Slim iPad and new hardware show Apple can still innovate

Is it time to reappraise the idea that Apple is incapable of innovation in the post Jobs era?

This is a guest post on Future Proof by Barry Avery of Kingston University, republished from The Conversation

Is it time to reappraise the idea that Apple is incapable of innovation in the post Jobs era? The company has failed to introduce a game changing consumer device since the iPad but its latest range contains some significant breakthroughs.

In a world where bloggers can offer to pay Apple factory line workers hundreds of dollars to leak a photograph of a shell or an internal component, the days of the surprise keynote reveal seem over, but that shouldn’t detract from the fact that the new operating systems, 64 bit chip designs and software updates that have just been announced are significant innovations in hardware and software.

In the latest keynote Apple completes its Christmas lineup. We get a slimmer, thinner iPad, a refreshed iPad mini, upgraded laptops and a new version of its desktop operating system OS X Mavericks. In a major departure for Apple, this will be available for free and immediate download.

iPad goes slimline

Conspiracy theorists are already suggesting that the timing of this keynote was specifically set to derail Microsoft and Nokia, who are also launching tablets. It is indeed the case that the tablet market has heated up significantly over the past year, so the pressure was on to produce something the would stand out.

Last year the iPad put on a little weight to accommodate the battery and technology needed to offer a retina display. This year’s renamed iPad Air has lost weight, narrowed, improved its capacity and speed and now comes with free iWorks and iLife software.

Weighing 1lb, Apple claims it to be the lightest full size tablet available. Just as iPhone 5 users are likely not to upgrade to the newer version immediately, the features on the iPad Air may not be enough to get users with last year’s iPad to switch up, but anyone with a pre-retina device will see significant performance increases. The iPad mini gets a retina display and the same A7 chip as the iPad Air, without losing its precious ten hours battery life.

Most users will be unaware of the technical complexities required in porting an operating system to a new 64bit chip design, but accomplishing this whilst simultaneously designing a new interface in iOS is a remarkable achievement. From a user perspective, the switch to a 64bit processor inside both devices will offer immediate speed advantages and an increase in the sophistication of the apps available.

Attempting all this in a year has meant that parts of the iOS transformation weren’t finished for the iPhone launch - iLife and iWorks have been updated on both the Mac and mobile platforms, abandoning leather stitching and wood panels, unifying the interface and ironing out some of the incompatibilities between versions.

Hardware back in fashion

Completing the announcements are hardware upgrades to the Mac computer line. Many have speculated that Apple would embrace the post-PC era by terminating its computer line, but such analysis fails to take account of Steve Jobs' vision of a “virtuous circle”, where features developed on one platform migrate to another. They also fail to explain how developers would create mobile device applications if not with Mac platform development tools.

iOS and Mac OS X share a significant amount of under-the-bonnet code, so increases in functionality flow both ways. Techniques used to improve battery life in Apple laptops make their way into tablets and phones. This ability to advance hardware and software features in parallel offers Apple a significant advantage, which is why you now see companies like Microsoft manufacturing its own tablets, or purchasing Nokia to make its own phones.

The canister-shaped Mac Pro, to be released on the market in December, signals the return of Apple’s attention to its professional range after several years of neglect. Having failed to offer an upgrade for a long time, the company is gambling that most professional users would prefer easily switchable external storage connected through a super fast thunderbolt connector, rather than having a big case with internal components.

Apple famously decries market research, as it suggests that results can only ever be framed in terms of what people have experienced rather than what they could like. The jury is out on this one, but don’t be surprised to discover similar barrel style computers appearing from hardware manufacturers next year.

Barry Avery does not work for, consult to, own shares in or receive funding from any company or organisation that would benefit from this article, and has no relevant affiliations.

The Conversation

This article was originally published at The Conversation. Read the original article.

