TV & Radio 27 March 2013 Reviewed: Noise - A History on BBC Radio 4 Give us a Scooby. Sign up for our weekly email * Print HTML Noise: A HistoryBBC Radio 4 “We assume the past was much quieter,” chides David Hendy in the opening seconds of his new 30-part series (weekdays, 1.45pm) on the history of noise (“turning up the volume on the past; making sense of history through sound”). Hendy is clearly walking down a New York street and then suddenly – unusual travel budget alert! – hauls us to a black cave in Burgundy looking for evidence of life from 20,000 years ago. “Put humans in a cave,” whispers David, feeling his way along the bare rock, “and it can become quite unnervingly noisy. If we hum or sing, the cave . . . sings back as if the cave itself is alive.” How nose-stroking can a lunchtime show get? In the background, terrible sounds recur: groans repeatedly dissolving into the kind of surprised, rising grunt issued by an on-hisuppers Scooby-Doo. “That’s Igor Resnikov,” admits David after a moment, awed. “He’s a French archaeologist conducting an interesting experiment.” No way. Igor communicates exclusively through grunts and taps, uttering not a human word, leaving us to imagine him rocking through weeks of intense glooms, a jungle of bone medallions nestling in a hairy chest, occasionally visited by neuropsychologists and economic historians eager to widen the scope of their funding applications. Igor has been searching for the most aurally resonant places in cave systems for decades, proving that 80 per cent of prehistoric paintings occur in places where the acoustics are particularly unusual. David insists it’s incredibly interesting –but the moment Igor detects something that sounds outré, he turns on his torch and finds a painted bison. “Something drew them to these most inaccessible chambers . . .” ferrets Hendy, a professor of media and communication at Sussex who one suspects is never more than a phone call away from a mixed mezze at the Lebanese opposite Portland Place. “Whoever created this art seems to have chosen acoustically ‘interesting spaces’ as if mesmerised by echoes . . .” Next up: the alarm calls of the vervet monkey, the “talking drum” and a song to summon rainforest spirits. Put like that, this sounds like the most sub-avant-garde and brilliant new programme on BBC radio. And what a way to intro The Archers! › The UK Border Agency: after four years, a car crash in slow motion finally comes to a stop Professor David Hendy makes some noise. Photograph: BBC Antonia Quirke is an author and journalist. She is a presenter on The Film Programme and Pick of the Week (Radio 4) and Film 2015 and The One Show (BBC 1). She writes a column on radio for the New Statesman. Subscribe from just £1 per issue This article first appeared in the 25 March 2013 issue of the New Statesman, After God More Related articles Everyday superheros - how pop culture can help overcome trauma The radio station where the loyal listeners are chickens Can we morally justify rape dramas like the BBC’s Three Girls?