Slim iPad and new hardware show Apple can still innovate

Is it time to reappraise the idea that Apple is incapable of innovation in the post Jobs era?

This is a guest post on Future Proof by Barry Avery of Kingston University, republished from The Conversation

Is it time to reappraise the idea that Apple is incapable of innovation in the post Jobs era? The company has failed to introduce a game changing consumer device since the iPad but its latest range contains some significant breakthroughs.

In a world where bloggers can offer to pay Apple factory line workers hundreds of dollars to leak a photograph of a shell or an internal component, the days of the surprise keynote reveal seem over, but that shouldn’t detract from the fact that the new operating systems, 64 bit chip designs and software updates that have just been announced are significant innovations in hardware and software.

In the latest keynote Apple completes its Christmas lineup. We get a slimmer, thinner iPad, a refreshed iPad mini, upgraded laptops and a new version of its desktop operating system OS X Mavericks. In a major departure for Apple, this will be available for free and immediate download.

iPad goes slimline

Conspiracy theorists are already suggesting that the timing of this keynote was specifically set to derail Microsoft and Nokia, who are also launching tablets. It is indeed the case that the tablet market has heated up significantly over the past year, so the pressure was on to produce something the would stand out.

Last year the iPad put on a little weight to accommodate the battery and technology needed to offer a retina display. This year’s renamed iPad Air has lost weight, narrowed, improved its capacity and speed and now comes with free iWorks and iLife software.

Weighing 1lb, Apple claims it to be the lightest full size tablet available. Just as iPhone 5 users are likely not to upgrade to the newer version immediately, the features on the iPad Air may not be enough to get users with last year’s iPad to switch up, but anyone with a pre-retina device will see significant performance increases. The iPad mini gets a retina display and the same A7 chip as the iPad Air, without losing its precious ten hours battery life.

Most users will be unaware of the technical complexities required in porting an operating system to a new 64bit chip design, but accomplishing this whilst simultaneously designing a new interface in iOS is a remarkable achievement. From a user perspective, the switch to a 64bit processor inside both devices will offer immediate speed advantages and an increase in the sophistication of the apps available.

Attempting all this in a year has meant that parts of the iOS transformation weren’t finished for the iPhone launch - iLife and iWorks have been updated on both the Mac and mobile platforms, abandoning leather stitching and wood panels, unifying the interface and ironing out some of the incompatibilities between versions.

Hardware back in fashion

Completing the announcements are hardware upgrades to the Mac computer line. Many have speculated that Apple would embrace the post-PC era by terminating its computer line, but such analysis fails to take account of Steve Jobs' vision of a “virtuous circle”, where features developed on one platform migrate to another. They also fail to explain how developers would create mobile device applications if not with Mac platform development tools.

iOS and Mac OS X share a significant amount of under-the-bonnet code, so increases in functionality flow both ways. Techniques used to improve battery life in Apple laptops make their way into tablets and phones. This ability to advance hardware and software features in parallel offers Apple a significant advantage, which is why you now see companies like Microsoft manufacturing its own tablets, or purchasing Nokia to make its own phones.

The canister-shaped Mac Pro, to be released on the market in December, signals the return of Apple’s attention to its professional range after several years of neglect. Having failed to offer an upgrade for a long time, the company is gambling that most professional users would prefer easily switchable external storage connected through a super fast thunderbolt connector, rather than having a big case with internal components.

Apple famously decries market research, as it suggests that results can only ever be framed in terms of what people have experienced rather than what they could like. The jury is out on this one, but don’t be surprised to discover similar barrel style computers appearing from hardware manufacturers next year.

Barry Avery does not work for, consult to, own shares in or receive funding from any company or organisation that would benefit from this article, and has no relevant affiliations.

The Conversation

This article was originally published at The Conversation. Read the original article.

Apple CEO Tim Cook holds the new iPad Air. Photo: Getty Images
Barry Avery is a Principal Lecturer in Informatics and Operations at Kingston University.
Azeem Ward
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Living the Meme: What happened to Azeem Ward and his flute?

In the first of a new series investigating what happens to people after they become memes, we speak to Azeem Ward, whose flute recital went viral in 2015.

The Sixties had Woodstock. The Nineties had Lollapalooza. The Tens – and, if we’re being honest, just a single year of them – had Azeem's Senior Flute Recital.