Apple CEO Tim Cook holds the new iPad Air. Photo: Getty Images
Barry Avery is a Principal Lecturer in Informatics and Operations at Kingston University.
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"It's just a prank, bro": inside YouTube’s most twisted genre

Despite endless headlines and media scrutiny, catchphrases such as "it was a social experiment" and "block the haters" have allowed YouTube's dangerous pranking culture to continue unregulated. 

A year and five months after the worst prank video ever was uploaded to the internet, its crown has been usurped. In November 2015, YouTuber Sam Pepper made headlines after he filmed a video entitled “KILLING BEST FRIEND PRANK”. In the video, Pepper kidnaps a man before forcing him to watch his friend be “murdered” by a masked figure. Rocking on the chair he has been tied to, the victim sobs and shouts: “We’re just kids”.

Last week, an actual child – aged nine – was victim to a similarly distressing “prank”. Michael and Heather Martin, of the YouTube channel DaddyOFive, poured disappearing ink on to their son Cody’s carpet before – in Heather’s words – “flipping out” on the child.

“What the fuck did you do,” yells Heather to summon Cody to his room. “I swear to God I didn’t do that,” screams and cries Cody as his parents verbally berate him. His face goes red; he falls to his knees.

You won’t find either of these videos on either of their creators’ channels today. After considerable backlash, Pepper deleted his video and DaddyOFive have now made all of their videos (bar one) private. The Martins have faced international scrutiny after being called out by prominent YouTuber Philip DeFranco, who collated a video of clips in which Cody is “pranked” by his family. In one, Cody appears to be pushed face-first into a bookcase by his father. In another, a visibly distressed Cody sobs while his father says: “It’s just a prank bro.”

These five words have been used to justify some of the most heinous pranks in YouTube history. Sam Pepper famously called a video in which he pinched the bottoms of unsuspecting women, a “social experiment”. Usually, though, creators’ excuses follow a pattern. “It was just a prank,” they say. Then, if the heat doesn't subside: “Actually, it was fake.”

Three months after his “KILLING BEST FRIEND” prank, Pepper claimed the video – and all of his other prank videos – were staged. In a video entitled “Family Destroyed Over False Aquisations [sic]” the Martins have now also claimed that their videos are scripted. “We act them out,” says Michael. It seems many on the internet remain sceptical. The Child Protection Services website for Maryland – where the Martins live – has crashed after Redditors encouraged one another to report the family. If the Martins’ videos are indeed staged, Cody is one of the shining child actors of our time.

Though the Martins might yet face severe consequences for their pranks, it wouldn’t be surprising if they didn’t.  The “Just a prank”/“No it’s fake” cycle means that despite multiple headline-grabbing backlashes, YouTube pranking culture continues to thrive. Boyfriends pretend to throw their girlfriend’s cats out windows; fathers pretend to mothers that their sons have died. YouTubers deliberately step on strangers' feet in order to provoke fights. Sometimes, yes, pranksters are arrested for faking robberies, but in the meantime their subscribers continue to grow in their millions.

At present, there is no regulatory body that examines YouTube. Pranksters who break the law are arrested, but children whose daily lives are filmed for the site are not protected by the same regulations that safeguard child actors from being overworked or exploited. Though the communications authority Ofcom has guidelines about wind-up calls and consent, it does not regulate YouTube. The BBC were famously fined £150,000 by the body after Russell Brand and Jonathon Ross prank called Andrew Sachs, yet internet pranks remain out of its jurisdiction.

Though YouTube removes videos that breach its “Community Guidelines”, it seems illogical that we trust the service to police itself. Since the invention of the radio, we have assumed that independent bodies are needed to scrutinise the media – so why you should the largest video-sharing platform on the planet be exempt? No one is truly looking out for either the pranking victims or the children of YouTube. God forbid, like Cody, if you are both.

It is also arguable that YouTube pranks need more regulation than those broadcast on TV. Britain’s favourite pranking shows revolve around humiliating comedians themselves – Trigger Happy TV, Balls of Steel, Jackass – or are very soft (think a man pretending to be both a mime and a policeman) in nature. When someone is outright humiliated on TV, it’s because they are seen to be “fair game”, such as in Comedy Central’s Fameless Prankers, where people desperate to be famous are forced into increasingly humiliating situations. On YouTube, there are no consent forms or waivers to ensure filming remains ethical, and YouTube pranksters often target more vulnerable people.

