Like B*Witched and the SDP, I am far greater than the sum of my parts

Playing Top Trumps inside your own head.

Susan Calman: she's much greater than the sum of her parts. Photograph: Getty Images

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I love Twitter. I really do. Little fills my heart with joy more than disseminating pictures of cats dressed in funny costumes. I think it’s what the inventor of the internet would’ve wanted. It’s also easy to get used to the concept of “less is more” with Twitter. A mere 140 characters to discuss important political issues? No problem. It’s simple to vacuum-pack your life philosophy into one tweet. What could possibly go wrong? The obsession with reducing complex issues to a bite-sized morsel hasn’t been all fun. Disappointingly, some seem to believe that social media have led to a reduction in the capacity of the public to understand more than one idea at a time. Suddenly simplicity is the key to explanation.

I have personal experience of this particular trend. I’m often asked in interviews what it’s like to be a Scottish, female, comedian, ex-lawyer lesbian. I always answer that I’d find it more difficult to be an English, male, comedian, ex-lawyer lesbian and then I wait for the laugh from the journalist asking the question. Sadly, like summer in Scotland, it never comes. Of course, I’m being flippant, after being asked what is, in essence, a stupid question.

What I’m really being asked to do is play a game of top trumps with my own head, to simplify myself into one banner headline. Sort of what you’d have to do at the world’s least exciting speed-dating evening. But how do you start defining what you are? Is my being Scottish more important than the fact that I’m a feminist? Is being gay more influential within my own psyche than being a comedian? Does the fact that I’m an ex-lawyer with a degree in constitutional law mean that I have more sympathy with politicians? Usually I give a long and involved answer to the journalist who’s dissecting my political make-up with the sharpness of a scalpel made from marshmallow, only to read the final article, where my analysis is summarised with the sentence: “Calman likes cats.”

Whenever it seems that I’m required to create a Venn diagram of my mind, I remember the greats. The Nolans, the Jackson Five, B*Witched, the SDP. All examples of people who, when they worked together, were greater than the sum of their parts. And that’s what I am. A girl band comprising one short woman who can neither dance nor sing. I should enter Eurovision.

But back to the problem. Can I really say I’m more Scottish than gay? Is that even possible? I can’t discuss my queer politics without remembering I grew up in Glasgow in the 1980s where being gay was as easy as being a vegan in an abattoir.

What about being a woman in comedy? I’m often described as a “female” comedian, as if that adjective is required in order to prepare the audience for what might occur. It’s not really required in other jobs. Oh look there’s a “lady teacher” or a “woman accountant”. It’s a subtle way of introducing to an audience the notion that I don’t deserve the full title. Like giving someone beans on toast and then, when presenting them, whispering, “Sorry, they’re own-brand.” My gender obviously influences what I say. I can’t, for example, bemoan how difficult it is to be a white, straight, middle-class man in today’s society. (Apparently it’s really tough – at least, that’s what I keep hearing.)

If I say I’m Scottish first and foremost then I’m accused of being parochial. If I’m gay first (or a premier gay, as I like to call it) then I’m angry and man-hating. If I say that my legal background is most important then I’m dull. And if I say that the comedy is the most important thing, then why would anyone listen to a foul-mouthed clown?

It’s not possible to dissect myself, like an attention-seeking Mr Potato Head, into the sum of my own parts. The obsession with the 140-character Twitter summary of one’s identity just leads to descriptions sounding like a personal ad. “Late 30s gay scots lady, interest in law, GSOH”. The complexity of the human mind can’t be reduced to a one-word description. If we allowed ourselves to breathe, then perhaps we wouldn’t be so disappointed about other people we meet or vote for. We don’t live in the world of Mr Men, where I can wear a badge that says “Little Ms Scottish” or “Little Ms Lady Gay Comic”. I wish I could. But it’d have to be a really big badge.

Susan Calman is a comedian, and more

This article first appeared in the 12 April 2013 issue of the New Statesman, Centenary Special Issue

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Lord Sainsbury pulls funding from Progress and other political causes

The longstanding Labour donor will no longer fund party political causes. 

Centrist Labour MPs face a funding gap for their ideas after the longstanding Labour donor Lord Sainsbury announced he will stop financing party political causes.

Sainsbury, who served as a New Labour minister and also donated to the Liberal Democrats, is instead concentrating on charitable causes. 

Lord Sainsbury funded the centrist organisation Progress, dubbed the “original Blairite pressure group”, which was founded in mid Nineties and provided the intellectual underpinnings of New Labour.

The former supermarket boss is understood to still fund Policy Network, an international thinktank headed by New Labour veteran Peter Mandelson.

He has also funded the Remain campaign group Britain Stronger in Europe. The latter reinvented itself as Open Britain after the Leave vote, and has campaigned for a softer Brexit. Its supporters include former Lib Dem leader Nick Clegg and Labour's Chuka Umunna, and it now relies on grassroots funding.

Sainsbury said he wished to “hand the baton on to a new generation of donors” who supported progressive politics. 

Progress director Richard Angell said: “Progress is extremely grateful to Lord Sainsbury for the funding he has provided for over two decades. We always knew it would not last forever.”

The organisation has raised a third of its funding target from other donors, but is now appealing for financial support from Labour supporters. Its aims include “stopping a hard-left take over” of the Labour party and “renewing the ideas of the centre-left”. 

Julia Rampen is the digital news editor of the New Statesman (previously editor of The Staggers, The New Statesman's online rolling politics blog). She has also been deputy editor at Mirror Money Online and has worked as a financial journalist for several trade magazines. 

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