harry’s Games: Inside the Mind of Harry Redknapp
John Crace
Constable, 256pp, £18.99

It was the morning after the night before. Tottenham Hotspur had experienced one of their rare and glorious Champions League triumphs, back in 2010, and I was walking to work along Ludgate Hill. The traffic had stopped and I noticed a couple of men waving frantically at a fat jeep waiting at the lights. The driver, it turned out, was Harry Redknapp and the opportunity was too rich to miss. I joined the well-wishers, and when my turn came inevitably panicked and gave the Spurs manager a cheery thumbs up.

A thumbs up! Not that Harry minded. He was waving and grinning and soaking up the good will and backslapping as though there was nowhere he would rather be than stuck in traffic being accosted by over-enthusiastic fans. As John Crace says in his new book about the jowly manager, there is something about Redknapp “that makes you feel as if you know him when you don’t; he has genuine charisma”. Most public figures shirk from encounters with the man (or woman) on the street, whereas “Redknapp gives the impression he enjoys it”.

I can’t call him Redknapp. No one can. He’s Harry (or, to be precise, ’Arry). He’s your friend, one of the boys, a wisecracking avuncular stalwart who you’d have a pint with after the game. Crace says he talks as if he knows you, “as if you’re an old mate with whom he’s sharing a confidence”. You get that feeling just watching him on television, in a post-match interview, when he ribs the journalist and almost winks at the camera. Perhaps my favourite Harry moment was after Spurs beat Man City a couple of years ago to qualify for the Champions League. In the middle of giving an interview to Sky, he starts to cower against the wall, having spotted off-camera a group of players brandishing an ice bucket, which they promptly empty over his head, on camera. Harry takes off his sodden jacket and wipes the rivulets of liquid off his head, smiling all the while. You can’t imagine Alex Ferguson reacting in quite the same way.

Crace shares the love he describes others having for Harry. His book is the work of a football fan: that devoted, tortured breed. I can’t claim to be a true fan – the game doesn’t make me feel pain or joy to that wonderful, ludicrous degree – but I’m married to one (also, like Crace and me, saddled with Spurs). There is something particularly agonised about the Spurs fan, the constant sense of near-greatness, then abject hopelessness; the annual tailing off. Spurs, if you’re not familiar, are grade-one bottlers. All this simply means that Redknapp, as a former Spurs manager, isn’t a straightforward subject for Crace, and Harry’s Game is no hagiography.

Crace’s object is to delve beneath that chirpy East End front, to discover the contradictions in the son of a docker who’d risen to great fortune. He does this not by talking to Redknapp himself but gathering evidence from those around him – the local Portsmouth reporters who followed his every move when he was manager of the club, old team-mates from his playing career, a writer who used to ghost a column for him. No one still close to Redknapp will speak on the record, so much of the book is a collage of sorts, pieced together from old interviews, recollections and quotes from Redknapp’s 1999 biography (in which, wonderfully, there’s chapter called “Win or Lose – on the Booze”, remembering his exuberant playing days at West Ham).

At times the book can feel like the result of someone trying to get dressed in the dark: a cobbled together collection of information from a mass of sources and voices. But it works: Crace succeeds in dismantling the facade of the kind of Olympic-level charmer, who even when in court for tax evasion can seduce a crowd (“this man could put a glass eye to sleep,” said Redknapp of the prosecuting QC). Detail by detail you realise that Harry is more complicated than he seems – he never really wanted to go into management and yet has been one of the most enduring managers in the Premier League; he just wants to be liked and yet has shown remarkable disloyalty to both colleagues and players over the years; he’s brilliant at signing players but bad at keeping them, or, as Crace puts it, “he doesn’t have a nose for stability”. The one consistent message of the book is his devotion to his family and his dogs (the famous Rosie, who lent her name to his suspicious Monaco bank account: “you would be a lucky man to have a wife as lovely as Rosie”).

Now Redknapp’s star has fallen somewhat. QPR, his latest club, has just been relegated and those heady days when he appeared to be a shoe-in for the England manager’s job seem remote. But, as Crace concludes, he’s still going, still managing, still Harry. “Only fans and romantics think that football is all about the glory”, he writes. “It isn’t – it is about survival”.

Rosie future: Redknapp looks on as QPR play Wigan. Photograph: Getty Images.

Sophie Elmhirst is features editor of the New Statesman

This article first appeared in the 13 May 2013 issue of the New Statesman, Eton Mess

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“It was like a religious ceremony”: What happened at Big Ben’s final bong?

Both inside and outside Parliament, people gathered to hear the clock’s final midday chime before undergoing repairs.

“It’s just hacks everywhere,” a photographer sighs, jamming his lens through a gap in Parliament’s railings to try and get a closer look.

New Palace Yard, Parliament’s courtyard directly below Big Ben, is filling with amused-looking journalists, waiting for the MPs who have promised to hold a “silent vigil”, heads bowed, to mark Big Ben’s final chime before four years of silence while the tower’s repaired.

About four of them turn up. Two by accident.

It’s five minutes to twelve. Tourists are gathering outside Westminster Tube, as tourists do best. A bigger crowd fills Parliament Square. More people than expected congregate outside, even if it’s the opposite within the Palace. The world and his phone are gazing up at the sad, resigned clock face.


“It’s quite controversial, isn’t it?” one elderly woman in an anorak asks her friend. They shrug and walk off. “Do you know what is this?” an Italian tourist politely asks the tiny press pack, gesturing to the courtyard. No one replies. It’s a good question.

“This is the last time,” says another tourist, elated, Instagram-poised.

“DING DONG DING DONG,” the old bell begins.

Heads down, phones up.


It finishes the on-the-hour tune for the last time, and then gives its much-anticipated resignation statement:

“BONG. BONG. BONG. BONG. BONG. BONG. BONG. BONG. BONG. BONG. BONG. BONG.”

Applause, cheers, and even some tears.


But while the silly-seasoned journalists snigger, the crowd is enthusiastic.

“It’s quite emotional,” says David Lear, a 52-year-old carer from Essex, who came up to London today with his work and waited 45 minutes beneath Big Ben to hear it chime.

He feels “very, very sad” that the bell is falling silent, and finds the MPs’ vigil respectful. “I think lots of people feel quite strongly about it. I don’t know why they’re doing it. During the war it carries on, and then they turn it off for a health and safety reason.”

“I don’t know why they can’t have some speakers half way down it and just play the chime,” he adds. “So many tourists come especially to listen to the chime, they gather round here, getting ready for it to go – and they’re going to switch it off. It’s crazy.”

Indeed, most of the surrounding crowd appears to be made up of tourists. “I think that it was gorgeous, because I’ve never heard him,” smiles Cora, an 18-year-old German tourist. “It was a great experience.”

An Australian couple in their sixties called Jane and Gary are visiting London for a week. “It was like a religious ceremony, everybody went quiet,” laughs Gary. “I hope they don’t forget where they put the keys to start it again in four years’ time.”

“When we first got here, the first thing we did was come to see it,” adds Jane, who is also positive about the MPs who turned up to watch. “I think it’s good they showed a bit of respect. Because they don’t usually show much respect, do they?”

And, as MPs mouthing off about Big Ben are challenged on their contrasting reactions to Grenfell, that is precisely the problem with an otherwise innocent show of sentimentality.

Anoosh Chakelian is senior writer at the New Statesman.