Film in 2013 - the year of DiCaprio unchained

What to look out for on the big screen this year.

Since the dawn of time, mankind has been guided through life by the passing of the seasons, the phases of the moon and the patterns of the film release schedule; 2013 is no different. There is the usual January logjam of awardsseason heavyweights: you shall know them by their extravagant length. One, Quentin Tarantino’s slavery revenge thriller Django Unchained (18 January), is one of three new films starring Leonardo DiCaprio. Having at last shed his formerly foetal demeanour, DiCaprio is up to the job of playing his first villain, a sadistic plan - tation owner. The actor will be a good fit, too, in the title role of Baz Luhrmann’s The Great Gatsby (May), opposite Carey Mulligan as Daisy. Before the year is out, he’ll be seen as the jailed stockbroker Jordan Belfort in The Wolf of Wall Street, his fifth collaboration with Martin Scorsese. (There’s an extra DiCaprio treat: a Valentine’s Day rerelease of Luhrmann’s febrile Romeo + Juliet. A new film of the play, adapted by Julian Fellowes, follows in October.)

Carey Mulligan and Leonardo DiCaprio in "The Great Gatsby"

The appetite of Park Chan-wook for Jacobean excess far outstrips mine but I am looking forward to Stoker (March), the Korean director’s forthcoming horror film starring Nicole Kidman and the translucent Mia Wasikowska. Oldboy, the gruesome thriller that made Park’s name, will rise again in October in the form of Spike Lee’s US remake. Anyone fancy putting a few squid on whether its star, Josh Brolin, will replicate the original film’s unsimulated liveoctopus- eating scene?

Ben Affleck and Rachel McAdams in the upcoming Terrence Malik film "To the Wonder"

We can no longer look to Terrence Malick for tantalising hiatuses between projects – a mere two years after The Tree of Life, he offers To the Wonder (February), featuring Ben Affleck, Rachel McAdams and very little dialogue, and has been shooting his next two movies simultaneously. Fortunately Wong Kar-wai is available to take up the mantle of Elusive Genius. Hopes are high for The Grandmaster, his first film in five years, starring Tony Leung as Yip Man, the martial arts master who trained Bruce Lee. The picture opens the Berlin Film Festival in February. The wait has been even longer for fans of the British director Jonathan Glazer. Nine years will have elapsed since his last film (Birth) by the time we see Glazer’s adaptation of Michel Faber’s novel Under the Skin. Scarlett Johansson wears a brown wig to play an extraterrestrial on a killing spree in Scotland.

Blockbusteritis prevents me from mentioning 2013’s numerous sequels. However, the film about which I am most excited is also technically a sequel, albeit a belated and idiosyncratic one. After ambling through Vienna in 1995 as twentysomethings in Before Sunrise and breezing around Paris nine years later in their thirties in Before Sunset, Jesse (Ethan Hawke) and Celine (Julie Delpy) hit middle age in Greece in the conclusion to Richard Linklater’s freewheeling trilogy. One wag has pointed out that the new film’s title, Before Midnight, surely refers to the hour that Jesse and Celine have to be in bed these days.

Ethan Hawke and Julie Delpy in "Before Sunrise"

As someone the same age as the characters, I can chuckle knowingly at that. I’ll be seeing the movie – just not at a late show.

Leonardo DiCaprio in Quentin Tarantino's "Django Unchained". The actor stars in three big releases this year.

Ryan Gilbey is the New Statesman's film critic. He is also the author of It Don't Worry Me (Faber), about 1970s US cinema, and a study of Groundhog Day in the "Modern Classics" series (BFI Publishing). He was named reviewer of the year in the 2007 Press Gazette awards.

This article first appeared in the 07 January 2013 issue of the New Statesman, 2013: the year the cuts finally bite

My Scientology Movie
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Is Louis Theroux’s new film, My Scientology Movie, “banned” in Ireland?

The film isn’t getting an Irish release – could the country's blasphemy and defamation laws be to blame?

The Church of Scientology is a touchy subject. So touchy, in fact, that the plot of Louis Theroux’s new documentary, My Scientology Movie, revolves around the controversial church’s refusal to appear in on camera. As the institution becomes more and more impenetrable, Theroux’s film uses dramatic readings and re-enactments (alongside more traditional methods like interviews with former Scientologists and scenes showing their attempts at access) to get to the heart of the subject.

Now, Theroux is discovering new complications as his film approaches release. As the buzz around the feature grew, Irish entertainment sites began to notice that although a UK distributor, Altitude, was attached to the project, there was no release date listed for Irish cinemas, nor an Irish distributor. This sparked concern among those familiar with Irish blasphemy and defamation laws – Alex Gibney’s 2015 Scientology documentary, Going Clear, did not secure an Irish theatrical release over libel claims.

The 2009 Defamation Act states that any “person who publishes or utters blasphemous matter shall be guilty of an offence and shall be liable upon conviction on indictment to a fine not exceeding €25,000”. Blasphemous matter is defined as anything that is “insulting in relation to matters held sacred by any religion”, and that intends to cause outrage.

There is a loophole in the law, if it can be proved that “a reasonable person would find genuine literary, artistic, political, scientific, or academic value” in the work. The law also states that blaspemhy laws do not apply to an organisation or “cult” that prioritises making financial profit or manipulates followers and new recruits. Scientology isn’t officially recognised as a church in Ireland, but it’s unclear whether or not it counts as a religion under the acts definitions.

It’s important to note that the decision not to show the film in Ireland lies with the distributors – this is not a case of the Irish government banning the film from cinemas, as many have been keen to point out on Twitter. As this is at their discretion, it also means we might never know for sure why they decided not to go for an Irish release.

Altitude had this to say in a statement:

Altitude Film Distribution currently has no plans for a theatrical release of My Scientology Movie in Ireland, and has no further comment to make at this time.

Informative, GRMA guys!

Anna Leszkiewicz is a pop culture writer at the New Statesman.