“There’s an element of power here with the parents and it seems this is very top-down,” says Jonathan Wynn, a sociology professor at the University of Massachusetts who has written on pranks in the past. Wynn explains that traditionally pranks mock status and hierarchy, such as when court jesters taunted kings. When pranks come from the top down, Wynn says they allow a group to bond emotionally – arguably something the Martins are attempting as a family. Nonetheless, Wynn notes this would work better if the children also pranked their parents equally. “In this case the status differential is quite high, when you have children and parents.”

Traditionally, the mainstream media has had little room for this type of content. In 2012, two radio DJs attempted to prank the Duchess of Cambridge Kate Middleton by calling the hospital she was staying at, but instead tricked two nurses. When one of these nurses, Jacintha Saldanha, died by suicide days later, the episode seemed the ultimate illustration of the recklessness of pranks that “punch down”.

Conversely, status differentials are a large part of YouTube prank culture. Rather than attacking people in power, YouTube pranks are often played by those in power (the YouTube famous) on those who have lower social status. Frequently, boyfriends prank girlfriends, for example, and since 2014, white pranksters have filmed “in the hood” pranks provoking young black men. In “The N Word Prank!!” famous internet prankster Roman Atwood goes around saying “What’s up my neighbour” to people of colour, knowing that it will be misheard as a racial slur. In the context of this pranking culture, a parent pranking a child to the point of tears seems almost inevitable.

Perhaps, then, it is easy to understand why Michael and Heather Martin “prank” their children – it is harder to understand why anyone is watching. The DaddyOFive channel has over 750,000 subscribers, with over 7,000 of these subscribing after Philip DeFranco’s video accused the family of “abusing” their children. In order to defend themselves, the Martins initially employed another YouTube rhetoric, on top of “just a prank bro”. In a since deleted video, they invited their fans to “block the haters”.

This phrase is ingrained in online culture, and has allowed internet celebrities to dismiss criticism for years. By painting anyone who is critical as “jealous” or a “hater”, YouTubers can ensure their fans ignore their words and therefore stay loyal. In a video response to Philip DeFranco, the Martins riffed off a popular meme and placed spoons over their eyes to symbolise this mentality, and now fans as young as 12 are copying this action to show their support. When I search the hashtag used by the family’s supporters to see if anyone might be willing to explain why they still love the channel, I am faced with the reality that most of DaddyOFive’s fans are children. Though YouTube’s minimum sign-up age is 13, there is nothing really stopping children from watching – and normalising – harmful content, particularly when it is disguised as a “prank”.

In this context, it doesn’t matter in the slightest whether a prank is faked. Sam Pepper might have asked his friend's permission before he fake-kidnapped him, and perhaps Michael Martin was only pretending when he pushed his son into a bookcase. Neither of these facts will prevent children – 19 percent of whom have a desire to be famous – from copying these actions in order to promote their own YouTube channels. Even if a YouTuber is punished for a dangerous pranking video, there are thousands of other pranksters ready and willing to take their place. 

It remains to be seen whether the Martins will continue with their YouTube channel. At the end of their now infamous invisible ink prank, Michael asks Cody to “do the outro” – the concluding section of a YouTube video. Wiping his nose and still red in the face, Cody rattles off his script at alarming speed.“Thank you guys for watching this video if you like this video and want to see more videos like this one leave a comment down the section below and don’t forget to follow us on Twitter, Instagram, Facebook, Snapchat… and don’t forget to… Like and Subscribe.” 

Since the backlash, Michael has added a new line into the “About” section of the DaddyOFive YouTube channel. After reiterating that the videos are fake, he writes: “no child was harmed in the making of our videos”. 

Amelia Tait is a technology and digital culture writer at the New Statesman.

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