If you were inactive on the internet between 12 and 16 May 2015, you’ll be forgiven for not knowing who Azeem Ward is. After setting up a Facebook page for his end of year flute performance, the University of California student was inundated with over 100,000 RSVPs from the United Kindom, along with multiple requests to fly to England and play (for no apparent reason) Darude’s “Sandstorm” in Nando’s. After international news coverage, Ward – as all memes inevitably do – appeared on Jimmy Kimmel Live! to discuss his newfound fame. On 16 May, he had to turn hordes of people away from the 500 seat recital hall, and over 55,000 individuals tuned into a livestream of the event. Then, Ward disappeared. Not from social media, and not from the world, but from the internet’s collective consciousness.

Search interest in "Azeem Ward" over time

“I’d say no,” answers Ward, when I ask him whether, one and a half years later, he still receives any special attention or has any fan interactions. “I’m just regular Azeem now, and I’m okay with that. Regular me is a more focussed person that is not reacting to things that are happening around me.”

Ward is Skyping me from his home in Iowa, where he is getting his master’s degree in flute performance. He spends his time composing flute beatbox songs, learning how to produce music, and teaching a class on flute fundamentals at the university. “A lot of [the students] here in Iowa know what happened but they don’t go like: ‘Oh my God! It’s Azeem!’. It’s just like, ‘Hey, what’s up man? I saw that one thing about you on Jimmy Kimmel’.”  

The original Facebook event page

Ward regained his anonymity when he moved to Iowa, as many of his fellow undergraduate students in California recognised him because he was on the local news. “But the whole viral thing was a UK thing,” he explains, “It wasn’t really around the whole US.”

An Azeem meme

Four months after his famed flute recital, Ward did come to the UK and toured the country to perform as part of various university freshers’ weeks. “That was a crazy time,” he says, “I was over there for five weeks and played 22 shows in 12 different cities, all the way from London to Scotland.” His concerts were popular, though most people came to take a selfie or ask about how the recital happened, and only a few wanted to talk to him about music. Still, Ward profited from the events. “We did make some pretty good money," he says, admitting he earnt around $5,000. 

Despite clearly enjoying this time, Ward seems unfazed that his viral fame is now over. His only regrets, he says, are that he didn’t make any connections in the music business while in the UK, and that he didn’t have any social media accounts set up before he went viral, so there was nowhere for people to go to listen to his music. “When you go viral people hold onto that rather than taking you seriously as a musician,” he says. “Sometimes it annoyed me but sometimes I realised that I wouldn’t be there in the first place if it wasn’t for going viral.”

Azeem now, photo courtesy of Azeem Ward

So what advice would Ward give to the next person who finds themselves, unwittingly, the object of the internet’s affection?

“I'd say don't lose sight of what you've already been doing in your life, like keep your focus. I'd say that sometimes in your head you're like ‘Oh man, I have to do this now’, but you've just got to stay focussed on your goals. When you have your own path and you go viral you have a lot of people asking you to do all these different things. It was pretty intense – I’m not used to having a lot of people look at me and my actions, so I was pretty anxious at first. In the end I realised that I came to do what I came to do, and I had to go do it.”

Although Ward doesn’t miss being internet-famous, it is clear that going viral had an impact on him. He recalls the peak of the madness with telling clarity, sharing specific details such as "256 people” clicked attending in "four hours", and “then 512”, before 12,000 people RSVP’d overnight. Mostly, however, he seems very grounded, though he acknowledges it was “out of control” and “really crazy”.

Perhaps Ward feels this way because he received little in the way of negativity or hate. He fondly discusses memes that were created and art that was drawn about him, and the support of his family and friends. “Even though there were a lot of silly things going on, I managed to make it positive for the school,” he says. “I had no haters. Everyone was like ‘Damn, Azeem. Good job, man’.”

One day, Ward hopes to come back to London, although he is wary of returning. Not because of his viral fame, nor the number of selfies he might have to take with Nando's customers, but because of Brexit. Our conversation, like all post-June conversations, turns swiftly to the topic, and Ward asks me about the economy. “I was thinking about trying to do a doctorate over in London, but if things aren't going to be so good in a few years...” 

Ward admits he wouldn’t be bothered if he never went viral again. “When I think of something going viral, I think it has a point in time where there’s so much interest and then it goes away. I’d like to produce material and the attention to keep going up.” So do you want to be famous, I ask? “Do I really want to be famous?” he ponders. “Being famous is okay, I guess. But I want to be is respected and appreciated.”

To listen to Azeem’s music visit or Like his Facebook page.

To suggest an interviewee for Living the Meme, reach out to Amelia on Twitter.

Amelia Tait is a technology and digital culture writer at the New Statesman.